SlideShare a Scribd company logo
1 of 10
Textual Analysis
Rob Glover
Q Cover Analysis:
-Plug used as a way to get the potential buyer to want the magazine
and what is inside, in this case ‘an exclusive CD’ which immediately
draws in the attention of the audience.
-Use of a barcode, a common convention of magazines that allows the
customer to purchase the product.
-Date and price placed in small discreet text next to the barcode to
avoid making the price too obvious at least at first before the reader
has had time to be convinced by the key selling points of the product.
-Main image showing Dave Grohl, surrounded by the other 4 members
of the Foo Fighters directly addressing the reader/audience through
the use of eye contact that helps to give the magazine a more personal
and informal feel making the audience feel more connected.
-Use of the masthead/Q logo helps to give the magazine identity with
a bold and striking image to be recognised by, it appears as a key
feature on all covers so that the audience can differentiate between
different magazines, it is placed below the plug so that that is what
immediately tempts and draws into buying the product.
-Use of a sub image that advertises what else other than what is
pictured in the main image and headline, this is done to give the
audience a further insight in regards to the contents.
-Use of a buzz word excites the consumer making them feel that there
is something significant inside and that they are the first ones to know.
Kerrang! Cover Analysis:
-There is the use of a plug on the header of the cover to immediately
draw the readers attention to what they will get from within the
magazine, in this case ‘6 scorching "posters’. The use of the term
‘scorching’ (to describe the images) helps to intrigue and tempt the
reader into their purchase.
-Date and price placed discreetly in a small text size below the main
headlines, buzz word, and masthead to make sure that the audience
look elsewhere before looking at the price, by which time they will have
had chance to be persuaded by the key selling points of the magazine.
-Main image showing two of the six members of Linkin Park, and like in
the previous cover the image directly addresses the audience as the
people in the picture look forwards involving the reader therefore
strengthening the magazine’s connection with it’s audience.
-Use of ‘scorching’ as a buzz word that makes the reader want to buy
the product so that they can see what is inside.
-Use of a barcode which is a common convention in all magazines that
lets the reader make their purchase.
-Use of the Kerrang! masthead/logo helps to identify the magazine to
the reader who has to come to recognise it by this, it appears as a key
feature on all covers so that the audience can differentiate between
different magazines and also helps to put continuity into the covers.
-Use of sub image and sub header to advertise the other stories that
the contents will be covering.
NME Cover Analysis:
-No use of a Plug maybe because of a difference in median
age/audience in comparison to both Q and Kerrang! This could
potentially mean that the magazines appeals less to possible
readers/buyers as there is no buzz word or exclusive piece of content.
-Use of a barcode, which is typical of magazine covers and allows the
customer to purchase the product.
-Date and price placed in small text to the right of the barcode to
avoid making the price too obvious before the reader has had time to
be convinced by the key selling points of the product if there are any.
However NME recently became free and therefore would no longer
have a price printed on it.
-Main image showing American rock band, Julian Casablancas and the
Voidz. The way the audience is addressed is slightly less direct than on
the covers of Q and Kerrang! and as a consequence of this the
magazine has a less personal feel to it which means the audience may
feel less involved.
-Use of the masthead/NME logo or icon to help the audience
recognise and identify the magazine when it is in the company of rival
products and also to tempt the reader into buying the product itself.
-Use of a sub image to show what else other than what is shown by
both the main image and its headline, this is done to give the
audience a better idea of what they are buying.
Q Contents Analysis:
-Font sizes vary between the headers advertising the subject of the story
and the small amount of information below each heading in smaller text,
this is done to make sure that the reader knows the main contents of the
magazine before navigating through to find particular articles of more
interest.
-No use of columns but instead a more grid like format that allows each
subject to have its own area of the contents accompanied by a
photograph of the artist.
-Use of photographs to show the reader who each of the artists
mentioned in the magazine are and what they look like.
-Use of large coloured page number icons to help the reader locate
specific stories and navigate to certain pages rather than having to scan
through and search for their desired article.
-Use of continuity in the branding of the magazine with the red ‘Q’ logo,
a constant feature across the contents page that gives the magazine
identity making sure that it looks similar on each page so that it has a
recognisable format.
-Amount of text is largely minimised and the images take up most of the
space on the page, the text is also only used when necessary and is not
made overly obvious, except in the case of the headers.
Kerrang! Contents Analysis:
-Font sizes differ between the bold headers and the detailed text in the
small articles in the columns across the right hand side although the
majority of text is in a small font size that is maybe slightly too small to be
