2. Imagine! The great
generosity of God! The
happiness of man! To man it
is allowed to be whatever
he chooses to be!
∼ Pico della Mirandola, Oration on the
Dignity of Man, 15th c.
4. Renaissance
• Renaissance:
• French for “rebirth”
• To describe the artistic, cultural, political, economic transformation
• 14th – 17th c. beginning in Italian city-states
• The term “renaissance” wasn’t used until 19th c.
• But Italian elites realized something was happening
5. Renaissance
• Northern Italian City States
• By late Middle Ages (1300 on)
• Papal States loosely run by Rome
• Rome a shadow of former glory
• Southern regions poorer than North
• Sicily in decline
6. Renaissance
• Northern Italian City States
• Rise of the Merchant Class
• Prosperous central, northern city-states
• Genoa, Venice, Florence among richest
cities in Europe
• Not richer in resources, but from trade
• Benefited from Crusades, building trade
routes with Near East
7. Renaissance
• Northern Italian City States
• Florence during Renaissance
• One of wealthiest cities in
Northern Italy
• Woolen textile production
• Wool imported from Northern
Europe, & dyes from the East
• Arte della Lana – dominant trade
guild
• Helped develop wool
industry in Florence
8. Renaissance
• Northern Italian City States
• Trade Routes also transmitted culture
• Byzantines: continuation of the Roman Empire
• Maintained much of ancient learning
• By 13th c., Byzantines experiencing problems
• Fall of Constantinople &
• Migration of scholars to Italy
• Scholars, writers, artists, philosophers
9. Renaissance
• Northern Italian City States
• Siege & Sack of Constantinople: 1204
• Western Christian army of 4th Crusade
• Capital of Eastern Roman Empire
• Rivalry between East and West
• Christianity: Catholic vs. Orthodox
• Emperors: East vs. West
10. Renaissance
• Northern Italian City States
• Siege & Sack of Constantinople: 1204
• Stolen goods divided between Venice & allies
• Ancient classical art
• Religious relics, icons, and art
• Byzantine Empire divided up as well
• Between Venice and its allies, increasing trade
• Marked end of Byzantine Empire’s power
12. Renaissance
• Humanism
• Intellectual movement in 14th & 15th c. Italy
• Scholars, writers, civic leaders
• Study of classical antiquity
• Education for the value of humanity
• Create a literate citizenry, speak & write with
eloquence
• Benefit to the civic life of the community
• Beyond learning only directed to job
opportunities
13. Renaissance
• In 14th c, two trends enabled the rise of Humanism
• Declining power of the Catholic Church
• Public reaction to Black Death, allegations of corruption
• Explanations beyond the spiritual for human suffering, loss
• Rise of the market economy
• Freed from serfdom
• Allowed to make money, to grow, to think on their own
14. Renaissance
• Renaissance Humanism
• Petrarch (1304-1374) – “Father of Humanism”
• Influential philosophical attitudes
• Found in numerous personal letters
• Discovery and compilation of ancient texts
• Found Cicero’s letters: ad Atticum
• Cicero: ancient Roman orator, lawyer, politician
• Initiated 14th c. Renaissance
15. Renaissance
• Petrarch
• Extensive collection of ancient manuscripts
• Coined the term “Dark Ages”
• Translated many into Latin
• Encouraged translation of all available
ancient works
• Human thought & action had a moral,
practical value
• God gave humans intellect to use
• Wrote volumes of poetry, letters, other
works
Title page to Petrarch’s Virgil, 1336
16. Renaissance
• Dante Alighieri (1265-1321)
• Italian poet
• His Divine Comedy one of great works
• Written in Italian vernacular
• Making it accessible to broader audience
• Instrumental in establishing Italian literature
• Depictions of Heaven, Hell, Purgatory
• Inspired Western Art
17. Renaissance
• Dante’s Divine Comedy
• Narration of an individual journey
• Through the afterlife
• Guided by Roman poet Virgil
• And Beatrice, Dante’s great love
• Metaphor for soul’s voyage to salvation
• Acknowledge sin, repent, know God
• An individual journey to God
• Rather than a journey to God through
the Church
18. Renaissance
• Dante’s Divine Comedy
• Inferno:
• 9 concentric circles of torment
• Located within earth
• Sins of indulgence:
• Avarice, gluttony, lust, anger
• Sins of violence, and of fraud & treachery
• Spiritual sins:
• Unbaptized, pagans born before Christ
19. Renaissance
• Dante’s Divine Comedy
• Purgatory
• Penitents must conquer 7 levels of suffering and spiritual growth
• Seven deadly sins
• Before ascending to Heaven
Dante, poised between the mountain of purgatory and the city of Florence
20. Renaissance
• Dante’s Divine Comedy
• Paradise
• Arranged in series of 9 spheres
• Full of music, souls, supernatural beings
• Assumes medieval view of Universe
• Earth surrounded by concentric spheres
• Containing known planets
• Fixed stars
• Primum mobile: last sphere of physical
universe, containing the angels
• Moved directly by God, causing the
spheres it encloses to move
22. Renaissance
• Medieval Art to Renaissance
• Religious themes dominated
• Minimal personal portraiture
• Distinctive stylized manner
• Decorative illuminated
manuscripts
• Stained glass windows
Left: Late 8th c. portrait of an evangelist
Right: Late 12th c. Illuminated manuscript
23. 13th-century window & sculpture from Chartres Cathedral
Mary Magdalen announcing
Resurrection to Apostles, St
Albans Psalter, English, 1120–
1145.
