Reflection Of Dracula

Reflection Of Dracula
The famous novel "Dracula" written by Irish writer Bram Stoker in the late XIX century still dominates the minds and imaginations of millions of
readers around the world. This book is not the first story to be written about vampires, but it has become a classic of the genre, its standard and was
the cause of the world obsession with "vampire" theme. "Ugly" and terrible desire frightens the modern reader. Wide public interest in horror
literature says that the ugly aesthetics became a kind of symbol of the new era. But at the same time, Bram Stoker touches a topic such as religion or
faith in God. "Dracula" tells us what can become the soul of a man if it will absorb the vice and sin. (Wolf, 2004) From the point of view of the
composition, "Dracula" is epistolary novel: the narrative is composed of letters and diaries, which gives it more ... Show more content on
Helpwriting.net ...
SUMMARY OF CONTENT (based on original novel) A young lawyer from London named Jonathan Harker is sent to Transylvania to sell real
estate to a local nobleman by the name of Dracula. Harker sells Count abandoned abbey and later discovers that Dracula is an immortal vampire who
needs new property. Leaving Harker suffering with his three brides, who are also vampires, Count is leaving the castle in a box with his native land.
Mina Murray, Jonathan's fiancГ©e, visiting her friend Lucy Westenra in the coastal town of Whitby, where soon pesters ship without a crew, with the
corpse of the captain at the helm. Simultaneously, Lucy begins to lose a lot of blood, causing her future husband Arthur Holmwood to seek help from
Dr. Seward – a good friend of Lucy and owner of the clinic for the mentally
... Get more on HelpWriting.net ...

Joseph Sheridan Le FanuвЂ™s Carmilla: Bram StokerвЂ™s...
Joseph Sheridan Le Fanu's Carmilla: Bram Stoker's Inspiration for Dracula
"3 May. Bistritz. Left Munich at 8:35 p.m." Abraham Stoker in this unassuming way begins his Gothic masterpiece, Dracula (The Annotated Dracula
1). Dracula has been called 'imaginative' and 'original.' , and Harry Ludlam calls it "the product of his own vivid imagination and imaginative research"
(Senf 41). However, the originality of Stoker's Dracula is in doubt. By a similarity in the setting, characters and plot, in Bram Stoker's Gothic work
Dracula and the posthumously published short story "Dracula's Guest," Stoker is shown to have used Joseph Sheridan Le Fanu's classic, Gothic, short
story, "Carmilla", as the basis and inspiration for Bram Stoker's ... Show more content on Helpwriting.net ...
In recent years, "Dracula's Guest" has received a large amount of critical attention due to Stoker's obvious debt to fellow Irishman Joseph Sheridan
Le Fanu's "Carmilla" (Senf, 38). The story opens in Munich where a young Englishman is taking a holiday from his trek to the home of Dracula.
The young Englishman of the story decides to take a walk to a deserted village despite the objections of others who know more than he about the area
and its dangers. He is caught in terrible blizzard and is forced to find shelter. Shelter comes in the form of one Countess Dolingen of Gratz's impaled
tomb. Inside the tomb, he sees a young, pretty, pink–faced woman; the tomb is struck by lightening which destroys both the tomb and presumibly the
woman. The Englishman is found, with the aid of a wolf's yelps, by solders sent to search for him by Dracula.
In 1871, Irish writer Joseph Sheridan Le Fanu published In A Glass Darkly, a collection of short stories including "Carmilla", which can be directly
linked to Abraham Stoker's vampire stories (Roth 97). In the story, Laura, a young girl of six, along with her English father, retired from the Austrian
Service, move to a lonely schloss in Styria. Laura is visited in her nursery by a beautiful young woman and is terribly frightened by her.. Sixteen years
later, the lonely family gains a

The Vampire Is Not A New Manifestation Of The Fears Of A...
The vampire is not by any means a new manifestation of the fears of a society. Their presence in human culture can be traced back for centuries in
human folklore. The first Anglicized representations of the creature in literature date back to the English poetry of the early 1700s, and were then
followed in the fiction genre by such works as John William Polidori's The Vampyre, Sheridan Le Fanu's Carmilla, and of course, Bram Stoker's
Dracula. For the audiences of the 18th century, vampires embodied many of the following common fears shared between the people: of illness, both
mental and epidemic, of an embraced sexuality, particularly that of women's and homosexuals', and of foreigners. As the archetypical vampire evolved
throughout the... Show more content on Helpwriting.net ...
Butler's vampires do not embody the fears and anxieties of the society they infiltrate; rather, Butler shifts the monstrosity from the vampiric figure to
the social ills those figures face. The reader is not inspired to reject the vampire as villain but rather to demonize the systematic oppression which, in
the case of Fledgling, the protagonist struggles against. The vampire then, in Butler's work, has evolved beyond its current literary form. Science is as
integral as myth in the text, and Shori, Butler's dark–skinned, female, sanguinarian protagonist is not only a progressive creature of legend but a
manufactured being blending the technology of the human body with that of the Ina. Shori cannot simply be categorized alongside many other
vampires because of this distinction – she stands above and beyond, blending race and transcending concepts of creation and origin in order to forge a
new identity for the vampire in literature. She truly stands as a stepping point toward the elusive cyborg – a new biological citizenship being crafted by
her very existence in Butler's universe, and what else is the cyborg but an attempt at that very determination of self? Before addressing the cyborg, the
concept of the "other" and its place in Butler's novel must be addressed as the bridge between the two theories. Friedrich Wilhelm Hegel was one of
the first philosophers to define the concept of "otherness" and the "other."

Carmilla Thesis
Women's roles in the 19th century were known to be molded by the man she was given to. At this notion many texts from the time demonstrate that
a woman was known for marrying a man, becoming a homemaker and caring for the children her true "awakening" role. On the other hand, if a
woman did not want to marry, she could seek an education but still learn her role to be a governess for if she took her education too seriously she
may become an "old prude". Many of these tropes are apparent in many texts, the short story Carmilla by Joseph Sheridan Le Fanu decides to
abandon those ideals and establish a new role for women through their desires. Repressed women were taboo yet Le Fanu upped the states by adding
sexuality into the mix.
Before this ... Show more content on Helpwriting.net ...
The thesis paper by Astrid van der Baan titled "Masters of the Mind A Study of Vampiric Desire, Corruption, and Obsession in Polidori's The
Vampyre, Coleridge's Christabel, and Le Fanu's Carmilla" was a source although I am not entirely sure I could use was a good template to help
connect theories that I had about text. Additionally, the text although a thesis also had various work cited that I could use to do additional research.
Several articles mentioned in the work helped me find supporting ideas and other texts that connect to my idea. While this thesis did not support my
idea a section of the paper named development of the relationship, referred to Laura and Carmilla. The section specifies the confusion the protagonist
has towards Carmilla. "Although Carmilla is generally known to be one of the first female vampires to sexually seduce her victim, she chooses a woman
as her victim, and as a result, their relationship is initially solely psychological" (38). Vampire stories have the same formula; a vampire seduces
others to gain "something" whether it is blood, life or a partner. However in Carmilla, not only is the vampire a woman, her victim is also a woman.
This was not a common occurrence in gothic text and went against the norm. This according to the thesis states that Carmilla, was more than a novella,
but a piece of text that was going to break down the barriers and shine a light of women repression but using mostly female characters, an unknown
phenomenon of the time

