3. Camera Work Extreme close up of hand on laptop. Camera pans quickly across countryside. Zoom in on letter- important words- still images. Camera tilts slowly down sign and up a stained glass window of choir boys. Camera pans across computer screen when typing email- cuts to tilt shot of moving car. Camera pans across highlighted sentences in email. Low angle of church- show power and an intimidating feel to the audience and how the victims felt.
4. Mise-En-Scene Mise- en-scene of kitchen and victim wearing shorts and vest reading letter- kitchen is middle class. Interviews: rule of thirds- head and shoulder shot of victims Table and man sitting down- window viewing outside- abroad- newish building. Lighting is dark on man(like shadow), the light outside room contrasts to the man sitting in darkness which connotes isolation. Cuts then to a man standing up being interviewed. Mise-en-scene of man sitting behind table(judge like)- connoting his class in contrast with kitchen scene.
5. Voice Of God- English well spoken woman Bell sounds- connotes religious theme and heightens spookiness. Soft acoustic guitar sounds- sympathy and to show self reflection at the end. Harp sounds to connote peace and hope. Sound
6. Archive Material As you can see, the documentary has used real archive material of real priest which is to connote realism for the audience as we can see that the abusers were real people. Secret filming footage of abuser and victim interview- shows reality of what happened and also gives the audience a sense of realism. Images of letter sent to victims- sentences highlighted for audience effects. also the camera zooms in quickly and then back out. Religious imagery and monuments constantly shown in documentary.
7. As you can see in this screen grab, graphics are used in order to create information for the audience. In this documentary, the graphics fade out for effect. This is an important convention because Graphics
