Alcohol Advertising And Media Influence On Drug Use

Alcohol Advertising And Media Influence On Drug Use
The use and abuse of psychoactive substances have long prevailed through history. For decades society has known about psychoactive substances and
many are presented through media as a norm. Throughout the American popular culture, the media frequently documented these substances through
movies, songs, TV shows, TV commercials, etc. Additionally, media has endorse good and bad stereotypes ofdrug use. Thus, research supports a
connection between media portrayals of drug use and the use of alcohol/tobacco or other drugs among children, adolescents or young adults.
One of America's popular movies is Scarface, a 1983 movie interpreted by Al Pacino. Scarface (1983), is a Americancrime film directed by Brian de
Palma, written by Oliver Stone which tells a story of a Cuban refugee ... Show more content on Helpwriting.net ...
The purpose of this study was to reveal the influence of alcohol advertising and media contact on potential juvenile alcohol consumption. Thus, the
study was accomplished through a research of systematic studies done from 1990 to September 2008. These studies included "longitudinal studies in
which individuals drinking behavior and exposure to advertising, receptivity or attitudes to alcohol advertising, or brand awareness were measured at
baseline and individuals drinking behaviors were then measured in one or more follow up." (Anderson, 2009) The participants involved in the study
were adolescents aged 18 years or younger. Overall, the results indicated that the advertisement and promotion of alcohol enhances the probability that
youth will initiate to consume alcohol, and to augment drinking to those previously consuming
... Get more on HelpWriting.net ...

Narrative Voice In The Godfather
Introduction
Mario Puzo was an American Screenwriter and Author who is best known for his Novel which was later adapted into one of the most famous movie
series of all times The Godfather.
Mario Puzo was born on October 15,1920 in an area of New York known as Hell's Kitchen. Mario's Father was an illiterate and poor immigrant who
abandoned Mario and his mother during Mario's early teens as he was diagnosed with schizophrenia and was institutionalized.Mario's mother
wanted Mario to be a railroad clerk but Mario had took a liking to visiting the libraries and read different works of literature.Later on Mario worked
as a railroad switchboard attendant to support his family. In a short span he was stationed to Germany and East India during the Second World War
while serving for the US Air Force.He worked as a Civilian Public relations man in Germany for the United States of America's Air Force after the war
ended.
After returning back to the United States from Germany Mario continued with his passion for literature. He studied literature and creative writing the
New School for Social Research and Columbia University.
In 1946 Puzo married Erika Lina Broske whom he met in Germany. The couple together had two daughters and ... Show more content on
Helpwriting.net ...
The story is always told by someone outside the novel.For eg, Whether the main character happens to be Jhonny Fontane or The Godfather's Son at the
time or The Godfather himself, on page 183 he greeted Jhonny Fontane with a surprised cry of delight.
"Sollozzo and Tattaglia let his hands go and only the strangler stayed with the victim,sinking to his knees to follow Luca's body,drawing the cord so
tight that it cut into the flesh of his neck and disappeared.Luca's eyes bulged out of his head as if in the utmost surprise and this surprise was the only
humanity remaining on him."
Mario Puzo's most used theme was "loyality to your friends and family is one of the most important things in

Light And Dark In The Godfather
Francis Coppola emphasizes the secrecy of the Mafia by concealing their shady business practices with low–key lighting and dark colors. Well–said;
nice topic sentence.] The lack of light and color gives off a powerful feeling of savagery owing to the reality of the story. Other than Orson Welles
Citizen Kane, selected as the greatest film in motion picture history for three decades by the American Film Institute, The Godfather creates the most
impressive display of film noir ever. Films predating this one rarely experimented with low lighting because no director had the audacity to take the
risk.That and no one had the right script for it. Interesting The Godfather's story contains a need for darkness in order to realistically portray the nature
of the mob's ... Show more content on Helpwriting.net ...
In scenes where emotions are high and danger seems nearby, low–key lighting levels with the dark atmosphere within the room. Good Furthermore the
appearance of the mobsters convey their professional behavior when talking business, and their savagery when carrying that business out.
InterestingFor instance the mobsters all wear black suits to portray themselves as businessmen. With the exception of Don Corleone's red rose
placed over his heart, the majority of color gets drained. The rose that Vito wears exists as the dominant in every scene in which it appears. in. Don't
end sentences with a preposition! The flower seems to represent his heart, as to remind the audience that Vito has one and although he runs a mob
family he is not an animal. The first frame of the film comes from darkness, as does the mob. When the undertaker pronounces, "I believe in
America" the frame comes to light, revealing the face of the speaker. [An extremely powerful way to start a trilogy as we come to learn that the
opening line personifies the life of Vito Corleone. An interesting line, but not really a sentence. And its relevance is

Scarface Symbolism
Howard Hawks tour–de–force hit, Scarface, was the first significant film of real life organized crime in which the public actually got to see what
was going on. Not only is this film extremely dark, but it also gives the audience a feeling of a lifelike underworld of the upbringing of crime and
how it was and still is a major significance. What surprised me was that the film takes its subject matter very seriously, however it is very exciting as
well as filled with dark humor. What I noticed consistently throughout the film was that every time an X symbol appeared it signaled a murder was
about to happen. The X was symbolic which I found interesting. I also found it surprising that not a single drop of blood was shown. Considering the
time

Versions of the 'Gangs of New York': A Comparative Analysis
Whenever a work of literary nonfiction is adapted by filmmakers for the silver screen it is inevitable that certain truths will be stretched and liberties
taken in the name of creative license. This is undoubtedly true in the case of journalist Herbert Asbury's The Gangs of New York: An Informal History
of the Underworld, a seminal piece of investigative reporting weaved with lyrically lurid prose describing the debauchery, squalor and institutionalized
barbarism of the era. Published in 1928, Asbury's chronicle of the gangster culture spawned during New York City's turbulent adolescence became a
cult classic, one which eventually inspired famed American film director Martin Scorsese to try his hand at breathing life into the words. The result
was a sprawling masterpiece of epic proportions, combining tour de force cinematic performances by Daniel Day–Lewis and Leonardo DiCaprio and
expertly deployed directorial vision. Nominated for a slew of Academy Awards following its 2002 release, Scorsese's artistic rendering of Asbury's
rigorous reporting was acclaimed by film critics and moviegoers alike, but historians have cast lingering doubts on the film's ultimate authenticity.
Accusations that Scorsese and screenwriter Jay Cocks distorted reality in the pursuit of profit abound, but testimonies attesting to the filmmakers'
intensive attention to regional dialect, period architecture and social context have muddled this debate. By closely comparing the textual evidence

