Here we have discussed the type of shot it was and a little description about what is going to be happening within the shot. We have also written about the people, props and locations used within all the shots of our music video.

1. Shot List
Names: Rebecca, Rhiannon, William and Josh
Project: Music Video- Nightcall
Scene Shot
Number
Shot Type/ Movement/
Framing (e.g. Close Up,
still)
Shot Description (what’s
happening in the shot)
Notes (cast, props,
locations, etc.)
1 1 Handheld pan to mid-shot Pan from looking out
the car window to the
inside of the car to
introduce the key
characters.
Milly and Ben, car
and Willingham
Road outside
Willingham Woods.
3 3 Steady long shot to mid-
shot to pan on a slider
Camera follow the car
down the road as it goes
by and follows it on the
bend.
No actors, car and
Willingham Road
outside Willingham
Woods.
5 5 Tracking long and tilt mid-
shot
Car follows camera on a
car turning into the
woods, then when car is
gone camera tilts to the
road markings.
Milly and Ben, car
and road markings
and Willingham
Road, outside
Willingham Woods.
7 7 Close up pan Pan of the nature within
the woods.
Inside of
Willingham Woods.
7 8 High angle long shot
tracking
Camera in the trees
tracking Milly walking
alone.
Milly, nature and
inside of Willingham
Woods.
9 10 Still mid/long shot Camera looking at
passenger wing mirror
looking at Milly’s
reflection.
Milly, car and mirror
and inside of
Willingham Woods.
9 11 Still mid-shot Both Milly and Ben are
on the swings side by
side but it fades to Milly
alone with her swing
going slow and Tom’s
still going fast without
him.
Milly and Ben,
swing set and park
within Market
Rasen.

2. 2,4,6,8,10
14, 16
2,4,6,9,12
19,21
Mixture of mid-shots and
long shots
Freya’s silhouette whilst
she is dancing around.
The very last shot of
that turns to a close up.
Freya, no props and
the dance studio in
De Aston School.
12 13 Close up Milly looking out of the
car window
Car window
12 14 Mid shot Tracks the car travelling
to Cleethorpes
Car
12 15 Mid pan and tacking shot Tracks the car pulling
into a parking spot and
pans to the sea front.
No actors, car,
Cleethorpes beach.
16 20 Mid-shot to close up to
handheld
Milly’s reflection in rear
seat in the rear view
mirror.
Milly and see a bit
of Ben, car and
mirror, Cleethorpes
beach.
13 16 Point of view Looking at the slot
machine and see her
hand putting money in
the machine.
Milly, slot machine
and Cleethorpes
beach.
13 17 Mid still which turns into
a close up point of view
handheld
See them both on the
claw machine and it
goes to a close up of the
bear the machine has
picked up.
Milly and Ben, claw
machine and bear,
Cleethorpes beach.
14 18 Close up to mid on a
slider
See both their footprints
in the sand and they
walk across the beach
then fades to only
Milly’s feet but both
footprints still there.
Milly and Ben, sand
and Cleethorpes
beach.
18 22 Still mid-shot See Milly moving about
in bed dreaming about
Ben- diegetic sound and
now turns to black and
white.
Milly, bed and
candle and Becca’s
house.
18 23 Close up Focus pull and
movement from candle
to the phone after it
goes off.
No actor, phone
and Becca’s house.
18 24 Close up Milly picking up the
phone
Milly, phone and
Becca’s house.

3. 18 25 Still mid-shot Milly sits up in distress
after the phone went
off.
Milly, bed and
phone, Becca’s
house.
19 26 Low angle dolly long shot Camera moves
backwards out of the
room and downstairs
then it fades to black.
No actors, door and
stairs and Becca’s
house.