Teens Go Gaga over Vampires
Teens Go Gaga Over Vampires:
Its Causes and Effects
Abstract
This article will identify and discuss the reasons why teenagers are obsessed with vampires and what effects does it have on them. Study shows that
this obsession has a great impact on both the teenager as an individual and to the people who surround her. The researcher studied and investigated the
topic by finding different articles, essays, data and surveys from different sources in the Internet, as well as reading some vampire novels herself. The
survey conducted by the researcher was among teenagers aged 14 to 16 who are Filipinos. All the research done about what cause this obsession came
to one particular conclusion. Teens are obsessed and are addicted with ... Show more content on Helpwriting.net ...
After a year, the most famous Vampire Chronicles by Anne Rice changed the whole concept of vampires. Vampire Chronicles featured vampires who
are romantic and are the opposite of how they were first introduced (Laming, n.d.). In the year 2005, Stephenie Meyer published the phenomenal
Twilight, the first book to the epic series that gave birth to billions of vampire–addicted teens and tweens in the 21st century. It all started when Meyer
dreamt of a scene in 2003 wherein a handsome young vampire was talking to an ordinary human girl. After having this dream, she decided to make
a story out of it. After many sleepless nights and countless instances where she wanted to give up, she still continued on working. And all that
work finally paid off when that dream finally became Twilight. Twilight is about a story of two individuals who fell in love with each other. The
difference it makes from other love stories is that Twilight is a love story between a human and a vampire, specifically Edward Cullen and Bella
Swan. Bella Swan was just an ordinary girl, but to Edward Cullen, she was the most exquisite thing he has ever seen in his 104 years of existence.
He treated her better than how he treated anyone else, even himself. He loved her like there is nothing else to love. He made her his reason for
living. All these were perfectly described in the book. As someone who was able to read about their love story, who

The New Woman in FanuвЂ™s Carmilla, StokerвЂ™s Dracula, and...
The New Woman in Fanu's Carmilla, Stoker's Dracula, and Buffy the Vampire Slayer
The correlation between the vampire, a figure that is usually regarded as the subject of social ostracism, and the New Woman, the advent of which was
feared by the majority of the British Victorian patriarchy, was a prominent aspect of much mid–to–late Victorian era literature. Supplementary evidence
to support the compelling Victorian era literary connection between thevampire and the New Woman can be extrapolated from the unique gender role
standards that defined that socially complex era. As Catherine Siemann suggests in her essay, "Darkness Falls on the Endless Summer:Buffy as Gidget
for the Fin de Siecle," the Victorian New Woman's "personal... Show more content on Helpwriting.net ...
In order to reinforce as loudly and clearly as possible the patriarchal message that in Victorian society, New Women were to be regarded as social
pariahs, the ultimate destruction of these literary characters had to be performed in the most savage manner feasible, the brutality of which is almost
beyond belief. In Carmilla, prior to her slaughter, the male characters, representative of the Victorian patriarchy, dehumanize the vampire Carmilla, by
no longer referring to her by name; Carmilla is simply reduced to being referred to as "the vampire" and "the body." Dehumanization eliminates
Carmilla's individuality, metaphorically suggesting that her fate is the destiny that awaits all New Women. Carmilla's execution is described as follows:
The body, therefore, in accordance with the ancient practice, was raised, and a sharp stake driven through the heart of the vampire, who uttered a
piercing shriek at the moment, in all respects such as might escape from a living person in the last agony. Then the head was struck off, and a
torrent of blood flowed from the severed neck. The body and head were next placed on a pile of wood, and reduced to ashes, which were thrown upon
the river and borne away, and that territory has never since been plagued by the visits of a vampire. (Le Fanu 336)
Carmilla's execution–style slaying

Symbolism In How To Read Literature Like A Professor
Ruben Alejandro Mrs. Mary Smith AP Literature 20 September 2017 How to read literature like a professor There's a lot of literary techniques
used in "How to read literature like a professor". One of the techniques is symbolism. In chapter 12 it talks about someone walking on a road and
they encounter two roads that diverge into the woods. There's a road that everyone uses and then there's one that almost no one uses and he decides
to take that road for some reason. "Two roads diverged into a wood, and I took the one less traveled by, and that has made all the difference". To me
this symbolizes freedom and decision making. Everyone has to make decisions in their lives ranging from what to eat during lunch to life changing
decisions... Show more content on Helpwriting.net ...
"So what's special about rain? Ever since we crawled up on the land, the water, it seems to us, has been trying to reclaim us". Rain symbolizes a lot
of stuff. It symbolizes Fertility and Life. Rain is Clean which symbolizes a form of purification, baptism, removing sin or a stain. If the Rain is
Restored it can bring a dying society back to life. Rain can also be destructive. It can causes pneumonia, colds, sickness, hurricanes, floods and other
really dangerous stuff. Rain and Rainbows – God's promise never to destroy the world again brings hope; a promise of peace between heaven and
earth. Snow which is also a type of water is used negatively. Snow creates cold and the cold can be really bad for people causing death,
nothingness, inhospitable. Rain and snow are used so writers plot device, for atmospherics and to challenge characters. "How to read literature like a
professor" gave out a lot of examples of symbolism used in stories, poems, and other types of

English Source Doc.
Title: Dracula: Stoker 's Response to the New Woman
Author(s): Carol A. Senf
Publication Details: Victorian Studies 26.1 (Autumn 1982): p33–49.
Source: Nineteenth–Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 156. Detroit: Gale, 2006. From Literature Resource
Center.
Document Type: Critical essay
Full Text: COPYRIGHT 2006 Gale, COPYRIGHT 2007 Gale, Cengage Learning
Full Text:
[(essay date autumn 1982) In the following essay, Senf contends that, contrary to popular belief, Bram Stoker 's treatment of women in his novel stems
not from his animosity toward women in general, but rather from his negative reaction to some attributes of the New Woman.]
Although Dracula,1 which was first published in ... Show more content on Helpwriting.net ...
In fact the first passage is neutral and suggests only that she is familiar with the New Woman 's insistence on greater freedom and physical activity,
attributes which Gail Cunningham mentions in her discussion:
It was pointed out that women were likely to remain the weaker sex as long as they were encased in whalebone and confined their physical activity to
the decorous movements of the ballroom, and the new "doctrine of hygiene" as it was coyly termed advocated sports for women and Rational Dress.
Many young women pedalled their way to undreamt–of freedoms on the newly popular bicycle; petticoats and chaperons were equally inappropriate
accompaniments, and could be discarded in one go.8
Bicycle riding, bloomers, and badminton may have shocked more conservative people in the 1890s, but they were probably not enough to worry Stoker
or his heroine. Nor was the fact that the New Woman was often a professional woman who chose financial independence and personal fulfilment as
alternatives to marriage and motherhood. Cunningham adds that while these activities were "important aspects of emancipation," they are not,
however, responsible for the New Woman 's becoming "a symbol of all that was most challenging and dangerous in advanced thinking. The crucial
factor was, inevitably, sex" (Cunningham, p. 2).
When it came to sex the New Woman was more frank and open than her predecessors. She felt free to initiate sexual

