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Learning
Objectives
 to know the definition
of dance
 to be familiar with the
history and nature of
dance
 to understand the
specific benefits of
dance and creative
movement
Brief History and Nature
of Dance
What Is Dance?
According to American dancer, dance educator, author, and
film and video producer Barbara Mettler…
“Dance is an activity which
can take many forms and
fill many different needs. It
can be recreation,
entertainment, education,
therapy, and religion. In its
purest and most basic form,
dance is art, the art of body
movement.”
Unlike athletics or
other daily activities,
dance focuses
primarily on “an
aesthetic or even
entertaining
experience” (Myers,
2005).
Reasons of People for Dancing
 to please the gods
 to please others
 to please themselves
(self-expression)
 to build community
within an ethnic
group (social
interaction)
Brief History
of Dances
People from the prehistoric
era performed ways they
hoped would appease the
forces of nature or give
them new powers of their
own.
It was only during the pre-
Christian era that the real
knowledge of dance came
about within the great
Mediterranean and Middle
Eastern civilizations.
Dance became full-blown
and was richly recorded
in ancient Egypt as
reflected in their wall
paintings, reliefs, and in
the literary record in
hieroglyphs.
For ancient Greeks, who
thought highly of dance, it
was closely linked with
other kinds of experiences
such as an aid to military
education among the boys
in Athens and Sparta, as
well as a form of
entertainment and display.
 The Greek also used danc
to aid education in genera
as philosophers such as
Plato, Aristotle, and
Socrates strongly
supported this art as an
integration of the body
and soul.
 The ancient Rome
gave less importance
to dancing as the
nation grew wealthy
and powerful.
 It became brutal and
sensationalized as their
entertainers were
slaves and captives
from many
nationalities.
 It was used more often
for gruesome
purposes.
 It eventually became
an integral part of the
corruption in the latter
days of the Roman
Empire, resulting in
the condemnation of
dance by the early
Christians.
After the fall of Rome, the history of
dance transformed following the
development of the Catholic Church,
which was by then the sole custodian
of learning and education as well as
the source of morals. During this time,
theatrical entertainment was
prohibited and dance was performed
only during worships, church services,
and religious ceremonies.
Although the Church had
condemned dance as
entertainment, some
singers, dancers, poets,
actors, musicians, and
jugglers continued to
wander in village squares
to perform during the Dark
and early Middle Ages
 These performers were
eventually welcomed
in the castles and
chateaus of feudal
lords.
 The common people
also amused
themselves by doing
dances that were social
in character, marking
the beginning of social
Nobility soon
followed the
peasants’ lead in
dancing but in a
more refined and
courtly form as
court dances
emerged as part of
the chivalric way of
life.
The old restraints were
loosened and clerical
ideas and purposes no
longer dominate all
creative expressions of
the human spirit.
The entertainers now
became valuable
appendage to the courts
of Italy and France.
Renaissanc
e
In the 15th and 16th
centuries, new court
dances in Europe
performed by the nobility
came about at about the
same time as the rise of
the art of ballet in Italy
and France. From then on,
several other dance forms
continued to sprout and
spread across several
countries.
After the pinnacle of
ballet prominence,
contemporary dances that
were stylistic variations
of ballet emerged and
evolved in Europe. Other
dance forms also came to
light and have been
widely recognized
worldwide.
Benefits of Dance
and Creative
Movement
PHYSICA
L  Develops
cardiovascular and
muscular endurance
 Improves coordination,
balance, flexibility, and
body composition
 Lowers risk of
cardiovascular diseases
 Lowers body mass
index
Lowers resting heart rate
Improves lipid metabolism
Enables joint mobility (hip motion
and spine flexibility)
Helps improve and maintain bone
density, thus helping prevent
osteoporosis
Helps recover coordination and
neuromuscular skills after injury
MENTAL/EMOTIONAL
o Helps keep the brain sharp
o Decreases incidence of
dementia and Alzheimer’s
disease
o Decreases depressive
symptoms
o Increases self-esteem and
improves body image
o Aids in releasing emotional and
physical tension
SOCIAL
• Promotes
cultural values
• Gives sense of
togetherness within a
group
• Encourages positive
social interaction and
interpersonal
relationship in a group
• Contributes to the
individual’s potential
for self-actualization in
society
CULTURAL

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Brief_History_and_Nature_of_Dance.pptx