Always Running Luis Changes
In the the story Always Running Luis the main character had many changes in his life. From being the innocent kid to becoming the violent, drug
addict, gang member teenager. Luis's character changes when he becomes involved in gangs, starts using drugs, and loses interest in education. These
changes made Luis a whole different person. Besides being violent he also became suicidal and depressed. Grillo's character changes throughout the
story when he begins to be involved in gangs. Grillo's change was mostly caused when he got jumped into Las Lomas gang because he became
more violent. For example, "Do it ! Were the last words I recalled before I plunged the screwdriver into flesh and bone and the sky
screamed"(pg.111). This quote illustrates how much more violent Grillo had become because prior to this incident Grillo had the consciousness to
not harm anyone. Unfortunately, within chapter five Grillo's consciousness was no longer in effect with his actions and the violence began. Another
change that Grillos had throughout the story was his drug use. He was stuck on spray and was becoming suicidal. For example, "I stole cans of
anything that could give me a buzz: carbono, clear plastic, paint or gasoline"(pg.102). This quote indicates that Grillo's usage of drugs was taking over
him. He didn't care about his life or anyone ... Show more content on Helpwriting.net ...
For instance, "I stormed out of there. Needles to say, this was my last day in the English Lit class"(pg.139). According to the text, Grillo was
assigned to bring a certain book to class but decided to bring a book of his own liking. This caused the teacher to get angry at him, which caused
Grillo to snap. He was confused to why the teacher was upset, Instead of amused for actually reading. As a result to the misunderstanding Grillo had
with his teacher, Grillo lost complete interest in

The Godfather Thesis
Director Francis Ford Coppola's dramatization The Godfather is a standout amongst the most venerated, acclaimed and powerful works of the
twentieth century. It is a movie magnum opus of business and basic achievement as such achieving that it routinely beat proficient and individual
records as the best film ever. With a story so soaked with profound subjects, solid characters, brilliant exhibitions, jazzy heading, and an ageless
soundtrack, there ought not be any miracle of why this work has stood the trial of time. Notwithstanding each one of those traits is the presentation of
rich social topics and changes all through the whole film.
The story takes after the New York based Corleone wrongdoing family throughout ten years, from 1945–1955. ... Show more content on Helpwriting.net
...
A case of this would be that the Don never takes cash from customers and partners for noting a solicitation, for example, a hit, rather requiring
something more individual, for example, fellowship, administration, or favors. This is entirely clear in the opening scene when a funeral director
approaches the Don for equity against two men who frightfully assaulted and beat his little girl. He offers Vito cash for the hit which significantly insults
The Godfather. Simply after the funeral director understands the unintended offense and offers Vito his kinship does the Don assent to his solicitation.
Regard, fellowship, influence and control are more critical to this family than

Breakdown Of The Godfather
A breakdown of the movie: The Godfather (1972) "I'm going to make him an offer he can't refuse." If this quote stands out to you then you've probably
seen the all–time classic mafia film, The Godfather (1972). This quote tells tales about a more confusing time, when you simply could not take no for
an answer; if you did, your credibility and legacy would have diminished into thin air. Therefore, the "acts of persuasion" used that coincided with a
declined offer spoke volumes to not only the recipient of the offer, but to that of all parties involved; ultimately showing your unwillingness to accept
anything other than what you think is right and fair. We are going to delve into how this film came too, what made the film successful, the... Show more
content on Helpwriting.net ...
There are 3 types of sounds used in The Godfather; dialogue, sound effects and music. You can correlate the dialogue, or what is said throughout the
film, to how you would imagine an American–Italian mobster talking, even today. Detailed sound is also very prominent, one scene where sound
used ambiguity to increase the connection between the film and viewer was during that of Sonny Corleone's death. In the beginning of that scene it
focuses on the traffic noise and the ball game playing in the background. You are startled by the ringing of the toll booth as the gate comes down and
then hearing his change hit the tollbooth floor. When all seems normal there is a hail of gunfire from every side and you can specifically hear his
screams, glass shattering and him falling to the ground. They are very intricate sounds you would not normally hear over a hail of gunfire from dozens
of tommy guns. Music is used to help the audience relate to the mafia family. From the subtle background music that plays at the beginning to the
theme music played while Michael was in Sicily. With the music and gunfire being very prominent in the film it definitely allows the audience to
automatically view and relate this to a "gangster

God Father Symbolism
The 1930's and 40's were a famous time for gangsters, mobs and mafias. The God Father directed by Francis Ford Coppola and written by Mario
Puzo focuses on this era. Gangster genre films always seem to have dark colors and low lighting, usually an urban city location and outfitting is
formal, props in these films are guns, cigars/cigarettes, drugs and money. Everything is put in a film for a reason and all these elements combine
to create a typical gangster setting. But, The God Father was not a typical gangster film. Mario Puzo used many, if not all of these elements but he
refined the gangster genre using intricate editing techinques. In the first scene at his daughters' wedding, Bonasera asks Don Carleone to avenge
his daughters assaliant. The lighting in this scene was dark and the camera angles high and low symbolizing who had the most power. It worked
for this particluar scene because they were doing a back door dealing and also showed us how Don Carleone was looked up to and respected by
others. The film is set in 1940's New York, Don Corleone and his men are always seen in formal wear, and Corleone had a cigar in a number of
scenes although we dont see stacks of money all the time it is shown to us indirectly when we see his mansion and expensive cars and fancy dinners.
This also worked for the film because it was historically correct, 1940's New York was home to many mobsters and crime families and the outfits
represented their status in society. In my opinion I

Childhood In My Childhood
Decapitated baby dolls and rated R movies shaped my childhood. Now, before you throw my essay in the round file and write me off as a potential
serial killer, hear me out. I was not raised like many of my peers. Obviously, most of their parents made sure that the movies they viewed were age
appropriate and I am pretty sure they would not have been so passive if the found dismembered baby dolls in their daughter's playroom. However, my
parents were different... very different. Instead of watching the typical family movies such as Matilda and Toy Story, my family spent our weekends
watching The Matrix Series and The Godfather Trilogy. While most may not agree with these customs, my seven–year–old mind was far more thrilled
at hearing Marlon Brando saying "kiss the ring" rather than Woody talk about snakes and boots. Besides, I closed my eyes during the intimate scenes so
that makes everything okay, right?
No, it does not; however, this rather peculiar childhood has shaped most of my strongest ideals and assisted in the modeling of my present self. In
the movie, Don Corleone (Marlon Brando), says "a man who [does not] spend time with his family can never be a real man". This quote has
remained a valued aphorism in my family and my dedication to it is displayed in the way I am perceived by others. From birthday parties to sports,
my family does everything together, so much so, people are surprised and sometimes worried if they notice a member of our group did not accompany
us on

Michael Romeo Interview
This report is about someone I just got to know named Michael (romeo). I hope you enjoy this report like I enjoyed interviewing him.
I begin this report with some of the things Michael likes to do. Those things are eating, sleep, and hang out with his friends. Michael knows a lot of
people, Even some friends I know. He was also born and raised here in this district for over 17 years. Michael is his real name but some people call
him Romeo. Romeo is 17 years old, his birthday is august 16 which would make him a leo on the zodiac calendar. Micheal only speaks English. He
wanted to learn Spanish, but never brought himself to. Michael also enjoys other things when he's not busy with work or school.
When Michael is not at work or school, he is