The Genre of Stoker's Dracula Essay
This is almost like an epic poem. The theme in this case is of good versus evil. The evil has almost supernatural powers yet the good triumph over it.
The good consists of ordinary men, god fearing and courageous. They are consistent in their effort to stamp out evil. In the end they triumph over evil
even though the evil is very strong. This theme slowly and steadily gathers momentum until it becomes clearer in the end.
In Dracula, Bram Stoker emphasizes how as the daylight ends, the horror begins, for from the depths of the swirling mist, he (Dracula) appears, his
pointed teeth gleaming as he edges towards his victims. This is Count Dracula the King of the Un– dead – the dreaded vampire. ... Show more content
on Helpwriting.net ...
Yet, Stoker does not show real sex, there is no lovemaking. StokerГ®–Вё genius was to develop a coded eroticism covering it in the supernatural, and
then shrug off all social responsibility by obliterating the authorГ®–Вё voice.
1. Introduction In this paper I will examine StokerГўв‚¬ВІs novel Dracula in order to determine whether it belongs to the Gothic genre or not. Firstly, a
short history of the Gothic novel will be presented and the most important authors and works of the era will be mentioned. Furthermore, the different
characteristics of the Gothic genre will be examined in order to compare them with StokerГўв‚¬ВІs work. Aspects like nature, surroundings,
atmosphere, the role of the women in the Gothic novel, the Gothic villain, will be compared with the elements found in Dracula. Another question that
will have to be answered is, what makes Gothic novels so attractive. The breaking of certain taboos is essential to accomplish this atmosphere of
danger and fear, and it will be examined whether Dracula contains any of these elements. There also appear certain features and fears connected to the
Victorian era such as loss of the Empire; invasion from a foreign land; degeneration of the stock; the constant development of science and its influence
on religion; the attitude of the Victorian society towards eroticism. It will be examined whether Stoker

The Origins Of The Female Vampire
The origins of the female vampire in literary fiction of Victorian period arise from male anxiety of the 'Other', epitomized in a form of powerful and
authoritative, thus dangerous, woman threatening the patriarchal power and domination. The vampire genre provided appropriate literary platform for
writing about these anxieties and sexual desires through allegories of vampirism without specifically defining its subversive ideas; delivering them as
ambiguous and cryptic. Joseph Thomas Sheridan Le Fanu even furthered the idea of vampire genre by presenting the first lesbian vampire, Carmilla.
The vampire text became a medium for exposing the 'forbidden and unmentionable ' perceptions undermining the heteronormative discourses of
Victorian society. The forbidden sexuality was essentially brought to life through vampires because their deviant behaviour existed in a fictional realm
making it far more tolerable than homosexuality in the real World (Williams, 2009, p. 21).
The defining characteristics of female vampires, such as bloodsucking, rebellious and with an open eroticism, were representations of everything that
conventional women in patriarchal society were not supposed to be. Le Fanu developed in 'Carmilla ' a tale about a dangerous and destructive female
vampire, who is emotionally and physically engaged in a relationship with her victim Laura, while mirroring Victorian society's angst of female
sexuality. Le Fanu's story 'Carmilla' treats vampirism as the means

The Vampire Of J. Sheridan Le Fanu
The figure of the vampire has become inherently familiar in Western culture, experiencing an enduring popularity in literature, film, and television,
particularly since the fin de siГЁcle. Though they appear to be human, they are radically Other, an 'undead' species which preys on the human for
survival. As such, the vampire has come to embody a multiplicity of meanings, to represent various social anxieties. This is indeed the case with the
eponymous vampire of J. Sheridan Le Fanu's 'Carmilla' (1872), whose monstrosity derives not least from the fact that she female. Similarly, the title
characters of Edgar Allan Poe's short stories 'BerenicГ«' (1835) and 'Ligeia' (1838), though not actual vampires, are vampiric figures, whose presence
'preys' on the mind of their narrators. All three stories, then, can be read in terms of the anxieties surrounding the authority of patriarchal order in the
early–mid Victorian period. The female vampire (figure) encroaches on male space, both physically and mentally, and engenders a male instinct to
attempt to contain them in various ways. Through a lens of psychoanalysis, this essay will consider the possible reasons behind these attempts, the
processes by which they are enacted, and ultimately, will question whether or not these aims are successful. One of the most consistently enduring
features of the vampire is its teeth, the quasi–animalistic extension by which they penetrate their victims. Indeed, a reading of BerenicГ« as a

The Extent to which You Think the Gothic Novel Represents...
To what extent do you think that the Gothic novel represents recognisably modern anxieties?
Since the 1800's, vampires have often found their way into literature, legends, and popular culture. The vampire's first appearance in Gothic fiction
came from John Polidori's publication, The Vampyre in 1819, and from then the fascination of thevampire and gothic literature as a whole grew and
can be viewed as a commentary on the period of time in which it was written. The strong image of the vampire is a strong metaphor for communicating
the zeitgeist of the time. By analysing Bram Stoker's, Dracula (1897) and Sheridan Le Fanu's, Carmilla (1872), as both novels are very important as
they both helped mainstream vampire literature and created characters that have remained popular for over a century. An examination into these texts
and the significance of the vampire on modern anxieties and anxieties of the time can be understood. In order to do this an analysis will be placed upon
the main themes within both texts, such as degeneration, patriarchy, gender and class.
The use of vampires within Carmilla and Dracula can be seen as significant in representing colonialism and the worries of degeneration that were
established towards the Fin de siГЁcle of the nineteenth century. Both texts present the hierarchy of civilisations through binary opposites such as the
West being presented as good and light, and the unknown and mysterious East being described as negative, mysterious and

Carmilla By Sheridan Le Fanu Analysis
Literature is a reflection of the period the author lived in as well as the ideas, societal norms, and political commentary they held about that time. In
literature, an understanding of the historical context behind a work's creation can give us a fuller understanding of the narrative. For instance, within
the gothic/horror genre, various authors including Sheridan Le Fanu decide to "historicize" the text by incorporating certain characters, and behaviors to
reveal political, and social commentary of their societies' time.
As previously stated, within literature, the historical context can help us understand the political commentary towards that period's societal conditions.
Therefore, in Sheridan Le fanu's story "Carmilla", the work was a political allegory towards the relationship between the Irish and British during the
1800s. As the main characters of the story, Laura and her father, were described living in an area of a "...lonely and primitive place, where
everything is so marvelously cheap...." this can be a direct parallel towards the way of life that the Irish had during their decline of state, as many of
the Irish during the 1800s had migrated towards other countries, and the ones that did stay were to some extent unaided. Consequently, further within
the story, the historical context of the seclusion and unaided help the Irish hadn't received can be embodied through Laura's great desire to have a
company. As Laura reveals about her own social life as such a

