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IMPORTANCE OF NAVA RASA
IN DANCE (KATHAK DANCE)
Dr.Vidhi Nagar
Assistant Professor
Department of Dance
Faculty Of Performing Arts
Banaras Hindu University
VARANASI
DANCE
 Dance is universal movements of emotions , which we
perform through our body.
 These movements has aesthetics and symbolic
values.
 Dance is a Performing Art.
 Human beings are express their feelings or emotions
of joy with the rhythm or songs or on the tap of
Instruments.
KATHAK DANCE
Kathak is a prominent dance form
of Northern India.It has traversed a long
path from the temples of ancient days of
story-telling from to the Moughal courts
and there after has ascended the golden
ladder of success and is now an
amalgamation of ‘Nritta’,’Natya’ and
‘Nritya’.Keeping continuously apace
with the changing trends Kathak which
can be performed solo,duet as well as in
a group,has attained profound success
even what put to test and experiments.
TWO IMPORTANT ASPECTS OF
KATHAK DANCE
NRITTA
Pure dance
without any bhava
or moods.when the
artist performed
in taal and laya
only.eg.
Tukda,Paran,Tihai,
Tatkar etc.
 ABHINAYA OR BHAVA
Pure expressions are called
ABHINAYA.
ABHINAYA
 ANGIKA ABHINAYA
 VACHIK ABHINAYA
 AAHARYA ABHINAYA
 SATVIK ABHINAYA
WHAT IS RASA?
Literally means of ‘RASA’ is JUICE or
EXTRACT,TASTE And PLEASURE.
RASA is defined as nector of BRAHMA
RASA is the supreme way
RASA is the given of light to the mind
SUPPOTIVE ELEMENTS OF
RASA
 BHAVA
 VIBHAVA
 ANUBHAVA
 SANCHARI BHAVA
NAVRASA
RASA
 SHRINGARA {erotic}
 HASYA {comic}
 KARUN {pathetic}
 RAUDRA {anger}
 VEER {bravery}
 BHAYANAK {tear,terror}
 VIBHATSA {disgust}
 ADBHUT {wonder,surprise}
 SHANTA {devotion,contentment}
PERMANENT
EMOTIONS
RATI
HASYA
SHOKA
KRODHA
UTSAH
BHAYA
JUGUPSA
VISMAYA
NIRVEDA
SHRINGARA {EROTIC}
HASYA {COMIC}
KARUN {PATHETIC}
RAUDRA {ANGER}
VEER {BRAVERY}
BHAYANAK {FEAR,TERROR}
VIBHATSA {DISGUST}
ADBHUT {WONDER,SURPRISE}
SHANTA {DEVOTION,CONTENTMENT}
VATSALYA
BHAKTI
THANK YOU
PHOTOS OF-
 Dr.Vidhi Nagar
 &
 Padmabhushan Kanak Rele

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Importance of Naav Rasa in Dance (Kathak Dance)

  • 1. IMPORTANCE OF NAVA RASA IN DANCE (KATHAK DANCE) Dr.Vidhi Nagar Assistant Professor Department of Dance Faculty Of Performing Arts Banaras Hindu University VARANASI
  • 2. DANCE  Dance is universal movements of emotions , which we perform through our body.  These movements has aesthetics and symbolic values.  Dance is a Performing Art.  Human beings are express their feelings or emotions of joy with the rhythm or songs or on the tap of Instruments.
  • 3. KATHAK DANCE Kathak is a prominent dance form of Northern India.It has traversed a long path from the temples of ancient days of story-telling from to the Moughal courts and there after has ascended the golden ladder of success and is now an amalgamation of ‘Nritta’,’Natya’ and ‘Nritya’.Keeping continuously apace with the changing trends Kathak which can be performed solo,duet as well as in a group,has attained profound success even what put to test and experiments.
  • 4. TWO IMPORTANT ASPECTS OF KATHAK DANCE NRITTA Pure dance without any bhava or moods.when the artist performed in taal and laya only.eg. Tukda,Paran,Tihai, Tatkar etc.  ABHINAYA OR BHAVA Pure expressions are called ABHINAYA.
  • 5. ABHINAYA  ANGIKA ABHINAYA  VACHIK ABHINAYA  AAHARYA ABHINAYA  SATVIK ABHINAYA
  • 6. WHAT IS RASA? Literally means of ‘RASA’ is JUICE or EXTRACT,TASTE And PLEASURE. RASA is defined as nector of BRAHMA RASA is the supreme way RASA is the given of light to the mind
  • 7. SUPPOTIVE ELEMENTS OF RASA  BHAVA  VIBHAVA  ANUBHAVA  SANCHARI BHAVA
  • 8. NAVRASA RASA  SHRINGARA {erotic}  HASYA {comic}  KARUN {pathetic}  RAUDRA {anger}  VEER {bravery}  BHAYANAK {tear,terror}  VIBHATSA {disgust}  ADBHUT {wonder,surprise}  SHANTA {devotion,contentment} PERMANENT EMOTIONS RATI HASYA SHOKA KRODHA UTSAH BHAYA JUGUPSA VISMAYA NIRVEDA
  • 20. THANK YOU PHOTOS OF-  Dr.Vidhi Nagar  &  Padmabhushan Kanak Rele