Les Demoiselles Change The World Essay

Les Demoiselles Change The World Essay
Les Demoiselles d'Avingon: Was painted by Picasso in 1907. It was painted in his new style called
cubism and was seen as ugly by critics and other artist. The painting is of nude female protitutes and
some of the faces were painted as African masks.
Piet Mondrian: Was an impressionists style painter that was influenced by Picasso and his later
works showed signs of cubism.
Frank Lloyd Wright: Was a modern architect who developed what is known as the American style.
He is considered to be the greatest architect of the 20th century. He designed numerous iconic
buildings like the Robie House in Chicago.
Arnold Schoenberg: Was a famous composer that fled to America to avoid the Nazi horrors. He
actually taught at the University of Southern ... Show more content on Helpwriting.net ...
We find similar themes and approaches in certain European artists such as Picasso and Käthe
Kollwitz. Choose two artists and discuss how their work essentially criticizes the status quo and
calls for changes in social and political conditions.
"Lets Change the World" Two artist that used their talents to criticize the status quo and call for
changes in the social and political conditions were Diego Rivera and Pablo Picasso. Art is a form of
expression and is used in many ways. It can be used to show beauty, feelings, or emotions. It also
can be used to convey a message, which might not otherwise be voiced. I will show how these
artists used their art to break from the norm by providing messages through paintings that inspire.
Diego Rivera and Pablo Picasso were revolutionaries of their time. The art that they created used
visual pieces that shocked and inspired others to action. Rivera was the most visible figure in the
Mexican muralism. This art initiative emerged in the 1920s in the wake of the Mexican Revolution.
His use of these murals to invoke patriotism for the people was key to the success of the revolution.
The works sparked the people to support and insured them to fight the status
... Get more on HelpWriting.net ...

The Kiss Picasso
The artwork I chose for this discussion is Pablo Picasso's oil painting, The Kiss. Pablo Picasso was
born in Malaga, Spain in 1881 and passed away on April 8, 1973, in Mougins, France. Pablo's love
for drawing started at a young age. His passion was so strong he lost all desire to complete
schoolwork. At the age of young age of fourteen, Picasso was enrolled at the Academy of Fine Arts
in Barcelona and by sixteen owned his owned studio. Pablo went through certain periods where he
incorporated a specific color that dominated in each of his paintings. From 1901 – 1904, Picasso
went through his "Blue Period" while the years of 1905 – 1907 were called his "Rose Period. The
Kiss was produced in 1969 during Picasso's later works and the time where his obsession with
couples became evident. This special oil on canvas painting of a couple can be viewed on display in
Paris at the Picasso Museum.
I discovered Pablo Picasso's The Kiss while looking online for an artwork to discuss. I do not know
a wide variety of different ... Show more content on Helpwriting.net ...
Both artists used oil on canvas and clearly depict their artwork with a use of detailed lines to grasp
the viewers' attention. The audience can easily notice the focal point in each artwork. In El Sol
Asombra the house is painted bigger than everything else and the bright yellow grasps the
spectator's attention. Picasso used the same skill by making the male and female the center of
attention. Picasso's social angle lies in in the theme of gender and sexuality. The Kiss reveals a
strong sexual tension between an elderly man and a younger woman. "This late painting... is an
animal kiss, where sex and death are inexorably entwined through fear and hunger. These kisses,
and the use of tongues, are unique in the history of representation." (miamirali.org) Picasso painting
a fierce moment shared between two people illustrates a sexual drive humans

How Did Pablo Picasso Influence The World
In term of art, and art movements Pablo Picasso is probably the most important figure of 20th
century. That means Pablo Picasso conquered western art is by storm. Who became very famous
before the age of 50.Born in Spain, he becomes the most well–known name in modern art, with his
unique style and view for artistic creation. His art made a big impact on the art world and that had
been no other artists, prior to Picasso. He had lots of following of fans and critics who like his
creation. Even his art career spanned long period, Pablo Picasso is most known for his creation of
cubism, and new approach to painting, which makes big movements on the 20th century. Then not
only he and his art form bring a such revolution on modern art, but also the works he create, went on
to influence artists and painters. After long time passed from his time, still he influences the styles of
many artists today. After introduction of the cubism art form, alongside Georges Braque, the view of
the modern art had changed. His work early work did not appreciate by most people, that why Pablo
Picasso created different art form that mainly new, colorful, and more expressionful. The cubism
which has number of the ways, dimensions and angles to rather than seeing art at old style. His first
creation of the cubism was the" Les Demoiselles D 'Avignos". In that art, where five women, their
distorted faces, bodies, and also seem to like that their heads were on backwards. That means, art
lover has to

Artwork Analysis Pablo Picasso
Artwork Analysis
Ashleyann Mabatid
Azusa Pacific University College
Abstract
This report examines the history of the artist Pablo Picasso and his famous painting of the Guernica.
Artwork Analysis Report
Pablo Picasso was born on October 25, 1881, in Malaga, Spain. His full name is Pablo Picasso's
gargantuan, his full name represents a variety of relatives and saints like " Pablo Diego, José
Francisco de Paula, Juan Nepomuceno, María de los Remedios Cipriano de la Santísima, Trinidad
Martyr Patricio, Clito Ruíz y Picasso. Picasso's mother was Doña Maria Picasso y Lopez. His father
was Don José Ruiz Blasco, a painter and art teacher. A serious and prematurely world–weary child,
the young Picasso ... Show more content on Helpwriting.net ...
He then got married again at the age of 79 to Jacqueline Roque whom she committed suicide in
1986. Picasso has two other children from two different women.
Pablo Picasso was a Cubist Spanish painter, who painted the image named Guernica in the 1937.
From 1927 onward, Picasso was part of the surrealism movement, which lead him into Cubism.
Cubists painting are objects that are broken apart and reassembled in an abstracted form. It
highlights their composite geometric shapes and depicting them from multiple simultaneous
viewpoints in order to create cubism shock. According to the Spanish Arts web page, " The title
'Guernica' refers to the city that was bombed by Nazi planes during the Spanish Civil War. The
painting depicts the horrors of war and as a result, has come to be an anti–war symbol and a
reminder of the tragedies of war". (2001) Lazazari and Schlesier (2012) states, " German Nazi
planes bombarded the city, which burned for three days and left more than 1,000 people dead." (p.
292) After the bombing, Picasso was made aware of what had gone on in his country of origin. At
the time, he was working on a mural for the Paris Exhibition to be held in the summer of 1937,
commissioned by the Spanish Republican government. He deserted his original idea and on May 1st
1937, he began on Guernica. This captivated his imagination unlike his previous idea, on which he
had been working somewhat unemotionally,

The Era Of World War I Essay
When Cubism reached its glorious grasp around 1907–1914, the World was in a wild place. With the
Ottoman Empire losing power; European influences were becoming avaricious for more, eventually
leading to the start of World War I. On the other side of the world we had America rising as a global
supremacy, creating its way to a worldly control. Because of these chaotic matters, society was
shifting towards a new direction. The Art World with its artists and writers also responded to this
conversion as well. The destruction and cruelty of War altered the lives of several European artists,
brought an end to several art movements, and gave light to other movements and brought them to
importance. Obviously the artists effected by the war had their work influenced by it but the early
decades of the twentieth century gave birth to groundbreaking movements and styles, out of which
Cubism (1908–12) was the most rational of all the Avant– Grade movements. It excluded the idea of
linear perspective in favor of grander prominence on the two dimensional picture plane,
scandalizing the arts academics of Europe along the visitors of Parisian Salon des Independants and
the New York Armory Show (1913) in the process
With the invention of Photography, and it becoming widespread, the artists felt that they were being
replaced by this creation because artists, after all, were intended to create paintings/sculptures that
were realistic. The camera could do that in mere seconds and perfectly.