An Analysis of The Judge's House Essay examples
An Analysis of The Judge's House
This compelling 19th Century thriller by Bram Stoker has many typical elements of the 19th century ghost story genre. The author has used many
rudiments, which make this a very popular ghost story. "The Judges House" which is set in an isolated setting, this can clearly be seen when the author
describes it as "Гўв‚¬В¦desolation was the only term conveying any suitable idea of its isolation." Here the author wants to portray the sense of
seclusion, as this is a typical element of a 19th century ghost story. The author has used many other techniques in describing the setting, to give the
reader a sense of isolation. For example Stoker writes," Гўв‚¬В¦was surrounded by a ... Show more content on Helpwriting.net ...
Stoker portrays the central character, as a very sceptical and intellectual person. This is obvious when the author writes "But, my dear
Mrs.Witham, indeed you need not be concerned about me! A man who is reading for the Mathematical Tripos has too much to think of to be
disturbed by any of these mysterious 'somethings,' and his work is of too exact and prosaic a kind to allow of his having any order in his mind for
mysteries of any kind." The image of the protagonist has been depicted as a studious but sceptical person and this too is a very important concept of
ghost stories. Most ghost stories have a sceptic who at the beginning is a scholar like person and someone who does not believe in ghosts, but finds
himself having to believe as the story progresses. The protagonist tends to just call mysterious happenings as just strange concurrences and this can be
substantiated when the Bible is the only book which, when thrown at the rat was on target and the protagonist says," What an odd coincidence." By
writing this, Stoker gives his audience a indicator that the rat appearances haven't changed the mind of the sceptic.
The author has used many sound effects in the story. For example, Stoker writes, "Гўв‚¬В¦and hark to the strange noises!" Sound effects are also
typical components of a ghost story, which is used to build up tension. A

Abraham Stoker and Theater
Abraham (Bram) Stoker began his life bedridden, weak, and helpless. Stoker, third of seven children, was born in Clontarf, a suburb of Dublin, on
November 8, 1847 (Whitelaw 9). His parents were Abraham Stoker, from Dublin, and Charlotte Mathilda Blake Thornley, who was raised in County
Sligo ("Bram Stoker"). He spent most of his early childhood laying in bed, watching his brothers and sisters play outside through a dusty old window.
"As a child, he wondered if he would get sicker––if he would end up dying" (Whitelaw 10). He could fully comprehend the definition of misery by the
age of ten. Stoker was considered lucky, given his paralyzed condition, to have a mother who sat by his bedside telling his stories to keep his mind
off of his illness. He grew up fantasizing about vampires and fairies in Irish tales. It is not very shocking to see that, because he grew up around
misery, he became so intrigued with dark literature. His mother built the foundation that Stoker would later build his theatrical/literary empire on. His
love for theater introduced him to the literary world. Stoker's work and interest with theater is what eventually led him to become so involved with
Gothic Literature. He was not fully capable of his writing abilities until after he enrolled in college. "[Stoker] enrolled at Trinity, a highly respected
college of the University of Dublin, in 1863" (18). He was a very athletic student; rugby, football, swim, and crew were the sports that earned him an
award

The Influence and Meaning of Gothic Literature
The Influence and Meaning of Gothic Literature Gothic is termed in the dictionary with crude and barbaric, this definition coincides with gothic
literature. Gothic literature was said to be born in 1764 when Horace Walpole published The Castle of Otranto, which is considered to be the first
gothic novel ever written. Gothic literature explores the aggression between what we fear and what we lust. The setting of these gothic stories were
usually in some kind of castle or old building that showed human decay and created an atmosphere of mystery and suspense. The words chosen in
these novels and short stories were very descriptive they tended to "blend the idea of the exotic and the familiar" (The Balkans, 75).Supernatural and...
Show more content on Helpwriting.net ...
In Dracula, Jonathan Harker notes with a similar attitude "I read that every known superstition in the world is gathered into the horseshoe of the
Carpathians, as if it were the centre of some sort of imaginative whirlpool." These quotations both bring about the fear of the unknown and the idea
of the fear of the other, creating an ideal setting for a gothic novel. Gerard's article also provided Stoker with some of the folklore surrounding
Dracula and his castle: St. George's Day, "the eve of which is still frequently kept by occult meetings taking place at night in lonely caverns or within
ruined walls"; hidden treasures and "the light they give forth, described as a bluish flame"; and the wolf that "continues to haunt the Transylvanian
forests" (Transylvanian superstitions). Gerard was not the only influence on Stoker choosing Transylvania as his setting some other influences were a
collection of tales by Alexandre Dumas (pГЁre), Les Mille et un Fantomes (1849), includes a story about a vampire who haunts the Carpathians; in
"The Mysterious Stranger" (anonymous, 1860), a vampire Count terrorizes a family in this area. Best–known may be Jules Verne's romantic adventure,
The Castle of the Carpathians (1892), in which the narrator cites the prevalence of beliefs in a host of supernatural creatures, including vampires that
quench their thirst on human blood. Dracula depicts Transylvania as a backward region inhabited by wild animals and superstitious peasants,
appropriate

Victorian Sexuality in StokerвЂ™s Dracula, LeFanuвЂ™s...
Victorian Sexuality in Stoker's Dracula, LeFanu's Carmilla, and Polidori's Vampyre
Literature is representative of the time in which it is produced. Literature can reflect societal views, attitudes, and fears.Vampire literature, in particular,
often represents the fears of a society.In the Victorian Era, a time of intense sexual repression, it was common for vampire stories to reflect the fear of
sexuality that was rampant in society.
Bram Stoker's Dracula illustrated fears about sexual women in contrast to the woman who respected and abided by society's sexual norms. Joseph
Sheridan LeFanu's "Carmilla" represented not only the fear of feminine sexuality, but also the fear of sexuality between women. John William Polidori's
"The ... Show more content on Helpwriting.net ...
Urged by women and the "code of chivalry," which was like the "cult of true womanhood," men lost sexual access to their wives. Because of this,
prostitution flourished. Though men were urged to control themselves, it was understood that desire was "in a man's nature," and therefore very hard
for him to control.
Sex, therefore, became solely for reproduction in the Victorian Era. Upper class families showed their refinement by not having children, and not
having sex. But while the upper classes were showing their good breeding, the lower classes continued to have children. Children were needed in the
lower classes because they were assets. Children helped in the house and contributed to farm work, so parents needed to reproduce, unlike parents of
the upper class, who had no use for children and saw them only as a liability.
As women and men of the upper class became more and more "refined," abstinence became the model for good breeding. However, the abstinence
trend yielded serious consequences. The upper class began to look as though it would die out, and leave the lower classes to take over society. This
was another fear, which set in later in the Victorian Era, which was illustrated in literature.
Literature of the Victorian Era was written for the upper class, with their values in mind, because it was the upper class who had the money to buy
books and the time to read them.

