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Line
Thomas Green
Pablo Picasso
HORIZONTAL line in an artwork may
Contribute a sense of restfulness, stability, stillness.
Particular directional lines tend to evoke
different energies or moods:
Karen Kunc
Jay DeFeo, graphite pencil
VERTICAL line or directional movement can
suggest power, forceful stability.
Hong Chun Zhang, charcoal graphite
DIAGONAL line best evoke
motion, energy, dynamism!
Ernesto Caivano Gomedia
3 types of LINES IN ART…
• DESCRIPTIVE LINES are lines that help us
understand what we are seeing.
– Outlines – Contour Lines – Single Lines – Hatching
• IMPLIED LINES are lines that suggest an edge
rather than clearly defining one.
– Implied Lines occur where textures, colors, and values
change at edges of shapes in artwork.
• EXPRESSIVE LINES are lines that send us messages
about what the artist wants his or her work to
make us feel.
DESCRIPTIVE LINES
• OUTLINE -
– An outline is a line
that surrounds a
shape.
– The lines of an
outline are usually
the same thickness
throughout.
– Also, only the outer
edges of the shapes
are defined.
DESCRIPTIVE LINES
• CONTOUR LINES-
– Also define the outer
edges of shapes.
– Unlike outlines,
however, contour lines
vary in thickness and
darkness.
– They also define the
edges of shapes within
a form.
– They give a greater
sense of depth to the
object.
DESCRIPTIVE LINES
• Hatching / Cross-
Hatching
– Artists use many thin,
closely spaced, parallel
lines called hatching.
– Hatching lines that are
crossed, which make a
more solid shadow, are
called cross-hatching.
IMPLIED LINES
• Are lines that are not seen, at least in the
usual way. They are indicated indirectly.
• An actual line does not have to be present in
order for a line to be suggested, or implied.
• Lines can be implied by:
– Edges
– Closure
– Lines of sight
IMPLIED LINES
• LINES OF SIGHT
– Are implied lines
that are suggested
by the direction in
which the figures
in a picture are
looking, or from
the observer’s eye
to the object being
looked at.
IMPLIED LINES
• CLOSURE –
– Our tendency to “see” complete figures where
lines are left open is called closure.
– Example would be a dotted line, we always finish
it to make it a solid line.
EDGES in 3-Dimensional Art
IMPLIED LINES
• EDGES
– Exist where one shape ends and another shape
begins.
– These edges imply a line.
EXPRESSIVE LINES (emotional line)
• lines that are produced to express an idea, mood, or quality.
A drawing might be characterized by lines that are
curvilinear or angular, continuous or interrupted…
Brice Marden
Oskar
Kokoshka
Lebbeus
Woods
(or broad or delicate,
rough or precise…)
Lines create shapes
Positive and negative
Also known as “figure” and “ground”
Figure/Ground
Traditionally, we refer to the identifiable shape as the figure (positive space)
and the surrounding area as the ground (negative space).
Figure/Ground Reversal
In this illustration of figure ground ambiguity, the viewer can
choose to see either the faces or the cup, but not both at once.
The white of the paper is depicting the positive space, and the
black tone is the negative space.
Abstraction-simplify
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Green 2d 02_line

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  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
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  • 15. Pablo Picasso HORIZONTAL line in an artwork may Contribute a sense of restfulness, stability, stillness. Particular directional lines tend to evoke different energies or moods: Karen Kunc
  • 16.
  • 17. Jay DeFeo, graphite pencil VERTICAL line or directional movement can suggest power, forceful stability. Hong Chun Zhang, charcoal graphite
  • 18.
  • 19.
  • 20.
  • 21. DIAGONAL line best evoke motion, energy, dynamism! Ernesto Caivano Gomedia
  • 22. 3 types of LINES IN ART… • DESCRIPTIVE LINES are lines that help us understand what we are seeing. – Outlines – Contour Lines – Single Lines – Hatching • IMPLIED LINES are lines that suggest an edge rather than clearly defining one. – Implied Lines occur where textures, colors, and values change at edges of shapes in artwork. • EXPRESSIVE LINES are lines that send us messages about what the artist wants his or her work to make us feel.
  • 23. DESCRIPTIVE LINES • OUTLINE - – An outline is a line that surrounds a shape. – The lines of an outline are usually the same thickness throughout. – Also, only the outer edges of the shapes are defined.
  • 24. DESCRIPTIVE LINES • CONTOUR LINES- – Also define the outer edges of shapes. – Unlike outlines, however, contour lines vary in thickness and darkness. – They also define the edges of shapes within a form. – They give a greater sense of depth to the object.
  • 25. DESCRIPTIVE LINES • Hatching / Cross- Hatching – Artists use many thin, closely spaced, parallel lines called hatching. – Hatching lines that are crossed, which make a more solid shadow, are called cross-hatching.
  • 26. IMPLIED LINES • Are lines that are not seen, at least in the usual way. They are indicated indirectly. • An actual line does not have to be present in order for a line to be suggested, or implied. • Lines can be implied by: – Edges – Closure – Lines of sight
  • 27.
  • 28. IMPLIED LINES • LINES OF SIGHT – Are implied lines that are suggested by the direction in which the figures in a picture are looking, or from the observer’s eye to the object being looked at.
  • 29. IMPLIED LINES • CLOSURE – – Our tendency to “see” complete figures where lines are left open is called closure. – Example would be a dotted line, we always finish it to make it a solid line.
  • 31. IMPLIED LINES • EDGES – Exist where one shape ends and another shape begins. – These edges imply a line.
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  • 34. EXPRESSIVE LINES (emotional line) • lines that are produced to express an idea, mood, or quality.
  • 35. A drawing might be characterized by lines that are curvilinear or angular, continuous or interrupted… Brice Marden Oskar Kokoshka Lebbeus Woods (or broad or delicate, rough or precise…)
  • 36. Lines create shapes Positive and negative Also known as “figure” and “ground”
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  • 38. Figure/Ground Traditionally, we refer to the identifiable shape as the figure (positive space) and the surrounding area as the ground (negative space).
  • 39. Figure/Ground Reversal In this illustration of figure ground ambiguity, the viewer can choose to see either the faces or the cup, but not both at once.
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  • 42. The white of the paper is depicting the positive space, and the black tone is the negative space.
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