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AUTEUR THEORY 
By Francesca Carter
 The Auteur theory was introduced in the 1950’s by French 
film directors like Francois Truffaut who advocated a focus on 
the contribution directors made on the style and form of film, 
he said: 
 “A true film auteur is someone who brings something 
genuinely personal to his subject instead of producing a 
tasteful, accurate but lifeless rendering of the original 
material” 
 Francois Truffaut’s auteur style is to use a lot of wide shots so 
that the audience can pick and choose where they look on 
screen. This tied in closely with theatre. 
 This theory holds that a film's director is its “author” 
(French, auteur). An auteur is a film maker whose style and 
practise is distinctive which creates a signature auteur status 
for them. It is also a film maker who has a personal, signature 
style and keeps creative control over his or her work.
 Making a music video with 
an director who is the auteur would 
not be possible for them to create 
the entire production by themself. 
So they therefore collaborate with 
others such as a writer, 
cinematographer and actors but the 
director is still an auteur as they 
have full control of the production. 
An example of a music video auteur 
is Chris Cunningham. Chris 
Cunningham is a British music video 
film director and 
video artist. Cunningham is known 
for his warped style and disturbing 
imagery, he has worked 
and produced music videos for the 
likes of; Aphex Twins, Bjork, 
Placebo and Madonna.
 Harold "Hype" Williams 
 (born 1970) Previously known 
as HYPE, is an 
American music video and film 
director. As the definitive video 
director for late-'90s rap 
music, Williams worked with 
every major rapper of the era, 
from Nas and Kanye 
West to Missy Elliott and Puff 
Daddy, and even made the 
admirable leap to feature films 
as well. In 1993, he launched 
his own production company 
called “Big Dog Films” and 
made his first major video in 
1994, Wu-Tang Clan's "Can It 
Be All So Simple
 SIGNATURE STYLE FEATURES 
 Throughout his work, certain iconic auteur 
styles and elements can be seen time and 
time again. Some examples of this include: 
Use of coloured banners across the top and bottom of 
the screen
 Use of bold, primary colours, - often block 
colours
 Sexualisation of full figured women through 
dance and costume
 Singing rapping to the camera, lot of close ups
 Now puts his name on each videos much like 
many film directors
 R&B hip hop focus within his music videos
 Use of fish eye lens

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Auteur theory

  • 1. AUTEUR THEORY By Francesca Carter
  • 2.  The Auteur theory was introduced in the 1950’s by French film directors like Francois Truffaut who advocated a focus on the contribution directors made on the style and form of film, he said:  “A true film auteur is someone who brings something genuinely personal to his subject instead of producing a tasteful, accurate but lifeless rendering of the original material”  Francois Truffaut’s auteur style is to use a lot of wide shots so that the audience can pick and choose where they look on screen. This tied in closely with theatre.  This theory holds that a film's director is its “author” (French, auteur). An auteur is a film maker whose style and practise is distinctive which creates a signature auteur status for them. It is also a film maker who has a personal, signature style and keeps creative control over his or her work.
  • 3.  Making a music video with an director who is the auteur would not be possible for them to create the entire production by themself. So they therefore collaborate with others such as a writer, cinematographer and actors but the director is still an auteur as they have full control of the production. An example of a music video auteur is Chris Cunningham. Chris Cunningham is a British music video film director and video artist. Cunningham is known for his warped style and disturbing imagery, he has worked and produced music videos for the likes of; Aphex Twins, Bjork, Placebo and Madonna.
  • 4.  Harold "Hype" Williams  (born 1970) Previously known as HYPE, is an American music video and film director. As the definitive video director for late-'90s rap music, Williams worked with every major rapper of the era, from Nas and Kanye West to Missy Elliott and Puff Daddy, and even made the admirable leap to feature films as well. In 1993, he launched his own production company called “Big Dog Films” and made his first major video in 1994, Wu-Tang Clan's "Can It Be All So Simple
  • 5.  SIGNATURE STYLE FEATURES  Throughout his work, certain iconic auteur styles and elements can be seen time and time again. Some examples of this include: Use of coloured banners across the top and bottom of the screen
  • 6.  Use of bold, primary colours, - often block colours
  • 7.  Sexualisation of full figured women through dance and costume
  • 8.  Singing rapping to the camera, lot of close ups
  • 9.  Now puts his name on each videos much like many film directors
  • 10.  R&B hip hop focus within his music videos
  • 11.  Use of fish eye lens