immediately noticeable and therefore won’t immediately draw the reader
in to any section of the magazine in particular. The section headings are
highlighted in yellow text so that they stand out from the rest of the
subheadings.
-Use of columns makes for a more organised format to the contents page
and makes it easier to read through as the different stories are split into
sections under the headings of ‘news’, ‘features’, ‘albums; etc.
-Use of images that vary in size to show the significance/importance of
each article help to show the audience the subject of the articles and how
or what is the main focus of the reading. .
-Use of bigger page number icons in white over the images of the bigger
articles to contrast with the backgrounds to help the reader find specific
stories efficiently and navigate to certain pages instead of aimlessly
scanning through.
-No real use of branding like on the Q contents page, this means it is less
noticeably part of the Kerrang! brand itself and it looks like it could be
part of any other music magazine.
-Uses a large amount of text in comparison to how little was used in the Q
contents page, the use of lots of text takes away some of the simplicity
that is needed in a contents page as there is even short articles in the right
hand column of the page.
NME Contents Analysis:
-Font sizes vary from the thick white text in the black boxes that
make up the headers and the smaller thin black text below that
explains what the feature involves.
-Use of three separate columns to give the page a simple and
organised look with enough white space to avoid it looking cramped
and messy.
-Use of only a single image that makes it look slightly more bare
than the other contents pages of Q and Kerrang! which contained
more photographs therefore looking more full and appealing to the
audience.
-Use of small white page numbers over the black rectangle
backgrounds of the articles on both the features and regulars lists to
allow the reader to locate the stories that are of more interest to
them than others that they would have had to scan through had the
page numbers not been clearly labelled.
-Small use of branding like on the Q contents page giving the
magazines more brand awareness and builds up it’s identity for
which it wants to be recognised.
-Uses a large amount of text in comparison to others and this means
that it is not as visually pleasing as those with lots of images and it
requires more attention from the audience as the text is smaller and
much more discreetly presented.
Q Double Page
Spread Analysis:
-There is roughly a
50-50 split between
the use of text and
images with the left
hand side of the page
being filled by one
large image of
‘Prince’ with the right
hand side taken up by
text.
-Very small margin of
both tracking and
leading with the lines
and letters very close
together on the page.
-The text uses a small
font size in the main
columns of text with
larger and bolder
lettering being used
to the right of and
over the image.
-The fonts vary in style
with the text that is over
the image and to the
right of the image above
the main body of the text
in a straight bold font
and the main text in a
thin font that is visibly
different.
-The text is split into two
columns within the white
border separating this
and the image showing
the subject of the text.
The use of columns gives
the double page spread a
more formal and neatly
presented format than if
it were to be randomly
spread out across the
page in small paragraphs.
-Use of only one large
image showing ‘prince’.
Kerrang! Double Page
Spread Analysis:
-There is a 70% to 30%
split, with the larger
percentage being filled
by text with only one
real image except the
background itself.
-There is a small margin
of leading between
each line of text which
are very close together
on the page.
-Use of a small font size
in the main body of the
text excluding the
introductory letters
that open each
paragraph (capitals in
yellow).
-Use of a large image of
‘Jenna McDougall’ as
the background rather
than just a block colour.
-The fonts vary in both
style and size in particular
with the text to the left of
the big image when it goes
from lower case italics to
bold non italic capital
letters and then to upper
case italics. The switch
between text also involves
a change colours, going
from white to yellow, and
back again.
-Use of another smaller
picture to side of text to
add to the visual side of
the double page spread.
-The text is written in
three columns to give it an
organised and neatly
presented format however
the text in the third
column is set out
differently in a piece of
paper in the bottom right.
-The fonts differ in style
from the different more
bold font that opens each
story within the article and
the different font used in
each column containing
the main body of the text.
The use of the bigger and
bolder font to open each
story allows the reader to
navigate across the double
page spread instead of
having to read everything
in order to find what they
wanted.
-The text is written into six
separate columns that
span across the entire
spread and as a result of
this it looks slightly more
disorganised than both Q
and Kerrang! as the text is
less contained and not
kept in such a small and
concentrated area.
NME Double Page
Spread Analysis:
-The text is relatively
dominant on the page
with around 75% to
25% split that means
other than the three
main images, the
section at the bottom
goes largely unnoticed
as text fills the page.
-There is again like in Q
and Kerrrang!, a very
small margin of leading
and tracking.
-In the majority of the
text a small font size is
used except on the
captions of the images
and the starting S of
the first paragraph
-Use of three medium
sized images to make
the spread more
visually appealing.

