The Sexual Content in Angela Carter's 'The Bloody Chamber

The Sexual Content in Angela Carter´S the Bloody Chamber
The Sexual Content in Angela Carter´s "The Bloody Chamber" The Bloody Chamber and Other
Stories, is a selection of fairytales which have been re–written by Angela Carter to place them in the
modern day. Carter has taken seven fairytales whose "latent content" she says were "violently
sexual", (qtd by Robin Sheets, "Pornography Fairy Tales and Feminism" 642). The stories include a
variation of classics fairytales such as "Bluebeard", "Beauty and the Beast" and "Little Red Riding
Hood" with sometimes more than one version of the same original tale, for example "Wolf–Alice"
and "The Company of Wolves". In re–writing these fairy tales Carter has given the new versions a
specifically sexual content and focuses on the female protagonist, ... Show more content on
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Therefore, it can be argued that rather than being subjected to this act, the presence of consent
transforms this into an act of erotica. This could be an example of which Makinen describes as
Carter re–writing the old tales by playing with the earlier misogynistic version, (Makinen 24). As
mentioned earlier Sheets attempts to brand Carter as a "new Juliette" or "new Justine", but in the end
her argument is inconclusive and cannot decide on one particular side of the fence for the writer. In
comparison, Carter refers to Lovelace as someone who has been "sexually exploited by men",
(Carter, Shaking a Leg 55). Carter makes it blatantly clear in this article that she is against
pornography, not because of the acts that take place but because of the oppression of women. She
describes Lovelace as someone who lives in a world dictated by men, she has learned her technique
from men and although it is a world of sex, the sex itself has been reduced to what Carter calls a
"geometric intersection of parts", (Carter, Shaking a Leg 56). Carter compares what Lovelace is
doing to that of what takes place in a Brothel. She comments that "our society generally denies the
prostitute both appreciation and the opportunity to exercise particular sexual virtuosity", and
ironically confirms that "Lovelace is no prostitute", (Carter, Shaking a Leg 55). Carter portrays
Lovelace as what this writer
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Marie Joseph Paul Yves Roche Gilbert Du Motier
Marie Joseph Paul Yves Roche Gilbert du Motier, Marquis de Lafayette was born in 1757. At a very
young age Mr. Lafayette became a very wealthy orphan after his parents passing; his father at two
years old and mother at twelve. When the young wealthy orphan turned fourteen years of age he
decided he would join the Royal Army and at the age of 16 married into one of the wealthiest
families in France marrying Marie Adrienne Francoise de Noailles. When he turned eighteen years
old he found himself at a dinner where he met the Duke of Gloucester who spoke with much
compassion regarding the trials the colonies were facing. Hoping to keep his plans a secret from the
King whom he knows would be completely against his plans; Mr. Lafayette reveals to a close friend
Comte de Broglie his plans of a better life far away in the United States. After learning of his
friend's plans to travel to the Americas Comte de Broglie introduced Mr. Lafayette to the Baron
Johan De Kalb who also had travel plans to the U.S. and after delays and a few written agreements
from Silas Deane with promises they would be commissioned major generals they set off across the
Atlantic. After arriving to the United States he and several other French officers volunteered to aid
the Americans after learning of the difficulties involved with their efforts to gain independence. In
the summer 1777 Mr. Lafayette found himself in Charleston, South Carolina and Philadelphia where
Congress showed him great hospitality by

The Marquis Of Revolutions : The French Revolution
The Marquis of Revolutions
The American revolution is full of many bright and unique people. Without these individuals, the
war could have had a more negative outcome. The Marquis de Lafayette is one that the colonies
could not have spared at their fragile time in history. His dedication to the nation remains unrivaled
to this day.
The Marquis de Lafayette was born in Chavaniac, France on September the sixth, 1757. He was
given the name Marie Joseph Paul Yves Roche Gilbert du Montier. He was born into a family of
wealth and nobility (History.org). He was left with the title of Marquis de Lafayette at the early age
of two, due to his fathers untimely death in the seven years war (The Marquis). This title placed him
above all earls or ... Show more content on Helpwriting.net ...
When he finally made his way to the battlefield, it was in the Battle of Brandywine, where he
received a gunshot wound to the leg. Washington mad sure that he receive special treatment until his
recovery. When Lafayette had healed enough, he immediately returned to the battlefield
(Biography).
After the British were retreating from Pennsylvania, Washington commanded that General Lee take
his troops and follow the British and engage in battle. Lafayette desire to be placed back into combat
and play a larger role in the revolution. Lafayette implored Washington to give him command of
Charles Lee 's battalion. Washing declared that Lafayette would have to ask Lee for his position, Lee
seeing the mission as a death wish, quickly gave Lafayette his office. After Lafayette was showing
signs of being a great leader, Lee became afraid of the judgement congress would pass on him,
claiming that a younger and inexperienced leader would be victorious and he would be branded as
inept to be a commander and a coward. Lee set out to gain his previous position , begging Lafayette
to give him back his original office. Lafayette, being a generous man gave Lee back his command.
However, Lafayette was given the position back after Washington caught Lee retreating instead of
fighting. Lafayette charged into battle, not questioning Washington 's commands. His name grew for
his bravery after this

Sadomasochism Essay
Sadomasochism Sadomasochism is a sexually deviant behavior that is practiced by many people
within today's society. It is the combination of two paraphilias, sadism and masochism, which are
usually always linked together. An occasional mild or light form of sadomasochism (or S& M for
short), is considerably common among the general population. Many people often enjoy being
mildly dominant or submissive during lovemaking. They believe that it makes the experience more
enjoyable. But when S&M becomes the dominating feature of a person's sexuality, that is when he
or she is considered deviant. Unlike other paraphilias, sadomasochism includes a large population of
women as well as men. They are nearly equally balanced in ... Show more content on
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Hypoxyphilia is a fairly common practice where a person chooses to enhance their sexual arousal by
voluntarily depriving himself or herself of oxygen. In order to become deprived of oxygen, people
usually use plastic bags, rope, or their partner's hands to choke their partner once consent is given.
This practice is dangerous and can possibly even result in a tragic death (Rathus, Nevid, &Fichner–
Rathus, p545–546). Masochism's counterpart, sadism, is the complete opposite for many reasons.
Sadism is a parphilia, which is characterized by the association of sexual satisfaction with the
infliction of pain or humiliation onto others. The term sadism refers to a French author and
philosopher, Marquis de Sade (1740––1814). Marquis de Sade wrote stories of people who became
sexually aroused by inflicting pain or humiliation on others. Some of his best known works are
Justine (published in 1791) and Juliette (published in 1797). A sadist receives sexual gratification by
role–playing. They usually play the authority figure who inflicts pain, humiliates, disciplines, and
plays master to another person (Ernulf&Innala, p637). Most sadists hurt and humiliate willing
partners who are usually masochists. A small minority of sadists may even attempt to stalk and
attack their unwilling victims. This is a very dangerous and harmful to its participants. In fact,
Sigmund Freud wrote extensively on sadism. In his research, he recognized its existence in the
individual and

Henri De Lubac Research Paper
Henri De Lubac
History of Henri De Lubac Henri–Marie Joseph Sonier de Lubac, known as just Henri De Lubac,
was born in Campari on February 20th 1896 to the ancient family of Ardèche. His father was a
banker and his mother was homemaker and gave birth to six children including Henri. In 1898 him
and his family moved to the Lyon district. There, Henri was schooled by Jesuits. Henri studied law
for about a year until he was 17, which then he joined the Society of Jesus. He was eventually
drafted into the French army in 1917 after the results of the start of the Great War. In the war, he
suffered a major head injury which had lasting affects on him for the rest of his life. A couple years
after, Henri returned to his studies which lead him to teaching at a college in Mongré and many
other places while he continued his study on theological studies.
Why He Wrote on Theology ... Show more content on Helpwriting.net ...
No matter what happened in his life he was always learning and teaching and writing about
theology. In 1992 he was even made a professor at the Catholic University of Lyon. He taught there
for a few years and even wrote many books about Christ and the Catholic Church during this time.
That was until World War II, where he was forced into hiding for his support for the French
Resistance. And because of this, he ended up losing his job at the university. He still managed to
learn and write about theology and after some time of hiding away, he could eventually come out
and publish more books like he did

