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Kenny Rogers: Cards on
the Table
By Joe Hadfield
Documentary Type
 This documentary is classed as a mixed documentary, as it includes
interviews, observational footage, archive footage and a narrator.
 Examples of all of these can be seen from the images below:
Interviews Archive Material
Observational Footage
Themes
Career Family Growing Up
Country Music Celebrity Friendship
Narrative Structure
 This documentary is single stranded, as it only focuses on one topic. In this
case it is Kenny Rogers.
 It is organised in a circular structure, as it starts off in the present day, goes
from the beginning of his life in chronological order back round to the present
day.
 The narrative is closed as there are no more things that need to be said about
him, as it has covered everything up until when it was made.
Camerawork
 No handheld camera shots used in the documentary.
 Movement when a photograph is on the screen, makes it more interesting
than just a still image.
 Variety of camera shots and sizes used throughout the documentary, this is to
make it more visually interesting as a result of the variety.
Establishing shot Movement on still image
Interview Setup
 Interviewee is always sat off centre from the camera, this follows the typical
convention of interviews.
 It also follows the convention that the interview is done at eye level.
 The rule of thirds can also be applied to the setup, making it conventional.
Mise-en-scene
 There is relevant mise-en-scene used in the interviews, as you can see from
the image below. A musician is speaking while there is a piano in the
background, this music iconography is clearly relevant to the person.
 There is lots of musical iconography in the programme, this signifies a key
theme of music.
 Lots of relevant posters, album covers and other things related to Kenny
Rogers.
 The lighting is always high key and natural.
Sound
 Non diegetic music played throughout the documentary, relevant as it is
Kenny Roger’s songs. The volume of the song is lowered when somebody is
singing.
 Narration/voiceover style of voice is standard English and it has a
authoritarian tone which makes it sound informative.
 The narrator is used to explain, give information and states facts. It also ties
sections together and provides a link/segway.
 There is diegetic sound from interviews and live performances.
Editing
 A cutaway is conventional of a documentary, it cuts away from an interview to observational
or archive footage, it illustrates what’s being discussed and provides variety for the audience.
 An example of a cutaway from this documentary is when it refers to Johnny Cash and then
cuts to a picture of him.
 Another example is Islands in the Stream, and then cuts to a performance of that and then
finally Kenny discusses his influences, then cuts to a Ray Charles performance.
 It mainly uses conventional straight cuts, which aren’t distracting.
 Montages are also used, using observational footage.
 Interesting transition used, appeared to be like flashing lights. This hints at stage lights which
is to do with Kenny Rogers. Used when starting a new topic.
Archive Material
Lots of archive material due to the long history of Kenny
Graphics
 The names of people being interviewed and underneath their relevance to
Kenny.
 The title of the documentary on the title sequence.
 End credits at end of documentary.

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Kenny Rogers

  • 1. Kenny Rogers: Cards on the Table By Joe Hadfield
  • 2. Documentary Type  This documentary is classed as a mixed documentary, as it includes interviews, observational footage, archive footage and a narrator.  Examples of all of these can be seen from the images below: Interviews Archive Material Observational Footage
  • 3. Themes Career Family Growing Up Country Music Celebrity Friendship
  • 4. Narrative Structure  This documentary is single stranded, as it only focuses on one topic. In this case it is Kenny Rogers.  It is organised in a circular structure, as it starts off in the present day, goes from the beginning of his life in chronological order back round to the present day.  The narrative is closed as there are no more things that need to be said about him, as it has covered everything up until when it was made.
  • 5. Camerawork  No handheld camera shots used in the documentary.  Movement when a photograph is on the screen, makes it more interesting than just a still image.  Variety of camera shots and sizes used throughout the documentary, this is to make it more visually interesting as a result of the variety. Establishing shot Movement on still image
  • 6. Interview Setup  Interviewee is always sat off centre from the camera, this follows the typical convention of interviews.  It also follows the convention that the interview is done at eye level.  The rule of thirds can also be applied to the setup, making it conventional.
  • 7. Mise-en-scene  There is relevant mise-en-scene used in the interviews, as you can see from the image below. A musician is speaking while there is a piano in the background, this music iconography is clearly relevant to the person.  There is lots of musical iconography in the programme, this signifies a key theme of music.  Lots of relevant posters, album covers and other things related to Kenny Rogers.  The lighting is always high key and natural.
  • 8. Sound  Non diegetic music played throughout the documentary, relevant as it is Kenny Roger’s songs. The volume of the song is lowered when somebody is singing.  Narration/voiceover style of voice is standard English and it has a authoritarian tone which makes it sound informative.  The narrator is used to explain, give information and states facts. It also ties sections together and provides a link/segway.  There is diegetic sound from interviews and live performances.
  • 9. Editing  A cutaway is conventional of a documentary, it cuts away from an interview to observational or archive footage, it illustrates what’s being discussed and provides variety for the audience.  An example of a cutaway from this documentary is when it refers to Johnny Cash and then cuts to a picture of him.  Another example is Islands in the Stream, and then cuts to a performance of that and then finally Kenny discusses his influences, then cuts to a Ray Charles performance.  It mainly uses conventional straight cuts, which aren’t distracting.  Montages are also used, using observational footage.  Interesting transition used, appeared to be like flashing lights. This hints at stage lights which is to do with Kenny Rogers. Used when starting a new topic.
  • 10. Archive Material Lots of archive material due to the long history of Kenny
  • 11. Graphics  The names of people being interviewed and underneath their relevance to Kenny.  The title of the documentary on the title sequence.  End credits at end of documentary.