More Related Content

What's hot

Classic rock contents deconstruction
Classic rock contents deconstructionClassic rock contents deconstruction
Classic rock contents deconstructionGeorgia Cummings
 
Magazine analysis contents
Magazine analysis contentsMagazine analysis contents
Magazine analysis contentsalexhooseman
 
Double page spread planning
Double page spread planningDouble page spread planning
Double page spread planningMatpincovai
 
Double page spread analysis
Double page spread analysisDouble page spread analysis
Double page spread analysishannahsilverr
 
Cotents page analysis
Cotents page analysisCotents page analysis
Cotents page analysisRyanDenner
 
Exploring various layouts
Exploring various layoutsExploring various layouts
Exploring various layoutskenyaL
 
A2 Magazine Front Cover Conventions
A2 Magazine Front Cover ConventionsA2 Magazine Front Cover Conventions
A2 Magazine Front Cover Conventionskanda11821
 
Codes and conventions of Regional Magazine Front Covers
Codes and conventions of Regional Magazine Front CoversCodes and conventions of Regional Magazine Front Covers
Codes and conventions of Regional Magazine Front CoversOwen Barnett
 
Mojo magazine analysis
Mojo magazine analysisMojo magazine analysis
Mojo magazine analysisEmily__Lee
 
Double page spread
Double page spreadDouble page spread
Double page spreadEwanERich
 
Codes and convection of a magazine
Codes and convection of a magazineCodes and convection of a magazine
Codes and convection of a magazinekhaqan24
 
Mojo magazine analysis
Mojo magazine analysisMojo magazine analysis
Mojo magazine analysisEmily__Lee
 
Front Cover Codes and Conventions
Front Cover Codes and ConventionsFront Cover Codes and Conventions
Front Cover Codes and Conventionsmollybeck_
 

What's hot (20)

Classic rock contents deconstruction
Classic rock contents deconstructionClassic rock contents deconstruction
Classic rock contents deconstruction
 
Nme cover deconstruction
Nme cover deconstructionNme cover deconstruction
Nme cover deconstruction
 
Question 1
Question 1Question 1
Question 1
 
Generic conventions
Generic conventionsGeneric conventions
Generic conventions
 
eval q.
eval q.eval q.
eval q.
 
Magazine analysis contents
Magazine analysis contentsMagazine analysis contents
Magazine analysis contents
 
Double page spread planning
Double page spread planningDouble page spread planning
Double page spread planning
 
Double page spread analysis
Double page spread analysisDouble page spread analysis
Double page spread analysis
 
Cotents page analysis
Cotents page analysisCotents page analysis
Cotents page analysis
 
Exploring various layouts
Exploring various layoutsExploring various layouts
Exploring various layouts
 
A2 Magazine Front Cover Conventions
A2 Magazine Front Cover ConventionsA2 Magazine Front Cover Conventions
A2 Magazine Front Cover Conventions
 
Codes and conventions of Regional Magazine Front Covers
Codes and conventions of Regional Magazine Front CoversCodes and conventions of Regional Magazine Front Covers
Codes and conventions of Regional Magazine Front Covers
 