Analysis Of The Use Of Lighting In The Godfather Essay
I am writing about the use of lighting in the opening scene of The Godfather, (1). The
photography of The Godfather as an entire film is very planned and used specifically to
generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since
these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its lighting
method, and the audience is drawn in immediately to one single detail. A man begins revealing the details of a tragic incident that befell his daughter.
We don't see who he is talking to. There is aspotlight directly above the man, and this is pretty much ... Show more content on Helpwriting.net ...
This highlight area of his eye is the part of the frame which has the greatest contrast, so naturally the audience is drawn directly into this man's stare,
and this is also achieved by having the man look right at the camera. As he speaks, the camera slowly pulls out and then we start to see a slight
increase in the surrounding detail of the scene. We can now see part of the back and side of the Godfather, (Marlon Brando) but still we have only
a slight highlight on his side, and no detail. Now the man gets up and moves to Brando's side, and he too is in complete shadow; we can only
really make out the fact that there are two figures present here, no more. Then the shot changes as the man leaves the Godfather's side, and it is a
revealing frontal MCU of Brando. This shot is lit much more than the previous shot. Where the other shot's background was pitch black, this shot is
lit so that almost the whole space and all objects in it are visible. Brando has a key, fill and backlight on him, and his character is revealed with much
intensity because of the dramatic light change from shot to shot. When the shot comes back to the man, in an over the shoulder (Brando) style, again
the backround is totally black. Having the man in that particular lighting, and having Brando lit the way he is serves two psychological purposes. First,
having the constant black background behind the man isolates his problem and makes us aware of how consumed he is with his problem.

Vito Corleone Archetype
Vito Corleone Vito Corleone of The Godfather trilogy is shown to be the Mafia boss character archetype done right. While the other characters have
their own strengths, their weaknesses are brought to light when around Vito. Barzini lacks the class of the don, Ciccio is more petty and cruel,
Fanucci is rather brutish, and Michael does not have the warmth and joie de vivre that Vito possesses. While it can be debatable whether or not the
"the old man [is] slipping," he still has the wisdom and intelligence that makes him a capable leader of the Mafia. Most of the time, he is shown to be
silent, intense, and has no conflicting or regrettable feelings for his actions. Vito is also able to read the intentions of others, is a smooth and subtle
talker,... Show more content on Helpwriting.net ...
At the beginning of the series, he had wanted to become a senator, or possibly the President of the United States. However, vengeance drives him to
take part in his family's illegal actions that he once wanted to be separated from. While he is reluctant to take on such responsibilities, initially not
feeling fully reconciled when he works for his father, he shows that he can be cold–blooded, ruthless, and determined for the job. Not only that, but he
can think under pressure, is a decisive individual, and is able to command respect. Thus, Vito is able to let him take charge. Michael can represent
two character archetypes: the child of an immigrant seeking the American dream and the fallen hero. The American dream has a variety of
meanings to different people, but in this case, it would mean that Michael is working to achieve success much like his parents did. It is
recognized that the cost of working towards success comes at a price, but this is where the fallen hero trope comes into play. When Michael
decides to seek revenge, he works for the Mafia and believes he is a sacrificial hero to the family he's trying to raise, slaving away for their sake. He
had good intentions; he only wanted to bring legitimacy to his family. Rather than the results being that they were safe and well off, this leads him to
lose his wife and children,

Marlon Brando Research Paper
Marlon Brando is 5ft 9in (175cm) and Actor,film director,activist Alabama.He helped to popularize the Stanislavski system of acting, studying with
Stella Adler in the 1940s. Brando is most famous for his Academy Award
–winning performances as Terry Malloy in On the Waterfront (1954) and Vito
Corleone in The Godfather (1972), as well as performances in A Streetcar Named Desire (1951), Viva Zapata! (1952), Julius Caesar (1953), The Wild
One (1953), Reflections in a Golden Eye (1967), Last Tango in Paris (1972), and Apocalypse Now (1979). Brando was also an activist for many causes,
notably the African–American Civil Rights Movement and various Native American movements. Godfather (1972), as well as performances in A
Streetcar Named Desire (1951), ... Show more content on Helpwriting.net ...
He received further praise for his performance as Terry Malloy in On the Waterfront, and his portrayal of the rebel motorcycle gang leader Johnny
Strabler in The Wild One proved to be a lasting image in popular culture.[8] Brando received Academy Award nominations for playing Emiliano
Zapata in Viva Zapata!; Mark Antony in Joseph L. Mankiewicz's 1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd
Gruver in Sayonara (1957), an adaptation of James Michener's 1954 novel. Brando was included in a list of Top terry Malloy in On the
Waterfront, and his portrayal of the rebel motorcycle gang leader Johnny Strabler in The Wild One proved to be a lasting image in popular
culture.[8] Brando received Academy Award nominations for playing Emiliano Zapata in Viva Zapata!; Mark Antony in Joseph L. Mankiewicz's
1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd Gruver in Sayonara (1957), an adaptation of James Michener's 1954
novel. Brando was included in a list of Top Ten Money Making Stars three times in the 1950s, coming in at number 10 in 1954, number 6 in 1955,
and number 4 in 1958.The 1960s proved to be a fallow decade for Brando. He directed and starred in the cult western film One–Eyed

Kay's Role In The Godfather
The Godfather by Mario Puzo has stood the test of time. Many differ in their opinions about this novel. Some enjoy the action while others focus on
the negative aspects about women portrayed throughout the storyline. The rhetoric Puzo places on the pages plays out scenes of violence, family,
loyalty and at times romance. The era in which this story takes place must adhere to real to life actions of the characters in order for the reader to
transform his or herself into this fictional world. For example, in an essay Lessnor wrote "In The Godfather the role of women is limited to being the
caretakers of the family.....the women in this book were also seen as the least important part of a man's life" (1). Reading this novel did not give me the
... Show more content on Helpwriting.net ...
She is not even given a name for this story other than Mama. Does this make her not worth of knowing? Is she so disrespected that she is not worthy?
The answer really is–NO. She is the backbone of the family. Even though she does not have a long part in the story, she is there. She is given the
respect that a woman of her time period usually does not have. She is not in need of a first name for there is only one Mama Corleone and
everyone knows this. For example Puzo wrote added a conversation between Mama Corleone and Kay Adams. Michael had been home for 6 months
and neglected to contact kay. Kay had just found out and was upset. Mama Corleone would not let Kay refuse to see Michael. Mama Corleone told
Kay "you wanta see Mikey, you come out here now.....You take a taxi, and I tell the man at the gate to pay the taxi for you.......my husband's man at
the gate pay the taxi" (301). Kay against her own judgment called a taxi. When she speaks she is listened to, what she wants she gets–period. There is
not an instance where she is refuted in the novel at all. Young Vito, her husband, even does her bidding. While she does not demand much, the presents
of her power is