The Bloody Chamber Analysis
The gothic genre is a style of writing that is characterized by components of horror, disquietude, death and romance. There are many conventions to the
gothic genre which indulges details on gothic architecture, spirituality and lucid descriptions in the first person along with dialogues. It is widely
accepted that both the novella, 'Carmilla' and the short stories from 'The Bloody Chamber' include these aspects of gothic literature. Patriarchal
dominance is often defined as a system of male domination and in gothic fiction it is traditional for the male to in fact save the weak and fragile
female out of danger; further dominating his role. Although 'Carmilla' was written during the Victorian Era, one would aspect a male dominated
patriarchal system to be followed, but Le Fanu doesn't succumb to the traditional but in fact subverts it by casting the 'villain' as female who preys on
young and vulnerable women ultimately for power. However, where 'Carmilla' does indeed follow the traditional gothic horror narrative where the
victims are always presented as succumbing to a temptation that inevitably, has metaphysical consequences; in 'Carmilla' the victims die from an
unknown malady. 'The Bloody Chamber' reviews on how unimpeachable fairy tales encompass strong socio–political undertones such as gender roles
and presents the nameless heroine as woman whom is capable of changing her fate, whereby she doesn't die like the other wives. Similarly, in
'Carmilla' it can also be

Carmilla Character Analysis
A Secretive Figure Carmilla by Sheridan Le Fanu portrays the narrator Laura as the prey of the vampire Carmilla, who is later acknowledged as the
Countess Karnstein Mircalla. Laura is isolated living in the castle in Styria, and dreams of having friend. As a child, she sees a mysterious figure in
her bedroom, who is revealed to be Carmilla. Twelve years later a carriage crash brings Carmilla into the narrator's life. When she was welcomed into
the schloss, she was not believed to be a vampire. When Laura's health began to deteriorate and no medicine was helping, is when it was then
discovered that Carmilla is not who they thought she was. The carriage crash expresses the secretive nature of Carmilla. She was silent about her past
and would disappear during the night. The way she was introduced also expressed a secretive nature of her character. After the crash, the woman in the
carriage who claimed to be carmilla's mother explained to Laura's father that Carmilla will not speak of her past. The connection between the narrator
and Carmilla strengthens and Laura begins to ask about Carmilla past, who refuses to reveal anything. Le Fanu writes:
Do you think, I said at length, "that you will ever confide fully in me?" She turned round smiling, but made no answer, only continued to smile on me.
"You won't answer that?" I said. "You can't answer pleasantly; I ought not to have asked you." "You were quite right to ask me that, or anything. You
do not know how dear you are to me,

Gothic Elements In Carmilla
In the novel Carmilla written by Sheridan Le Fanu the setting when the crash happens at night expresses the gothic aspects of the book and the
character development. Carmilla is a gothic story that introduces Laura, a young teenager who suddenly develops a relationship with lovely Carmilla
who is exposed to be a vampire. The gothic aspects are developed by the note Carmilla's father receives from the General, the moonlight in the night,
and the strange isolated location where Carmilla lives
On the night of the crash, Carmilla's father receives a letter from General Spielsdorf who he was expecting to see in days coming. The letter that is
received is about the General's daughter Bertha and how the General had lost her due to unexpected illness. In the letter, the General mentions how he
is going to devote his life to finding the creature that is responsible for this and when that happens kill what was is responsible. "I devote my
remaining days to tracking and extinguishing a monster. I am told I may hope to accomplish my righteous and merciful purpose" (Le Fanu 250) Death
is a gothic aspect and even more the death of Bertha is unexpected and unnaturally occurring which brings out the gothic aspect even more. The General
suspects that a supernatural force killed Bertha as well which is another gothic aspect. The General's character is developed through the letter because
this is foreshadowing what later happens when the General puts a stake through Carmilla's heart which

вЂљГ„ГІfor Me, the Story Is Less a HorrorвЂљГ„В¶Than a Larger Than...
'For me, the story is less a horror...than a larger than life gothic fairytale' (Kenneth Brannagh) How far and in what ways do you agree with this
description of the text?
Mary Shelley's Frankenstein is a novel which forces the reader to question whether it is a simple horror story or whether it is a gothic fairytale of
many depths. Frankenstein is considered by many critics as the first modern horror story ever written, and it opened a whole new world of ideas for
novels and has inspired many similar works since its publication in 1818. As we see by the prelude, Shelley's first ambition is to horrify the reader as
she describes wanting to 'awaken thrilling horror – one to make the reader dread to look around, to curdle the blood and ... Show more content on
Helpwriting.net ...
For many readers, Frankenstein is much more than a simple horror story, it is a story about family, abandonment, the consequences of the quest for
knowledge, and many other themes which influence the path of the story. One of the most notable themes within the novel is the idea of good
versus evil. This theme adds extreme depth to the text, as the reader is left to decide which character is good and which is evil. Shelley's use of
intertextuality in the novel emphasises her point, especially with the inclusion of the strong influence that Milton's Paradise Lost has on the monster.
"I am thy creature: I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed." From the moment he is
created, we, like the monster question whether he is Adam, or the fallen angel, and therefore wonder whether it is he or Victor which is the creature
of evil. The tale of Frankenstein leads the reader into the logic of creation and of the mind, and through her thoughts on good versus evil; Shelley also
forces the reader to look even further beyond the horror of the novel to the idea of the doppelganger effect. In the National Theatre's production of the
novel, the two main characters switched the roles of Victor and the monster, emphasizing the point that both characters could be in fact

Carmilla and Dracula
Gothic Essay o A querying of normative gender behaviour and sexuality pervades the 19th century gothic fiction text. What does this reveal about the
cultural context within the tale exists?
This essay will attempt to discuss the two gothic tales 'Carmilla' and 'Dracula' in relation to cultural contexts in which they exist as being presented to
the reader through the gender behaviour and sexuality that is portrayed through the texts. Vampirestories always seem to involve some aspect of
sexuality and power. Joseph Sheridan Le Fanu wrote Carmilla. It was first published in 1872 as part of the collection of short stories titles 'In a Glass
Darkly.' Carmilla predates the publishing of Dracula by 25 years. Laura, who is also one of the ... Show more content on Helpwriting.net ...
This then poses the question that is there feelings involved in the friendship? This could be describes as the character of Laura being in a 'dreamlike'
state and not being able to clearly define the boundaries of their friendship. Later in the story it is discovered that Carmilla is in fact a vampire. The
vampire is a phenomenon that has appeared in literature of different epochs. (KlГјsener, 2010). She never is seen to consume any food only drinks, and
Laura's father has described Carmilla as a 'late sleeper' as she never rises too early in the morning. It would be fair to say that she is a 'creature of
the night' or nocturnal. Gender and sexuality is portrayed in this text as though the female plays a weak role in society at the time. Like many
gothic texts the female protagonist is seen as portraying the repressed femininity. As Laura lost her mother at an early age it is very clear to the
readers the Carmilla has taken on this role as she became involved in Laura life from when she was such a young age. Bertha was a lady sent to
look after Laura as a child but she had an unfortunate encounter with Carmilla and died soon after. This killing off of Bertha can be seen as Camilla's
battle to have all control so as that she is not found out to be a vampire, but this does not all go to plan as the father finds