How Did Pablo Picasso And Georges Braque Revolutionize...
Throughout the first decade of the twentieth century, a group of young painters, Pablo Picasso and
Georges Braque developed something which was to revolutionize modern art. In 1907 Pablo Picasso
painted the huge canvas "les Demoiselles d'Avignon " Both his laborious preparation for it has
confirmed his dedication towards it so. The painting represents not only a new phase in Picassos art
but the beginning of truly modern art. It is also the first cubist work. In this painting he used
distortion of female's body and geometric forms in an innovative way, It also shows the influence of
African art on Picasso. The geometrical aspect of their works quickly attracted the name "Cubist". "
Cubism".
The artist was no longer obliged to depict

Dora Maar's Bust Of A Woman
Pablo Picasso's muse of almost ten years, Dora Maar, was depicted many times throughout his
paintings and sculptures (Riding). In his 1941 oil on canvas painting, Bust of a Woman (Dora Maar),
Picasso looked to his muse once again for inspiration. Neither one of Picasso's most famous, nor
best paintings, Bust of a Woman still tells a story of the time and place of a tumultuous artist–muse
relationship encapsulated by Picasso's surrealist expression in Nazi–occupied France during World
War II. On its face, Bust of a Woman appears secular–Dora Maar is not obviously representative of
any sort of entity. However, Picasso did place her on a pedestal for a time and I wonder if he
intentionally back–lit her, painting the light around her head and hair to depict a light aura or halo–
effect (Picasso). In the top–left corner of the room, the diagonal lines look like a spotlight in motion,
beaming down upon her while drawing attention to this somewhat negative space (Picasso). Behind
Dora Maar, the three walls and ceiling are reminiscent of Picasso's earlier cubism spacial ... Show
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Although I love the throw–back to his blue period with the beautiful, swirling lines of her bodice
and the checkered skirt, I do not think that this is the best example of surrealism. Honestly, it
seemed like Picasso was rushed towards the end (I am assuming that her left hand on the right side
of the painting was the last thing that he painted, but I could be wrong). The light is different, the
lines along the outside of the hand are not crisp and it even appears as if the paint is running a bit–
something that such a deliberate artist would seem to notice (Picasso). The right hand is nice with
the pinkish–beige upside down "V" formation between the blues of the other fingers that depict
strength (Picasso). Maybe he was trying to make her left hand appear as if it was reaching out
towards the viewer, but it still looks too

Biography Of Pablo Picasso 's Les Demoiselles D ' Avignon
Pablo Picasso's Les Demoiselles D'Avignon is considered by many to be a revolutionary
breakthrough in the history of modern art. Demoiselles is a "great manifesto of modernist painting"
as Picasso had abandoned all known form of traditional art, a radical break from the Western
tradition that very much led to the Cubism movement (Bishop, 2002). What made Demoiselles
revolutionary was that "in it Picasso broke away from the two central characteristics of European
painting since the Renaissance: the classical norm for the human figure, and the spatial illusionism
of one–point perspective" (Fry, 1966). Cubism had "destroyed [...] the realist conventions for three–
dimensional perspective which had been dominant in art since the Renaissance" (Butler, 2010).
While generally credited as the first Cubist painting, art historians such as John Golding have argued
that it was only a "starting point for the history of Cubism" (1958). Indeed, the picture predicates
key characteristics of Cubism like the distortion and break down of objects and figures into distinct
shapes, rather than being itself a Cubist painting. This analysis will concentrate on the elements of
Cubism in Demoiselles and how it led to the movement.
While Picasso's Demoiselles is not a true Cubist work, it was nonetheless a major step towards
Cubism. It features nude figures and background that are so distorted they seem to forgo any spatial
depth. The softness of classical female bodies are restructured by Picasso into

A New Brand Of Democracy
Demiri 1Albulena DemiriProfessor FeldmanHUMN 110123 April 2016Pablo Picasso: Trailblazing
ArtistIn 1907, less than a decade into the new century, the world was undergoing considerableand
marked social upheaval. There was a desire for a new brand of democracy, where the
people(especially women) wanted a greater say in how they were governed, but there were
considerableefforts to try and maintain the status quo. Subsequently, the world seemed like it was in
chaos.This schizophrenic perspective is highlighted by the major events that occurred in 1907.In
Russia, the second Duma opens and Russian troops disperse 40,000 demonstrators. InGermany, a
conservative coalition takes over the Reichstag against the threat of a socialistgovernment. The ...
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("Pablo Picasso and His Paintings") Many people, such as ourtextbook author Sayre, have indicated
this work was notorious, and "an assault on the idea ofpainting as it had always been understood."
(454) But it's for this exact reason that I, personally,don't care much for the work.To me, the beauty
of art is in how an artist captures the subject and highlights aperspective. When the subject is
symbolized and represented so abstractly, it provides a verydifferent perspective and I don't care for
it. In many ways, I'm like many of the viewers of LesDemoiselles d 'Avignon, who were disturbed
by the work. (Sayre 454) However, I appreciatewhat Picasso was able to do, and understand the
rationale. It's just not my taste.Picasso clearly saw art in a different way. His emphasis was to view
art less from theliteral perspective of what we see, to what these symbols represent. His radical
departure fromtraditional European painting made it appear as though the art world had collapsed on
release ofLes Demoiselles d 'Avignon. He abandoned known form and representation, resulting in
what'sbeen called the most innovative painting in modern art history. ("Pablo Picasso and
HisPaintings")One of the steps he took to

Narrating The Nation Picasso And The Myth Of El Greco
Robert Lubar's essay "Narrating the Nation: Picasso and the Myth of El Greco" discusses the
aftermath of the bloody Spanish–American war resulting in "El Desastre del '98" in Spain which
rocked the national psyche into a period of cultural dissonance. Following the Disaster, the nation
quickly found itself in an agitated period of conflicting ideas and divisive discourses, specifically
between Madrid and Catalonia. Essentially, class divisions, regional differences, and this lack of
national identity was what gave way to the "Myth of El Greco" in fin–de–sïecle Spain. Lubar
proposes that the 'myth' connected tradition and modernity whilst illustrating the middle class'
pursuit to construct hegemony for Catalan cultural nationalism.
The "Myth of El Greco" was deployed in context with ... Show more content on Helpwriting.net ...
What the history of Spanish art tells us is that the writers of history construct these cultural
discourses and emanate artistic rhetoric in order to challenge institutions and ideologies existent in
their times; where tradition serves to extol and preserve the comfortable customs in our lineage,
modernity serves to revolutionize and counter those very social constructs. If there is anything that
has become clear to me, it is that temporality and tradition, progressivism and modernity, all exist in
an intertextual phenomena within, in relation, and in conversation with each other. As Unanomo and
Ganivet pointed out in their writings, 'tradition simultaneously informs, and is formed by, the
present'. During the era of regeneration, Castille rushed to codify culture within their targeted
political positions which could be considered as a push against the State due to political corruption,
whereas Catalonia urged a reform of economy and political culture, their position was precisely a
call to the government to amend that which they had