Essay godfater character comparison
Comparison of the Characters Michael Sonny in "The Godfather"
At a first glance Michael and Sonny appear to be quite different. Upon further observation, however, they do have some similarities. Although they are
very different in their personality, values, and tempers, they are similar in areas of loyalty, their respect for their father, and their strong familyties.
Their personalities are a study in contrasts. Sonny is brash and arrogant, where as Michael is calm and cool. When Don Corleone was in the hospital
and Sonny was placed in charge, the family became kind of careless. He didn't seem to care what could happen due to his actions. He wanted to kill
the police captain and didn't think about the repercussions. Tom has to tell ... Show more content on Helpwriting.net ...
He flew off the handle when he found out that his sister had been beaten and ran out of the house without anyone with him. During those times he
should have known better, but all he had on his mind was vengeance. Michael on the other hand is fairly calm about things. He knows that Carlos was
involved in Sonny's death, but he lets it go until the time is right to deal with it.
They shared similar loyalties. They did what they needed to do for their friends and family. When others help them out, they do the same. Although
Sonny felt that the move towards narcotics was a good idea, he didn't go in that direction when he was in charge. They both had great admiration and
respect for their father. When he wanted something done they jumped. When he was shot, Michael rushed home to see if he could help. He eventually
got involved in the family business because of this. Michael and Sonny both wanted the people who had been involved in the shooting to pay
irregardless of the costs.
Finally both Michael and Sonny had strong family ties (towards the Corleone family). When a member of the family needed something they gave it
to them. Sonny was outraged to learn that his sister was the victim of spousal abuse, and wanted to punish her husband for it. They did everything
they could to make sure that every member of the family was safe at all times. Michael even gave up a whole year of his life to avenge his father's
shooting, later fleeing America and going

Comparing The American Dream In 'The Way To Wealth'
In The Way to Wealth, Benjamin Franklin uses slick phrasing and cute couplets to represent his rise from a large, working
–class family. In his
autobiography he teaches about self–betterment and improvement. Franklin is supposedly the American Dream in action: he rises from a working
class family, working at a young age in a large family. By the end of his life, Franklin has had an illustrious career, including honorary degrees,
diplomacy, and scientific success. Franklin may represent reality for some Americans, but many more have found this dream impossible to reach.
Instead, the American Dream, is either out of reach or limited for virtually every American, represented even this way in American fictional works.
Moderately well off, Thoreau decides to leave his life behind, living alone in a cabin separate from civilization. Thoreau He is only fulfilled after he
stops paying taxes Henry David Thoreau represents a new attempt at fulfilling the American dream. He follows in the footsteps ofRalph Waldo
Emerson, embracing transcendentalism and even staying at Emerson's house to write. Thoreau calls for personal liberation and to embrace a
connection with nature. In Baym's introduction to Thoreau, before including Walden, she writes about the purpose of his essay:... Show more content
on Helpwriting.net ...
In John Ford's 1940 film, a family of "Okies" moves to California in search of work. Forced from their home after generations, the Joad family
assures themselves that they'll find work, only to learn of wage slavery, poverty, and a lack of opportunities. They replace workers on strike at a labor
camp, only to find out they are making less than they need to pay the general store for their supplies. Despite their hard work, they cannot ascend the
American Dream's figurative ladder: they both lose their home and can barely make ends meet, unable to save money because they make less than their
basic necessities

Themes Of The Godfather
Chapter 1
Mario Puzo: Introduction
Mario Puzo was an American Screenwriter and Author who is best known for his Novel which was later adapted into one of the most famous movie
series of all times The Godfather.
Mario Puzo was born on October 15,1920 in an area of New York known as Hell's Kitchen. Mario's Father was an illiterate and poor immigrant who
abandoned Mario and his mother during Mario's early teens as he was diagnosed with schizophrenia and was institutionalized. Mario's mother
wanted Mario to be a railroad clerk but Mario had took a liking to visiting the libraries and read different works of literature.Later on Mario worked as
a railroad switchboard attendant to support his family. In a short span he was stationed ... Show more content on Helpwriting.net ...
Puzo's early novels, The Dark Arena and The Fortunate Pilgrim, exhibit the realistic narrative style typical of his later fiction and are considered minor
classics of Italian–American literature. The Dark Arena talks about an American soldier who came back to a occupied Germany after the Second World
War. Introducing the theme of violent retribution, Puzo's protagonist kills a black market drug supplier to show his rage at government , corruption in
postwar Europe, and his own failure to secure lifesaving medication for his German girlfriend. In The Fortunate Pilgrim, Puzo takes us to Hell's kitchen
and talks about the experiences of an Italian woman who struggles to surmount poverty and crime. Though extolling her courage, cunning, and
traditional values Puzo's description of petty criminal activity in the poor Italian–American neighbourhood offers ironic justification for the life of
crime as an alternate means of achieving the American Dream. The themes that are central to Mario Puzos Godfather are criminal legitimacy and
revenge, in which Puzo chronicles the ascent of the Corleone Mafia family under the leadership of Don Vito Corleone, a criminal mastermind, and his
sons. Drawing parallels to American corporate structure, Don Vito's benevolent authority is founded on supreme organizational control, calculated
judgment, and swift retaliation against all enemies of the family, including traitors and the incompetent within the clan as well as members of opposing
factions. In The Godfather Puzo begins to explore the dubious status of organized crime as a self–sufficient social entity governed by its own hallowed
customs and rigid codes of behavior, particularly personal honour and loyalty. The Sicilian is regarded as a sequel toThe Godfather, Puzo revisits the
Corleone family.

Scarface Movie Themes
The film Scarface directed by Howard Hanks displays the rise and fall of gangster Tony Camonte. One of the main themes I picked up on in the
film was the incestuous interest between Tony and his sister Cesca. To me, Tony is very protective of his sister comparable to a jealous boyfriend.
At one point he catches his sister kissing another man and scares him off. Cesca and Tony then proceed to get into an argument where he
aggressively rips off a piece of her clothing. Another incident that occurred between the two was when Tony returned home after a month of being
away to find his partner Guino living with Cesca. Tony then proceeds to shoot Guino and kills him in front of Cesca who claimed to have loved
him. Lastly at the end of the movie where Cesca is about to shoot Tony but instead refuses only to run into his arms. Later a police bullet hits Cesca
in the chest resulting in her death and one of the last things Tony says to her is "without you I am completely alone". Why I thought this played a
big impact in the movie was because to me it seemed as if Tony was searching for some sort of love from his sister. At one point Cesca says she
doesn't even recognize him as her brother anymore. I believe this is why Tony felt no remorse for all the people he murdered, he felt empty and alone
which is what he says to Cesca in her final moments.... Show more content on Helpwriting.net ...
During the time period where Americans were losing their prized processions, Tony was showering himself in expensive clothing, jewelry, etc. This
lead to the interest from many women who enjoyed the expensive lifestyle Tony lived. One of those women was named Poppy. She was with Johnny
Lovo, Tony's boss at the time. At first Poppy seemed very uninterested in Tony, but throughout the movie especially after the death of Lovo, she begins
to take a liking in Tony. It seemed to me that whatever Tony wanted eventually he got it accept

