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A western music.
It is written during the
middle ages.
This era begins with fall
of the Roman Empire.
 It was named after
Pope Gregory I.
It was originally
transmitted orally.
•Monophonic
•Free meter
•Modal
•Usually based on Latin
liturgy
•Use of Neume notation
Usually monophonic
Sometimes with improvised
accompaniment
Tells of Chivalry and courtly love
Originated in France
Written in the French language
Adam De La Halle , Miniature in musical codex
s.XIII
Source: http://picsdigger.com/image/cfd4783
Artist: Unknown
He is also known as
Adam Le Bossu.
He is one of the
oldest secular
composers.
He was a French-born
trouvere , poet and
Adam de la Halle’s works:
Le Jeu de Robin et de
Marion
La Chanson du roi de
Sicile
oRenaissance comes from the
word renaitre.
oRenaissance Period is a
period of “looking back” to
the Golden Age of Greece
and Rome.
oThis era was also known at
the “golden age” of acapella
choral music.
Mostly polyphonic
Imitation among the voices
common
Use of word painting in
texts and music
Melodic lines move in a
flowing manner
Melodies are easier to
perform because these
move along a scale with a
few large leaps
1.Mass
>> It is a form
of sacred musical
composition.
>> It sets texts
of the Eucharistic
liturgy into music.
Polyphonic
Maybe sung acapella
or with orchestral
accompaniment
Text may be syllabic
or melismatic
1.Kyrie
2.Gloria
3.Credo
4.Sanctus and
Benedictus
5.Agnus Dei
2.Madrigal
>> It is a secular vocal
polyphonic music composition.
>> It was originated from Italy.
>> It was written and
expressed in a poetic text.
>> It was sung during courtly
scial gatherings.
>> It is the most important
secular form during the
Renaissance period.
Polyphonic
Sung acappella
Through composed
Frequently in 3 to 6
voices
II. Cultural Background:
Protestant Reformation led by Martin Luther
a. States the articles of
complaints.
b. Expressing reformation
within the church
c. States that reportoire of
church songs should include
some in the vernacular as
well as those sung in Latin
d. CHORALE- new kind of hymn
a. Modest German
scholar
b. Monk
c. Dared to criticize
the excesses and
abuses observed
with the catholic
church
d. Brought to public
attention as
THESES
II. Cultural Background:
COUNTER-Reformation by Council of Trent
a. response to Protestant reformation
b. contains recommendations for
improvements in church procedures
c. composed of serenely beautiful choral music
indicating sensitivity to some criticisms of
Catholic church music voiced by Protestants
III. Characteristics of Music:
• A. MAJOR Characteristics:
–Mostly polyphonic “ Golden Age of Polyphony”
–Imitation among voices are common
–Use of word painting in texts and music
–Melodic lines move in a flowing manner
–Melodies are easier to perform because
these move along a scale with a few large
leaps
III. Characteristics of Music:
B. Words and Music
a. VOCAL music was more important than
INSTRUMENTAL music
b. close relationship between words and
music to enhance the meaning and emotion
of the text.