Mojo magazine analysis
Mojo magazine analysisMojo magazine analysis
Mojo magazine analysis
 
Double page spread
Double page spreadDouble page spread
Double page spread
 
Codes and convection of a magazine
Codes and convection of a magazineCodes and convection of a magazine
Codes and convection of a magazine
 
Mojo magazine analysis
Mojo magazine analysisMojo magazine analysis
Mojo magazine analysis
 
Codes and conventions
Codes and conventions Codes and conventions
Codes and conventions
 
Task3
Task3Task3
Task3
 
Draft layouts
Draft layoutsDraft layouts
Draft layouts
 
Front Cover Codes and Conventions
Front Cover Codes and ConventionsFront Cover Codes and Conventions
Front Cover Codes and Conventions
 

Viewers also liked

Magazine planning pitch sheet
Magazine planning   pitch sheetMagazine planning   pitch sheet
Magazine planning pitch sheetRob Glover
 
Survey Analysis
Survey AnalysisSurvey Analysis
Survey AnalysisRob Glover
 
Magazine Planning - Pitch Sheet
Magazine Planning - Pitch SheetMagazine Planning - Pitch Sheet
Magazine Planning - Pitch SheetRob Glover
 
A2 Media Studies – Initial Ideas
A2 Media Studies – Initial IdeasA2 Media Studies – Initial Ideas
A2 Media Studies – Initial IdeasRob Glover
 
A2 Media Studies - Initial Idea and Response to the Brief:
A2 Media Studies - Initial Idea and Response to the Brief:A2 Media Studies - Initial Idea and Response to the Brief:
A2 Media Studies - Initial Idea and Response to the Brief:Rob Glover
 
Response to brief 2
Response to brief 2Response to brief 2
Response to brief 2Tom Ibbott
 
6. Unsigned Music Artists
6. Unsigned Music Artists6. Unsigned Music Artists
6. Unsigned Music ArtistsTom Ibbott
 
A2 Media Studies - Initial Idea and Response to the Brief:
A2 Media Studies - Initial Idea and Response to the Brief: A2 Media Studies - Initial Idea and Response to the Brief:
A2 Media Studies - Initial Idea and Response to the Brief: Rob Glover
 
Unsigned Music Artists
Unsigned Music ArtistsUnsigned Music Artists
Unsigned Music ArtistsRob Glover
 
Textual Analysis of Magazine Adverts
Textual Analysis of Magazine AdvertsTextual Analysis of Magazine Adverts
Textual Analysis of Magazine AdvertsRob Glover
 
Music Video Analysis - Don't Look Back Into The Sun -The Libertines
Music Video Analysis - Don't Look Back Into The Sun -The LibertinesMusic Video Analysis - Don't Look Back Into The Sun -The Libertines
Music Video Analysis - Don't Look Back Into The Sun -The LibertinesRob Glover
 
Location Shooting
Location ShootingLocation Shooting
Location ShootingTom Ibbott
 
Magazine Advert Analysis
Magazine Advert AnalysisMagazine Advert Analysis
Magazine Advert AnalysisTom Ibbott
 
Music video analysis don't look back into the sun
Music video analysis   don't look back into the sunMusic video analysis   don't look back into the sun
Music video analysis don't look back into the sunTom Ibbott
 
Proposal/Initial Pitch
Proposal/Initial PitchProposal/Initial Pitch
Proposal/Initial PitchRob Glover
 
Music Video Analysis - Not Nineteen Forever
Music Video Analysis - Not Nineteen ForeverMusic Video Analysis - Not Nineteen Forever
Music Video Analysis - Not Nineteen ForeverRob Glover
 
Original Pitch - Courteeners
Original Pitch - CourteenersOriginal Pitch - Courteeners
Original Pitch - CourteenersRob Glover
 
Risk Assessment
Risk AssessmentRisk Assessment
Risk AssessmentTom Ibbott
 
Digipak Analysis
Digipak Analysis Digipak Analysis
Digipak Analysis Rob Glover
 

Viewers also liked (20)

