This is our final storyboard which includes all of the shots that we are going to use within our music video. It also includes a write up about what the shots are and what transitions we will be using in the editing stages of the video.

1. StoryboardFinal
Our musicvideoisgoingtobeginwitha pan shotout of the window whichgoestothe front of the
car sothat all of the characters can be introducedtothe music video thisshotwill be 8secondslong.
Thenwe are goingto have a longshot of Freya dancingin a spot lightedroomtoconnote her
isolationnowthatherboyfriendhasgone thisshotwill alsobe 8secondslong.Nextshotisback to
the car and the shotis a longshot to a mid-shotincludingapanwatchingthe car goingdownthe
road and the camera ison a slidersoitmovesto follow the cargoingaround the bendoutside of
Willinghamwoods thisshotwill be 9secondslongandthe shotwill correspondwiththe lyricsthat
say “I’m gonna drive you through the night down the hills”. Thenanotherdancingshotis
includedof Freyabutthistime itisa mid-shotthisone will be 10seconds. Thenthere isa tracking
longshotof the car that turnsintoWillinghamwoodsandwhenthe carhas turnedthe camera tilts
downto a mid-shotof the road markingsinthe middle of the road.All of the car shotswill be filmed
on WillinghamRoadjustoutsideof Willinghamwoods thisshotwill be 9seconds long.One of the
mainshotsfrom the firststoryboardisthe dancingshot,thisis because itallowsthe audience to
understandthe moodof the song.Also,herdancingsignifies thatshe isalone andthe relationshipis
broken. All of the transitionswill be straightcutsexceptforthe onesbefore the dancingscenes
where itwill be afade to black andthe lightwill slowlybe show.Thenwhenexitingfromthe shot
the lightwill fade toblackand thenontothe nextscene. Most importantscenesonthisstoryboard
wouldbe the dancingonesandthe car drivingawayshowingthatthe couple are driftingawayfrom
each other.

2. StoryboardFinal
Thisstoryboardbeginswiththe lyrics“There’s something inside you, it’s hard to explain” and
the shot will be of Milly dancing again in the same low key lighting as before. The shot
will be 8 seconds long with a transition to the next shot. This shot will be a close up of
the nature within the woods which will signify the change in location of the video. This
shot will be 5 seconds long. Next shot is a high angle tracking shot seeing Milly walking
through the woods alone. This shot will be 5 seconds long and it will signify the fact that
she is alone. The next shot is Milly dancing again but it will be a close up tracking shot of
her that will last for 6 seconds. Next shot we see Milly through the passenger side wing
mirror to show her reflection and how this situation is making her feel. The shot will be a
mid to long shot of her and it will be still, the shot will last 8 seconds. Milly and Ben are
shown to be on a swing and it is a mid-shot that is still of them. This shot will be about
10 seconds and half way through that Ben is going to fade away but the swing is still
going to be moving very quickly. There is going to be a fade transition halfway through
this shot to remove Ben. The last shot from this storyboard is going to be a mid-shot
tracking Milly dancing for 10 seconds. Again the important shots on this storyboard are
the ones of Milly dancing as it is significant in understanding the story behind the video
and it sets the mood of the song. The same transitions will be used again so we will be
having mainly straight cuts except for the dancing scenes where it will use a fade to
black and the light then slowly appear. The important scenes on this storyboard include
Milly walking alone through the woods because it’s the main idea of the video and the
dancing scenes.

3. StoryboardFinal
Thisstoryboardstarts on the lyric“There’ssomethinginsideyou”whichiswhere the close upstill of
Erina lookingoutsideof the car windowfor9 seconds. The nextshotisa mid-shottrackingona dolly
of the car to showthe change of locationas we see the car travelingtoCleethorpes.This shotwill be
7 secondslong.Nextshotisalsoa mid-shotthatbeginswithtrackingthe carpullingintoacar
parkingspotand the camera pansto see the sea front,the shotwill be 5 secondslong.Thenwe have
a pointof viewshota slotmachine inCleethorpesbeach thiswill be lookingatthe slotmachine but
the camera will thenturnto a clawmachine.This shotwill be 5 secondslong. Itwill be a straightcut
intothe claw shotto make it looklike itwasfilmedinone.The Nextshotwillbe of bothBenand
Milly playingonthe clawmachine happilytogetherwhichis9secondslongbecause itgoesintoa
close uppointof viewof the beartheyhave pickedupon the machine thisisa handheldshot.The
nextshotisactuallyon the beachand Benand Milly walkingalongthe beachandthe camera ison a
slidertotrack theirfootprintsinaclose up shot.The shot will be 17 secondslongbecause the shot
will thenfade toboththe footprintsstill there butBen will have fadedawaytoagainshow that she
isisolatedagain.It will be anothershottoshow that the relationshipbegangoodbutthe furtherin
the worse it gotuntil eventuallytheyended.Withinthisshotthere willbe afade transitiontosignify
that he has gone. Main transitionsusedwill be straightcutsandthe fadeson the dancingscenes
again.Most importantshotsare the pointof view onthe slot machine showingtheydothings

4. StoryboardFinal
togetherandthe footstepsonthe beachslowlyfadingawaytoshow that theynolongerdo as much
togetherastheyusedto do.Suggestingthattheyare fallingapart.
Thisstoryboardbeginswithatensecondmidshot of Freyadancingagain.This isa handheldsteady
of hersilhouettewithlowkeylighting.The nextshotwill be 5secondsandit will be amid/close up
and itwill be a handheldtocapture Milly’sreflectioninrearseatinthe rear view mirror.Another
shotof the dancingscenes isa midto close up andit is a trackingshot for9 seconds.Nextshotis6
secondsmid-shotof Millyinherbedmovingaboutandthisiswhenthe diegeticsoundbegins,this
will alsobe a still shot.Still withnosongthe nextshotis4 secondslongand itis a close up of a
candle.Thisiswhere the lightfadesinfromthe videobeingblackandwhite toitnow beingin
colour.Nextisa 7 secondclose upof her phone showingamessage come throughfromBensaying
“I’m sorry”.Thiswill alsobe a focuspull fromthe candle to the phone.Nextshotis4 secondsmid-
shotof Millysittingonthe endof the beddistressedwhenthe phone goesoff.The lastshotis10
secondslowangle dollyof the cameramovingbackwardsoutof the bedroomand thenfadesto
black. The most importantshotsonthisstoryboardare the dancingshotsagain andthe close upof
the phone because itsignifiestothe audience thatthe relationshiphasfallenapart.The transitions
will be straightcutsand the dancingshotswill be fadestoblackand the lightslowlyshiningthrough.