“when on of the words expresses weeping, pain, heartbreak,
sighs, tears, and other similar things, let the harmony full of
sadness”
III. Characteristics of Music:
b. Emphasis on capturing the emotion and
imagery of the text
c. Calm and restrained
d. Wide range of emotion, express in moderate,
balanced way, with no extreme contrasts of
dynamics, tone color, or rhythm
III. Characteristics of Music:
C. TEXTURE
a. chiefly POLYPHONY
b. sounds fuller, mild and relaxed
c. Bass register was used for the first time
d. Golden Age of A capella
- even so, instruments were often combined with
voices, it might duplicate the vocal lines to reinforce
the sound, or they may take part of the missing
singer
III. Characteristics of Music:
D. RHYTHM and MELODY
a. RHYTHM is more gentle flow than a sharply
defined beat
b. RYTHMIC independence
-when one singer is at the beginning of his/her melodic
phrase, the others may already be in the middle of theirs
(this technique makes singing Renaissance music both PLEASURE
and a CHALLENGE for each singer must maintain an individual
rhythm)
IV. Types of Renaissance Music
•A. Sacred Music
•B. Secular Music
IV. Types of Renaissance Music: SACRED
2 Main Forms of Sacred
Renaissance Music:
a.MOTET
b.MASS
Motet
- Renaissance MOTET is a
polyphonic choral work set to
a sacred Latin text other than
the ordinary of the mass
Mass
- Renaissance Mass is a polyphonic choral
composition made up of five sections:
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Agnus Dei
VI. Famous Renaissance Composers
1.Josquin Desprez
2. Giovanni Pierluigi da
Palestrina
3. Thomas Morley
VI. Famous Renaissance Composers
Josquin Desprez
a. Born in the
province of
Hainaut
(Belgium)
b. Serves for the
Dukes’ private
chapels and in
the Papal
Choir at Rome
VI. Famous Renaissance Composers
Josquin Desprez
c. Work for Louis XII
of France
d. His compositions
include:
i. masses
ii. Motets
iii. Secular vocal
pieces
VI. Famous Renaissance Composers
Josquin Desprez
https://www.youtube.com/watch?v=LUAgAF4K
hmg
AVE MARIA
https://www.youtube.com/watch?v=L
UAgAF4Khmg
VI. Famous Renaissance Composers
Giovanni Pierluigi da
Palestrina
a. Devoted himself
to music for the
Catholic church
b. His career
centered in Rome
c. Musical director of
St. Peter’s Basilica
VI. Famous Renaissance Composers
Giovanni Pierluigi da
Palestrina
d. His works
composed of
i. 104 masses
ii. 450 other
sacred works
VI. Famous Renaissance Composers
Giovanni Pierluigi da
Palestrina
https://www.youtube.com/watch?v=wIvs7C2n
W88
Pope Marcellus
Mass
VI. Famous Renaissance Composers
Thomas Morley
a. English
composer best
known for his
madrigals
VI. Famous Renaissance Composers
Thomas Morley
Now is the Month of
Maying
THANK YOU !!!

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History of Music and their Composers

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  • 5. A western music. It is written during the middle ages. This era begins with fall of the Roman Empire.
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  • 7.  It was named after Pope Gregory I. It was originally transmitted orally.
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  • 9. •Monophonic •Free meter •Modal •Usually based on Latin liturgy •Use of Neume notation
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  • 11. Usually monophonic Sometimes with improvised accompaniment Tells of Chivalry and courtly love Originated in France Written in the French language
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  • 14. Adam De La Halle , Miniature in musical codex s.XIII Source: http://picsdigger.com/image/cfd4783 Artist: Unknown
  • 15. He is also known as Adam Le Bossu. He is one of the oldest secular composers. He was a French-born trouvere , poet and
  • 16. Adam de la Halle’s works: Le Jeu de Robin et de Marion La Chanson du roi de Sicile
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  • 31. oRenaissance comes from the word renaitre. oRenaissance Period is a period of “looking back” to the Golden Age of Greece and Rome. oThis era was also known at the “golden age” of acapella choral music.
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  • 33. Mostly polyphonic Imitation among the voices common Use of word painting in texts and music Melodic lines move in a flowing manner Melodies are easier to perform because these move along a scale with a few large leaps
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  • 35. 1.Mass >> It is a form of sacred musical composition. >> It sets texts of the Eucharistic liturgy into music.
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  • 37. Polyphonic Maybe sung acapella or with orchestral accompaniment Text may be syllabic or melismatic
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  • 40. 2.Madrigal >> It is a secular vocal polyphonic music composition. >> It was originated from Italy. >> It was written and expressed in a poetic text. >> It was sung during courtly scial gatherings. >> It is the most important secular form during the Renaissance period.