Prostitution In Pablo Picasso's Les Demoiselles
Pablo Picasso`s painting Les Demoiselles depicts "five prostitutes in a brothel on the carrer
d`Avinyo," (Sayre 1121). When I first saw this painting, I was confused, yet intrigued. I was puzzled
because I had no idea what message Picasso was trying convey through this painting. I do not
believe Picasso meant for this painting to be a happy one though. The faces of the prostitutes' do not
appear happy, or cheerful. Their faces almost look emotionless. Also, the colors in this painting are
blue, red and black. All these colors can have negative connotations; blue representing sadness, red
expressing danger and black signifying darkness. I was also captivated by this painting because it is
so mysterious. Before I found out who these women were,

Pablo Picasso Influences
Pablo Picasso once stated, "Colors, like features, follow the changes of emotions." This quote
explains how Picasso's work changed over the course of his life. Picasso had several art periods in
which anyone is able to see the change of both colors and emotions in his works. For example,
Picasso's Blue period showed his melancholic emotions through blue tones, while during his Rose
period he used brighter red and pink tones showing his more happy emotions. Pablo Picasso's works
expressed his emotions and depicted events throughout his life. Picasso's artwork greatly influenced
many people during his lifetime and he became even more influential and revered for his artwork
after his death.
Pablo Picasso was born in Malaga, Spain on October ... Show more content on Helpwriting.net ...
Picasso himself even said, "I started painting in blue when I learned of Casagemas' death." Another
factor to the start of his blue period could have been the death of his younger sister Conchita.
Although she had died in 1895 when he was 14 it is possible that the death of his good friend
Casagemas brought to the surface his unresolved feelings regarding the death of his sister during his
youth. Many of Picasso's paintings depicted a single subject with a plain background with dark blue
and grey tones during this time. His first painting, a Child with a Dove, features those blue and grey
somber tones. The painting features a child dressed in white holding a dove to its chest with a
colorful ball sitting on the floor. The child is standing in an empty room blue walls and a green floor.
The picture Picasso painted could have been a depiction of his younger sister. The child in the
picture is dressed in white which could symbolize the innocence the child had and the dove could
symbolize peace that they received. The empty room could symbolize Picasso's feelings about her
death. The blue and grey colored walls could be explaining that his thoughts surrounding his sister
may be sorrowful but he knows that she is at peace. These types sad paintings lasted until 1904
which was the year that ended the blue

Joeevna Goncharova Research Paper
Natalia Sergeevna Goncharova was a Russian artist and one of the most famous female
representatives of the avant–garde. She was born in 1881 in the village near Tula, Russia (about 115
miles away from Moscow). Natalia Goncharova was related to the Pushkin family, she was
granddaughter of a cousin of the great Russian poet, Alexander Pushkin (Rogers, para. 2). In the
early 1900s, she studied at the Moscow School of Painting, Sculpture, and Architecture, but she did
not finish her program completely. Natalia Goncharova entered Russian art as the "amazon" of the
avant–garde, as an innovator of painting, a brilliant decorator, a graphic artist, and a theatrical
designer. In the beginning of her art journey, Natalia was primarily engaged in sculpture ... Show
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Goncharova constantly supported Larionov's artistic and aesthetic endeavors. Their names are
always mentioned together in the history of Russian art. Like Larionov, Natalia Goncharova had an
interest in cubism and futurism, and, in 1906, she was carried away by primitivism (Rogers, para. 1).
Goncharova's neo–primitivism is a great contribution to the art of the ealy 20th century. As it was
mentioned before, Natalia drew her inspiration from the Russian icon, lubok, and pagan idols. "In
the catalogue of Larionov's exhibition in 1913, implying the ancient canonical forms of national
culture, Natalia Goncharova declared, 'the Art of my country is incomparably deeper and grander
than anything I know in the West'" (Gerasimova, para. 5). The subjects and themes of Goncharova's
works were directly correlated with the Christian symbolism as well. She created many works
related to the theme of the "Harvest", and such theme is associated with the apocalyptic ideas that
are connected with the motif of fate, God's punishment, and retribution. Such unusual combination
of Christianity and pagan culture is common in Russian culture to this day. Motifs of folk art,
religious painting, and peasant life are evident in Goncharova's works "Fishing" (1909) and "The
Evangelists" (1910). On the other hand, motifs of primitivism with paganism are also demonstrated
in "Stone Woman"

Pablo Picasso And Its Influence On Today's Art
Throughout the course of history, people have aided in shaping the way we know everything today,
George Washington fought to shape America, Rosa Parks fought for equal rights, and Isaac Newton
came up with some of the scientific laws used to this day. Therefore, it is hard to think of art and not
have thoughts of Pablo Picasso come to mind. Pablo Picasso was one of the many people who
contributed to the artwork that has transitioned into what is now today's artwork. As a young child,
Pablo Picasso, would almost always be seen hanging around his father, José Ruiz Blasco. His father
was the professor of a arts and crafts school. In 1891 when Picasso was only fourteen he and his
family moved to La Coruna, where they accepted him into a school ... Show more content on
Helpwriting.net ...
I like this artwork because it is simple, and it is not abstract. I like abstract artwork, but with a few
of his artworks he took it so far that it was slightly difficult to understand what I was looking at.
This artwork also appeals to me because of the colors he used, even though they are not natural
colors that would be seen in a room, they look as if they belong with the room. The way he painted
it is interesting because he has strokes that you can obviously see, which makes the painting 100
times more interesting to me. My favorite style of Pablo Picasso's paintings were his paintings from
the blue period. I like his blue period artworks the most, foremost because as I said before
sometimes his cubism bothers me. Secondly, the blue period better represents than any of his other
artworks how he feels. During the blue period Pablo was going through a part of life where one of
his closest friends attempted to kill his girlfriend. This backfired and she survived, but feeling guilty
the man committed suicide, which obviously caused some depression in Picasso. He even explains
later, "It was thinking about Casagemas that got me started painting in blue." One of my other
favorites paintings of his is "Le Gourmet" because it is a cute painting of a little child cooking