Friendship In Richard Junger's 'Tribe'
We all have something or someone that we cherish more than anything else. And as life continues
those things gain more value and become things that you would cause harm to yourself to obtain or
maintain possession of. Wouldn't you risk everything even if it meant only a chance of maintaining
your way of life and your pursuit of happiness? Junger thinks otherwise as one of his bigger claims
in his novel, Tribe, states that we won't find the answer to the question above, throughout the entire
course of our lives. Junger misses the target with this claim, our American communities value
friendship and comradery. Would you not risk your life for your friends? Your family? Our
American community's prefers that individuals risk their lives for the ... Show more content on
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One of these is our natural feeling of empathy. Our minds naturally put us in someone else's shoes,
allowing us to simulate how someone feels so we can relate and feel entitled to assist that person.
Catherine Belzung from the Universitè Francois Rabelais Tours wrote, "When we see a child crying,
the urge to help him and to comfort him comes to us spontaneously. We understand what he is
experiencing, and feel in us something of his sadness, his distress: this is what we call empathy. This
sense of the other is the fruit of our evolutionary history and is hardwired in our biology". This
defeats the point Junger was trying to make when he was discussing the "brotherhood of pain"
(Junger 54). A horrific earthquake leveled Yungay, Chile and the survivors had to ban together to
survive till help arrived and "As soon as relief flights began delivering aid to the area, class
divisions returned and the sense of brotherhood disappeared. The modern world had arrived"
(Junger 55). Did the "brotherhood of pain" develop because of a disaster or is it something more
complex than that? If we go by what Belzung says, then that brotherhood was always there. The
"brotherhood of pain" wasn't developed, it was

Fatherhood In The Descendants
In the course of the film, King starts off as a solely involved in work, but when King gets word of
Elizabeth's mishap, King recognizes he will have to become a single father to his daughters
Alexandra and Scottie. According to Marquis de Sade, the ideology of fatherhood is, "the notion that
a child is "born of the father's blood" and only incidentally of a mother's body" (Lacquer, 209).
Moreover, fatherhood is not constructed on significant facts, but also on political and social
background therefore, the philosophy of fatherhood is socially constructed. In The Descendants,
King is the biological father of Alexandra and Scottie, which makes King, "responsible for
supporting "his" children" (Lacquer, 213). After watching the film, it is clear to the audience that
King ... Show more content on Helpwriting.net ...
As a father, it is important that King brings stability and structure into his family's life. It teaches
one to be responsible and respectful. Secondly, King supports both Alexandra and Scottie as they
cope with their mother's illness. King accepts Alexandra's plea to have Sid over to emotionally help
her wellbeing. Furthermore, King alongside the doctors, help explain to Scottie what is to happen to
Elizabeth and King nurtures Scottie to support her. Moreover, to the bigger picture, King supports
Alexandra and Scottie by giving them a home to live in, food to eat, and drives them to wherever
they go. Lastly, as a single father, King is expected to set a good example for his children. An
example of King setting a good example for his children is when King and Alexandra go to confront
Speer. Instead of acting out in physical violence, King decides to swear at Speer before going any
further with his intentions. Although this is not what the ideal parent would say in front of their
child, it is nothing that Alexandra has not said herself before as seen earlier in the

United States Marine Corps: The Spark of My Life
Ever since I can remember I have admired the way Mother Nature conducts herself in that
monumental struggle called life. At the very moment in which the spark of life ignites everything
has an even chance to make it, or fail. And so it was with the United States Marine Corps in what
proved to be a long hot summer for South Carolina, in the year 1966 Anno Domini. Just as Mother
Nature lets the weak and infirm fall by the wayside so did that great bastion of the US Marine
Corps, our appointed Drill Instructor, for he did not tolerate by even one degree, or part thereof, any
form of weakness, nor failure. In his mind it was either live or die in that black or white military
thinking, where shades of grey do not exist. Our Drill Instructor was not a reformer, nor was he in
any way interested in the usage of neither psychology nor any other, as he called them, "Goddamn
highfalutin college boy theories" as a process in the training of Marine recruits. He was of the old
school era being a hard, intolerant, and rigid man, who by at times unwarranted force blasted a door
open to gain entry then invaded a room with his presence like a grenade going off! It was claimed,
possibly true, that the average 1960's Drill instructor was born with a book nestling within his skull's
cavity, as an alternative to a brain. Had this presumed book been a wide spectrum encyclopedia of
intricate knowledge, well then, it would have been a wondrous thing indeed. Unfortunately, the book
in question

Sexual Components In Angela Carter's The Bloody Chamber
Throughout the literature we have read in this class, several books and short stories have had subtle
sexual components. In Angela Carter's "The Bloody Chamber," there are several important themes
and characteristics that help give the reader the ability to understand the actions of both the narrator
and The Marquis, but sex and it's relation to power drives each character's actions and emotions. For
the Marquis, he finds all the power in the relationship by exemplifying sadistic behavior, constantly
mocking and ridiculing the narrator, and ultimately looking to find satisfaction in her pain and
potential death. The narrator parallels the Marquis' sadism with masochism, often finding
satisfaction and taking comfort in the pain that he causes. ... Show more content on Helpwriting.net
...
The fact that this is the interpretation of sadomasochism that Angela Carter chose to represent is
important because although the book is set during a time period when feminism was not yet
prevalent in the world, "The Bloody Chamber" was written after women's suffrage, in 1979. As soon
as ten years after the short story was published several works were also published that went against
the Freudian model of sadomasochism. In Jessica Benjamin's, The Bonds of Love, Benjamin
discusses the idea that women can actually control their own subordination, therefore making the
"passive" partner equally as dominant as the aggressor, which gets rid of the notion that the
dominant partner is always male. In "The Bloody Chamber," we only see the young girl as someone
who allows herself to gain no control over the power dynamic regarding the couple's relationship in
general. In fact, the only time we see the narrator stand up for herself, or even respond to the
Marquis' comments towards her, is at the very end of the story when she is stalling her death with
the hope that her mother will

Essay on Marquis de Sade: Madman or Genius
The Marquis de Sade was a controversial writer from the Enlightenment period. His works were
highly controversial at the time although he did acquire some sort of a cult following. The Marquis
de Sade uses a variety of techniques in his writing to great effect. The passage being analysed is an
extract from The Philosophy of the Bedroom published in 1795.
Throughout the passage the style of writing comes across as quite argumentative and analytical, yet
the content and his ideas, at the time of writing, would have been quite outrageous. He offers to `...
analyse modesty...' (p. 131) giving the impression that he will go about the whole business in
something of a scientific way. However, the extremeness of his ideas makes one wonder ... Show
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Throughout the passage de Sade uses quite dramatic language to engage the reader. There is talk of
freedom and captivity, and of demolishing amongst other dramatic words. It is quite captivating to
read and you get caught up not necessarily in what he is saying, but how he is saying it. At the same
time you can't help but absorb even a little of what de Sade is trying to convey. This technique
would have been quite helpful to de Sade as the church was still a highly respected and perhaps
feared body at the time, yet he attacks it. However, readers may put up with such scandalous ideas
as he wrote about them in such an exciting and engaging manner.
There is also a use of repetition in the Marquis de Sade's passage, which serves to emphasis and
highlight his points. Words like extinguish and vent appear in the passage on occasion. These words
seem to conjure up images and ideas of extreme heat, in de Sade's view probably caused by sexual
passion. He urges people to `...vent on the objects...' (p. 132) and basically not to bottle things up.
Heated and passionate language is often used in what may be an attempt to arouse the audience. It
also draws attention to de Sade's preoccupation with sex.
The words lusts and desires are also repeated on occasion, drawing attention to the erotic nature of
the passage. This emphasises the point that de Sade is trying to make about sexual attraction being
natural. By constantly using those words we get the sense that these