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  • 57. II. Cultural Background: Protestant Reformation led by Martin Luther a. States the articles of complaints. b. Expressing reformation within the church c. States that reportoire of church songs should include some in the vernacular as well as those sung in Latin d. CHORALE- new kind of hymn a. Modest German scholar b. Monk c. Dared to criticize the excesses and abuses observed with the catholic church d. Brought to public attention as THESES
  • 58. II. Cultural Background: COUNTER-Reformation by Council of Trent a. response to Protestant reformation b. contains recommendations for improvements in church procedures c. composed of serenely beautiful choral music indicating sensitivity to some criticisms of Catholic church music voiced by Protestants
  • 59. III. Characteristics of Music: • A. MAJOR Characteristics: –Mostly polyphonic “ Golden Age of Polyphony” –Imitation among voices are common –Use of word painting in texts and music –Melodic lines move in a flowing manner –Melodies are easier to perform because these move along a scale with a few large leaps
  • 60. III. Characteristics of Music: B. Words and Music a. VOCAL music was more important than INSTRUMENTAL music b. close relationship between words and music to enhance the meaning and emotion of the text. “when on of the words expresses weeping, pain, heartbreak, sighs, tears, and other similar things, let the harmony full of sadness”
  • 61. III. Characteristics of Music: b. Emphasis on capturing the emotion and imagery of the text c. Calm and restrained d. Wide range of emotion, express in moderate, balanced way, with no extreme contrasts of dynamics, tone color, or rhythm
  • 62. III. Characteristics of Music: C. TEXTURE a. chiefly POLYPHONY b. sounds fuller, mild and relaxed c. Bass register was used for the first time d. Golden Age of A capella - even so, instruments were often combined with voices, it might duplicate the vocal lines to reinforce the sound, or they may take part of the missing singer
  • 63. III. Characteristics of Music: D. RHYTHM and MELODY a. RHYTHM is more gentle flow than a sharply defined beat b. RYTHMIC independence -when one singer is at the beginning of his/her melodic phrase, the others may already be in the middle of theirs (this technique makes singing Renaissance music both PLEASURE and a CHALLENGE for each singer must maintain an individual rhythm)
  • 64. IV. Types of Renaissance Music •A. Sacred Music •B. Secular Music
  • 65. IV. Types of Renaissance Music: SACRED 2 Main Forms of Sacred Renaissance Music: a.MOTET b.MASS
  • 66. Motet - Renaissance MOTET is a polyphonic choral work set to a sacred Latin text other than the ordinary of the mass
  • 67. Mass - Renaissance Mass is a polyphonic choral composition made up of five sections: 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus Dei
  • 68. VI. Famous Renaissance Composers 1.Josquin Desprez 2. Giovanni Pierluigi da Palestrina 3. Thomas Morley
  • 69. VI. Famous Renaissance Composers Josquin Desprez a. Born in the province of Hainaut (Belgium) b. Serves for the Dukes’ private chapels and in the Papal Choir at Rome
  • 70. VI. Famous Renaissance Composers Josquin Desprez c. Work for Louis XII of France d. His compositions include: i. masses ii. Motets iii. Secular vocal pieces
  • 71. VI. Famous Renaissance Composers Josquin Desprez https://www.youtube.com/watch?v=LUAgAF4K hmg AVE MARIA
  • 73. VI. Famous Renaissance Composers Giovanni Pierluigi da Palestrina a. Devoted himself to music for the Catholic church b. His career centered in Rome c. Musical director of St. Peter’s Basilica
  • 74. VI. Famous Renaissance Composers Giovanni Pierluigi da Palestrina d. His works composed of i. 104 masses ii. 450 other sacred works
  • 75. VI. Famous Renaissance Composers Giovanni Pierluigi da Palestrina https://www.youtube.com/watch?v=wIvs7C2n W88 Pope Marcellus Mass
  • 76. VI. Famous Renaissance Composers Thomas Morley a. English composer best known for his madrigals
  • 77. VI. Famous Renaissance Composers Thomas Morley Now is the Month of Maying