Guernica Pablo Picasso Analysis
Pablo Picasso was an extraordinary painter during the 20th century that really captivated the world
in the way that he saw it. He wouldn't captivate the world in an ordinary way, or as some people
would see it. A painting by Pablo Picasso that demonstrates this very well is Guernica. Guernica was
painted after Germany bombed Spain the midst of the afternoon on April 26, 1937. The bombing
lasted for almost four hours. Once the bombing was over around seven hundred homes were
destroyed, and many families were separated. Pablo Picasso created this painting to show how he
believed that Francisco Franco was responsible for what had happened to Spain. When people
would see his painting, he wanted them to see the evil destructions that were ... Show more content
on Helpwriting.net ...
In Guernica, the bull looks almost as if he is coming out of nowhere as if to show that since he is
Fascism he will only come out to destroy people. He will rise up beyond the rest to show how if
people don't destroy him, he will take over the world and not have mercy on anyone. We are able to
see this in The Minotauromachy; the bull is represented as the huge monster who is trying to take
over the world. In both of these paintings, we are able to see a horse looking away from a candle. In
The Minotauromachy the person who is holding the candle is a little girl. She represents the future.
If the future is able to see what is happening in the present they can be the light that will bring down
the darkness, and start a new world that is filled with peace and harmony. On the contrary, in
Guernica, we are only able to see that a hand that is holding the candle. That represents that in
Guernica there is no hope. Since we, as the viewer, aren't able to see the face of the person we don't
know who the future is. We cannot even see if it is even the future that will save humanity from the
destructions of Fascism. "So, the beast can be stopped by light" (Simon Schama's Power of Art;
Picasso) but in this case, we don't know who will be holding the light. In Guernica, the horse is
being stabbed by a spear. With him being stabbed by a spear you can

Cubism And Post-Impressionism And The Movements That...
The movements that greatly influenced the sexualization of woman would be Cubism and Post–
Impressionism. This theme is based on the idea that "female nudity is the most popular convention
that promotes the topic of sexuality in art. As well as the idea that a lot can be said and taught about
feminism while looking at the tradition of female nudity in different artworks." The social construct
of how the different genders (male and female) are portrayed in Modern paintings is another very
complex topic that is emphasized in these two pieces. For example, "women are given certain
expectations and ideas of how they should behave." One thing that is not so prominent in the theme
would be how the "sexualation of woman could be less than offensive and how at this time it
actually was more based on a woman's fertility and maternity than anything." The role of gender and
sexuality in modern art is very prominent in paintings that come from Paul Cezanne and Pablo
Picasso. However, Cezanne returned to the traditional way of sexualizing nude female figures, while
Picasso put his own twist on the subject matter.
Paul Cezanne touched on this topic in his 1906 oil painting The Large Bathers. This piece
influenced many Modern Artists, especially Pablo Picasso. This life–size painting is an unfinished
piece that features fourteen naked women on a riverbank. Cezanne intentionally sexualized the
woman in his painting by painting them nude, "not to carry a freight of meaning, but rather,

Analysis Of Les Demoiselles DAvignon
Les Demoiselles d'Avignon Abstract expressionism–Jackson Pollock Yif Chen Oct. 10th Les
Demoiselles d'Avignon is probably the most representative painting that transits Picasso to cubism.
It is a radical break from the conventional representation that for so long has been accepted in
western culture because Picasso directly brings concepts like sexuality, female nude bodies, and
sexually transmitted diseases to form a palpable three–dimensional fractured space. Picasso depicts
the opposition of pleasure, which is sensual eroticism with sarcasm in a brothel located on a street
named Avignon, takes women outward to audiences and engages with viewers. This painting is an
untraditional and bold confrontation with the conventional art, thus, revolutionizing the entire art
world. In this eye–catching depiction, five prostitutes with five different shocking positions cover all
over the canvas. With different elements, like the African mask, disproportional gesture, and Iberian
sculpture, complexity and contraction are vividly portrayed in this painting. Making use of
aggressively nude bodies, Picasso boldly pulls exaggerated and distorted expression into the
canvass, and forms a sense of flatness by directing an interior, closed, and almost claustrophobic
space, because every prostitute is almost near the edge of canvass, but at the same time, is perfectly
enclosed by the space. There is no illusion or visual space that creates depth; the whole canvas is
filled with

Les Demoiselles D'Avignon
Les Demoiselles d'Avignon Les Demoiselles d'Avignon (The Young Ladies of Avignon, and
originally titled The Brothel of Avignon) is a large oil painting of 1907 by the Spanish artist Pablo
Ruiz Picasso (1881–1973). The work portrays five nude female prostitutes from a brothel on Avinyó
Street in Barcelona. Each figure is depicted in a disconcerting confrontational manner and none are
conventionally feminine. The women appear as slightly menacing and rendered with angular and
disjointed body shapes. Two are shown with African mask–like faces and three more with faces in
the Iberian style of Picasso's native Spain, giving them a savage aura. In this adaptation of
Primitivism and abandonment of perspective in favor of a flat, two–dimensional ... Show more
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While he already had a considerable following by the middle of 1906, Picasso enjoyed further
success with his paintings of massive over–sized nude women, monumental sculptural figures that
recalled the work of Paul Gauguin and showed his interest in primitive (African, Micronesian,
Native American) art. He began exhibiting his work in the galleries of Berthe Weill (1865–1951)
and Ambroise Vollard, (1866–1939) quickly gaining a growing reputation and a following amongst
the artistic community of Montparnasse. Picasso became a favorite of the American art collectors
Leo Stein (1872–1947), and his sister Gertrude Stein (1876–1946), around 1905. The Steins' older
brother Michael and his wife Sarah also became collectors of his work. Picasso painted portraits of
both Gertrude Stein and her nephew Allan Stein.] Gertrude Stein began acquiring Picasso's drawings
and paintings and exhibiting them in her informal Salon at her home in Paris. At one of her
gatherings in 1905 he met Henri Matisse (1869–1954), who was to become in those days his chief
rival, although in later years a close friend. The Steins introduced Picasso to Claribel Cone (1864–
1929), and her sister Etta Cone (1870–1949), also American art collectors, who began to acquire
Picasso and Matisse's

Critical Analysis Of Paul C�zanne's 'The Large Bathers'
Modern art often takes the best of great works and artists and adapts it, adding new techniques and
personal styles of each artist. Examining a beloved masterpiece carefully with introspection and
openness to emotional impression leads to appreciation and pleasure regarding other artists and their
works as well. Our eyes and mind open instead of dismissing the unique. Paul Cézanne's painting,
"The Large Bathers" (1906), was his last and arguably his greatest work. One of the most interesting
aspects of the piece is its unfinished quality, which has caused debate among artists and historians
alike over whether the incongruity was deliberate or a result of Cézanne's death before the painting
left his studio. Regardless, The Large Bathers is a powerfully suggestive work in its ability to cause
our minds to fill in missing details or overlook "mistakes". Only upon closer, repeated inspection do
we realize that a figure is missing a head, or that another has legs in place of arms. What of the item
in the middle that the women seem so intent on examining? Cézanne left that area empty and flat,
yet our psyches easily complete it depending on our own moods and experiences. Is it simply some
washing, a picnic blanket, or could it be a ritual item commanding careful preparation? Indeed, the
entire painting has a "distressed" feel to it that is strongly reminiscent of aged plaster or fresco,
reminding us of the timeless glow of classical Greek and Roman sculpture, yet still not, with