  • 1. Learning Objectives  to know the definition of dance  to be familiar with the history and nature of dance  to understand the specific benefits of dance and creative movement
  • 2.
  • 3. Brief History and Nature of Dance
  • 4. What Is Dance? According to American dancer, dance educator, author, and film and video producer Barbara Mettler… “Dance is an activity which can take many forms and fill many different needs. It can be recreation, entertainment, education, therapy, and religion. In its purest and most basic form, dance is art, the art of body movement.”
  • 5. Unlike athletics or other daily activities, dance focuses primarily on “an aesthetic or even entertaining experience” (Myers, 2005).
  • 6. Reasons of People for Dancing  to please the gods  to please others  to please themselves (self-expression)  to build community within an ethnic group (social interaction)
  • 8. People from the prehistoric era performed ways they hoped would appease the forces of nature or give them new powers of their own. It was only during the pre- Christian era that the real knowledge of dance came about within the great Mediterranean and Middle Eastern civilizations.
  • 9. Dance became full-blown and was richly recorded in ancient Egypt as reflected in their wall paintings, reliefs, and in the literary record in hieroglyphs.
  • 10. For ancient Greeks, who thought highly of dance, it was closely linked with other kinds of experiences such as an aid to military education among the boys in Athens and Sparta, as well as a form of entertainment and display.
  • 11.  The Greek also used danc to aid education in genera as philosophers such as Plato, Aristotle, and Socrates strongly supported this art as an integration of the body and soul.
  • 12.  The ancient Rome gave less importance to dancing as the nation grew wealthy and powerful.  It became brutal and sensationalized as their entertainers were slaves and captives from many nationalities.
  • 13.  It was used more often for gruesome purposes.  It eventually became an integral part of the corruption in the latter days of the Roman Empire, resulting in the condemnation of dance by the early Christians.
  • 14. After the fall of Rome, the history of dance transformed following the development of the Catholic Church, which was by then the sole custodian of learning and education as well as the source of morals. During this time, theatrical entertainment was prohibited and dance was performed only during worships, church services, and religious ceremonies.
  • 15. Although the Church had condemned dance as entertainment, some singers, dancers, poets, actors, musicians, and jugglers continued to wander in village squares to perform during the Dark and early Middle Ages
  • 16.  These performers were eventually welcomed in the castles and chateaus of feudal lords.  The common people also amused themselves by doing dances that were social in character, marking the beginning of social
  • 17. Nobility soon followed the peasants’ lead in dancing but in a more refined and courtly form as court dances emerged as part of the chivalric way of life.
  • 18. The old restraints were loosened and clerical ideas and purposes no longer dominate all creative expressions of the human spirit. The entertainers now became valuable appendage to the courts of Italy and France. Renaissanc e
  • 19. In the 15th and 16th centuries, new court dances in Europe performed by the nobility came about at about the same time as the rise of the art of ballet in Italy and France. From then on, several other dance forms continued to sprout and spread across several countries.
  • 20. After the pinnacle of ballet prominence, contemporary dances that were stylistic variations of ballet emerged and evolved in Europe. Other dance forms also came to light and have been widely recognized worldwide.
  • 21. Benefits of Dance and Creative Movement
  • 22. PHYSICA L  Develops cardiovascular and muscular endurance  Improves coordination, balance, flexibility, and body composition  Lowers risk of cardiovascular diseases  Lowers body mass index
  • 23. Lowers resting heart rate Improves lipid metabolism Enables joint mobility (hip motion and spine flexibility) Helps improve and maintain bone density, thus helping prevent osteoporosis Helps recover coordination and neuromuscular skills after injury
  • 24. MENTAL/EMOTIONAL o Helps keep the brain sharp o Decreases incidence of dementia and Alzheimer’s disease o Decreases depressive symptoms o Increases self-esteem and improves body image o Aids in releasing emotional and physical tension
  • 25. SOCIAL • Promotes cultural values • Gives sense of togetherness within a group • Encourages positive social interaction and interpersonal relationship in a group • Contributes to the individual’s potential for self-actualization in society CULTURAL

Editor's Notes

  1. As an introduction to the discussion, you may first discuss with the class the quotation by popular American dancer and choreographer Agnes de Mille presented on the slide. You may ask several volunteers to share with the class their take on the message of the quotation that de Mille wanted to impart.
  2. Explain to the students that although it provided a variety of functions throughout history due to its multidimensionality and that there have been immense comparative differences in period and culture, people still dance mainly for four reasons.
  3. As an additional note to the first point, you may say: As Kraus and Gaufman (1981) said, “Man danced originally to supplicate the gods on all important occasions of life”. Before discussing the second point, note to the students first that dances during prehistoric time have not yet been fully recorded so that very little known facts about dance have emerged from this time. To elaborate on the third point, you may say: Just like during the time of the primitive culture, most of the dances during this era were chiefly a medium of religious expression.
  4. To elaborate on the first point, you may say: In fact, Plato himself immensely gave importance to dance in education as stated in his elucidation on the Laws. He highlighted the two kinds of dance and music: the noble (fine and honorable) and the ignoble (imitating what is mean or ugly).
  5. To add to the second point, you may say: The peasants performed two basic types of dancing: the round dance and the couple dance. In round dance, dancers hold each other by hand, forming a long chain and move about in an open or closed circle, or in an extended line. Couple dance, at that time, was not as popular as round dance as it was considered scandalous when first seen.
  6. During the Renaissance, dance, and art in general, was wholly accepted and gained impetus.