Carmilla Essay
Furthermore, with death being the most common element of gothic literature, it is simple for the reader to sense the horror when it occurs in a story.
Thus, the author accomplishing one element of gothic fiction. The Victorian gothic story Carmilla, is written in first person narrative as the antagonist
is explaining her occurrences with the evil protagonist of the story; Carmilla. Camilla has a strange desire for death as she states: "Why, you must
die–everyone must die" (Le Fanu 11). Le Fanu show uses the main gothic concept death, all while portraying vampirism through Carmilla. The death of
young girls in his story occurs four times, one of which is immediately introduced at the beginning of the story, when the general's daughter dies:...
Show more content on Helpwriting.net ...
In Irving's short story death is not as gruesome and chosen as the main gothic element. The reader is introduced to death in this story, when Rip
return back to the village only to find out that his wife and dear friends have died in the last twenty years. However, the ghost's in the story are
chosen to be more prevalent, when Rip hears his name being called while up in the mountain crowded with complete darkness and surrounded by
dark forces. The idea of it being something supernatural begins to scare Rip: "Rip now felt a vague apprehension stealing over him; he looked
anxiously in the same direction" (Irving 15). The dwarf's overall put a mysterious aspect in the story as they are ghosts that return back to the mountain
and re–visit every twenty years. When writing a gothic novel, the way the author uses gothic elements, language, and rhetorical devices is
significant to make the story have the right effect. Specifically, in "Carmilla" and "Rip Van Winkle" both authors use gothic language and imagery
to their advantage. Le Fanu frequently uses the word "gothic" to describe things, such as: "Gothic chapel" (1), and "Gothic bridge" (1). By using the
word "gothic" to describe a chapel and a bridge it automatically paints a dark and gloomy picture in the reader's mind. He also uses words like
"twilight" to describe the night: "The

Vlad The Impaler Facts
His reign was short lived and later that year during another battle against the Turks, Vlad and a small band of men were ambushed and Vlad was
killed. Little else is known about Vlad's death except that the Turks decapitated him. His head was sent to the Sultan who displayed it on a stake to
prove that the Impaler was finally dead. Vlad is remembered best for his vicious actions but there are some differences in the way people view him.
There are several stories, which some sources take more serious than others, that list some of the horrendous acts that Vlad committed. In one, a boyar
complained of the stench of the impaled so Vlad had him impaled on a stake higher than all the others so he would be above the stench (Wilde). It is also
... Show more content on Helpwriting.net ...
His eyebrows were massive almost meeting over the nose, and with bushy hair that seemed to curl in its own profusion. The mouth, so far as I could
see it under the heavy moustache, was fixed and rather cruel–looking, with peculiarly sharp white teeth. These protruded over the lips, whose
remarkable ruddiness showed astonishing vitality in a man of his years. For the rest, his ears were pale and the tops extremely pointed. The chin was
broad and strong, and the cheeks firm though thin. The general effect was one of extraordinary pallor." (Stoker)
Parts of this description may fit what is projected in ones mind when picturing the count, but other parts are quite different. For example the pointy
teeth, red lips, and pale skin are expected. However, the Dracula in the movies is not often sporting a thick moustache. As the book continues, the count
begins to frighten Jonathan. Dracula is always absent during the day, and once while Jonathan was shaving Dracula came in and startled him resulting
in a cut on Jonathan's cheek. At the sight of the blood Dracula attacked him only stopping when he saw the crucifix hanging on his neck. Strange
events continue to occur throughout the book. Jonathan finds Dracula in a box during the day either asleep or dead. Three women try to drink
Jonathan's blood but Dracula gives them a baby instead. Then, the next day a woman comes to the castle wailing for her baby and gets eaten by
wolves. Jonathan is
Clare 8 finally able to

Dracula And Carmilla
Since the late 1800's, vampire have made their appearance into literature and popular culture. They showed up in a lot of popular novels such as
Camilla by Joseph Sheridan Le Fanu in 1872, or Dracula by Bram Stoker in 1897. These novels illustrated the seduction power of the vampires and
their characteristic. Despite that vampires may have some differences characteristic other novels or movies, vampires are still known as the famous
creatures that have seductive and sexual characteristics. "Vampires are creatures that are the repositories of some of our most taboo thoughts predatory
rage, sexual sadism." (Weinstock 1) They are attractive, charming, and they have strong sexual obsession. Many people defined the beauty of the
vampires as something inhuman.... Show more content on Helpwriting.net ...
Vampires used their seductive and irresistible appearance as the powerful fascination tool. They "always performing– they must pass for human,
disguise their true natures and hide their desires." (Weinstock 8) In Carmilla, Carmilla disguise herself as a beautiful woman. Laura could not resist
herself from the beauty of Carmilla ever since she first saw Carmilla in her dream. Carmilla used her advantage, which is her appearance, to seduced
Laura as she knew Laura fall in love with her. Vampires are well–known as creatures lives for pleasure themselves, and they must achieve things that
they obsessed with. The major goal of this paper is to learn and explore the connection of vampire and sexuality, and why vampires are the popular
creature that retain the sexual

The Mystery Of Vampires From Folklore Tales
Ideas, beliefs, and theories of monsters have been a part of culture since the dawn of mankind. Over time, these gothic entities transformed into specific
characters with names, features, and appearances. One particular monster that sustained themselves over time have been vampires. In fact, stories of
vampires have been with civilization for centuries.
The exact origin of vampires is unknown and there have been many speculations and theories of these monsters' origins. Many scholars believe that
vampires originated from folklore tales, which spread all throughout Europe, Asia, Africa, England, and Ireland. In addition, early civilizations
associated vampires with unexplained events such as death, disease, and misfortune.
Scholars would theorize vampires were ways ancient people would associate with uncanny events that could not be explained due to their lack of
education, primitive medicine and crude technology. According to Theodora Goss, "thevampire functioned as [a] scapegoat ... [allowing] the villagers
to confront their fears" (Theodora Goss). Due to this lack of education of death and disease, folklore stories would substitute modern science. Scientific
American would state, "... [Vampires] tell an important story about how people understood natural events such as death, decomposition, and the
transmission of disease prior to the advent of scientific medicine" (Scientific American). Due to this style of conversational exchange, stories of
vampires would

How Does Sheridan Le Fanu Illustrate The Power Of Seduction?
Since the 1800's, vampires have found their way into literature and films as well as folklore. In 1819, John William Polidori published his short story,
The Vampyre, which opened up many minds to the concept of male vampires and their gift and ability to seduce women. Shortly after, in 1872, Joseph
Sheridan Le Fanu introduced the literary world to Carmilla, one of the first vampire novels of its kind. The novel clearly illustrated the power of
female vampire seduction. The Vampyre is a novel, which sets the tone for many vampire stories to come. The power of seduction is portrayed through
the character Lord Ruthven who is the vampire in the story. Lord Ruthven brings attention to himself just by his presence because he has an irresistible
A good example of this is when Laura says, "I felt rather uncomfortably towards the beautiful stranger. I did feel, as she said, "drawn towards her", but
there was also something of repulsion. In this ambiguous feeling, however, the sense of attraction immensely prevailed" Laura is clearly unable to
break free from Carmilla's enchanting charm and seductive ways. The blatant sexual interactions between Laura and Carmilla clearly delineate the
dangers of feminine sexuality as well as the power of