Research Paper On Ian Brady
'The moor murderers' that was the nickname for them. Ian Brady is well known serial killer in the
land of England. He was a Scottish serial killer who murdered, raped many children with his own
girlfriend, Myra Hindley. The event happened like this. His girlfriend Hindley first kidnapped
random unlucky children who was walking at the street secretly and then drive towards to where
Brady is waiting for their arrival. They rape them, beaten, and stab before being buried over 18
months; between July 1963 to October 1965 (2012, Agency staff) they buried children around the
Saddle worth Moor near Manchester. My research question is this, is Ian Brady a psychopath? If he
is a psychopath which PCL–R trait belongs to him? Based on the evidence ... Show more content on
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He killed, raped sexually assaulted about 5 young children with unpleasant manner. Now, 2015, he
is still in prison and he is the longest person to be in prison in Britain history. Based on the evidence
that is discovered, we can know that Ian Brady was a psychopath and he didn't even tried to regret
what he had done to 5 young lives. "I killed for the existential experience" (2013, Ian Brady) His
"real" identity is now covered up by "fake" identity, he lost himself and doesn't' know who really he
is. He did not just killed 5 children. He also killed himself

The Castle Of Otranto And The Black Cat
One common aspect of gothic literature is diving into a dark side of the world through different
categories such as the supernatural. There are many advantages and disadvantages by taking a
journey on the evil or dark side. However, the disadvantage's overcome the advantages by a long
shot. One disadvantage is shown in "The Castle of Otranto" and "The Black Cat," is the conclusion
of death. Another disadvantage in taking a dark journey is by sending a character into madness as
seen in Quills. The final disadvantage in taking a dark journey is sending a character into a terrible
outcome such as in "Adventures of the German Student" and in "The Black Cat." One disadvantage
in taking a dark and evil journey is the conclusion of death as seen in "The Castle of Otranto," and
"The Black Cat." In "The Castle of Otranto," the supernatural aspect of the novel is a large part of
the purpose of the book. However, the supernatural in this book does not benefit a character named
Conrad. "The Castle of Otranto" states, "he beheld his ... Show more content on Helpwriting.net ...
This outcome is very dark and it sent the narrator into an even darker state, so much that he states
that he was lost forever. This is a very large disadvantage because no one should have to be lost
forever after a dark or evil journey. Also, in the story "The Black Cat," after the narrator killed his
wife, he hid her body inside of the wall in his cellar. However, the police still showed up to his
house in order to investigate his wife's death. "The Black Cat" states, "In the next, a dozen stout
arms were toiling at the wall. It fell bodily. The corpse, already greatly decayed and clotted with
gore, stood erect before the eyes of the spectators (Poe 12). This proves that his secret is revealed
and the consequence of murder is prison or death. Although he should have consequences for his
action, prison and death are both terrible outcomes which are definitely disadvantages for taking a
dark

Paranormal Sentimental Fiction In Horace Walpole's The...
This section will investigate the history and advancement behind paranormal sentimental fiction.
Paranormal sentimental fiction had its beginnings in the eighteenth century. An early noticeable
novel in this class was The Castle of Otranto composed by Horace Walpole. Walpole began an
artistic development somewhere down in riddle that increased quick drama and various imitators.
He is by and by for the most part associated with Strawberry Hill, the home he worked in
Twickenham, South–West London where he resuscitated the Gothic type a few decades before his
Victorian successors, and for his Gothic novel, The Castle of Otranto.
The novel distributed in 1764 is regularly thought as the primary gothic novel, beginning an artistic
kind which would turn out to be exceptionally mainstream in the later eighteenth century and mid
nineteenth century. In this manner, Walpole, by augmentation, is apparently the antecedent to such
creators as Charles Maturin, Ann Radcliffe, Bram Stoker, Edgar Allan Poe and Daphne du Maurier.
In the introduction of the second release, Walpole makes a heuristic for perusing the novel which
without a doubt changes the way perusers are to see the novel until its end. He claims to blend the
new and old types of sentiment. The "old" sentiment is what is presently considered pre–novel
exposition – a principle component of such writing is their incredible style. There is enchantment,
the otherworldly is bottomless and they are absolutely mind boggling. The type of the "new"
sentiment is the thing that the books of the eighteenth century, when Walpole was composing, would
ordinarily have resembled. These books were reasonable; they were made to portray occasions and
individuals as they truly were.
Walpole at that point, by attempting to blend these two classes, makes something new – something
genuinely 'novel'. He makes fabulous situations like protective caps tumbling from the sky, strolling
pictures, and so on and puts as far as anyone knows genuine individuals into these situations and lets
them to act in a "genuine" way. In doing as such, he viably enables fiction to develop in ways that it
would some way or another have not possessed the capacity to. Walpole presents many set–pieces
that

Pros And Cons Of Banned Literature And Literary Canon
Banned Literature and Literary Canon Voltaire's work "Essay on tolerance" quotes "I disapprove of
what you say, but will defend unto death your right to say it." This makes me to think about banned
literature and censoring various texts by government due to multiple reasons embedded in text such
as political, sexual, religious, language, violence, criminal matter, social grounds etc. Simon During
in his essay " Literature– Nationalism's other? The Case for revision" is propagating state
sponsorship, tradition, culture and subjectivity shaping our literary canon, but censoring valuable
text on the basis of some individual's or group's perception or the partiality practiced by state, which
is only beneficial to the people in governance cannot be just, when we have right to express and
right to speech in our hand to empower us. This doesn't at all mean that we can write slanderous
work at any time, bring it to the market and create havoc. So in this paper I will ... Show more
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In Latin 'censere' means to 'appraise or estimate, and to express an opinion'. Censor term is linked to
the ancient Rome, where censors were some high ranking magistrates who were recruited for public
morality. Historical reference of banning any literary piece can be traced back to China's Qin
dynasty 213. B.C. Emperor Qin Shi Huangdi destroyed all the books about Confucianism to
maintain his political power. In 499, papal index was published on books to be read. In 13th century,
Philosophers and theologians such as Marsilius of Padua and John Wiclef were stopped from
writing. With the invention of printing press in 15th century censorship increased. Mogens Laerke in
the book The Use of Censorship in the Enlightenment speaks "Indeed, as Rousseau would later
complain, this 'terrible art' became the cause of 'frightful disorders' because it allowed for swift and
efficient diffusion of ideas, including ideas dangerous to public order". (Laerke