A Bar At The Folies-Berg�re And Les Demoiselles Analysis
In representing female subjects, both Pablo Picasso's oil painting Les Demoiselles d'Avignon (1907)
and Édouard Manet's A Bar at the Folies–Bergère (1882) manipulate the formal techniques of
composition and perspective to create new ways of seeing their subject, emulating their
contemporary society's shifting views of women and the individual. Les Demoiselles depicts five
naked prostitutes, flaunting their bodies, and some wearing tribal masks. In comparison, A Bar at the
Folies–Bergère represents a female, who may also be a prostitute, tending a bar. The depiction of
previously 'hidden' female subjects alone was an innovation of the perception of the artist, however,
the formal treatment in representing these subjects was an important break from tradition. Despite
evident differences in the compositional elements of Picasso's Les Demoiselles and Manet's A Bar at
the Folies–Bergère, both utilise a composition with a shallow plane to distort visual perception in
their work. This distortion promotes the spectator to revaluate the way they perceive these female
prostitute subjects. Picasso's treatment of paint and use blocked colours in Les Demoiselles creates
the sensation of a flat, two–dimensional image, signifying a radical break from traditional modes of
representation. The lack of depth in the painting pushes the figures of female prostitutes on top of
each other, layering the stark angles and sharp forms that make up their bodies. In addition, this
layering on such a large scale (243.9 cm × 233 cm) creates a feeling that the figures are pushing
beyond the boundaries of the work and imposing themselves onto the spectator. Furthermore, the
stances of the prostitutes, who are dramatically flaunting their bodies with arms raised and torsos
presented openly, fills the frame, refusing the spectator to accesses to other areas of the image.
Instead the female figures dominate the attention of the viewer, in some ways empowering these
figures who previously lacked representation. These formal elements of composition all come
together in Les Demoiselles to challenge the spectator's ways of viewing the females in the work.
Similarly, in The Bar at the Folies–Bergère Manet also uses compositional elements to shape

Descriptive Essay About Pablo Picasso
Shocking my oversized three–dollar boots with the recently damp medieval floor, I could hear the
high–pitched clapper from the closest cathedral warning us:we were late. Following my
grandmother, I used my aged leather handbag as a barrier to the falling water drops, while rapidly
climbing the stairs to the Museo de Sofía.We were at a heritage travelling experience in the city my
grandmother lived years ago, and she wanted to show me how different life would be. She wanted to
show me how the antique architecture was filled with modern decorations; she wished for me to
experience Pablo Picasso's homeland. Yet, on that rainy day, in my first visit to a Picasso exposition,
I couldn't see the well honored geniality people talked about. I recognized some colours tendency as
an expression of his life period, the shattered spaces filled with matte cubicles that decipher his
creative expression, yet I couldn't feel the passion all the other tourists felt. I couldn't notice the
inspiration of the paintings, I couldn't picture the vision he was trying to show, I couldn't recognize
his point of view. I couldn't understand Picasso. Although I couldn't understand ... Show more
At the end of last year, I witnessed an episode of domestic abuse in my house and discovered about
its frequency. Nobody could answer my questions and the instability formulated new questions for
the other ones, I was feeling lost and hopeless.Although one of my most loving relative was almost
extinct from my life, I lost my innocence in the world. I could now evaluate decisions on good and
bad sides, having realist points on each one.Therefore I changed my social and political view, started
to write again, to make poems about the reflection of machism on society, and then I was able to
help other women get help getting out of abusive

The Large Bathers By Paul Cézanne
Modern art takes the best of artists and their art work and adapts it, adding new techniques and
personal styles of each. When one carefully analyzes different pieces of art with openness to
emotional impression and introspection it allows appreciation and pleasure towards other artists as
well as their works. This paper will provide information on the artist Paul Cézanne and his work The
Large Bathers, look into Matisse's Bonheur de Vivre (Joy of Life) and Picasso's Les Demoiselles
d'Avignon. It will also discuss the influence Paul Cézanne had on the aforementioned artists upon
producing their masterpieces.
Paul Cézanne, The Large Bathers, 1906, oil on canvas, 210 x 250.8 cm (Philadelphia Museum of
Art)
The Large Bathers is the largest ... Show more content on Helpwriting.net ...
His passionate and often exasperating life and his drive for re–invention fed into his prolific
production of several works of art. Les Demoiselles d'Avignon is a prime example of this. Picasso's
unique style of painting followed ideas and traits from both Cezanne and Matisse. He went on to
combine characteristics of both styles and add his own personal touch to create this shattering
masterpiece.
Picasso's appearance brought rivalry to Matisse and his styles and as they lived on the next few
years, they figuratively battled one another and always comparing and contrasting each other's
paintings. We can only be thankful and appreciate this art war between these two unique artists
which created a platform for future artist and individuals alike.
To conclude, the life of artistic techniques and principles have taken a drastic change from when it
began. As we saw the art work of Cezanne lived through to Matisse where it took a change, a swing
into Matisse unique style until it got Picasso where the drastic change was made. The amazing
beauty of the same piece created multiple times exerting different moods and emotions for viewers.
The art world is spectacular and understanding that enables appreciation and love for

A Tribute To The Mayan Culture
Being one of the first art shows, that I have ever had the pleasure of viewing, I am pleased to write,
that the works displayed, at the Beyond Art Gallery on the evening of September 30th the finest, and
certainly most impressive I have ever seen. It was made so by the awe inspiring works of one Andy
A. Villarreal, a San Antonio native, whose excellent artwork is heavily influenced by
Mesoamerican/Yucatan culture. On this particular night his work was showcased as the main
attraction of the exhibit 'A Tribute to the Mayan Culture'. The centerpiece of this exhibit was an oil
paint on canvas work, which is clearly religious. Yet it is coupled with elements of culture in such a
way that each man or woman who views the work shall interpret both the blatant and the seemingly
insignificant details differently. This work has been ... Show more content on Helpwriting.net ...
The cross rises higher than any of the other Mayan temples. A great white bird appears to have just
landed upon the cross. With such a great emphasis upon the cross I would be hard pressed to find
anyone who did not focus on it immediately. However I myself was startled by appearance of the
great white bird landing upon the cross. A metaphor, which I did not believe I would ever see used. I
immediately recalled a portion of Mayan oral history, which was along the lines of this. "The Katun
is established at Chichen Itza. The settlement of the Itza shall take place there. The quetzal shall
come, the great bird shall come. Al–Kantanel shall come. It is the word of god. The Itza shall come."
It was clear to me that this painting depicts a coming of the Mayan people to Christianity. The bird
is also in general symbolic of freedom. I believe that this work makes reference to when Jesus,
speaking in regard to those who were willing to come to Him declared "It is then, that you shall
know the truth, and the truth shall set you

What Is Les Demoiselles D Avignon
ime to produce a work that is a preeminent example of an established movement at its zenith, or that
heralds the beginning of a new and significant art movement. Pablo Picasso was very much an artist
who was always on the leading edge of art and whose influence was so significant that he helped
establish four movements: Cubism, Neoclassicism, Surrealism, and Expressionism (Voorhies, 2004.
para. 1). His unique vision and artistic foresight came together early in his career in 1907 with his
first masterpiece, "Les Demoiselles D'Avignon". Combining traditional elements with abstracted
forms and unexpected primitive motifs, the painting was initially rejected by patrons and fellow
artists but is now recognized as "one of the most important works in the genesis of modern art"
("Les Demoiselles", 2016, para. 3).
Upon first viewing, the enormous size of the painting (8' x 7' 8" ... Show more content on
Helpwriting.net ...
James Voorhies from The Metropolitan Museum of Art writes that "The influence of African and
Oceanic art is explicit" in this work and that it "signals the nascent stages of Cubism" ("Pablo
Picasso", 2004, para. 3). These elements of Cubism extend from the figures across the entire right
third of the canvas juxtaposing multiple perspectives of the nudes who seem to peak out from
behind a curtain formed by the distorted blue and white folds. The two central nudes are posed in an
almost brazen gesture of repose softened by graceful lines and the translucent folds of classically
arranged cloth suggestive of the Venus de Milo. From the left, a shadowed figure places a detailed
and

