Learn how to write a case study on prehistoric art with this all-in-one guide

1. COMPLETE GUIDE ON
WRITING A CASE STUDY
ON PREHISTORIC ART

2. HOW TO WRITE A CASE STUDY
01.
Include Accurate Data and Numbers
Do the needed research to know more about prehistoric men as well as find particular art
forms - otherwise known as case studies - that provide answers to the questions asked.
Conclude Awesomely
While an awesome conclusion will put your audience in a time machine, transport them
thousands of years back, so they imagine the skills they would have needed to develop in
order to survive in prehistoric societies.
02.
Discuss Your Outcomes
Analyze the data from the case study you presented and provide clear-cut results or outcomes
on how your research data answers the questions raised in your case study.
03
.

3. MAIN HOOKS TO COMPLETE A STRONG
CASE STUDY ON PREHISTORIC ART
01
.
Catchy Issue
To be interesting as well as useful for your readers, you have to select a topic that would
capture their interest as well as sit well with their liking.
Interesting Facts
Including facts, that would make people wonder, is one of the best ways to encourage their
attention. For example, explain why prehistoric art always had purpose beyond art.
02
.
More Details on the Prehistoric Period
It is always interesting to learn some information about the life long time before us. Give
details not only about arts but about everything that could influence people of that time and
their creations.
03
.

4. 1. Deducing the Lifestyle of Prehistoric Humans through the Study
Prehistoric Art
2. Understanding Prehistoric Art and the Meaning behind Its Art
Forms
3. Making a Case for Religion and Its Influence on Prehistoric Art
4. Craft, Style and Creative Patterns Used by Prehistoric Artists
5. Exploring the Painting Tools and Materials Used in the
Prehistoric Era
6. A Study of Artworks from the Lower Paleolithic Age
7. A study of Artworks from the Middle and Upper Paleolithic Era
7+ TOPICS FOR A CASE STUDY ON
PREHISTORIC ART
Find more topics at CustomWritings.com

5. 5 IDEAS FOR THESIS STATEMENTS FOR A
CASE STUDY ON PREHISTORIC ART
01
.
Science’s priority is finding the truth and art’s priority is creating beauty. Obviously,
these are two different goals at first sight, but this issue has a lot of “undersea stones”.
03.
Although most art works from the prehistoric age were cave drawings and paintings,
the Middle and Lower Paleolithic Age witnessed the inclusion of sculpting as a means
of creating art in prehistoric times.
02.
Society, economy, and technology were greatly affected by the "Agricultural
Revolution" that spawned the Neolithic Age. The Paleolithic Age, Greek for "Old
Stone", is the era of the emergence of a modern man.
04. The advanced styles and designs of the Acropolis show the genius behind their
beginnings which make the Acropolis one of the most iconic complexes in the
Ancient World.
05. From the very conception of the Prehistoric Art discipline, the major question was
whether the creativity of the Paleolithic age people could become one of the primary
traits distinguishing humankind from other species inhabiting our planet.

6. 5+ INTERESTING FACTS FOR A CASE STUDY ON
PREHISTORIC ART
01
.
Prehistoric art forms were drawn for definite purposes and these purposes were
generally ritualistiс - to glorify the hunt. Other prehistoric drawings depicting seasonal
animals were also attempts of prehistoric men to document the seasons as they
came and went.
02. Prehistoric men truly resided in caves and carried out most of their activities in hiding.
This is due to the fact that they hid from predators as well as the ever changing
elements of nature. Although prehistoric men drew on sand and rocks, the ravages of
time eclipsed these drawings and now we have only the cave art to tell us about their
culture.
03. Prehistoric artist actively believed that depicting an object or an item in art form was a
way of putting a binding spell on the drawn item. Therefore while they drew animals in
clear details to cast hunting spells on the animals, they abstained from drawing exact
depictions of themselves in order not to create binding spells. Although the belief in
one Supreme Being would come later in time, prehistoric humans believed in hunting
gods and fertility goddesses as can be seen in their works of art.

7. 5+ INTERESTING FACTS FOR A CASE STUDY ON
PREHISTORIC ART
04
.
The art forms in the Middle and Upper Paleolithic era were much more developed
than the bone pickings and scratches of the Lower Paleolithic era. Prehistoric
artists made use of their fingers, bird feathers and animal bones as drawing tools.
While for painting, prehistoric artist took advantage of the different types of clay to
produce red, brown and yellow colors. And for black, charcoal and mud mixed with
cave water was used.
05
.
While most people associate prehistoric art with the backwardness of the cave
man, prehistoric art shows otherwise. In the caves of La Vache, archaeologists
discovered charcoal tracings underneath the animal paintings depicted on its
walls. This showed advanced drawing techniques such as sketching to achieve
accuracy. Also, hollowed bones and feathers were used as painting tools, which
goes to show the advanced spray painting techniques used in prehistoric art.
Find more facts at CustomWritings.com

8. 1. Francis, G. (2007). Religious Awareness in Art Forms from
Prehistory to Today 3-5
http://www.crossroadsnyc.com/files/Greene_CaveArt.pdf
2. Laura, T. (2007). Introduction to Prehistoric Art, 20,000-8,000
B.C. http://www.metmuseum.org/toah/hd/preh/hd_preh.htm
3. Kiaren, J. (2005). Female Figurines of the Upper Paleolithic.
http://www.ancient-origins.net/ancient-places-europe/venus-
figurines-european-paleolithic-era-001548
4. Dobres, M. (1992). “Re-considering Venus figurines: A feminist-
inspired re-analysis
5. Owen, R. & Porr, M. (1999). “Questioning stereotypical notions of
prehistoric tool functions: Ethno-analogy, experimentation, and
functional analysis.
6. Tringham, R. (1993). Review of: The civilization of the goddess.
7. The Journal of the Royal Society of Antiquaries of Ireland, Vol.
97, No. 1 (1967), 95-97.
REFERENCES:

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