Analysis Of De Sade 's ' The Misfortunes Of Virtue '
Whether or not you accede with the themes in Marquis De Sade's "Misfortunes of Virtue", there is
no doubt his works are some of the most inciting to have ever been constructed. Although Marquis
debates several beliefs in his works, he focuses on one in "The Misfortunes of Virtue" that seems
shaky. The theory of Vice versus Virtue in the words of De Sade has no logical aspect to it, at least
to a "down to earth human being". De Sade once said," In order to know virtue, we must first
acquaint ourselves with vice." De Sade's conception of vice and virtue is nowhere near what we
perceive it to be. Though, through the utilization of multiple characters, his neutral stance and
erroneous logic, we as readers can sift through the differences and visually perceive the authentic
meaning of vice and virtue by using common day human logic and experiences to construct a more
up to date version of De Sade's "Vice and Virtue". Throughout De Sade's "Misfortunes of Virtue" his
writing is meant to have a neutral stance and come off in a way that De Sade lives vicariously
through the characters in order to display his beliefs. With his characters, De Sade argues the theory
of Vice versus Virtue and attempts to make the example that there simply is no difference between
the two. De Sade believes "There is only human kind's selfish goal of self–preservation and seeking
pleasure". According to Webster's dictionary, virtue is defined as: the moral excellence of a person.
A morally excellent

Essay on The Gothic Genre and What it Entails
"The invaluable works of our elder writers re driven into neglect by frantic novels, sickly and stupid
German Tragedies, and deluges of idle and extravagant stories in verse. The human mind is capable
of being excited without the application of gross and violent stimulants.."
William Wordsworth, Preface to The Lyrical Ballads, 1802.
"..Phantasmagoric kind of fiction, whatever one may think of it, is not without merit: 'twas the
inevitable result of revolutionary shocks throughout Europe thus to compose works of interest, one
had to call on the aid of Hell itself, and to find things familiar in the world of make believe.."
Marquis (Donatien Alphonse) de Sade, "Reflections on the Novel.", ... Show more content on
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It was not until around 1960 that academics like Robert Hume rose to its defence. (Maybe its
renewed popularity was something to do with the very unique socio–political situation in the 1960s
echoing a the unique situation of the late eighteenth century, the heyday of the genre.) Since then
there has been a deluge of commentary which has elevated the genre to a critical and scholarly
favourite.
It is often said that one of the unifying features of Romanticism is its intentional political relevance.
Much of the canonical Romantic literature is inspired or informed by socio–political events. We
need only look at Blake's work or key poems by "second generation" Romantics like Shelley's Ode
to the West Wind or The Mask of Anarchy to verify this.
The same is true of Romantic Gothic which arose around that unique period in European history
posthumously defined by the French Revolution but significant for its trans–European massive
cultural and social upheaval indicated in part by repeated rioting in Britain (Lowe, vii) and a
widespread clamour for various reforms. Victor Sage writes, "English Gothick of the eighteenth
century is seen as a collective symptom of political pressure felt all over Europe."
The Marquis de Sade in his "Idees sur le romans" ("Reflections on the Novel) – quoted above – was
one of the first

Essay on An Analysis of George Bataille's The Story of...
An Analysis of George Bataille's The Story of the Eye
...awareness of the impossibility opens consciousness to all that is possible for it to think. In this
gathering place, where violence is rife, at the boundary of that which escapes cohesion, he who
reflects within cohesion realizes that there is no longer any room for him (Theory of Religion 10).
When Georges Bataille first published The Story of the Eye in 1928, anonymously and "in a limited
edition of 134 copies" (Lechte 118), he had been at the Bibliothèque Nationale in the department of
numismatics for nearly six years. Bataille was thirty–one at the time of publication, and it was not
his first or the most violent piece. "The Solar Anus" which preceded it actually looks ... Show more
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It executes Bataille's need to express through his writings what could not be contained by the
cultural system within which he lived and worked, and it expresses his need to recognize the
existence of what the system cannot contain––the vision of that other eye out of which he looks at
the world. Thus rather than dismiss this text as juvenile or adolescent writing, readers should be
aware of it as an early declaration of identity formation, one affected by actual events in his life and,
although overwhelmingly privileging his sexual obsessions, one which contains nevertheless the
core of his thinking.
In Bataille's profession of librarianship, cataloging or classification of material becomes obsessive to
the extent that every item within a collection must have a named place or it cannot have a place in
the collection, for only by being inserted into a named placed within a system can an object be
curated or cared for. Bataille captures the intention of this systematizing in his Documents essay on
"The Use Value of D.A.F. de Sade" when he writes: "the work of philosophy as well as science or
common sense ...has always had as its goal the establishment of the homogeneity of the world
[through]...the identification of all the elements of which the world is composed" (Visions 96). To
know or identify an object such as a coin restricts the coin to its place within the organization of
numismatics. The operation reduces knowledge to the ability to

How Did Marat Contribute To The French Revolution
Jean–Paul Marat was an important figure in the French revolution because of his tactful writing
style, his callings for more violence, and the legacy he left in the French revolution.
To start, Jean–Paul Marat was an important figure in the French Revolution because of his tactful
writing style. The title of his Newspaper that was published during the duration of the French
revolution was Ami du peuple, which translates to Friend of the People. Titling his paper in this
manner offered Marat many benefits. In chosing the world friend, Marat makes a connection with
the common French citizen by implying that he is invested and interested in the well being of all
French citizens not only the wealthy members of society . The word friend was also used in a way to
subtly expose the common enemy of the French people. To call oneself a friend implies that other
members of French society are the enemy of the common people. ... Show more content on
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In his death, Marat was shown as a martyr for a just cause after he was assassinated by a French
woman named Charlotte Corday. The painting the Death of Marat by Jacques–Louis David glorifies
his death making him seem like a figure of purity that was killed Jean–Paul Marat became
historically significant as he is shown in the eyes of the French people as if Marat almost possessed
divine qualities. The painting also displays Marat's dead body in a similar fashion to the crucifixion
of Christ. In the eulogy, given by Marquis de Sade, he compared Marat to Jesus by saying, " Like
Jesus, Marat loved ardently the people, and only them. Like Jesus, Marat hated kings, nobles,
priests, rogues and, like Jesus, he never stopped fighting against these plagues of the people"
Likening the death of a journalist and revolutionist to the death of a religious figure, insured the
people of France that he had died for a good

`` We Wants Our Rights And We Don 't Care How
The opening line on Marat/Sade posters read, "We wants our rights and we don't care how. We want
our revolution NOW". The disturbing picture alongside portrays a blood–soaked arm grasping an
equally crimson knife from which blood drips. Ever since its first English–language production, in
1964, Peter Weiss' play has proved a confronting experience for audiences, and Barry French's
production at the New Theatre does not disappoint. A play–within–a–play written by the infamous
Marquis de Sade during his imprisonment in an asylum, French sought to represent a re–enactment
of the twilight hours of the French Revolutionary ending with Marat's murder. This links back to the
opening line and the partisans' willingness to seize a world beyond ... Show more content on
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Immediately afterwards she is seen calling for Simmone, her attendant and lover to calm her itching
skin with cold water. Despite being passionately committed to collective action for social reform,
her physical handicaps serve as a reminder that her character is merely an extension of Sade's
writing and any further personal action requires his "permission". In contrast, Sade often remained
silent save for his occasional polarizing arguments with Marat which solidified his position as a
creator rather than just an another character. Furthermore, his ability to physically pace and project a
louder presence in contrast to Marat within the performance space highlights an another aspect of
power separation between the two central characters.
I believe that such displays of power inequality amongst characters such as Sade and Marat could be
further explored through the cage like setting stated earlier. Upon entering the intimate yet slightly
claustrophobic theatre, the audience and I were faced with a unique and privileged seating
arrangement where three rows of seating surrounded a central metal cage. The cage is reminiscent of
a prison compound with high iron fences that have wrapped around the stage except for a single
entrance/exit in a far corner. It was much later in the performance did I realize that French usage of
literary place was ingenious. The outer action consist of the Coulmiers and the Parisian elite (the
audience) while the