A Visit to the Boston Museum of Fine Arts Essay
A group of us Arts and Music students used the day on Wednesday to go into the city to visit the
Boston Museum of Fine Arts. It was a cold, breezy day so we were all bundled up in jackets and
hats. As we got off the E train and walked toward the museum, its appearance was not what I
expected it to be. The museum was an elegant, beautiful building made of what looked to be marble;
not the big, brick monstrosity I had expected. Once we walked into the museum, it was even more
elegant on the inside. The marble staircase had sculptures on each side leading up to the rotunda
where white Christmas lights were strung around the banister in decoration for the Christmas
season. Saint Catherine by El Greco was found in the European Old Master ... Show more content
Picasso's painting entitled "Standing Figure" depicts a nude woman with her arms crossed behind
her head. It was painted in 1908 during a key period of invention and experimentation, as Picasso
began to construct his paintings in a new way. The figure is translated into simplified, geometric
forms, reflecting Picasso's interest in the art of Africa and Oceania. Using only a few colors, he
focuses the viewer's attention on the intersection of these geometric forms. It seems as though
Picasso uses the blue lines in this painting like some sort of directional device, drawing attention to
the outline of the woman's figure. As we discussed in class, the style of cubism uses multiple or
contrasting vantage points. Another element of cubism is simplifying more complicated scenes into
geometric forms. Cubism rejected the inherited concept that art should copy nature, or that they
should adopt the traditional techniques of perspective, modeling, and foreshortening. They wanted
instead to emphasize the two–dimensionality of the canvas. Turner's "Fall of the Rhine at
Schaffhausen", painted between 1805 and 1806, creates a sense of panic for the viewer. The water
has an overwhelming presence in this piece. Compared to the force of nature in the waterfall, the
people and animals are dwarfed. One woman is depicted rushing to try and save her child. Turner
captured the force of the waterfall

Les Demoiselles D ' Avignon Vs The Starry Night
Les Demoiselles d'Avignon VS The Starry Night Case Study 1: The Starry Night by Vincent Van
Gogh is one of his most known artworks, it portrays his uniqueness from other artists during his
time, and it shows the viewer into some of his deepest emotions. Van Gogh had suffered personal
turmoil that reached a high in December of 1888, where he then had a brief stay at an Arles hospital
(Sayre 53). Within a few months van Gogh had been committed to a mental hospital, which is where
he painted The Starry Night (Sayre 53). The website Artble analyzes that it seems as though van
Gogh is creating a contrast between life and death with the bright sky and the dark, quiet town. The
Starry Night features a cypress tree, a tree known to mark graves, which gives the viewer a sense of
death. The church in the painting can be a representation of both life and death. Life can be observed
from the church because it brings its followers together and can provide them with a sense of peace
and happiness. Death can be observed because the church is a place where the heavens are
worshiped and the dead are buried to ascend into heaven. "Soth has interpreted the Starry Night as
"a religious picture, a sublimation of impulses that, since Van Gogh's loss of faith... could not find
their outlet in conventional imagery." He concluded: "Unable to paint The Agony in the Garden, Van
Gogh projected its emotional content onto nature and created a sublimated image of his deepest
feelings. At its most profound

Pablo Picasso Essay
Pablo Picasso
One of the greatest most influential artists of the 20th century, and was considered radical. His name
was, Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la
Santísima Trinidad Martyr Patricio Clito Ruiz y Picasso, but we all call him Pablo Picasso. His
incredibly long name was supposed to honor relatives and saints. Picasso, the father of cubism, and
is remembered as a prolific artist of the twentieth century.
Pablo Picasso was born on October 25, 1881 in Malaga, Spain. He had two sisters, Lola and
Conchita. His father was an art teacher and he taught some of it to Pablo. From the age of seven,
Picasso received formal artistic training from his father in figure drawing and oil ... Show more
He started working in cubism art in 1907. Picasso produced paintings like never before anyone had
done before. One of his paintings were "Les Demoiselles d'Avignon," a chilling depiction of five
nude prostitutes, abstracted and distorted with sharp geometric features and stark blotches of blues,
greens and grays (Pablo Picasso). Picasso's painting shocked many, including artists.
In Cubist paintings, objects are broken apart and reassembled in an abstracted form, highlighting
their composite geometric shapes and depicting them from multiple, simultaneous viewpoints in
order to create physics–defying, collage–like effects. At once destructive and creative, Cubism
shocked, appalled and fascinated the art world. "It made me feel as if someone was drinking
gasoline and spitting fire," Braque said, explaining that he was shocked when he first viewed
Picasso's "Les Demoiselles," but quickly became intrigued with Cubism, seeing the new style as a
revolutionary movement (Pablo Picasso).
Cubism is when the objects in the painting are broken apart and abstracted. They are also depicted
from multiple, simultaneous viewpoints in order to create a physics–defying effect. Right away,
Cubism either shocked or fascinated the art world. After the start of World War I, Picasso began
another period known as the Classical Period. This period occurred during 1918–1927. He grew
more somber during this period and he began

Research Paper On Le Bateau-Lavoir
He was a Spanish painter and sculptor, born into a wealthy family in Madrid in 1887. He
abandoned, at the age of seventeen, his engineering studies to dedicate himself to learn to paint. Two
years later, in 1906, he moved to Paris and settled in the prestigious artists' residence and meeting
place, Le Bateau–Lavoir. This is where he met Picasso, Max Jacob, Pierre Reverdy and Guillaume
Apollinaire, with whom he contributed to the evolution of Cubism.
His first paintings, revealed to the public at the 1912 Salon des Indépendants, made a great
impression. He offered a personal Cubist style. He played a key role in the development of the
second phase of cubism, known as "synthetic", as opposed to the period known as "analytical". The
first phase

Pablo Picasso: Most Influential Artist Of The Twentieth...
Pablo Picasso, also known as Pablo Ruiz Picasso, was the most influential artist in the first half of
the twentieth century with tens of thousands of works under his name. He was considered a child
prodigy. Picasso was said to have out–mastered his father, an art teacher, by the age of 13. He
wanted to gain admission into a college in Barcelona. A month was usually given to complete the
entrance exam, but it only took Picasso one day to complete it. He had experience in a variety of
different mediums like sculpture and printmaking. He even authored two plays in the 1940s and
wrote poetry. He was a pioneer in the art world, leading the way in symbolism, and surrealism. He
had also co–founded cubism alongside Georges Braque. Picasso went through