Flat Plan
Flat PlanFlat Plan
Flat Plan
 
Magazine planning pitch sheet
Magazine planning   pitch sheetMagazine planning   pitch sheet
Magazine planning pitch sheet
 
Survey Analysis
Survey AnalysisSurvey Analysis
Survey Analysis
 
Magazine Planning - Pitch Sheet
Magazine Planning - Pitch SheetMagazine Planning - Pitch Sheet
Magazine Planning - Pitch Sheet
 
A2 Media Studies – Initial Ideas
A2 Media Studies – Initial IdeasA2 Media Studies – Initial Ideas
A2 Media Studies – Initial Ideas
 
A2 Media Studies - Initial Idea and Response to the Brief:
A2 Media Studies - Initial Idea and Response to the Brief:A2 Media Studies - Initial Idea and Response to the Brief:
A2 Media Studies - Initial Idea and Response to the Brief:
 
Response to brief 2
Response to brief 2Response to brief 2
Response to brief 2
 
6. Unsigned Music Artists
6. Unsigned Music Artists6. Unsigned Music Artists
6. Unsigned Music Artists
 
A2 Media Studies - Initial Idea and Response to the Brief:
A2 Media Studies - Initial Idea and Response to the Brief: A2 Media Studies - Initial Idea and Response to the Brief:
A2 Media Studies - Initial Idea and Response to the Brief:
 
Unsigned Music Artists
Unsigned Music ArtistsUnsigned Music Artists
Unsigned Music Artists
 
Textual Analysis of Magazine Adverts
Textual Analysis of Magazine AdvertsTextual Analysis of Magazine Adverts
Textual Analysis of Magazine Adverts
 
Music Video Analysis - Don't Look Back Into The Sun -The Libertines
Music Video Analysis - Don't Look Back Into The Sun -The LibertinesMusic Video Analysis - Don't Look Back Into The Sun -The Libertines
Music Video Analysis - Don't Look Back Into The Sun -The Libertines
 
Location Shooting
Location ShootingLocation Shooting
Location Shooting
 
Magazine Advert Analysis
Magazine Advert AnalysisMagazine Advert Analysis
Magazine Advert Analysis
 
Music video analysis don't look back into the sun
Music video analysis   don't look back into the sunMusic video analysis   don't look back into the sun
Music video analysis don't look back into the sun
 
Proposal/Initial Pitch
Proposal/Initial PitchProposal/Initial Pitch
Proposal/Initial Pitch
 
Music Video Analysis - Not Nineteen Forever
Music Video Analysis - Not Nineteen ForeverMusic Video Analysis - Not Nineteen Forever
Music Video Analysis - Not Nineteen Forever
 
Original Pitch - Courteeners
Original Pitch - CourteenersOriginal Pitch - Courteeners
Original Pitch - Courteeners
 
Risk Assessment
Risk AssessmentRisk Assessment
Risk Assessment
 
Digipak Analysis
Digipak Analysis Digipak Analysis
Digipak Analysis
 

Similar to Textual analysis

Contents Page Analysis
Contents Page AnalysisContents Page Analysis
Contents Page Analysisellagreyx
 
Nme contents page
Nme contents pageNme contents page
Nme contents pageasmediac15
 
Contents Page Analysis
Contents Page Analysis Contents Page Analysis
Contents Page Analysis ellagreyx
 
Contents analysis
Contents analysisContents analysis
Contents analysisjackahern11
 
Q1. In what ways does your media product use, develop or challenge forms and ...
Q1. In what ways does your media product use, develop or challenge forms and ...Q1. In what ways does your media product use, develop or challenge forms and ...
Q1. In what ways does your media product use, develop or challenge forms and ...hollygruncell
 
2 nme contents page
2 nme contents page2 nme contents page
2 nme contents pageALarsen14
 
Contents analysis
Contents analysisContents analysis
Contents analysisjackahern11
 