Marquis de Layafette
Marquis de Lafayette Marie–Joseph Paul Yves Roch Gilbert du Motier de La Fayette, Marquis de La
Fayette, a wealthy French nobleman, played a quietly prominent role in America's struggle for
independence from the British. La Fayette's unwavering dedication to the pursuit of liberty, his skill
as military officer, his ability to secure vital resources, and his impressive connections to the French
Royal family and other key players of this era made him an invaluable asset in the American
Revolution, and a significant piece of the French Revolution.
La Fayette was born on September 6, 1757 in the Castle of Chavagnac, in the southern region of
France to a distinguished noble family. His lineage was already renowned throughout France for ...
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In fact, the bond was so strong, that at the Battle of Valley Forge in the winter of 1777, when a
cluster of jealous officers interested in trying to have a sentiment developed against Washington to
have Congress relieve him of the command of the Continental Army, they were unable to gain the
support of Lafayette, who in turn wrote a long letter to Washington in which he pledged his loyalty
to the General. Washington replied to Lafayette in a letter that was marked by his sincere
appreciation. In due course the proposed scheme of the few officers failed, as it was doomed to fail
from the beginning. The soldiers and officers at Valley Forge were fiercely loyal to their
commander, and the members of Congress realized that Washington was a strong and patriotic
leader.
Following the harsh and bitter winter in Valley Forge, Lafayette kept the colonists' spirits high and
burnished his credentials as an intelligent leader whilst helping to draw more French resources to the
colonial side. In May 1778, he outsmarted the British soldiers sent to capture him at Bunker Hill–
which was later renamed Lafayette Hill– and rallied a Continental attack at Monmouth Courthouse
to force a stalemate. Lafayette repeatedly traveled back and forth to France to press Louis XVI for
more aid, and in return he assumed increased military responsibility upon his return to battle. As
commander of the

Man Ray's La Priére
Man Ray was born Emmanuel Radnitsky in Philadelphia and grew up in New Jersey. He because a
commercial artist in New York in the 1910s, and began to sign his name Man Ray, although his
family did not change its surname to Ray until the 1920s. Man Ray taught himself photography for
him to reproduce his own creations, which included paintings and mixed media. His first
photography studio was set up when he moved to Paris in 1921, in which he also began making
moving pictures. He only completed four films he titled; Return to Reason, Emak Bakia, Starfish,
and Mystery of the Chateau. His films were non–narrative examinations of the potential of the
medium. When he returned to the states in 1940, he settled in Los Angeles and was extremely
disappointed that he was just recognized for his photography and not his filmmaking, painting,
sculpture, and other media in which he ... Show more content on Helpwriting.net ...
Much like plenty of Man Ray's work was aggravated with his yearning to construct a short–lived
upset in the audience that would detain sane contemplation process and evoke a fresh way of
encountering the image. In this particular piece, we are confronted with the uncomfortable
juxtaposition of hands, feet, and buttocks. He succeeds in setting up psychological challenges,
where the woman is seen doubled over her rear. She screens her nether parts with her fingers,
sprouting between feet and cheeks. The light contrast of the image exudes simplicity in the image
that welcomes the viewer because one is never quit sure of what you are viewing until one focuses
in. The highly illuminated part of the image is the buttocks, hands, and feet of the woman in the
prayer position. Almost as if there was a spotlight on that specific part and in the background you
notice a piece of furniture but only the leg of what seems to be a chair. The woman is anonymous
because we don't see absolutely anything that it's a specific

The Persecution And Assassination Of Jean Paul Marat
In The Persecution and Assassination of Jean–Paul Marat as Performed by the Inmates of the
Asylum of Charenton under the Direction of the Marquis De Sade, Peter Weiss placed a historic
revolutionary setting inside of a chaotic insane asylum. Sex and violence dominate revolution,
madness blends with reason, and political ideologies battle head–to–head while the plot unfolds.
Marat/Sade focuses on a play authored by the Marquis de Sade inside of the play itself. Weiss,
writing in the voice of Sade, could not ignore the sexual perversions of the historical figure, which
allowed for the shocking violence and sexualization that can be found within the play. Under the
inflated political rhetoric among the two leading ideologists, Jean–Paul Marat and the Marquis de
Sade, the story is one about the French Revolution. Specifically, Marat/Sade tells the story of the
murder of Marat by Charlotte Corday.
Sade's characterization of Corday as the sexualized female begins with the Herald's introduction of
her. His description predominately includes her physical features. Her "phenomenally
pulchritudinous" appearance includes stylish shoes and a cloth around her neck. Only a thin veil
covers her otherwise exposed breasts. These images appear in the first introduction of Corday and
create conflict for the woman portraying her, as well as affect Sade's character of Corday in her
carrying out of the plot to kill Marat. However, the effect on the latter is not a negative one. The
sexual

Examples Of Sadism In The Bloody Chamber
a hideout in which all sexual desires and the thirst for violence and murder are veiled, and "that
castle, at home neither on the land nor on the water, a mysterious,amphibious place" (Carter13)
filled paintings that portray violence or sadistic objects is the place in which the antagonist of "The
Bloody Chamber" unleashes his animal instincts.
The sadistic–villian, whose name recalls Marquis de Sade, the father of sadism, is modeled after the
legendary figure of Bluebeard and also linked with Gilles de Rais (1404–40), a Breton knight who
was a companion–in–arms of Joаn of Arc and аn infаmous child–murderer.
The Mаrquis is ''much older'' than his seventeen–year–old bride. He is wealthy and lives in a
forbidding castle surrounded by a moat, ... Show more content on Helpwriting.net ...
One of them is the theme of power and objectification. The sadistic pictures that the Marquis
collects in are is the ultimate example of the woman as object and the man as powerful manipulator.
Influenced by the writings of the Marquis de Sade, Carter illustrates his idea that sex is often
inextricably linked with violence. In his Bloody Chamber the Marquis has not only a collection of
violent pornography and but this is also the place where he tortures his wives. He finds pleasure in
violence; he is in love withthe pain he causes to them.
The bloody chamber is a place of both violence and enlightenment, as the the heroine discovers the
true nature of her husband's desires and her own inevitable fate.
The Marquis represents the dominant scopic position within patriarchal society: the active, gazing
position. As an expression of sexuality, it refers to sexual pleasure derived from looking at erotic
objects: erotic photographs, pornography etc.
The Marquis' scоpоphiliа is еstаblishеd in sеvеrаl important ways, including the history of his
previous wives, his adorning of his young bride, his way of looking at her, and his obsession with

The Baastille : Summary : Storming Of The Bastille
Storming of the Bastille
On July 14th 1789, an angry mob stormed the Bastille, a medieval fortress in the center of Paris. The
sparsely guarded Bastille had been used as an armory and political prison to represent royal
authority. After a standoff that lasted several hours, the people of Paris had gotten into the Bastille,
trampling the guards and killing the governor. The fortress was claimed by the citizens and was
eventually ordered to be destroyed by the new Paris Commune. The seizure of the Bastille was seen
as a symbolic victory; the revolutionaries viewed the structure as a representation of the monarchy's
abusive power. Its fall is considered the turning point of the French Revolution.
The Bastille has a history dating back to the mid to late 1300s. It was built to house a garrison of
Charles V's soldiers. The fortress and its garrison were instituted to fend off the English raiders on
the eastern border of Paris during the Hundred Years' War. The fortress soon became one of the
largest structures in Paris when it was expanded upon in the early 1400s. It imposingly hovered over
a working–class district, Faubourg Saint–Antoine, that was notorious for its rowdiness and
sometimes defiant behavior. A delegation of royal troops was housed there permanently to both
guard the city walls, and maintain order inside them. As time passed, the structure earned the name
Bastille, a common French term used to describe a fortress at the exit of a city.
During the reign of Louis