24. Renaissance
• Medieval Painting
• 12th c. Byzantine treatment
• Lamentation of Christ
• Jesus taken down from
the cross
• 2-Dimensional
• Flat-planed
• Stylized
• Non-individualized
• Stoic expressions
• Restricted emotion
Lamentation of Christ, Macedonia, 12th c. fresco
25. Renaissance
• Renaissance Art
• Reflects the core of Humanism
• Belief in the value of the human
• A “spirit of inquiry”
• Growing interest in all aspects of
life
• Wide-ranging investigations of
natural world
• Geography, physics, mathematics
• Anatomy, biology, mechanics
• Scientific discoveries influenced
developments in art
Lamentation by Giotto di Bondone in the Scrovegni Chapel, c. 1305
26. Renaissance
• Florence – birthplace of the Renaissance
• Despite devastation of the Black Death
• Economic strength based on banking & powerful
mercantile guilds
• Led to influx of immigrants energizing city
• Dozens of artists’ guilds
• Artists, scholars, writers sponsored by wealthy
Florentine citizens
• Especially the powerful Medici family
• More on that family next time
• Drew era’s most influential & talented artists &
humanists
27. Renaissance
• Early Renaissance Painting
• See influence of Humanist philosophy
• New topics
• Church no longer had a monopoly on thinking
• Human relationships with the world, the
universe, God
• Subjects beyond religious stories
• Including battle scenes, portraits, images of
ordinary people
28. Renaissance
• Fresco Painting
• Water-based pigments
• Painted on freshly applied plaster
• Painting dries, fixed permanently in wall
• No room for mistakes
• Used as early as Minoan civilization
• See surviving frescoes in Pompeii
• Most famous created during Renaissance
Fresco portrait of woman from Pompeii, Roman era
29. Renaissance
• Sandro Botticelli (1445-1510)
• Florentine school
• Painted
• Mythological scenes
• Portraits
• Religious scenes
The Madonna of the Book Self-portrait of Botticelli
30. Renaissance
• Allegory of Spring
• Designed for private home
• Set in orange grove
• Vegetation, wildflowers
• Venus, goddess of love
• Shown with humanity
• Mythological themes
• Break from medieval art Botticelli, 1481-82, commissioned by members of Medici family
31. Renaissance
• The Birth of Venus
• Also for private home
• Venus – the focus
• Expression: Sweet, contented, anticipating
32. Renaissance
• Humanism in Christian Art
• Real people
• Often donors
• Or favored models
• Here, sad expression
• Unique person
• In familiar theme
Madonna of the Pomegranate
Botticelli (1487)
33. Renaissance
• Botticelli
• Lamentation Over the Dead Christ
• Compare with earlier versions
• Grouping of Christ’s closest associates
• More personal
• Evoking emotion through positioning of
bodies
• In almost contorted style
• Shows Mary mourning Jesus’ death
34. Renaissance
• Donatello(1386-1466)
• Renaissance sculptor
• Worked in multiple media:
• Wood, stone, clay, stucco, wax
• Seated St. John the Evangelist for Duomo
• Marked decisive step away from Gothic
• Naturalism, rendering of human feelings
• Influence of classical sculpture
35. Renaissance
• Donatello (1386-1466)
• Renaissance style of sculpture
• Bronze David broke new ground
• Elements of both medieval & classical tradition
• Classical traits: nude, in the round, triumphant
• Medieval traits: religious
• Emphasized by David’s youth
• Victory due to God’s intervention, not human
strength
36. Renaissance
• Michelangelo Buonarroti
• Genius in painting, sculpture, and
architecture
• Born in Tuscany to family of stonecutters
• Rock Star artist of the Renaissance
• Great at self-promotion
• Celebration of the independent artist
“I suckled in chisels and hammers with my nurse’s milk.”
