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
 Carol Vernallis theory is based around four key
concepts that all relate to the way a music video is
manufactured, these concepts are:
o Narrative
o Editing
o Camera Movement and Framing
o Diegesis
Theory

 Carol Vernallis when describing her theory
particularly the narrative aspect, suggests that the
video is a visual response to the narrative. Therefore
whatever is happening onscreen reflects the choice
of lyrics that the artist is singing. However Vernallis
then goes on to say how the narrative may not
always be completed and can be partial with the
video appearing disjointed, disconnected and appear
in fragments. Finally although the video may have a
narrative, it is probably displayed in a montage style,
rather than in one clear focus.
Narrative

 She suggests that all videos follow the same editing
techniques. The editing may also be bought to the
foreground, become visible and not hidden. Most
videos will include:
 Jump Cuts
 Cutting with the lyrics
 Extreme changes in pace
 Juxtaposed Frames
 Graphic Matches
Editing

 Vernallis states that establishing shots are one of the
key camera features of a music video and are reused
frequently throughout a music video as well as close
up shots, usually to show off the singer/band. The
style of framing of the video again is quite distinctive
to the video and also the camera may move in time
with the lyrics.
Camera Movements and
Framing

 In terms of media the diegesis is the world of the
music video. Carol Vernallis explains how the
diegesis will be revealed quite slowly. There will be
many repetitions throughout the video and some
frames will appear more important than others due to
the way they have been shot/framed.
Diegesis

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Carol vernallis theory

  • 1.
  • 2.   Carol Vernallis theory is based around four key concepts that all relate to the way a music video is manufactured, these concepts are: o Narrative o Editing o Camera Movement and Framing o Diegesis Theory
  • 3.   Carol Vernallis when describing her theory particularly the narrative aspect, suggests that the video is a visual response to the narrative. Therefore whatever is happening onscreen reflects the choice of lyrics that the artist is singing. However Vernallis then goes on to say how the narrative may not always be completed and can be partial with the video appearing disjointed, disconnected and appear in fragments. Finally although the video may have a narrative, it is probably displayed in a montage style, rather than in one clear focus. Narrative
  • 4.   She suggests that all videos follow the same editing techniques. The editing may also be bought to the foreground, become visible and not hidden. Most videos will include:  Jump Cuts  Cutting with the lyrics  Extreme changes in pace  Juxtaposed Frames  Graphic Matches Editing
  • 5.   Vernallis states that establishing shots are one of the key camera features of a music video and are reused frequently throughout a music video as well as close up shots, usually to show off the singer/band. The style of framing of the video again is quite distinctive to the video and also the camera may move in time with the lyrics. Camera Movements and Framing
  • 6.   In terms of media the diegesis is the world of the music video. Carol Vernallis explains how the diegesis will be revealed quite slowly. There will be many repetitions throughout the video and some frames will appear more important than others due to the way they have been shot/framed. Diegesis