Does Kant Have Courage To Use Your Own Reason?
After immersing in the selected readings for this week reaction paper, I found myself with mixed
emotions regarding the state of enlightenment. I feel as if this theme is something that had started
few centuries ago but yet not accomplished nothing with the passing of the years. Is it something
that would ever be accomplished in masses? Or maybe, are we just not capable of ever reaching that
state? I certainly feel we have come a long way despite the range of obstacles along the path. In
regards to the question proposed for this week: What does Kant mean by, "Have courage to use your
own reason"? seems to be such an insightful meaning and dangerous statement to analyze. It is
against the laws of society to even consider this crazy idea to think for oneself. Religions, ... Show
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They thrive in convincing the masses that we have to follow rules without further questioning since
it has been this way for ages, therefore, cutting the wings of flying birds to prevent an escape too far
away from the nest. It limits the minds and souls of many that buy into somebody else's ideas and
wise words that are not our own. It is a dangerous path indeed to walk away from whatever the
majority follows, since we know that humans cannot survive alone. We are so scare to be alone that
we look for companionship and approval even at the wrong hands. It is instill in our blood as a
stamp for life. I agree with his statement that it cannot be enlightenment without freedom. "...The
officer says: "Do not argue but drill!" The Tax–collector: "Do not argue but pay" The cleric: "Do not

Pierre Cardin Biography
Bryan Orr
Briggs
Fashion Designer
09 May 2017
Pierre Cardin
pierre cardin was born july 2,1922 and is an italian born french designer.
His Family was wealthy landowners but his family had to escape fascism they went to france in
1924, his father a wealthy french wine merchant wish to study architect but from there ended on
making clothes and fabric for a living.
He is mostly known for his work that he did called avant garde design and it was world wide known
for his best work
When cardin was younger he worked job to job jumping from them to find what he truly loved once
cardin was happy for what he was doing he looked outside of france to find a better look so he took
a plane to japan and started there by going to Bunka fukusoi fashion school in japan and was
nominated as one of their professors when he was there he was also took a class teaching them to do
three dimensional cuts on fabrics. ... Show more content on Helpwriting.net ...
At the time, haute couture designers worked exclusively for private clients, for whom clothes were
custom–made, so Cardin's move was seen as a threat to the traditional values of the fashion world.
Another version of the story has Cardin resigning from the organization in protest of its banning of
press coverage. The 1960s were a varied and successful period for Pierre Cardin. In the first years of
the decade, he began to design clothes inspired by science. This would become known simply as the
"Space Age look." Interestingly, just as Japanese fashion has inspired Cardin years before, some
Japanese designers are still heavily influenced by the futuristic style that Cardin

Who Is The Marquis's Beastliness In 'The Bloody Chamber'
In The Bloody Chamber by Angela Carter, the Marquis has a form of beastliness that is quite
unique. The Marquis is a rich business man and is the husband of heroine who plays the piano. He
married three previous wives, but killed them. When the heroine arrived at the palace, the Marquis
took her to his bedroom that had white lilies all over the floor and by the bedside. The white lilies
symbolized her purity and virginity that she was going to lose when they had sex. After they had
sex, the Marquis fell asleep, then awoke to the sound of the phone ringing. The Marquis received a
call and had to travel to America for his business. The heroine, who was given the keys to all the
rooms in his castle, was told by the Marquis himself that she should not enter into one certain room.
... Show more content on Helpwriting.net ...
There I can go, you understand, to savour the rare pleasure of imagining myself wifeless" (Carter
20). This makes Carter's audience think that by telling the heroine that she can't enter a certain room,
it gives us a sense that something bad is going to happen or the Marquis is leading her on. After he
left the castle, she searched all the rooms that she was given access too. She searched the drawers in
his desk, in his office, and found that nothing was out of the ordinary. The most that she had found
from his drawer were a few bills. As she was putting away everything that she had searched, she
touched a spring in the drawer that opened up a secret file cabinet. In the cabinet, she found a secret
folder of his and opened it up. Inside, it was a love letter from one of his previous wives. After that,
she was set on going through more of his personal belongings. She picked a key out of the pile that
fell on the floor and it was the key to the secret

The Marquis De Sades Attitude Toward Women
The Marquis de Sade's Attitude Towards Women
The Marquis de Sade was an author in France in the late 1700s. His works were infamous in their
time, giving Sade a reputation as an adulterer, a debaucher, and a sodomite. One of the more
common misrepresentations concerning Sade was his attitude toward women. His attitude was
shown in his way of life and in two of his literary characters, Justine and Julliette.
The Marquis de Sade was said to be the first and only philosopher of vice because of his atheistic
and sadistic activities. He held the common woman in low regard. He believed that women dressed
provocatively because they feared men would take no notice of them if they were naked. He cared
little for forced sex. Rape is not a crime, ... Show more content on Helpwriting.net ...
He urges women to copulate as actively as they can, so that, "powered by their hitherto
untapped sexual energy they will be able to fuck their way into history, and, in doing so, change
it" (Carter 27).
Women see themselves in the reflection form Sade's looking glass of misanthropy. Critics say that
Sade offers male fantasies about women in great variety, along with a number of startling insights.
He is said to put pornography in the service of women (Carter 36).
The Justine series, consisting of six editions, was one of the most infamous and well known series
written by Sade. While the series had several editions, the storyline remained basically the same
throughout, though becoming more verbose in each edition.
Two characters emerge from the Justine novels: Justine and Juliette, who are sisters orphaned at an
early age. These two characters represent the opposite poles of womanhood in Sade's mind. Justine
is the innocent, naive type who gets mistreated throughout her life. Juliette is Sade's ideal woman,
being uninhibited in her sexual conduct and in her life, murdering and copulating at whim. She,
naturally, does well in life (Lynch 41–42).
The

The United States And The War On Terror
Over the course of United States History the country has engaged in several wars. Some of these
wars were for independence, national preservation, and national defense. Other wars were for more
dubious and obscure reasons such as stopping the spread of communism, "protecting America's
interests", and the "war on terror". Throughout the history of the United States foreign affairs
another pattern has emerged. Our propensity toward military action has also had the unintended
consequence of fostering an atmosphere of distrust, anger, and resentment that nurtures potential
enemies. This begs the question; does the United States create its own future enemies? If this is the
case, what can we do to stop this? From the ashes of World War ... Show more content on
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These proxy wars over time became highly unpopular when the American public became aware of
the great human cost of these proxy wars as well as a general distrust of the American government's
reasons for engaging in these wars. While the United States set to expand its influence globally and
participated in conflict, wars, and military interventions an unintended consequence came to the
fore, destabilization of the regions of conflict. After the 1989 collapse of the Soviet Union the
United States turned its attention toward the Middle East. The United States had previous dealing in
the region during the Iran Hostage Crisis in the late 1970s which ultimately hurt perception of the
United States in the Middle East and bolstered Iran0, major military presence in the region would
not truly happen until the First Gulf War. When Iraqi president Saddam Hussein invaded and
annexed Kuwait in 1990 the United States along with a coalition of nations engaged in war with
Iraq. Although the war resulted in defeat of the Iraqi army, public image of the United States in the
region continued to deteriorate. Due to the United States support of the formation of Israel and our
choice of allies the perception of the United States among the Arab population in the region has
continued to take a negative tone. Another hidden aspect to our perpetual war engaging society, is
our peculiar alliances. In the past the United States has taken part in a certain somewhat