Cubism In Pablo Picasso's Les Demoiselles DAvignon
Pablo Picasso's painting, "Les Demoiselles D'avignon" uses the elements of color, line, and shape to
make the statement: Of young women in avignon. Picasso spent nine months painting "Les
Demoiselles D'avignon," this paintings one of his most famous examples of cubism. Picasso proved
to exist as one of the greatest and most influential artists of the 20th century. He also joined an artist
production that he spiritually believed would keep him alive. Picasso spent 80 out of his 91 years of
living devoted to this group. While devoted to this group, he painted "Les demoiselles d'avignon".
The painting consists of five prostitutes that stood on the street corner named Avignon, the "red light
district" of Barcelona, a street that Picasso would frequently visit. The females in this painting fill
the entire space, and they almost look as if they could be trapped. I believe that picasso made these
women fill the space completely, attempting to symbolize the fact that the women were trapped in a
lifestyle that they did not want to exist in.
Picasso, much like the women of avignon, did not enjoy life during the time of this painting. Every
painting Picasso did encouraged him to make it better than the previous, which I believe he truly
captured all of that inside this painting. Picasso used colors to express the emotions he experienced
during this period of time. He mainly used red, blue, white, and black. Picasso tried to keep the paint
color as accurate to skin tone as he could

Pablo Picasso's Cubism And Henri Matisse Fauvism
Art before the 20th century consisted of new styles and three–dimensional spectrums to create the
most realistic painting possible. Portraits and landscapes were presented as sort of photographs with
a paint brush. Everything required specific fundamentals and anything different would be rejected
and labeled degenerate. During this time, foundations were put to the test and it was completely
disordered by revolutionary ideas and styles. This art influenced a vast majority of modern day art.
Pablo Picasso's cubism and Henri Matisse fauvism helped shape this era not only in style of
painting, but a revolution against conformity of a social artistic structure.
Cubism was a style of painting imagined, created, and performed by Pablo Picasso. ... Show more
This gives it a much more vivid mood (Southgate, 1131).
Fauvism is an ideological style of painting that Henri Matisse is famously known for. Fauvism
consists of very strong colors that interfere with the realism portrayed by the painting. The goal of
this is to not only paint on a canvas, but create a story and all sorts of moods to the painting thanks
to the beautiful use of oddly realistic colors. This tactic also influenced some of Picasso 's work,
including the Les Demoiselles d 'Avignon. These painting styles created a whole new era in
traditional painting that revolutionized art itself. Without these ideas, modern art will not be
anywhere close to what it has developed into. The influence these artists and their ideas took on 20th
century art, changed art and how we will see it forever.
Henri Matisse's Fauvism contributed to this revolutionary. Henri Matisse was born on December 31,
1869 and died on November 3, 1954. He was a French artist mostly recognized by his use of color
and diversity of spectrums in his art. Very much like Pablo Picasso, he was a draughtsman,
printmaker, and sculptor, but he was known primarily as a painter. He developed the idea of favism
art in 20th century art. A particular painting that Henri Matisse is known for is his Joy of Life (Le
Bonheur de Vivre) (1905–06). During Henri's Fauvism era, he

What Is Picasso Girl Before A Mirror
Girl in the Mirror became painted in March 1932. It changed into produced within the style Picasso
became using at the time and evoked an image of vanity along with had been utilized in art in earlier
eras, even though Picasso shifts the emphasis and creates a completely distinct view of the image.
The work is taken into consideration in terms of the erotic in Picasso's art, and critics in distinctive
intervals have presented their checks of the paintings to reveal an extensive variety of reactions.
The younger lady was named Marie Therese Walter and become painted more than one instance for
the duration of the 1930's with the aid of Picasso.
Girl before a mirror changed into painted at some stage in Picasso's cubism period. Picasso turned
into an artist that was very formidable along with his paintings. Even with backgrounds that are
typically positioned to be a backdrop and in particular they're to help the main situation. He make it
simply as extreme as the primary focal factor of the picture. ... Show more content on
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Modernism is a time period carried out retroactively to positive literary and artistic traits at the start
of the 20th century. The disjointed time feel, the flight from the conventions of realism, and the
adoption of complicated new paperwork and patterns inside the modernist length have been
undertaken to offer new that means, to illuminate the sector in a one of a kind way, and to reveal
different relationships in the found international. Modernism rejected traditions that existed in the
19th century and sought to stretch the

Analysis Of The Persistence Of Memory By Salvador Dali
Surrealism is a 20th–century art and literature movement that pursued the creative potential of the
unconscious mind. Surrealism has been around for over a hundred years and the movement
consisted of many talented artists that are still relevant today. One of the most mysterious, yet
talented, surrealist painters of the 20th century was Salvador Dali. He was known for his bizarre
paintings during his time as an artist. Dali's most famous work of art was created in 1931 and called
The Persistence of Memory. This painting uses components such as color, contrast of light and dark,
composition, background, repetition, and symbolism to create a compelling and deeper meaning
within the artwork. The Persistence of Memory depicts a dream state ... Show more content on
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The hidden meaning of color is an essential element of art. Simple principals involving color can be
applied to art and cause an impact on how a viewer sees it. Color has been used to evoke certain
emotions or create a specific message in art for centuries. Different colors convey different moods;
cool colors can bring the mind a calming effect while warm colors can bring the mind a feeling of
happiness. Dali used color as a tool in all of his art to either artistically show his emotions or allow
his viewers to feel a specific mood. In the painting The Persistence of Memory, Dali used a faint
light blue color and a pale yellow to create the horizon of the painting. While painting this horizon,
Dali's target was to convey a calm yet joyful mood. The yellow undertones represent light. It creates
a feeling of hope and happiness in the painting. The light–hearted feeling the color gives off
resembles the feeling of optimism and mellowness one feels within a pleasant dream. While
dreaming, colors subconsciously having a meaning behind them. The faint yellow and blue colors in
the painting seem unreal as they blend with the ground, but they give the viewer, or the dreamer, a
feeling of comfort. Dark and light have always represented two differing forces of nature, whether it
is moral and unmoral, happiness and despair, or love and hate. Light is an energy that

Pablo Picasso's Guernica (Lavender Mist)
The Modern Period Art was rapidly changing. Beginning with the Impressionists, art slowly moved
away from classical teachings and subjects. After the Impressionists came Post–Impressionism,
which had many similarities with Impressionism. Following Post–Impressionism came another
game–changer. Fauvism, with its bright, clashing colors, distorted form, and vigorous brushstrokes,
was rejected at first. Critics despised the work, calling it "the naive and brutal efforts of a child
playing with its paintbox. Eventually the short–lived movement gained some support. More
importantly, though, it paved the way for modern art. The possibilities were endless. Two paintings
exhibit the unrestrained work of modern artists: "Guernica" and "No. 1, 1950 (Lavender Mist)". ...
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Picasso could be considered a founding father of modern art. Ranging from cubism to El Greco–like
figures, Picasso constantly tried new techniques. He did not want to keep the same style for long.
"Guernica" portrays Picasso's view of the small Basque town of Guernica. During the Spanish civil
war, dictator Francisco Franco hired the Nazi Luftwaffe to bomb the town. Over the course of three
hours, warplanes dropped bombs on the town, killing 2,000 civilians and wounding thousands more.
This horrific event is shown through Picasso's eyes in the 25 foot wide and 11 foot high mural. It
shows how artists' new freedom allowed them to call attention to events like never