Analysis of professional_contents_page new ( upload to blog)
Analysis of professional_contents_page new ( upload to blog)Analysis of professional_contents_page new ( upload to blog)
Analysis of professional_contents_page new ( upload to blog)stephhhhh
 
Contents 3
Contents 3Contents 3
Contents 3zoetoase
 
Reseach nme anaylsiss
Reseach nme anaylsissReseach nme anaylsiss
Reseach nme anaylsissasmediac14
 
Research into codes and conventions of contents page
Research into codes and conventions of contents pageResearch into codes and conventions of contents page
Research into codes and conventions of contents pagegeehardy
 
Kerrang Magazine Contents Page Analysis
Kerrang Magazine Contents Page AnalysisKerrang Magazine Contents Page Analysis
Kerrang Magazine Contents Page Analysisamyfogarty
 
Magazine front cover and contents page analysis
Magazine front cover and contents page analysisMagazine front cover and contents page analysis
Magazine front cover and contents page analysisgg05047897
 

Similar to Textual analysis (20)

Contents Page Analysis
Contents Page AnalysisContents Page Analysis
Contents Page Analysis
 
Nme contents page
Nme contents pageNme contents page
Nme contents page
 
Contents Page Analysis
Contents Page Analysis Contents Page Analysis
Contents Page Analysis
 
Research Task 2
Research Task 2Research Task 2
Research Task 2
 
Contents analysis
Contents analysisContents analysis
Contents analysis
 
Q1. In what ways does your media product use, develop or challenge forms and ...
Q1. In what ways does your media product use, develop or challenge forms and ...Q1. In what ways does your media product use, develop or challenge forms and ...
Q1. In what ways does your media product use, develop or challenge forms and ...
 
2 nme contents page
2 nme contents page2 nme contents page
2 nme contents page
 
Contents analysis
Contents analysisContents analysis
Contents analysis
 
Analysis of professional_contents_page new ( upload to blog)
Analysis of professional_contents_page new ( upload to blog)Analysis of professional_contents_page new ( upload to blog)
Analysis of professional_contents_page new ( upload to blog)
 
Contents 3
Contents 3Contents 3
Contents 3
 
Reseach nme anaylsiss
Reseach nme anaylsissReseach nme anaylsiss
Reseach nme anaylsiss
 
Research into codes and conventions of contents page
Research into codes and conventions of contents pageResearch into codes and conventions of contents page
Research into codes and conventions of contents page
 
Kerrang Magazine Contents Page Analysis
Kerrang Magazine Contents Page AnalysisKerrang Magazine Contents Page Analysis
Kerrang Magazine Contents Page Analysis
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Q1a
Q1aQ1a
Q1a
 
Task 3b
Task 3bTask 3b
Task 3b
 
Magazine front cover and contents page analysis
Magazine front cover and contents page analysisMagazine front cover and contents page analysis
Magazine front cover and contents page analysis
 
Contents analysis
Contents analysisContents analysis
Contents analysis
 

Recently uploaded

URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppCeline George
 
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptxContemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptxRoyAbrique
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Educationpboyjonauth
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfSumit Tiwari
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdfssuser54595a
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesFatimaKhan178732
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdfSoniaTolstoy
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13Steve Thomason
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTiammrhaywood
 
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...M56BOOKSTORE PRODUCT/SERVICE
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon AUnboundStockton
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
Introduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxIntroduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxpboyjonauth
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityGeoBlogs
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Krashi Coaching
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...EduSkills OECD
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxSayali Powar
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformChameera Dedduwage
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationnomboosow
 

Recently uploaded (20)

URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website App
 
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptxContemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Education
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and Actinides
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
 
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon A
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
Introduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxIntroduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptx
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activity
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 

