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Introduction
Desai’s work is known for its rich and colorful
language, and detailed presentations of
setting and character. Hullabaloo in the
Guava Orchard presents a fictitious small
town called Shahkot in North India. The town
has a mixed culture of traditional Indian social
norms and of modern life, wherein the
runaway Sampath Chawla, who just wants to
be left alone, is forced into being a holy man in
spite of himself.
O India is home to many religious groups, including
  Hindus, Buddhists, and Muslims.

O It also has a history of political strife among
those groups, exacerbated by the interference of
British colonialism and modern globalization.

O Her work explores the toll that these culturaldivides
  have taken on India’s population.
Protagonist: Sampath Chawla
O The son born to Kulfi and Mr. Chawla during the
  monsoon is the main character. He is born with a
  brown birthmark on his cheek and, because he came
  with the rains, he is called Sampath—Good Fortune.
O He grows up a strange boy, imaginative, and
  attracted, like his mother, to sensuous beauty. Also
  like her, he seems to get lost in the objects of his
  perception,
   becoming one with them.
O Thus, at the wedding of his boss’s daughter, he
  takes the colors and textures of the wedding clothes
  into himself until he is drunk on the beauty and sings
  naked in the fountain.
O He feels the tree in the orchard represents the first
  time he has truly seen life as it is—he is at one with its
  beauty. If he could only stay long enough, he could
  melt into it.

O As the people converge on the orchard in a moment of
  Maximum chaos, Sampath apparently disappears as
  he holds a guava; like a Buddha, he is absorbed into
  its life force. The fruit bears a mark exactly like
  Sampath’s birthmark.
Bibliography

In Constantakis, S., & Jordan, A. D. (2012).
Novels for students: Presenting analysis,
context and criticism on commonly studied
novels. Detroit: Gale.
Pandey, B. (2001). Indian women novelists in
English. New Delhi: Sarup & Sons.
Hullabaloo PPP por Gabriela
   Claudia Domínguez se
 encuentra bajo una Licencia
Creative Commons Atribución
        3.0 Unported.

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HULLABALOO IN THE GUAVA ORCHARD- characters

  • 1.
  • 2. Introduction Desai’s work is known for its rich and colorful language, and detailed presentations of setting and character. Hullabaloo in the Guava Orchard presents a fictitious small town called Shahkot in North India. The town has a mixed culture of traditional Indian social norms and of modern life, wherein the runaway Sampath Chawla, who just wants to be left alone, is forced into being a holy man in spite of himself.
  • 3. O India is home to many religious groups, including Hindus, Buddhists, and Muslims. O It also has a history of political strife among those groups, exacerbated by the interference of British colonialism and modern globalization. O Her work explores the toll that these culturaldivides have taken on India’s population.
  • 4. Protagonist: Sampath Chawla O The son born to Kulfi and Mr. Chawla during the monsoon is the main character. He is born with a brown birthmark on his cheek and, because he came with the rains, he is called Sampath—Good Fortune. O He grows up a strange boy, imaginative, and attracted, like his mother, to sensuous beauty. Also like her, he seems to get lost in the objects of his perception, becoming one with them. O Thus, at the wedding of his boss’s daughter, he takes the colors and textures of the wedding clothes into himself until he is drunk on the beauty and sings naked in the fountain.
  • 5. O He feels the tree in the orchard represents the first time he has truly seen life as it is—he is at one with its beauty. If he could only stay long enough, he could melt into it. O As the people converge on the orchard in a moment of Maximum chaos, Sampath apparently disappears as he holds a guava; like a Buddha, he is absorbed into its life force. The fruit bears a mark exactly like Sampath’s birthmark.
  • 6. Bibliography In Constantakis, S., & Jordan, A. D. (2012). Novels for students: Presenting analysis, context and criticism on commonly studied novels. Detroit: Gale. Pandey, B. (2001). Indian women novelists in English. New Delhi: Sarup & Sons.
  • 7. Hullabaloo PPP por Gabriela Claudia Domínguez se encuentra bajo una Licencia Creative Commons Atribución 3.0 Unported.