Descriptive Essay On Art
So, what is art? Art is a arrangement of ideas that an artist makes or builds. There are various
variations for art that express their found creativity and inspiration to their artwork. Many people
make art to display their emotions and ideas towards life or to create something beautiful for
spectators. Art is a form of pleasure which appeases the audience to stay connected or feel fixated on
that certain artwork. Art is understood through focusing on its: function, visual form, content and
creativity. It should communicate with the viewers and help them imagine the concept of the
artwork. They should also qualify work that could be seen or physically felt, displaying their ideas
to be conveyed to the public. Imagery and symbolic meaning should be present with their art piece.
In addition, they must portray their creativity and imagination on a canvas or any work of art. In my
opinion, art is a representation of your thoughts and emotions portrayed to the audience in a
perceivable and communicative manner, helping the audience connect with the artwork.
The creativity of paintings helps the viewer understand the artist's emotions, as well as their art
piece. Pablo Picasso, one of the greatest painters of the twentieth century, helped me understand
more about art, as well as his point of view of his own style or method to display his emotions onto
a canvas. I learned that Picasso was the creator of modern arts through his imaginative and
innovative ideas found in

A Bar At The Folies Bern�re Summary
Humanities Mod 2 Benjamin Dyck Rasmussen College Author Note This paper is being submitted
to the Humanities course on 12/11/2017. A Bar at the Folies–Bergère Artist: Edouard Manet (1832–
83). Subject: Suzon, according to the recollections of Manet's friends: a young woman who worked
at the Folies–Bergère, one of the great Parisian cafés–concerts , a kind of beer hall with music,
circus acts and other entertainment. Analysis: This painting, which was actually painted when Manet
was critically ill, upholds the artist's conflicting outlook. One approach at looking at this painting,
shows it features a modern locale in The Folies–Bergere – the most renowned and modern of Paris's
cafe–concert halls, which was noted among many other things for its innovative electric lights. In
addition, its brushwork is Impressionistic and its framing has been swayed by the new art of
photography. And another approach, its meaning is totally opaque, even inexplicable, dealing as it
does with a problem that engaged Manet throughout his entire adult life: the relationship, in
figurative painting, between realism and illusion. Probably modelled on Las Meninas (1656), the
enigmatic Baroque masterpiece by Velazquez, the painting seems to be a straightforward frontal
image of a barkeep serving behind her counter, who peers out at us, the viewer/patron. Then we see
the giant mirror behind her and the confusing reflections it holds. The woman's reflection has been
turned to the right; while in the

Reputation Of Pablo Picasso
Reputation is the belief or opinion that is held about someone or something generally about their
character, position, or status. Many famous people have reputations. For e.g. artists, people in
power, and etc. History is full of artists whose reputations were challenged in those days. Likewise,
painters also struggled to establish their reputations. Pablo Diego José Francisco de Paula Juan
Nepomuceno María de Los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (Editors,
2015) also known as Pablo Picasso was one of them. He was born on October 25, 1881, in Málaga,
Spain. He was a Spanish painter, sculptor, ceramicist, printmaker, stage designer, poet, and a
playwright. He was the most renowned and influential artist ... Show more content on
Helpwriting.net ...
He painted in a style that was strongly influenced by the African sculptures. The huge achievement
of this period was Les Demoiselles d'Avignon (1907). He abandoned the traditional art and used
distortions and geometric forms to create female figures which was challenging to the expectations
of others. Later, because of patriotic and political issues, he denied that African art never inspired
him. In the next period Cubism (1909–1914) Picasso worked with dimension and moved towards
abstraction. It was like different objects are broken apart and then reassembled in abstract forms.
Cubism stunned and fascinated the art world. Braque said "It made me feel as if someone was
drinking gasoline and spitting fire" (Biography.com, 2015) explaining his feelings when he first saw
the paintings. Cubism changed avant–garde all over again. Cubism had two branches Analytic
(1909–1912) and synthetic (1912–1914). Analytic cubist analyzed the natural forms and represented
them using geometric shapes and often monochromatic palette. E.g. Girl with a Mandolin (1910),
Bread and Fruit Dish On a Table (1909), Violin (1912), and etc. Synthetic cubism involved creating
collages with tiny fragments e.g. Card Player (1914), Clarinet and Violin (1913), and etc. World War
I caused a great change in his art. Mood and style became more somber and realistic. After cubism,
he changed to the

Pablo Picasso's Boy With A Pipe
Growing up I was infatuated with art, I love the creativity that a person could bring to any piece of
work. While looking through many paintings, I came across one that caught not only my eye, but
many others. The name of this Painting is Boy with a Pipe, created by one of the greatest artist in the
world, Pablo Picasso. This representational painting was created in the year of 1905 when Picasso
was 24 years old (Daluwatta). This Painting is representational because, the oil that is on the canvas
depicts a young white Persian boy who is holding a pipe in his left hand and also wearing some type
of headband of flowers around his head. Picasso lived in Le Bateau–Lavoir in Montmartre when he
created this mister piece. Picasso called the young white boy Little Louise, he had spent much time
in the studio while he was creating this painting. (Lu). There are many people that say that the boy
who ... Show more content on Helpwriting.net ...
Picasso choice was to go with the boy sitting down. Next step in his process was see how he was
going to position the arm. This is where Picasso spent most his time trying to get the height just
right. In my opinion I believe this piece of work doesn't really show how any other object is being
used besides the pipe and a head band of flowers. The Pipe, which is a symbol for the intellectual
also relating in nineteenth and twentieth century type of painting. It looks like its being held by the
artist outside the painting as he wonder about the image, although it's held by the model inside the
painting. It is believed that Picasso is imagining his own alter ego while holding his own pipe and
that the boy is a reflection of Picasso (Chipp). In my opinion this work depict a very young boy that
represent intelligent and wealthy kids in the late 19th and early 20th century mood and everyone
would be attracted by

Picasso And Pablo Picasso's The Old Guitarist
Art is the expression or application of human creative skill and imagination, it is our thoughts,
emotions, and a personal journal that occasionally comes easier way to communicate what's inside
of the mind. One of Pablo Picasso's most famous artworks and still known worldwide is The Old
Guitarist. Picasso painted this piece of art in the Blue Period that ran from 1901–04. This specific
year is important because the Blue Period of Picasso is when he started painting in the gloomy
shades of blue and blueish–green inspired by Picasso's own emotional turmoil and financial
struggle. I would say it was the year where his emotions took over instead of his own hands, which
drove him to the highest limit of creating something impressive. Nonetheless, ... Show more content
The year when he was financially struggling, having no money for his food or a warm place to
abide. On top of that, Picasso had the downside of losing a faithful friend, Carlos Casagemas. The
use of the gloomy shade of blue and blueish–green was the only way of verbalizing his emotions.
We see these colors throughout the entire portraits except when he stirred and added a brown color
to the guitar. The brown guitar was an evasion from the harsh reality he was going through. Human
deal with situations in many ways and I believe music was the way Pablo dealt with his state of

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