The Anti-Hero in вЂ™The GodfatherвЂ™ (part one) and вЂ Of Mice...
From your garden–variety run–from–the–law thug, to the misunderstood maniacal scientist or the introverted girl scared of finding her away about the
world, the term 'Anti–hero' is too broad a character to typecast; and so to reflect thematic issues associated, we can't simply plunk the subheadings of
'greedy', 'abusive' or 'crazy' etc upon them. The only independent variable, in the making of an anti–hero, through our own experiences and contextual
environment, is their ability to make a connection with us. Be it with the presentation of our desires through their actions or the recognition of
ourselves when imagined being faced with similar conditions. They may showcase the regular personality or universally felt emotions and in both...
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Suddenly a story of the mob, transforms itself into the story of a family; of typical hardships and the struggles of assimilation– a completely relatable
topic for many , with migration becoming all the more present post–WW11.
Not only can the surrounding environment and consequent lifestyle our characters lead make a significant impact on a film, a likeably or at least some
sort of sympathy with our protagonists is crucial to its success. Our predominant Anti–hero, Vito Corleone, the Don of the family, is a man who, with
politicians in his pocket, connections to every field in business and a substantial bit of wealth to his name, has the sway to have a large say. From
camera–shots screened from his perspective, to the way he is addressed and responded to, his power is re–confirmed throughout the film. Easily, a
viewer can become quite resentful to a figure of authority, especially when that power is being abused and certainly, the things he took charge of
don't meet standard societies ideas of 'acceptable'. Yet, intimidating he may be, seldom does he raise his voice or lose his calm, polite demeanour, for
"powerful people" says Marlon Brando, his actor, "don't need to shout". Vito;

Film Analysis Of The Godfather
Throughout the film with being the Godfather, Vito is continually asked by relatives and close friends to complete favors for them in effort to solve
their problems. This factor implies that during this time the Mafia was an influential organization that operated behind the scenes. In the film, John
Fontane is having trouble with receiving a movie role that he has desired. As a result, Vito has a member confront the director Jack Woltz to make a
very desirable deal. This does not end up well do to the director's non–attractiveness to John Fontane. I felt this was an important scene within the film
The Godfather because it was one of the first instances where it made the viewer scared to disagree with Vito Corleone. It represented his unwillingness
to settle for anything less then he believed and the unpleasant truth of dealing with a criminal organization. The significance of killing Jack Woltz's
most prized possession horse, resembles that the Godfather does not care who you are or how close you may be. With Jack waking up in a pool
of blood from his dead horse that was placed in the bed, illustrates to the audience his poor decision. The use of editing within the scene played an
important role, with slowly giving the audience a view of what happening to Jack Waltz. At first you see Jack Waltz with what he appears to be
bleeding, but as the camera pans across the bed, the audience soon realizes it is the blood of the horse's head that was left in the bed. Due the way that

##re Analysis : The Godfather Movie Of The Gangster Genre
Genre theory is a way to help one study films and to classify films into different groups so that viewers have an idea of what they will be watching
before they even watch it. The genre is like a glossary for movies. All films fall under at least one genre and most can be more narrowly categorized
into sub genres. (Goodykoontz &Jacobs, 2014, table 4.1). Moreover, one of the more iconic and popular genres would have to be the gangster film
genre. However, there are many other genres, but the gangster film just does not have as many sub–genres. That is why my paper will focus on the "The
Godfather" movie of the gangster genre in which is characterized by organized crime. The Drama and Gangster Drama can exhibit or display real life
situations with realistic characters, settings that support the stories. The Gangster Drama genres characteristics include "Films that deal with organized
crime, often mob families" (Goodykoontz & Jacobs, 2014).
The gangster movies that we all know and have seen took place in the 1930's–1980's, during the great depression. Therefore, I will help the audience
breakdown the empathy for the criminal protagonist and characteristics of gangster films where they often emphasize the main character's rise of
power to an unbelievable fall. Furthermore, I have chosen the gangster genre because they always favor the bad guy and this makes the film The
Godfather so legendary and stands strong in this genre. The Godfather was released on March 14, 1972. The film was written by Mario Puzo and
directed by Francis Ford Coppola. The lead character is played by Al Pacino (Michael Corleone), with supporting actors Marlon Brando (Vito Corleone
), James Caan (Sonny Corleone), Robert Duvall (Tom Hagen), Kay (Diane Keaton) The story of this movie is about the book Mario Puzo "The
Godfather based on one of the most powerful Italian–American crime family of Don Vito Corleone (Marlon Brando). And when the youngest son,
Michael (Al Pacino), begins to join the family Mafia, a business he becomes more involved in the violence and betrayal that takes part in the series of
movies. Even though Michael tries to maintain his normal relationship with his wife, Kay (Diane Keaton), he is still drawn deeper into his

Vito Corleone: Marlon Brando In The Godfather
INTRODUCTION
Vito Corleone, played by actor Marlon Brando in The Godfather, is the mafia don of the Corleone crime family (Coppola 1972). Due to his social and
political capital, Corleone has a great deal of influence over his family and associates, as well as politicians and law enforcement in New York, which
can be considered one of his most important assets (ibid). The negotiation being analyzed is Corleone's meeting with the Virgil "The Turk" Sollozzo,
a New York drug trafficker who is backed by a rivalcrime family, the Tattaglia's. Sollozzo's overall goal is to negotiate an investment and legal
protection for his drug trafficking by offering Corleone a fixed percentage of the profits (ibid). Corleone has a vested interest in 'staying ahead' and
maintaining his status and power among the rival crime families; however, he realizes that his involvement in drug trafficking may jeopardize his
political ties (ibid). The negation is interesting because it is fueled by implicit meaning, involving the precarious balance of power and trust between
each party involved that influences the strength of their position in the argument and the concessions they are willing to make.
The proceedings of the negation can be understood through negotiation theories including Simons and Tripp's (1997) 'Negotiation ... Show more content
In the first section, Hagen briefs Corleone on what is known about Sollozzo, including his business in drugs; violent tendencies; record of
incarceration; and unclear ties with the Tattaglia crime family (ibid). As well, he outlines his initial request of investment and legal protection in
exchange for a percentage of the profits (ibid). Corleone has the upper hand in having received this valuable information prior to the actual negotiation,
giving him time to prepare his

Movie Review : The Return Of Superfly
The film American Gangster was released on November 2nd, 2007 and was directed by Ridley Scott. The movie was based on the book The Return of
Superfly by Mark Jacobson. Some of the principle actors in the movie were: Russell Crowe as Detective Richard "Richie" Roberts, Denzel Washington
as Frank Lucas, and Cuba Gooding Jr. as Leroy Nicholas "Nicky" Barnes. The film is well–known as a mobster film because it based on the true story
of Frank Lucas and the drug rings in Harlem. In the film, both the local level individuals (growers or producers of cocaine) and the higher (syndicate)
individuals were portrayed. These two groups were in the trade for one reason: money. The lower level producers were primarily based out of
countries with extreme poverty; the cocaine business brought in a huge influx of income for the workers. This provided incentive to continue, though
the work was hard. The higher–level syndicate individuals received a massive profit off the product sales. It allowed them to live comfortable lives
and pay off other high ranking individuals for protection. However, there is another reason why these higher–level individuals are in the business. In
American Gangster, Frank Lucas (Denzel Washington) commandeered the market on cocaine with his product Blue Magic. This gave him enormous
powers over the streets of Harlem, along with his presence as a philanthropist. Power means money; the more power Lucas had, the more money he
made.
When Bumpy, the original leader