Intertextual Exchange in Carmilla, Dracula and the Historian
"Writers seldom duplicate their influential precursor(s); rather, they often work within a certain framework established by other writers or generic
conventions, but vary aspects of it in significant ways" (Friedman 155). Sheridan Le Fanu's, Carmilla, Bram Stoker's, Dracula and Elizabeth Kostova's,
The Historian, clearly engage in this intertextual exchange, as evidenced by their use of narrative structure and striking character parallels.
Published in 1872, Le Fanu relates the story of Carmilla from a first person point of view, through four distinct perspectives. The first narrator, an
unnamed assistant to Doctor Hesselius, prefaces the story as correspondence of scholarly interest between the Doctor and an "intelligent lady" (Le Fanu
The two doctors confer, disagreeing vehemently; whereby, the older physician remarks that his "skill and science . . . can be of no use"; Bertha is the
victim of vampirism (140). Although skeptical, the General lies in wait for the vampire, Carmilla. He's horrified to discover "a large black object, very
ill–defined, crawl as it seemed to me, over the foot of the bed, and swiftly spread itself up to the poor girl's throat, where it swelled, in a moment,
into a great, palpitating mass" (Le Fanu 141). Despite the General's efforts to rescue Bertha, she dies and Carmilla escapes. Concluding the General's
story, Le Fanu reverts the narration to Laura. Through Laura, Le Fanu introduces Baron Vordenburg, a man highly knowledgeable of vampirism,
having read a great many "works upon the subject" (146). From his studies, the Baron "extracted a system of principles that appear to govern . . . the
condition of the vampire" (146). It is the Baron who provides the pivotal information needed to locate Carmilla's gravesite. Following formal
proceedings, Carmilla is found in her tomb, with her eyes open, faintly breathing and immersed in a coffin of blood. A sharp stake is driven through
Carmilla's heart, her head struck off and her remains burned. In closing his tale, Le Fanu introduces his fourth and final narrator, an older Laura.
Reflecting upon her experience, Laura, in her correspondence, tells Doctor Hesselius that she remains haunted by Carmilla,

Gender Roles In Gothic Literature
Gothic literature has a long and complex history, which has spawned many different subgenres and even helped give rise to new ones altogether. One
of the early subgenres of the gothic, was that of the female gothic. Based on the work of Ann Radcliffe, the female gothic takes the dark themes of it's
predecessors, but focuses on a central women figure, that is the heroine of the story. Since its inception, the female gothic has evolved in many ways.
Even though it began as a way to reasses the depiction of women, the form still had many ways it could improve, and for the most part, it has, though
it took time. A sense of agency was always a problem for women in these tales, and over time female gothics have acted to address this. In the same
vein, gothics of old, wanted to reinforce many gender roles, as time passed, this changed for many stories. The major role that gender tended to play in
these stories, was that of a male tyrant/monster, and the female prey, but even this was subject to change. In these ways, the female gothic has become
something more than just a simple genre. Because of its focus on women, the power of the female gothic, it to give a voice to those who throughout
history, didn't have one.
Ann Radcliffe's A Sicilian Romance did a great justice to the depiction of women in gothics by making the story center around the female lead,
however, if there is to be a criticism of her depictions of Emilia and Julia, is that while they do make attempts at affecting

Sociopolitical Philosophy In The Works Of Stoker And...
Sociopolitical Philosophy in the Works of Stoker and Yeats
Around the turn of this century there was widespread fear throughout
Europe, and especially Ireland, of the consequences of the race mixing that was occurring and the rise of the lower classes over the aristocracies in
control.
In Ireland, the Protestants who were in control of the country began to fear the rise of the Catholics, which threatened their land and political power.
Two
Irish authors of the period, Bram Stoker and William Butler Yeats, offer their views on this "problem" in their works of fiction. These include Stoker's
Dracula and Yeats' On Baile's Strand and The Only Jealousy of Emer, and these works show the authors' differences in... Show more content on
Helpwriting.net ...
His journal is written in shorthand, which is a sign of modernity and efficiency. He is a stenographer, which means he is well versed in the legal
system, also a sign of a civilized person. Harker also mentions that he had visited the British Museum and library in preparation for his trip to this
strange land, once again showing that he is well–organized resourceful. Stoker makes sure to give the reader this impression of his protagonist as a
rational individual because it is he who will later combat the savage forces with common sense and logic.
Harker's detailed account of his journey into Transylvania shows the contrast between the West and the East. As he travels farther east, the land
becomes more primitive and wild. As he writes in his journal, "I had to sit in the carriage for more than an hour before we began to move. It seems
to me that the further East you go the more unpunctual are the trains. What ought they to be in China?" (9). Here the reader sees that as Jonathan goes
east, technology begins to break down a bit and things are a lot less orderly. Jonathan also finds that he is beginning to lose command over the
language, as he writes, "
They were evidently talking of me, and some of the people who were sitting on the bench outside the door. . . came and listened, and then looked at
me, most of them pityingly. I could hear a lot of words often repeated, queer words, for there were

Sexuality In Carmilla
In Carmilla, Sheridan Le Fanu uses vampires to identify and challenge gender roles of women in the Victorian age. From the outset, Carmilla and
Laura's relationship appears to transcend mere homosocial characteristics; Carmilla awakens sensations in Laura which she has never known before
because her sexuality has always been suppressed. This suppression is inherently motived by the dominant ideology in Victorian culture that
lesbianism, and homosexuality more generally, are "unnatural" forms of sexuality. According to Colleen Damman, "as a woman,Carmilla can only
claim her sexuality after death" (). This is an interesting statement because it provides context for the idea that vampirism is the only way Carmilla can
express her own carnal desires; She too is then subject to the constraints of Victorian culture. This to say that, for Le Fanu, the only way to have an
open discussion concerning homosexual desire is to employ the vampire. Bearing this concept in mind, by analyzing certain key passages and elements
of Carmilla and by applying some modern conceptualizations on gender and sexuality, one can see that Carmilla and Laura are merely byproducts of a
period rife with sexual desire, frustration, and tension.
In her essay titled "Compulsive Heterosexuality and Lesbian Existence," Adrienne Rich claims that any alternative to heterosexual outcome is
discouraged by society. The essay claims that Western tradition has used the heterosexual family model as the basic social

Portrayal Of Male Homosexuality Under Queen Victoria Is...
During the Victorian Era (1819–1901), western society went through an abundance of change. It was mostly defined by a boom in technology,
commonly known and referred to as the Industrial Revolution. Socially however, the rules and laws were strict. Female sexuality was policed in the
sense of a general social erasure, whereas male sexuality was viewed as a reproductive tool. This lead to the further criminalization of male
homosexuality beyond its assumed sinful nature.
The most famous case of action against male homosexuality under Queen Victoria is Oscar Wilde's 'gross indecency' and sodomy trial in February of
1895. Sparked when the Marquess of Queensberry, the father of Wilde's lover, left an accusatory calling card of at Wilde's... Show more content on
Helpwriting.net ...
The moment when a few of these authors intersected was during the year of 1816, also known as the Year Without A Summer. In 1816 the world
experienced the largest volcanic eruption in recorded history. Mt Tambora's (located in Indonesia) eruption caused weather anomalies all the way
across the globe. There was snowfall in New England, as smog covered the sun and chilling rain fell throughout Europe.
Percy Shelley travelled to Switzerland that summer, with his future wife Mary. They were travelling with the intent to meet none other than Lord
Byron and his then–lover, James Polidori.
In the gloom of a rainy night, the companions read German ghost stories aloud. Inspired, Byron challenged all to write a ghost story of their own.
Soon after (supposedly in a waking dream) Mary conceived the idea for her novel Frankenstein.
The story behind the meeting of the two parties was that Mary's step–sister was attempting to engineer a situation in which Lord Byron would help out
their cousin– whom he had left back in London, extremely pregnant. This plan did not in fact work out, but the Shelley's did gain a friend.
Educated and well born, Mary Wollstonecraft Godwin was a literary genius. At 19 she marriedPercy Bysshe Shelley, an epic poet. Six years later,
tragedy struck as his ship went down off the Gulf of Spezia. Mary, a widow at 25 years, was no stranger to death. Her mother died only a month after
Mary was born, leaving her father, William

