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THE DEVIL MADE ME DO IT
Type Of Documentary ,[object Object],Narrative Structure ,[object Object],[object Object]
Camera Work Cutaways of establishing  shots and external (house, church, street, name,)- intimacy with audience. Arial shots also used to tensify. Hand held camera to create a rocky and disturbed feel and media frenzy.  Camera tracks behind Manson in hotel foyer with bright lighting- connotes higher status for Manson and intimacy for the audience. Interviews- rule of 3rds. Close up to show emotion + concentrate on facial expressions. Also interviewed in homes(more genuine, anchors meaning).
Mise-En-Scene Red lighting used to create a dangerous feel for audience, shots of deserted town Use of religious shots mixed together. Low angle of Manson: power and intimidation. Police station: very official, a lot going on, cutaways to show action, camera slowly follows policeman(control), rule of 3rds framing, light is obvious, natural shadow adds to sense of despair.
Voice Of God Bell sounds to heighten tension Ambient sound to create spookiness- feel isolation that the nun felt. Sound
Slow mo., speaking over, cutaways to emphasise themes, interviews, cross- cutting/fade to black- eplipitcalediting, selection of shots(Gate keeper). Cutaways emphasise themes – external + establishing shots from different angles- sense of place + anchors meaning towards they are in there.   Editing
Archive Material Footage of Manson concert and his fans (inside and outside) audience capture an immediate conception of Manson and his fans. News coverage of controversy
Graphics ,[object Object],Also, as Manson is singing, subtitles are shown of lyrics to improve message being put across.
Presentation manson

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Presentation manson

  • 1. THE DEVIL MADE ME DO IT
  • 2.
  • 3. Camera Work Cutaways of establishing shots and external (house, church, street, name,)- intimacy with audience. Arial shots also used to tensify. Hand held camera to create a rocky and disturbed feel and media frenzy. Camera tracks behind Manson in hotel foyer with bright lighting- connotes higher status for Manson and intimacy for the audience. Interviews- rule of 3rds. Close up to show emotion + concentrate on facial expressions. Also interviewed in homes(more genuine, anchors meaning).
  • 4. Mise-En-Scene Red lighting used to create a dangerous feel for audience, shots of deserted town Use of religious shots mixed together. Low angle of Manson: power and intimidation. Police station: very official, a lot going on, cutaways to show action, camera slowly follows policeman(control), rule of 3rds framing, light is obvious, natural shadow adds to sense of despair.
  • 5. Voice Of God Bell sounds to heighten tension Ambient sound to create spookiness- feel isolation that the nun felt. Sound
  • 6. Slow mo., speaking over, cutaways to emphasise themes, interviews, cross- cutting/fade to black- eplipitcalediting, selection of shots(Gate keeper). Cutaways emphasise themes – external + establishing shots from different angles- sense of place + anchors meaning towards they are in there. Editing
  • 7. Archive Material Footage of Manson concert and his fans (inside and outside) audience capture an immediate conception of Manson and his fans. News coverage of controversy
  • 8.