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narratives By sianlynes
TODOROV’S THEORY OF NARRATIVE Suggested that conventional narratives are structured in 5 stages: ,[object Object]
2. A disruption of the equilibrium by some action
3. A recognition that disruption has occurred
4. An attempt to repair the disruption
5. A reinstatement of the equilibrium EQUILIBRIUM DISEQUILIBRIUM NEW  EQUILIBRIUM State of well being and normality between the protagonists  Well being is disrupted by an outside force and has to fought to return back to the normal state of new equilibrium  The outer force is defeated and a new state of well being has been acquired
Barthes’ THEORY OF NARRATIVE Barthes’ said that: a text had no beginning, that it is reversible, we can gain access to it by many entrances (none can be authoritatively declared to be the main one), it can be indeterminable. Meaning: ,[object Object]
Unravelling can lead to several potential meanings
We can look at text from one perspective and create one meaning
You can continue by unravelling the narrative from a range of angles and create new meaningsBarthes then narrowed down this to Five Codes which can be present in any narrative: ,[object Object]

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Narrative Theories and Examples

  • 2.
  • 3. 2. A disruption of the equilibrium by some action
  • 4. 3. A recognition that disruption has occurred
  • 5. 4. An attempt to repair the disruption
  • 6. 5. A reinstatement of the equilibrium EQUILIBRIUM DISEQUILIBRIUM NEW EQUILIBRIUM State of well being and normality between the protagonists Well being is disrupted by an outside force and has to fought to return back to the normal state of new equilibrium The outer force is defeated and a new state of well being has been acquired
  • 7.
  • 8. Unravelling can lead to several potential meanings
  • 9. We can look at text from one perspective and create one meaning
  • 10.
  • 11. The Enigma Code – where tension is built up and audience left questioning
  • 12. The Symbolic Code – new meaning comes from conflicts/ opposing ideas
  • 13. The Cultural Code – looks at the audience’s wider cultural knowledge/morality/and ideology
  • 14. The Semantic Code – story has an additional meaning/underlying connotationBarthes said texts can be: ‘OPEN’ or ‘CLOSED’ (they can be unravelled) (only one obvious thread in the story)
  • 15.
  • 19.
  • 20. 2. The villain (opposes the hero)
  • 21. 3. The donor (provides an object to the hero)
  • 22. 4. The helper (aids hero in his quest)
  • 23. 5. The princess (reward for hero and requires protection from the villain)
  • 24. 6. The dispatcher (sends the hero on a task)
  • 25.
  • 26. equilibrium The equilibrium at the beginning of the story is the snowman living in his glass dome. It is apparent at the beginning of the short film that the norm for the snowman is to be isolated in his glass house.
  • 27. disequilibrium The disequilibrium in this short film is when the snowman gets jealous of the tourist knick knacks and hatches a plan to break free to join them. The snowman uses many methods to escape free: digger, TNT, hammer without success. Until his TNT readjusts his positioning…
  • 28. New equilibrium After the snowman falls off his shelf, he descend into the goldfish bowl below. When he thinks he is free to join the mermaid his glass dome again encloses him. This is now the normal for the snowman since he cannot go back to his original position.
  • 29. Tries to save himself from isolation Encourages the snowman to join her THE HERO THE SNOWMAN THE TOURIST BARBIE THE PRINCESS