Commentary On 'Carmilla' By Joseph Sheridan Le Fanu
Carmilla season 2... Or how to disappoint your fandom in episodes of 7 minutes or less
I should start by saying that Carmilla is a webseries based on the homonymous novella by Joseph Sheridan Le Fanu. Its format is a vlog from Laura
Hollis' perspective. Laura is a student at Silas University, a fictional institution located in Styria, Austria, where weird things happen without
explanation.
The story is set in motion when Laura's roommate, Betty, disappears after a party. Laura is decided to find her and in between she discovers that other
girls have disappeared too, and what's even worse, their disappearances can be connected to her new roommate, Carmilla Karnstein.
Carmilla, as a webseries, has very interesting elements, for one, it uses

The Parent Child Relationship
In many books whatever the literary genre they belong to, the topic of the parent–child relationship is often something used and represented. This
relation can be represented in different ways depending on the author and the genre but also depending on the effects it will have on the readership
and on its goal in the story. A very simplistic and legal definition of what aparent–child relationship is can be given through the biological links.
However, sometimes the relationship between a parental figure such as an adoptive father/mother and its child is not that easy to understand especially
because a link which is different and sometimes stronger than the biological one is created. This is why depending on which parental figure one refers
to, parent–child relationships can be chaotic, a source of suffering or helpful and harmonised such as the ones in Stephen King 's The Shining.
They can be represented as a form of unconditional love, involving sometimes to risk one of the parent 's life and to brave dangers like in Joseph
Sheridan Le Fanu 's Carmilla. They can be completely omnipresent and terrible like the ones in Mary Shelly 's Frankenstein or they can be very
confusing as it is the case in John Ajvide Lindqvist 's Let the Right One In. By studying the representations of the relationships between four fathers
and their children this essay will try to see how the almost scientific definition of the relation can be applied to some characters of these books and
how a more

Ambiguity In Carmilla
The quickest way of describing Carmilla is as a Victorian lesbian vampire novel.
This tends to raise a couple eyebrows in the room, so let me take a deep breath and explain that Carmilla is a gothic novel written during the Victorian
era that addresses issues like ambiguity, memory, transgressive sexuality, and gives insight into the tensions that existed between Catholicism and
Protestantism, Ireland and England.
At face value, the novel hardly makes any mention of the political and social turmoil that was present during the time. Carmilla is the frame tale of a
young aristocrat, Laura, whose isolation is broken by the appearance of the titular character. Although Carmilla ends up staying with Laura by
'accident', Carmilla is really a century–long–dead–vampire ... Show more content on Helpwriting.net ...
I chose to set my Carmilla pictures against a similar background (of copper, however, and not of gold), because I wanted to invoke a sense of the
numinous, of something that transcended time, space, and physical boundaries, just as Carmilla managed to transcend boundaries within the text. Yet
at the same time, Carmilla is the living dead, and not an abstract philosophical poster–child, so while the background and shape of the hands were left
loose and undefined, I added shadows and dimension to the hand itself to evoke Carmilla's ties to the physical world. Finally, each picture is of two
hands in various poses, and I sought to represent the reciprocal nature of Carmilla and Laura's relationship, as well as their ambiguous roles by
making it unclear whose hand was whose. Each pose is ambiguous in the hands' relationship to each other, and there is no clear aggressor or victim,
Ireland or England, Protestant or Catholic,
Laura or Carmilla.
The reason that I am so attracted to this sprawling rabbit–trail of a topic (and the reason why I would highly recommend everyone to pick up this novel
for a try) is because of the

Analysis Of ' The Monk '
Many New Woman writers proclaimed that domesticity could not be the be–all–end–all purpose in a woman's life; they aligned themselves with the
belief that women should be allowed to express themselves politically, creatively, and sexually. (Tremper 110) Perhaps this is why Ann Radcliffe, the
obscure first female writer of Gothic fiction, was a pioneer in more ways than one. Although no evidence indicates that she recognized her status as a
New Woman author, her terrifying novels rivaled those of other Gothic, male writers, thus paving the way for more women in literature. But while
Radcliffe's tales terrorized her readers, Matthew Lewis instilled pure horror into those who dared venture into his grotesque novel, The Monk. In 1796,
The Monk is edited, abstracting the same sensitivity of Radcliffe's texts and evoking the horror expressed through excessive passion, veiled by the
mask of purity. Ambrosio, the monk, allows his carnal instincts– instigated by the morally masked, but equally transgressive, Matilda – to guide him
through various sins, such as lust, rape, and murder. In Radcliffe and Lewis we can visualize the dichotomy of the Gothic novel, which allowed women
writers to express themselves independently and in the most horrific manners, but still relied on negative representations of female characters in order
to fully unveil and critique the decay of society. Surprisingly – or perhaps not so –, in the midst of such a degenerative dichotomy it was from the overt,

Bram Stoker's Influence On Dracula
Bram Stoker: An Irish author born in the late nineteenth century who changed the face of Gothic literature forever. Bram Stoker published more than a
dozen novels during his career, but oddly enough, most of his life remains a mystery. Majority of biographers rely heavily on public records to
determine the interests and life of Bram Stoker. Stoker's grandnephew, Daniel Farson, once stated, "Stoker has long remained one of the least known
authors of one of the best–known books ever written." ("Bram Stoker Biography"). Stoker's most famous work, Dracula, was a worldwide phenomenon
that took the horror world by storm.
Abraham "Bram" Stoker was born on November 8, 1897 at 15 Marino Crescent, Clontarf, on the northside of Dublin, Ireland. Stoker was the son of
Abraham Stoker ... Show more content on Helpwriting.net ...
It is believed that the novel emerged from Vambery's dark stories of the Carpathian Mountains. Stoker spent several years researching European
folklore and mythological stories of vampires. In 1890, Stoker visited the English coastal town of Whitby. This visit is said to be part of the
inspiration for his most famous novel, Dracula. Stoker's inspirations for the novel, in addition to Whitby, may have included Vlad the Impaler, a visit
to Slains' Castle in Aberdeenshire, a visit to the crypts of St. Michans's Church in Dublin, and the novella Carmilla by Sheridan Le Fanu. The original
manuscript was believed to have been lost until it was found in a barn in northwestern Pennsylvania in the early 1980s. It consisted of typed sheets with
many emendations, plus handwritten on the title page was the words, THE UN–DEAD. The author's name shown at the bottom was Bram Stoker. The
author, Robert Latham, once said, "The most famous horror novel ever published, its title changed at the last minute." (Science Fiction and Fantasy
Book Review Annual). The manuscript was purchased by Microsoft co–founder, Paul

Reflection Of Dracula

Recommended

Recommended

More Related Content

More from Tiffany Castro

More from Tiffany Castro (20)

Recently uploaded

Recently uploaded (20)

Reflection Of Dracula