37. Renaissance
• Michelangelo
• Apprenticed to Ghirlandaio
• Florence workshop
Lamentation Over the Dead Christ, ca. 1472
By Domenico Ghirlandaio
• Reflects early Renaissance
• Still carries medieval elements
38. Renaissance
• Early Renaissance Painting
• Ghirlandaio’s influence on
Michelangelo
• Brief apprenticeship, full of conflict
• Michelangelo tried to conceal
Ghirandaio’s influence on his work
• But see in Michelangelo’s early
painting
Left: Domenico Ghirlandaio, Standing Woman, 1485-90
Right: Michelangelo, An old man wearing a hat , 1495-
1500
39. Renaissance
• Michelangelo at age 21
• Commissioned to sculpt Bacchus
• While working in Rome
• Astounding level of detail
• Image of a god, with human vices
• And physical effects of those vices
• Conveys sense of motion, feeling
• Rare in sculptures
• Influence of classical sculpture
41. Renaissance
• The Pietà
• Popular theme in medieval sculpture
• And as the Lamentation in painting
• Two samples from Middle Ages on the right
• Michelangelo’s Pietà
• Sculpted from single piece of Carrara marble
• Said he could see the sculpture within the marble
• His job: simply remove the excess stone
• Striking difference from previous artists
42. Renaissance
• The Pietà
• Focus on relationship between Mary and Jesus
• Face of a young girl – purity kept her from aging
• Renaissance ideals: classical beauty, naturalism
• As a whole, expresses:
• Intimate moment of grief
• Profound sorrow and humility
• Beauty on earth reflects God’s beauty
Michelangelo’s signature, added to prove
he was the artist, despite his youth
44. Renaissance
• The David
• 14 ft. marble statue depicting David
• Carved from marble
• Anxiety around his eyes, concentrating
• Set before the battle with Goliath
• Detailed human anatomy
• Worked in secrecy
• Recognized as a masterpiece
45. Renaissance
• The Sistine Chapel
• Rebuilding completed in 1481
• Team of Renaissance painters
• Commissioned by Pope Sixtus IV
• Including Botticelli, Ghirlandaio
• Frescoes on walls, ceiling
• 2 sets of paintings comparing stories of Jesus and of Moses
1480s: Interior of the Sistine Chapel with some frescoes completed
Note: the barrel ceiling would have been painted blue with gilt stars
50. Renaissance
• Painting the Sistine Chapel
• Pope Julius II commissioned Michelango
• To create his tomb in St. Peter’s Basilica
• 40 statues to be completed over 5 years
• But Pope interrupts work on his tomb
• Wanted ceiling painted first
• Michelangelo’s rivals
• Hoped he would fail, leave Rome
51. Renaissance
• Raphael
• Favorite of Pope Leo X
• Charming, easy personality
• Numerous commissions
• Prolific painter
• Died age 37
• Disliked Michelangelo
Madonna del Prato by Raphael
52. Renaissance
• Donato Bramante
• Respected painter, architect
• Respected for knowledge,
use of perspective
• Confident, sociable,
ambitious
• Michelangelo called him his
great enemy
• Tomb of Julius II
• Ceiling of Sistine Chapel
The Tempietto of San Pietro
53. Renaissance
• Michelangelo Paints a Ceiling
• Tradition – painted lying on his back
• Reality – upright position, with head tilted
upwards
• Had never painted in fresco, except for
apprenticeship
• Let alone an entire ceiling or wall
• Which makes the work all the more amazing
54.
55.
56. Renaissance
• Michelangelo
• Painting
• Set a new standard for painting the human figure
• Body not just “an actor” in a story
• Emotionally and spiritually expressive on its own
57.
58. Renaissance
• Raphael Sneaks a Peek
• Michelangelo worked in
secrecy
• Raphael bribed guard
• Viewed the work
• Really impressed
60. Renaissance
• Michelangelo in School of Athens
Raphael looking straight at the viewer;
Michelangelo as Heraclitus, “the Obscure”
61. Renaissance
• The Last Judgment (1536-41)
• Brought back to paint the Altar Wall
• Depicting the separation
• Saved from the Damned
• With Christ in the middle
62. Renaissance
• Michelangelo and St. Peter’s Basilica
• 1546: Appointed architect for Basilica
• Foundation poured 50 years earlier
• Still not completed
• Michelangelo drew on previous plans
• Developed a grand vision
• Redesigned the dome
• At his death, drum of the dome
complete