aesthatics in interior design

1.  SUBMITTED TO
 AR.MITAKSHI SHARMA
 SUBMITTED BY
 ANAMIKA(15120002)
 ANISH(15120005)

3. Aesthetics in art
Of course art appreciation is in the eyes of
the beholder, although there are certain
elements that we can define across a group
of paintings that can be generalized or
delineated,
and hence discussed and analyzed on their
own merits.Generally, art adheres to the
aesthetic principles of symmetry/asymmetry,
focal point, pattern, contrast, perspective, 3D
dimensionality, movement, unity/Gestalt, and
proportion.

4. Aesthetics in architecture
Applying aesthetics to buildings
and
related architectural structures is
complex, as factors extrinsic to visual
design
(such as structural integrity,cost,
the nature of building materials, and the
functional utility of the building)
contribute heavily to the design process.

5. Aesthetics in interior designing
A general definition of beauty and aesthetic excellence would be
difficult, but fortunately there are a number of generally accepted
principles that can be used to achieve an understanding of the
aesthetic considerations in design.
Interior design is an extremely important element of decorating
any home. Those with an eye for style and a good use of space can
often help people to make their home look interesting and
inviting. So, Aesthetics plays very vital role in interior designin

6. Here are a list of aesthetic principles
to consider
when creating or evaluating design:
1. Emphasis and focus -the visual
expression of heirarchy.
Once you know what's most
important, use visual
emphasis to focus attention through
size, position, value, and col.
What makes for good design?

7. 2. Contrast -big/little,
crowded/open, orange/blue.
Contrast
is the tool of emphasis,
which helps you set that
heirarchy,
focus attention and create
drama.

8. 3. Tension -throwing
things off a little. You
create tension by
manipulating relative
position. Place things a
little too close together, or
set up a little too much
contrast in their visual
weights. Tension helps
make the design aesthetic.

9. •4. Balance -creating a
gravitational axis.
Balance doesn't have to
be symmetry. By
opposing dense detail
with open space, or
heavy elements with
lighter ones, balance
can be asymmetric
and, again, athletic.

10. 5. Rhythm -variety and pattern. Variety relieves the eye, and
pattern helps the mind make sense of it. In multipage works,
rhythm creates pacing across the whole.
6. Flow -leading the eye across the surface. This should happen
in a desired sequence.

11. 7. Depth -leading the
eye beyond the surface,
or making things jump
out from the surface.
Depth is the most
inherently
contradictory illusion
of 2D design, and
therfore, one of the
most compelling.

12. 8. Scale -the illusion
of size. The size of
elements relative to
one another is
important, of course,
but the size of things
in relation to the
format and the size of
the format itself are
also worth
considering.

13. 9. Movement -the illusion of
physical interaction among
elements. Usually figurative -
with elements angled or poised
like bodies in motion -
movement can also be created
with such optical effects as
linear repetition, visual
vortexes and the like. Used
deliberately, suggested
movement can have a marked
emotional and physical impact
on a viewer

14. 10. Unity -that which
holds the piece together.
Color can unify a design,
as can a grid, visuals that
represent related subjects
or a consistant style of
imagery. In an age of over-
stimulation and
cacophony, unity is often
underrated.