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Mackenzie Nisbet 
Conventional analysis of Here’s to us 
Our film, Here’s to us is a romantic genre film which is aimed at the 16-24 year old female target 
audience. Here’s to us is a typical romance film as it follows the stereotypical narrative of how two 
people fall in love with conflict which they both manage to get over together. Our two characters fall 
in love and then are separated because of their busy lives, they both try to fit back into their normal 
work lives but cannot. This narrative is very typical for a romance genre as it results in the two 
characters falling in love and then coming back together at the end. 
Here’s to us uses many typical romantic conventions such as conflict between the two main 
characters for them to overcome together. This will appeal to the target audience as 16-24 year old 
girls enjoy watching two people get over their conflicts together as a couple as this is romantic and 
brings the two closer together. Here’s to us also uses strong conventional camera movements and 
angles to show emotion to the audience for example close ups of the characters holding hands and 
walking away builds emotion. Here's to us use of strong camera angles also emphasises the romance 
by emphasising the conflict between the characters and then the overcoming of thi s conflict to show 
the characters relationship strong. E.g a high angles of the two characters alone at home looking by 
themselves the high angle emphasises their emotions by making them look small and weak opposed 
to emotionally strong. 
The use of mise-en-scene in our romance film is very conventional with the use of effective lighting 
and props to emphasis the emotions in our movie. For example a scene where the two are shown 
using parallel editing at the same time in two different settings, they are both shown doing activities 
to try and keep themselves busy, the use of low key lighting suggests that they are both not happy, 
and the emphasis on them both trying to be busy with the use of props such as drinking or working 
emphasises how they are both trying to fill the gap of the other person. We have also used lighting 
in our trailer to connote the emotions of the certain scenes, for example the scene where the two 
are outside at night we have made sure to keep the lighting down to keep it natural and romantic as 
the two are in a two shot together, it is very stereotypical that low key lighting can be seen as 
romantic especially with a smaller source of light such as a candle or the moon, these are also seen 
as romantic due to the representation of the objects, for example the use of the moon in the 
background connotes purity, love and romance. 
Camerawork and camera angles in our movie trailer are also very conventional for the romance 
genre. The use of two shots showing the two actors together connotes there connection and allows 
the audience to see the romance between the two actors through body language of the actors. For 
example the actors standing closer than normal to each other to show the intimacy between the 
characters. 
Sound is very important in romance trailers as you want to inform the audience about the movie and 
give them a feel for what it is about. For example in our trailer the use of non-diegetic slow paced 
music in the background of the trailer emphasises the romance in the film. Also the sound in the 
music will build up and get louder to build tension when the trailer shows more tense scenes for 
example when the two separate and the girl moves to away to America the music will get louder. 
Also the fact that we will add the dialog into the trailer in post-production will make the trailer more 
realistic and higher quality. This use of dialog between the two actors will inform the audience what 
is happening in the scene. This is very useful and conventional for trailers especially romance trail ers 
which have a large amount of conflict and tension which can be shown through dialog. Our movie 
trailer is also conventional cutting through parts of the movie to give the audience a look into the 
whole movie. This conventional use of cutting is also paired with the voice over as a sound bridge
Mackenzie Nisbet 
between the different scenes. This is very conventional for a romance trailer as the voice over builds 
tension as it relates with the movie in the background. 
The characters in our romance movie trailer are also very conventional for the genre. The male 
character is very stereotypical as he is masculine and dominant this is conventional for a romance 
movie as the characters are usually gender stereotypical in the romance movies. The female 
character in the movie is also conventional however less conventional to the male character as she is 
portrayed as stubborn and can make selfish decisions. It is important to have stereotypical 
characters in a romance film as the audience enjoy watching romance movies with typical characters 
that they can relate to.

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Conventional analysis of here's to us

  • 1. Mackenzie Nisbet Conventional analysis of Here’s to us Our film, Here’s to us is a romantic genre film which is aimed at the 16-24 year old female target audience. Here’s to us is a typical romance film as it follows the stereotypical narrative of how two people fall in love with conflict which they both manage to get over together. Our two characters fall in love and then are separated because of their busy lives, they both try to fit back into their normal work lives but cannot. This narrative is very typical for a romance genre as it results in the two characters falling in love and then coming back together at the end. Here’s to us uses many typical romantic conventions such as conflict between the two main characters for them to overcome together. This will appeal to the target audience as 16-24 year old girls enjoy watching two people get over their conflicts together as a couple as this is romantic and brings the two closer together. Here’s to us also uses strong conventional camera movements and angles to show emotion to the audience for example close ups of the characters holding hands and walking away builds emotion. Here's to us use of strong camera angles also emphasises the romance by emphasising the conflict between the characters and then the overcoming of thi s conflict to show the characters relationship strong. E.g a high angles of the two characters alone at home looking by themselves the high angle emphasises their emotions by making them look small and weak opposed to emotionally strong. The use of mise-en-scene in our romance film is very conventional with the use of effective lighting and props to emphasis the emotions in our movie. For example a scene where the two are shown using parallel editing at the same time in two different settings, they are both shown doing activities to try and keep themselves busy, the use of low key lighting suggests that they are both not happy, and the emphasis on them both trying to be busy with the use of props such as drinking or working emphasises how they are both trying to fill the gap of the other person. We have also used lighting in our trailer to connote the emotions of the certain scenes, for example the scene where the two are outside at night we have made sure to keep the lighting down to keep it natural and romantic as the two are in a two shot together, it is very stereotypical that low key lighting can be seen as romantic especially with a smaller source of light such as a candle or the moon, these are also seen as romantic due to the representation of the objects, for example the use of the moon in the background connotes purity, love and romance. Camerawork and camera angles in our movie trailer are also very conventional for the romance genre. The use of two shots showing the two actors together connotes there connection and allows the audience to see the romance between the two actors through body language of the actors. For example the actors standing closer than normal to each other to show the intimacy between the characters. Sound is very important in romance trailers as you want to inform the audience about the movie and give them a feel for what it is about. For example in our trailer the use of non-diegetic slow paced music in the background of the trailer emphasises the romance in the film. Also the sound in the music will build up and get louder to build tension when the trailer shows more tense scenes for example when the two separate and the girl moves to away to America the music will get louder. Also the fact that we will add the dialog into the trailer in post-production will make the trailer more realistic and higher quality. This use of dialog between the two actors will inform the audience what is happening in the scene. This is very useful and conventional for trailers especially romance trail ers which have a large amount of conflict and tension which can be shown through dialog. Our movie trailer is also conventional cutting through parts of the movie to give the audience a look into the whole movie. This conventional use of cutting is also paired with the voice over as a sound bridge
  • 2. Mackenzie Nisbet between the different scenes. This is very conventional for a romance trailer as the voice over builds tension as it relates with the movie in the background. The characters in our romance movie trailer are also very conventional for the genre. The male character is very stereotypical as he is masculine and dominant this is conventional for a romance movie as the characters are usually gender stereotypical in the romance movies. The female character in the movie is also conventional however less conventional to the male character as she is portrayed as stubborn and can make selfish decisions. It is important to have stereotypical characters in a romance film as the audience enjoy watching romance movies with typical characters that they can relate to.