What Is The Theme Of The Godfather
Produced by Albert S. Ruddy, and directed by Francis Coppola, The film God Father is regarded one the greatest movie in history. It is based on
Mario Puzo's novel 'The God Father'. Some of the actors starring in the movie include Marlon Brando, Al Pacino, James Caan, Richard Conte among
others. The theme of violence is evident all through the film. The story of 'The Godfather' is told with a closed world, it gives the audience a chance to
review the Mafia utterly on its own terms. Character Don Vito Corleone played by Marlon Brando, is seen as a sympathetic and admirable character.
As all through the film, he does everything that is expected from a mafia, which receives approval from the audience. In the movie, there is no civilian
causality of an organized crime, only corrupt police.
The story reviews the mafia life from the inside, and as expected by the audience such life is secretive, addictive in a way. The story has shaped the
public perception on the mafia. In the film the Godfather takes control of power and justice, his only nemeses are traitors and snitches. For instance,
Michael played by Al Pacino says that one should never side against the family. In another incident, Don Vito asks a man came to... Show more content
The irony of the movie is that the title 'The Godfather' is actually meant for the son as opposed to the father as many would have hoped. In the
beginning of the film Michael is not even part of the Mafia organization, he is indicted for it when he saves his father's life in the hospital by
shooting a corrupt police. Moreover, in the film loyalty is the key, Michael does not even trust Tom Hagen played by Robert Duvall with a secret that
he plans to murder the heads of the other families. In what is termed as the 'baptism massacre', which provided him with an opportunity to ascend as a
godfather in all aspect in the

Who Is Masculinity In The Godfather
Jiacheng Wu
Professor Terri Mester
Essay 3
Nov 13th, 2015
How The Godfather refines female roles
Masculinity in The Godfather
Thesis
The Godfather is a depiction of the stereotypical divide between male dominance and female submissive nature.
Introduction
The Godfather is a film made by Francis Ford Coppola in 1972 and it is a depiction of a used world where men are responsible for making all important
decisions and women are excluded from any knowledge of anything going on.
Male masculinity
How The Godfather portrays men? It is a series of movies where men are shown romantically with a comparison to the culture. This movie shows
vengeance and the males are obsessed with figures of power and authority and the society is divided into hierarchies that show dominance over women.
The film examines the issue of masculinity in a complex manner.
The difference between women's roles and men roles in the movie.
Women have no power and they do not have to shoulder any of the responsibilities that men are tasked with. This is what men use in justifying the
subordination ... Show more content on Helpwriting.net ...
The female characters are subjugated to violence, they are dependent economically on their men and there is clear inequality between men and women.
Connie Corleone is dominated by her husband Carlo Rizzi to the fullest and her husband uses physical violence to turn her dependent on him. Women
are not involved in any business that their husband conduct (Like Mrs. Corleone). Women are married with terms and conditions. They are not equal
partners with their husbands. The Godfather is primarily patriarchal where Don Vito Corleone is the dominating figure. The eldest son of the family
inherits property and women are subordinated, their movement is restricted, their sexuality and reproduction is monitored by the patriarchal society.
There is no place for women in The

The Godfather Violence
The Godfather (1972) is a one of a kind film. I consider it one of the best American classics. This film has it all from amazing action scenes that have
you on the edge of your seat wanting to know what is going to happen next. The film also includes incredible famous actors, which includes Marlon
Brando, Al Pacino, and James Cann among many others. Throughout the film the main theme of the film overall is violence. It is either really
happening in a scene or it is being talked about between the characters in the film. But in my opinion it all this violence that makes this film a classic.
The Godfathers opening scene is of a man ask for the help of Don Vito Corleone. Hey askes for some men to get hurt in other to claim justice for his
daughter. ... Show more content on Helpwriting.net ...
Just the overall feeling of this scene gives the audience a sense that something bad is going to happen. Later the camera focuses on men heading
towards Don Corleone with guns pointed towards him. They start shooting Don Corleone until he falls down to the ground. The reason he got shot
was because he had refused Sollozzo's offer. In that same time Sollozzo manages to capture Tom to try to convince him to Sonny, Don Corleone's
oldest son, to take the offer. This scene contains a lot of emotional appeal towards Don Corleone, even though he is a mob boss, probably because of
all the respect that is shown towards him. But it is later known that he will be

Vito Corleone Research Paper
Corleone family was one the famous crime family in Nek York. Vito Corleone, the leader of the Corleone family, who helped people who were
willing to become his friends solve their problems. People also treated Vito in a respectful way and called him Godfather. Many guests attended to
Connie Corleone, Godfather's daughter's wedding because the Godfather would satisfy all people's requests. Also, all of Godfather's sons were
attending the big party. Sonny, the biggest son, who was an irritable man and lusted for women. Fredo, the second son, is a cowardly man. Michael,
the youngest son, is a hero during World War II and he had never got involved in the family business. Michael brought a girl named Kay Adams, his
girlfriend, and introduced

Gangs Of New York Essay
Gangs of New York (2002), a bold and violent movie directed by Martin Scorsese takes us back to a New York without skyscrapers and modern
–day
lavishes that shows the rise of violent gang power and political corruption. Starring Leonardo DiCaprio and Daniel Day–Lewis, the film features a
personal struggle placed within the context of gang warfare between Nativists and immigrants, which is set in the larger context of the Draft Riots and
the Civil War. It is a reconstructed historical narrative that uses interlocking events filled with gang violence and political corruption to show how the
modern New York was born. Sixteen years before the main action begins, Bill "the Butcher" Cutting and his gang, the Nativists, face off with the
Catholic Irish Immigrants led by Priest Vallon. The battle ending with the death of Vallon by the Butcher's hands. A generation later, Amsterdam, the
priest's son, emerges seeking vengeance. This film is exemplary of director Martin Scorsese's style when it comes ... Show more content on
Helpwriting.net ...
Also the excessively violent actions of the characters shock the audience at times and works to show a bloody part of American history. Furthermore,
the film feels as if you are thrown into history with wood constructed sets and men armed with clubs and knives. These elements work to enhance the
thematic content of the play and the viewer's intense experience of an untraditional period piece that relates a different version of American history,
one darker and more anarchic. They sets, accents, and character actions all add to the authentic feel of the movie, which makes the film feel like it is a
historical narrative, while also being interlinked with an individual story of vengeance that provides not only a historical account, but entertainment for
the