An Analysis Of Mary Wollstonecraft's A Vindication Of The...
The Age of Enlightenment encouraged writers to break away from conventional thought and express
their ideas and opinions through reasoning. Mary Wollstonecraft's "A Vindication of the Rights of
Women" and Marquis de Sade's "Philosophy in the Bedroom" examine the conventional norms in
their respective author's contemporary societies. In both accounts, Wollstonecraft and Sade prescribe
the path humanity should take in order to improve the human condition. Marquis de Sade develops
an unconventional philosophy by claiming that cruelty is nature's most basic quality. He supports the
idea that humans are born with the notion of cruelty and thus, should embrace their destructive
instincts. According to him, might is right because "in the state of ... Show more content on
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However, she focuses on the importance and value of education, believing that "the most perfect
education...is such an exercise of the understanding as is best calculated to strengthen the body and
form the heart" (Wollstonecraft 134). Like her Enlightenment contemporaries, she believed that
reason was a virtue since it empowered the mind to think freely and independently. Reason allowed
one to truly express his or her ideas. The best way to cultivate such reasoning was to become
educated. Thus, both men and women should be educated for the betterment of society as a whole
since both sexes would then be able to contribute a broader range of ideas. However, the general
consensus amongst her contemporaries in 18th century England was that women were "more
artificial, weak characters...and, consequently, more useless members of society" (Wollstonecraft
134). Women were expected to lead domesticated lives and become dependent on men. They were
considered as housewives, not expected to contribute to society or stand out in anyway. Therefore,
women did not have the same amount of access to a proper education as men did since they were
not expected to be involved with forming their own reasoning and opinions. As a result, women only
learned what they perceived and experienced from the world, left to play "guess–work" rather than
make observations and draw conclusions and speculations. Without critical thinking,

Edgar Degas Research Paper Outline
Hilaire German Edgar Degas was born in Paris, France on July 19, 1834. He was the son of Auguste
de Gas, a banker, and Celestine Musson de Gas, an American from New Orleans. Edgar was the
oldest of the five children Auguste and Celestine had. Their family was members of the middle
class, however, for many years their family spelled their name "de Gas" which thanks to the
preposition "de" suggested that their family was from a land–owning aristocratic background. It
wasn't until 1870 that Edgar changed his name to the less aristocratic sounding "Degas."
You could say that Edgar Degas was born with artistic blood running through his veins after all his
mother, Celestine, was an amateur opera singer and his father, Auguste, would arrange for

Marquis de Lafayette Essay
Marquis de Lafayette The Marquis de Lafayette is best remembered for the part he played in the
American War of Independence. He contributed in helping the Americans gain free control over the
colonies by breaking away from British home rule. For sixty years he fought with consistency and
insight for political ideals and social reforms that have dominated the history of the nineteenth and
early twentieth centuries. Hence, Lafayette can be attributed to the spreading of liberty and freedom
throughout America and France. Therefore, he is viewed as a symbol of liberalism in a once
absolutist world. Born on September 6, 1757, Gilbert Montier de Lafayette lived in the Chateau de
Chavaniac. This beautiful palace is ... Show more content on Helpwriting.net ...
First, he wanted to distinguish himself as a soldier. Second, he detested England and the English. As
victors in the Seven Year's War, the English humiliated France and took away the French territory in
Canada. Being a very proud Frenchman, "He wanted to see England get a beating; he wanted her to
lose her American colonies and he had come to help the Americans win, gain their independence,
and lower the pride of the insolent English nation" (Woodward 4). Thus, he sailed in his new boat
Victoire onto the shore of South Carolina, along with fourteen other French army members, with
plans in becoming a volunteer officer for the American revolutionary army. The marquis pursued his
ambitions and left his home in secrecy even after his father–in–law, the Duc de Noailles, forbid him
to leave France. Lafayette's strong will and excitement to be in charge of an army was too much to
hold back. He left his young, pregnant wife with nothing but a letter saying good–bye.
Unfortunately, it would be years before he would make his way back to his homeland again. Ten
days after their arrival into Charleston, Lafayette and the others made their way to Philadelphia,
Pennsylvania. It was the 27th of July and Congress was still in session. At first, they were rejected
and told to go back to France because there were already plenty of French officers employed in the
army. However, after much consideration, congress

What Really Happened To Picca's Valour?
"I told you, like a greasy son of a bitch who smelled like old Eastern money. He also was a lawyer,
he was sadistic, and liked to pinch the girl's hard until they sniffled. He would then snicker and give
them a fifty–dollar bill and Jaimie didn't object, never. Something was wrong, weird and
disgusting." Everybody looked grim and the subject had to be changed. Picca smiled and said,
''Nothing is wrong now and that party is over." It was time for Filippo to slip away for his exercising
and Josie and Picca were now alone, so Josie suggested to Picca that he sit on a setee next to her but
not to get to comfortable as the game wasn't played that way. "Picca, some more wine?" "Indeed, but
it is my turn." Oh no, and I insist, and after all it is ... Show more content on Helpwriting.net ...
It is distant like the sound of a sparrow in a wind storm." "And Picca Pythonzi, what about him?" He
is the sparrow's companion." Charlie knows that the Italian spirit is different, as different as ancient
history and he also knows that it is but a pup compared to the old and wise dog China. But he is not
sure about the vendetta and although he knows the reason for the vendetta he doesn't know where he
fits in. He knows that Frank Banion is more than a friend and an astute lawyer. He has considered
that the power of some Italians and their close friends is their patience. The Chinese don't have
friends like that. It is like there is a hand of providence that is constantly stroking the Italian patience
and spirit and hiding the flame that stirs inside. "Flossie sends her regards and she has always
thought of you as a man of dignity like a Roman Catholic priest but without a collar." Ignacio felt
that it was his turn with the compliments and why not Charlie's wife for starters. "Flossie is such a
lovely person and I know how active she is in cultivating her classical operatic voice. I also love
opera as it is part of my heritage." Charlie is now more interested in Charlie and says, "And the four
beautiful young ladies, do you know

Essay about Romanticism
Romanticism,
Romanticism, in a way, was a reaction against rigid Classicism, Rationalism, and Deism of the
eighteenth century. Strongest in application between 1800 and 1850, the Romantic Movement
differed from country to country and from romanticist to romanticist. Because it emphasized change
it was an atmosphere in which events occurred and came to affect not only the way humans thought
and expressed them, but also the way they lived socially and politically (Abrams, M.H. Pg. 13).
"Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the
personal, the spontaneous, the emotional, the visionary, and the transcendental," (Thompson, E.P.
Pg. 108–109). Among the characteristic attitudes of Romanticism ... Show more content on
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(Thompson, E.P. Pgs 33–34) The first phase of Romantic Movement was in Germany, which was
marked by the innovations in both content and literary style and by a preoccupation with the
mystical, the subconscious, and the supernatural. (Abrams, M.H. Pg.68) The most momentous
national movement was Germany's. The Germans rebelled not only against Napoleonic rule, but
also against the century old upper hand of French civilization. They rebelled not only against the
French armies, but also against the philosophy of the Age of Enlightenment. "The years of the
French Revolution and Napoleon were, for Germany, the year of it greatest Cultural Efflorescence."
(Abrams, M.H. Pg. 73) Germany became the most "romantic" of all countries, and German
influence spread throughout Europe.
In the nineteenth century, the Germans came to be widely regarded as intellectual leaders, like the
French had been a century before. Most of the German thought had come from nationalism in a
broad sense. A wealth of talents, including Friedrich Hölderlin, the early Johann Wolfgang von
Goethe, Jean Paul, Novalis, Ludwig Tieck, A.W. and Friedrich Schlegel, Wilhelm Heinrich
Wackenroder, and Friedrich Schelling belong to this first phase. In Revolutionary France, the
Vicomte de Chateabriande and Mme de Stael were the chief initiators of Romanticism, by virtue of