Textual analysis

  • 2. Q Cover Analysis: -Plug used as a way to get the potential buyer to want the magazine and what is inside, in this case ‘an exclusive CD’ which immediately draws in the attention of the audience. -Use of a barcode, a common convention of magazines that allows the customer to purchase the product. -Date and price placed in small discreet text next to the barcode to avoid making the price too obvious at least at first before the reader has had time to be convinced by the key selling points of the product. -Main image showing Dave Grohl, surrounded by the other 4 members of the Foo Fighters directly addressing the reader/audience through the use of eye contact that helps to give the magazine a more personal and informal feel making the audience feel more connected. -Use of the masthead/Q logo helps to give the magazine identity with a bold and striking image to be recognised by, it appears as a key feature on all covers so that the audience can differentiate between different magazines, it is placed below the plug so that that is what immediately tempts and draws into buying the product. -Use of a sub image that advertises what else other than what is pictured in the main image and headline, this is done to give the audience a further insight in regards to the contents. -Use of a buzz word excites the consumer making them feel that there is something significant inside and that they are the first ones to know.
  • 3. Kerrang! Cover Analysis: -There is the use of a plug on the header of the cover to immediately draw the readers attention to what they will get from within the magazine, in this case ‘6 scorching "posters’. The use of the term ‘scorching’ (to describe the images) helps to intrigue and tempt the reader into their purchase. -Date and price placed discreetly in a small text size below the main headlines, buzz word, and masthead to make sure that the audience look elsewhere before looking at the price, by which time they will have had chance to be persuaded by the key selling points of the magazine. -Main image showing two of the six members of Linkin Park, and like in the previous cover the image directly addresses the audience as the people in the picture look forwards involving the reader therefore strengthening the magazine’s connection with it’s audience. -Use of ‘scorching’ as a buzz word that makes the reader want to buy the product so that they can see what is inside. -Use of a barcode which is a common convention in all magazines that lets the reader make their purchase. -Use of the Kerrang! masthead/logo helps to identify the magazine to the reader who has to come to recognise it by this, it appears as a key feature on all covers so that the audience can differentiate between different magazines and also helps to put continuity into the covers. -Use of sub image and sub header to advertise the other stories that the contents will be covering.
  • 4. NME Cover Analysis: -No use of a Plug maybe because of a difference in median age/audience in comparison to both Q and Kerrang! This could potentially mean that the magazines appeals less to possible readers/buyers as there is no buzz word or exclusive piece of content. -Use of a barcode, which is typical of magazine covers and allows the customer to purchase the product. -Date and price placed in small text to the right of the barcode to avoid making the price too obvious before the reader has had time to be convinced by the key selling points of the product if there are any. However NME recently became free and therefore would no longer have a price printed on it. -Main image showing American rock band, Julian Casablancas and the Voidz. The way the audience is addressed is slightly less direct than on the covers of Q and Kerrang! and as a consequence of this the magazine has a less personal feel to it which means the audience may feel less involved. -Use of the masthead/NME logo or icon to help the audience recognise and identify the magazine when it is in the company of rival products and also to tempt the reader into buying the product itself. -Use of a sub image to show what else other than what is shown by both the main image and its headline, this is done to give the audience a better idea of what they are buying.
  • 5. Q Contents Analysis: -Font sizes vary between the headers advertising the subject of the story and the small amount of information below each heading in smaller text, this is done to make sure that the reader knows the main contents of the magazine before navigating through to find particular articles of more interest. -No use of columns but instead a more grid like format that allows each subject to have its own area of the contents accompanied by a photograph of the artist. -Use of photographs to show the reader who each of the artists mentioned in the magazine are and what they look like. -Use of large coloured page number icons to help the reader locate specific stories and navigate to certain pages rather than having to scan through and search for their desired article. -Use of continuity in the branding of the magazine with the red ‘Q’ logo, a constant feature across the contents page that gives the magazine identity making sure that it looks similar on each page so that it has a recognisable format. -Amount of text is largely minimised and the images take up most of the space on the page, the text is also only used when necessary and is not made overly obvious, except in the case of the headers.