Pulp Fiction Comparative Essay
The way in which gangster figures are portrayed with consideration to gender roles and ethnicity within each film will be analysed. 'The Godfather',
'Pulp Fiction' and 'Scarface' are being explored because they are three movies known for being inspirational in establishing the gangster genre
conventions at various points in film history. 'Scarface' was highly influential within this genre and when it was released there was not the same
censorship as there is in the 21st century. The representation of gangster figures has been a controversial topic throughout the 20th and 21st century
and Dr Fran Mason argued that 'The gangster film has...been considered to be a subversive form of filmmaking'. Whether it was because of how
Italians were portrayed ... Show more content on Helpwriting.net ...
Similarly to 'Scarface' and 'The Godfather', violence and crime are key themes in the films and therefore the male characters dominate the violent
scenes and radiate willpower. Mia Wallace, the wife of the gangster Marsellus Wallace is portrayed as powerful and seductive. At first, it appears
that she is stable within her relationship with Wallace, and is additionally feared by other individuals such as Vincent, when he arrives at her
house to escort her for a night out. However, later on Mia mistakes heroin for cocaine and manages to overdose, which results in her relying on the
man in her life because she is so weak. Even so, in the promotional poster of 'Pulp Fiction', Uma Thurman (Mia), is shown posing on a bed with a
cigarette in one hand and a gun in front of her. This in many ways signifies power as the gun has become a key piece of iconography in the
gangster genre, and guns hold a lot of power in them as they have the ability, with help, to kill or cause serious bodily harm. Nevertheless, this is
misleading as the women, specifically Mia Wallace, do not actually hold any power in the film. Mia Wallace's character is a reminder of Marsellus'

Cinematography in Godfather the Movie Essay
Mario Puzo's "The Godfather" was the first and most influential gangster movie that paved the way for gangster movies of the future. The movie was
directed by Frances Ford Copolla, who made many different ingenious ways to portray this gangster classic. The movie was a very subversive movie,
and one of the first of all time.The Godfather has a many different uses of light settings through the whole movie, in which the movie can be interpreted
on.
The lighting in "The Godfather," is very dim and is often said to be compared with a Rembrant. The lighting suggest many things throughout the film
like a painting. The light scenes in the movie are to portray the Corleone family as good people, someone you could relate to not look down upon. ...
The most perfect example of their family values is when Don comes home from the Hospital and the family ahs a big dinner, and they do not talk
business at the table. When the Family is look on as a regular family as you get drawn in, you then see surprisingly and rudely awakened to the
killings of the movie.
The director of the movie(Frances Ford Copolla) has a very good use of montage, and long shots. Capolla starts off the movie with an extrodonary
shot of an undertaker saying "this is America." Which gives a glimpse of how haunting the film is going to be? A good use of long shots is perfect
when the camera pans around the long shot as Mikey takes on the responsibility of getting revenge for his fathers shooting. Also a good example of
Copolla's long shots is when the film is about to end and there is a shot of Diane Keaton looking so innocent and really knowing nothing of the
family business. In the film, montage is used in the baptism scene. The shots cut when all the highly religious questions are asked of Mike, and then
the shots start cutting back in forth from the killings of the head's of the other top five family's and the baptism, portraying mike as a changing
person(a god man to an evil one.)
The music of "The Godfather," is very haunting and scary at times, but also takes on a folklore type of theme. I think the music is typical for this type
of film, but it does contribute a lot to the family values

The Godfather, The Exorcist, And The Silence Of The Lambs
The Godfather, The Exorcist, and The Silence of the Lambs are three films that are often given the title "greatest of all time" in their respective genre,
for very good reason. Each film consists of scenes that are crafted so unforgettably that the scenes leave each viewer with a sense of awe, shock, and
horror when each scene is carefully examined. The Godfather, distributed in 1972 by Paramount Pictures, was directed by Francis Ford Coppola who in
an interview said in regards to his filmmaking that "If you don't take a risk then how are you going to make something really beautiful, that hasn't
been seen before?" (1). The Godfather certainly presented cinema with iconic and memorable scenes that were both beautiful and never before seen
largely due to the new and risky ways Francis Ford Coppola presented The Godfather's narrative. Similarly, The Exorcist chilled the bones of
audiences everywhere by shocking the world with grueling demonic possession in a tangible way that had never been presented before by cinema.
The scenes in The Exorcist were particularly memorable because the scenes resonated with a large majority of American audiences who came from
religious backgrounds where demonic possession is a sincere possibility; never before had a film brought Americans face–to–face with The Devil,
Hell, and sin by means of horror. Horror was also a key element in Jonathan Demme's 1991 classic The Silence of the Lambs. Horror made each scene
very memorable, particularly when

Vito Corleone: The Godfather
Vito Corleone, the "godfather" of the family is a very diverse character. He is intelligent, clever and an excellent speaker. Like the tagline of the
movie, he frequently makes an "offer he can't refuse". Another trait is his ability to read people, especially during Bonasera's plea to the don. He is
also a ruthless person, if he cannot deal with words, guns and bullets will. Even with his supposed evil, he is seen as many as a very loving father
and many people love him. He was clearly hurt when he found out Michael gunned down Sollozo and McClusckey, indicating he loved Michael
that he didn't want his son to be part of any crime. He is able to separate blood and water, and embrace them both, evident when he adopted and
raised Tom Hagen like he was a son. He also show a deep sense of morality, not agreeing to the dawning drug business at first, and when he did agree,
he proposed that it should never be sold to kids and near schools. Near the end of his life, he became more relaxed and was able to enjoy his remaining
day.... Show more content on Helpwriting.net ...
He favors a more direct confrontation than a more diplomatic route. He often acts before thinking, demonstrated when he beat Carlo on the street for
abusing his sister. He is also a man of passion and appetite, cheating on his wife. In the end, his recklessness got the better of him when he was
ambushed in a toll booth. Tom Hagen is the opposite of Sonny. He is meek and outspoken on his words, mostly because he is the family lawyer. Being
the family councillor, he is very diplomatic when dealing with the other families, which Sonny disliked at first. His cautious nature makes him an
excellent adviser but most of his peers belittle him during wartime. B.

The Use Of Light In The Film Citizen Kane
INTRODUCTION
In films a big concept has always been the use of lights. The use of lights in films helps create a meaning about what the scene is about and at times
reveals a little more. In cinematography there is different types of lighting such as: three point lighting, fill light, key light, high key and low key
lighting, top or under, lighting and many more. In the times when films were black and white the use of light is not easily visible. The use of black
and white still helped portray the meaning behind many of the scenes, whether the scene got lighter or darker.A film that was successful in using white
and black was Citizen Kane by Orson Welles. A film that was in color was the Godfather directed byFrancis Ford Coppola. The use of lighting reflects
within color because it gives the audience more to look at and it becomes very noticeable when the light changes for a specific scene. The use of
lighting styles is necessary in films to bring attention to the scene and to be able to produce an interesting film. The director of Citizen Kane had the
choice of making the film black and white or color but eventually decided to create it in black and white. In an interview about the film Citizen Kane
a critic acknowledged the use of light and said "Exploiting light and shadow inventively to express meaning and establish a desired atmosphere made
Orson Welles' 'Citizen Kane' a significant historical event that impacted both audiences and film genre in many ways." The