The War Experience in Italian Film Essay
The War Experience in Italian Film
The experience of war as it is presented throughout the history of Italian cinema is a uniquely
composite display of historical reverence and cultural consecration. An analysis of this experience in
all of its manifestations can be discerned from the evaluation of one or several works from the post–
World
War II period within the corpus of the Italian cultural signification. It follows from this approach
that the essence of the results of this analysis will then represent an appreciative grasp of the
aforementioned corpus. The war experience in Italian film can be succinctly considered through a
detailed analysis of Rome, Open City (Roma, Città Aperta, Roberto Rossellini, 1945),
Salo: 120 ... Show more content on Helpwriting.net ...
The film, which contains moments ranging from dark comedy to poignant melodrama, also relies on
stock documentary footage and intimate battle sequences to supplement the enthralling story. The
narrative progression of the film carries through effortlessly, and is accompanied by rhetorically
inventive dialogue and character associations that operate on the allegorical level. For instance, one
scene in which a group of Nazi officials murder a sheep operates metaphorically to link Christianity
to communism while simultaneously equating the fascists with butchers of the innocent. (Forgacs 9–
45)
Concomitant with this method of scrutinizing the film, many of the characters' names are subject to
onomastics. Giorgio Manfredi, who later in the film changes his identity to Giovanni Episcopo, is
switched from association with St. George (typically shown slaying a dragon) to St. John (the
martyred priest of ancient Rome). The priest, Pietro Pellegrini, is translated as
Peter Pilgrim. He is associated, by virtue of his name, with the side of good and in the dominion of
religion represents a modern analog of St. Peter (A martyr who was put to death during the Roman
persecutions). Giussepina
(Pina), is the female form of Joseph, who was the patron of the Universal church. Lastly there is
Romoletto, the neighborhood child that sabotages the
Nazi events and chants the themes of the resistance without knowing their meaning. His name is
translated as little

Don Giovanni Research Paper
A hero is commonly defined by actions which help and aid others. Notable heroes sacrifice their
own wants for the greater good of others, act courageously, and break the norm. The infamous Don
Giovanni in Mozart's Don Giovanni does not fit the conventional idea of a hero. Although he acts
with courage in odd circumstances and appears to adapt radical Enlightenment values, he does not
act in the interest of others. As an 18th century womanizer, or libertine, all sacrifices made by
Giovanni throughout the plot are to serve his own impulses. Therefore, Don Giovanni is a character
that is more equivalent to a stubborn child than a moral hero.
Don Giovanni's classification as a libertine highlights reasons why he cannot be heroic. A libertine,
by ... Show more content on Helpwriting.net ...
Leporello is the closest friend to Giovanni that the plot reveals. When Donna Anna confront
Leoporello distraught over how Giovanni left her he consoles her by saying, "Oh, let him go. He
doesn't deserve to be worried over." and then continues to list the absurd amount of names Giovanni
has "won". Donna Anna reacts with a candid line stating, "These are the tricks the villain has used to
betray me; is this the reward the barbarian returns for my love?". This remark by Donna Anna is an
accurate portrayal of her frustration with his actions. The comedy of Leoporello's Catalogue Aria is
not what many would consider the admirable description of a hero. Behind Giovanni's back, the
jokes about his extensive history are not done so with admiration. Instead, the comedy enhances the
absurdity and childlike obsession within his

Personal Narrative: Kayla
Society has a problem. We, as human beings, tend to view issues in black and white. There is good,
and there is evil. Criminals are always inherently malignant and cannot be redeemed. We revere
Gandhi as a saint for his nonviolent protests against Britain's rule in India, despite his racist view of
North Africans. I too held this view of morality before I encountered the captivating young lady by
the name of Kayla. What drew me to Kayla initially was her adorable appearance. Silky blonde hair
adorned with bows and cute dresses made her look like a charming little Alice in Wonderland.
Halfway through our sophomore year, I was able to gather up the courage to ask this cute porcelain
doll out to ice cream, figuring that I should learn a little ... Show more content on Helpwriting.net ...
I couldn't wrap my head around how anyone could think this way. What made her believe that it was
okay to disregard other people's emotions? Later in our relationship, after she agreed to start dating
me "for the benefits," we found out that she had antisocial personality disorder, a condition in which
one displays egocentrism, disregard for right and wrong, and an inability to process emotions
normally. However, this didn't cause me to dismiss her abnormal thoughts as a result of an
impairment of pathways between the amygdala and the frontal lobe. Instead, it made me realize that
just because we think something is wrong, doesn't mean that we can label someone as evil for doing
it, as demonstrated by Kayla – her skewed morals don't make her evil. Surely, there is more behind
morality than we think. As Marquis de Sade of France pondered, "Is it for you, mankind, to
pronounce on what is good and what is evil?" He was not the most morally upstanding person, but
he had a point. As humans, we are in no place to judge each other's morals, as morality is relative. I
feel as though keeping this in mind allows me to keep an open mind to people's opinions, which is a
profoundly useful skill for social interaction in college, thus delineating my transition into being a
more mature

Allegory Of Mrs. Dubose
Jared Crane Mid Term Essay Intro to Literature 2200 Instructor: Russell Burrows October 4, 2017 A
close reading of Mrs. Henry Lafayette Dubose. Mrs. Dubose is an allegory that is found throughout
To Kill A Mocking Bird. People cannot be judged on first impressions; if we scratch the surface
we'll find that they are better or worse than first thought. They may have redeeming qualities or
skeletons in their closets. Mrs. Dubose was first seen as a grouchy, sharp tongued racist who was
steeped in traditionalism. As the story progresses she transforms into a resilient fighter, full of
courage. Scout see's Mrs. Dubose as the mean old lady up the street (39). She refers to her age as
"...close on to a hundred..." (103). When Jem and Scouts fixation on Boo Radley ended and they
wanted to venture downtown, they couldn't avoid Mrs. Dubose's house anymore. They could have
walked around, but it would have added an extra mile to their trip and they had to grow up sometime
(114). Mrs. Dubose is a Southern institution down to her name. The name Dubose has French
origins, it means by or in a wood. The Name Henry is also French, but it has noble origins. The
Normans introduced the name to England and it was used by eight kings, ending with Henry VIII.
Lafayette, another French name, means birch tree and flatterer in England. It's very ironic that a
woman with the last name that

Comparing Dr. Moreau And The Beetle
In two fin de siècle novels, H.G. Wells's The Island of Dr. Moreau (1896) and Robert Marsh's The
Beetle (1897), sadism plays a central role. However, while The Island of Dr. Moreau and The Beetle
both include characters that exemplify sadism, the novels differ greatly in the characters' portrayals
due to the sadistic characters' gender. The sadistic Moreau is presented as Machiavellian tyrant.
However, because Moreau's gender aligns with ideas of gendered sadism, the novel does not portray
him as degenerate, monstrous, nor ambiguous. In contrast, The Beetle tampers with the sadistic
female body, which leads to doubt of her true sex and form and leaves her as an undecidable,
degenerate monstrosity. The sadistic characters' descriptions in The Island of Dr. Moreau and The
Beetle ... Show more content on Helpwriting.net ...
A perplexing amalgamation of culture and nature led to the pathologizing of sexual perversion by
19th century "sexologists" (Peakman 1). Richard von Krafft–Ebing first introduced the term 'sadism'
in his book Psychopathic Sexualis (1886). Sadism includes the experience of mental and physical
suffering as pleasurable (Holguin 1285). Later defined as one of the "modern perversions" by
Sigmund Freud, it was traditionally seen as existing within the male domain (Schaffner 182), and as
a type of "male sexual cruelty" (Wayne 542). Furthering Krafft–Ebing's work, Freud suggests that
sadism's "life preserving aggression" in males is natural and biologically determined (Holguin
1286). In contrast, masochism, essentially the opposite of sadism, can be seen as

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