  • 6. Kerrang! Contents Analysis: -Font sizes differ between the bold headers and the detailed text in the small articles in the columns across the right hand side although the majority of text is in a small font size that is maybe slightly too small to be immediately noticeable and therefore won’t immediately draw the reader in to any section of the magazine in particular. The section headings are highlighted in yellow text so that they stand out from the rest of the subheadings. -Use of columns makes for a more organised format to the contents page and makes it easier to read through as the different stories are split into sections under the headings of ‘news’, ‘features’, ‘albums; etc. -Use of images that vary in size to show the significance/importance of each article help to show the audience the subject of the articles and how or what is the main focus of the reading. . -Use of bigger page number icons in white over the images of the bigger articles to contrast with the backgrounds to help the reader find specific stories efficiently and navigate to certain pages instead of aimlessly scanning through. -No real use of branding like on the Q contents page, this means it is less noticeably part of the Kerrang! brand itself and it looks like it could be part of any other music magazine. -Uses a large amount of text in comparison to how little was used in the Q contents page, the use of lots of text takes away some of the simplicity that is needed in a contents page as there is even short articles in the right hand column of the page.
  • 7. NME Contents Analysis: -Font sizes vary from the thick white text in the black boxes that make up the headers and the smaller thin black text below that explains what the feature involves. -Use of three separate columns to give the page a simple and organised look with enough white space to avoid it looking cramped and messy. -Use of only a single image that makes it look slightly more bare than the other contents pages of Q and Kerrang! which contained more photographs therefore looking more full and appealing to the audience. -Use of small white page numbers over the black rectangle backgrounds of the articles on both the features and regulars lists to allow the reader to locate the stories that are of more interest to them than others that they would have had to scan through had the page numbers not been clearly labelled. -Small use of branding like on the Q contents page giving the magazines more brand awareness and builds up it’s identity for which it wants to be recognised. -Uses a large amount of text in comparison to others and this means that it is not as visually pleasing as those with lots of images and it requires more attention from the audience as the text is smaller and much more discreetly presented.
  • 8. Q Double Page Spread Analysis: -There is roughly a 50-50 split between the use of text and images with the left hand side of the page being filled by one large image of ‘Prince’ with the right hand side taken up by text. -Very small margin of both tracking and leading with the lines and letters very close together on the page. -The text uses a small font size in the main columns of text with larger and bolder lettering being used to the right of and over the image. -The fonts vary in style with the text that is over the image and to the right of the image above the main body of the text in a straight bold font and the main text in a thin font that is visibly different. -The text is split into two columns within the white border separating this and the image showing the subject of the text. The use of columns gives the double page spread a more formal and neatly presented format than if it were to be randomly spread out across the page in small paragraphs. -Use of only one large image showing ‘prince’.
  • 9. Kerrang! Double Page Spread Analysis: -There is a 70% to 30% split, with the larger percentage being filled by text with only one real image except the background itself. -There is a small margin of leading between each line of text which are very close together on the page. -Use of a small font size in the main body of the text excluding the introductory letters that open each paragraph (capitals in yellow). -Use of a large image of ‘Jenna McDougall’ as the background rather than just a block colour. -The fonts vary in both style and size in particular with the text to the left of the big image when it goes from lower case italics to bold non italic capital letters and then to upper case italics. The switch between text also involves a change colours, going from white to yellow, and back again. -Use of another smaller picture to side of text to add to the visual side of the double page spread. -The text is written in three columns to give it an organised and neatly presented format however the text in the third column is set out differently in a piece of paper in the bottom right.
  • 10. -The fonts differ in style from the different more bold font that opens each story within the article and the different font used in each column containing the main body of the text. The use of the bigger and bolder font to open each story allows the reader to navigate across the double page spread instead of having to read everything in order to find what they wanted. -The text is written into six separate columns that span across the entire spread and as a result of this it looks slightly more disorganised than both Q and Kerrang! as the text is less contained and not kept in such a small and concentrated area. NME Double Page Spread Analysis: -The text is relatively dominant on the page with around 75% to 25% split that means other than the three main images, the section at the bottom goes largely unnoticed as text fills the page. -There is again like in Q and Kerrrang!, a very small margin of leading and tracking. -In the majority of the text a small font size is used except on the captions of the images and the starting S of the first paragraph -Use of three medium sized images to make the spread more visually appealing.