The Godfather Movie Essay
"The Godfather", written by Mario Puzo in 1969, was adapted into film and directed by Francis Ford Coppola in the 1970s. The story is about an
Italian crime family and the struggles they face due to this crime. The movie stars Al Pacino and Marlon Brando, the two playing the youngest son
and the father of the family. This film is regarded by many as one of the greatest because it is like reading a book, its dealings with moral issues, and
its social impact.
The year is 1945; with the war just ending, many celebrations are taking place. One being Don Vito Corleone's daughter's wedding. Vito Corleone is the
head one of the Mafia families in New York, and is known to his associates as "the godfather". During his daughter Connie's wedding, guests show their
loyalty and respect to him by giving him the biggest gift––which means the most money. Guests also ask for favors, because according to Sicilian
traditions, "the godfather" cannot refuse.
One of the men who asks for a favor is Amerigo Bonasera, a mortician. He asks the Don if he will help him, for his daughter was beaten up for not
flirting back with two young men. He asks the Don to beat the two who beat his daughter. Even though the Don is unhappy with Bonasera for being
estranged, he cannot ... Show more content on Helpwriting.net ...
Her husband then responds by working inline with the Tattaglias to have Sonny killed. Connie falls into her husbands trap and hits him after finding
proof of his infidelity, then he beats her in return to get Sonny to come to her aid. On the way to his sister's house, Sonny is ambushed. Tom tells the
rest of the family the news, and "The Godfather" finally cashes in his favor from the mortician, Amerigo Bonasera (bet you almost forgot about this
one), and asks his to make Sonny's wounds look not so bad for his

An Analysis Of Brando's Life
Growing up as a child Brando's life was built upon lies and stories. He was told by his mother that he was Native American, and his father was an
American Indian political activist and his mother was pure Indian as well. None of this were true and it took him some time to realize that. The
real truth was Brando was a Mexican American and his father abandoned him and his mother at a young age. Growing up Brando had to face
many challenges such his family and the place he grew up. Young Brando had new fathers almost every three years, which was very hard for him.
Every time he tries so hard to love one they would always break his heart. He even mentions it in the book "my biological father Candido Ulloa, was
replaced by a chain of boyfriends and five fathers––– one new dad about every three years" (Skyhorse 1). One time his mother told him that they were
going to go on a trip to see his father who's is in jail but later he found out that was a lie too. Brando and his mother were really close at one point in
their life, as they would travel together and do many other things. He always thought of his mother as a role model. There was a point in his life
when he was 10 years old he started working with his mom as a phone sex operator "how had I, at ten–year–old, become my mother's pimp? She leapt
from what she called "straight... Show more content on Helpwriting.net ...
When Brando was about thirteen he started to know more about his mother and started to ask his mom question about his father, but his mother would
lie to him, make up stories

Film Contributions of the Sixties Essay
Film Contributions of the Sixties Beginning roughly with the release of Stanley Kubrick's Dr. Strangelove: Or How I Stopped Worrying and Loved the
Bomb in 1964, and continuing for about the next decade, the "Sixties" era of filmmaking made many lasting impressions on the motion picture
industry. Although editing and pacing styles varied greatly from Martin Scorcesse's hyperactivepace, to Kubrick's slow methodical pace, there were
many uniform contributions made by some of the era's seminal directors. In particular, the "Sixties" saw the return of the auteur, as people like Francis
Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick,
... Show more content on Helpwriting.net ...
These sequences are a result of a film, which for most of its run time does not presented the subjective vision of any one character. In stylistic and
visual terms, there is a movement from the three–dimensional style of the film's first half to the flatter, more abstract visual style of the Star–Gate
sequence. The film's movement towards abstraction can be understood both in visual and narrative terms (Falsetto, 115).
2001's presentation of details from the "Dawn of Man" sequence, to later space travel scenes are shot with complete conviction and impeccable
detail. The viewer believes that the world might have actually looked like what Kubrick presented it as, several million years ago, and the depiction
of space travel is just as convincing. The use of models, front projection, the slow editing techniques and camera work all help to create a more
complete illusion (Falsetto, 141).
If 2001 was presented almost completely objectively, than Kubrick's next film, A Clockwork Orange (1972) was presented almost completely
subjectively. This may have been in part due to the constraints of the original novel by William Burgess, but nonetheless the film is told from the
point of view of its central character, Alex. When Alex is not speaking on camera, he can often be heard as a voiced over

Chapter 7 Of The Movie: The Godfather
There is a case to be stated that the first two Godfathers films form the "Great American Movie" of the twentieth century. Francis Ford Coppola's The
Godfather is among one of the best films ever produced. In this short essay I will be concentrating on the Godfather part one and its relationship with
Chapter 7 of the book. This film was released in 1972 and was consistently ranked as one of the top three films by the American film institute.
In the Godfather, one of the main characters Michael Corleone had different personality, behaviors and thoughts about his family business, however this
behaviors began to change at the end. At first, he believes that what his family is doing is wrong and he doesn't want to be part of that business. The
Corleone family was a Sicilian mafia that settled in the United States. Knowing this, ... Show more content on Helpwriting.net ...
As it is stated on the book, personal predisposition, which is a tendency to suffer from a particular condition or attitude, will make up one's
personality. It also says that people differ in attitudes toward getting involved in new experiences. This is a good example of Michael Corleone in
the film because at first he was afraid of being a part of his family business or in other words in new "experiences." This chapter also talks about
behaviors in relationships, in this case we can say that Michael behaviors or relationships towards his family was lacking because he didn't wanted to
support his family until the very last moment when his family was really being threatened by enemies. We can also compare the book supportive
communication with romantic partners with this film because at the end Michael had to lie to his romantic partner because in some way he wanted to
protect her. But the book mentioned that effective communication is essential for every relationship to

Dichotomy In The Godfather
The crime organization that originated in Italy continues to exert its dominance over mainstream media. The organization's ability to consume
individuals entirely and create its own lifestyle coincides with the attribute of human nature that calls for a sense of belonging. This lifestyle has been
depicted in several different forms of media, such as literature and film, for several years. In the film, The Godfather (1974), Francis Ford Coppola
introduces the dichotomy of Don Vito Corleone, the sadistic, cruel mob leader, yet protective, compassionate father and husband. The ideals of family
values and tradition are so neatly interwoven into this obscene lifestyle that it is nearly impossible to disassociate the two. Therefore, Don Corleone, ...
He is the loving father who will support his children under any and all circumstances, the father who defends the honor of those he loves. This
directly clashes with his role in the crime family as the boss. In his essay, "The Thematic Paradigm," Robert B. Ray argues that "such two sided
characters seemed particularly designed to appeal to a collective American imagination steeped in myths of inclusiveness" in order to captivate a more
complex society (Ray 377). The complication of taking on the roles of father and mob boss begin with the form of business mob families conduct.
Involvement in several forms of illegal activity such as gambling, prostitution, and drug trafficking began to evolve into the social norm for the mafia.
In the film, Don Corleone and those in his mob family are not opposed to participating in high scale gambling and racketeering but refuse to
participate in the drug trade due to it being a "dirty business". Don Corleone expresses his disinterest with the trade because of its moral implications
and the destruction of the lives of others. It is rather ironic that the Don and his mafia are so willing to stain their hands with the blood of other men
yet refuse to take on another form of income for their

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