SlideShare a Scribd company logo
1 of 9
Codes and Conventions
Of a Music Video
Carla Harris
Technical codes are how meaning is conveyed using technical equipment such as theway camera anglesare
used, thedifferent types of shots, pace and style of editing, diegetic and non-diegetic sound and the genre.
Symbolic techniquesare ways of displaying meanings beyondwhat youcan see, such as facial expressions,
gestures and mise-en-scene.
Theaudience areable to familiarise the media product with genresallowing them to become accustomed to seeing
certain things.
It provides a structure the audiencecan comprehend.
To help assist suitable visualisations for the lyrics of the songs (most of the time due to nichevideos)
Codes and conventions are a firm set of rules.
Performance- Wherethe band/artistthemselvesperform/featureintheirmusicvideos.
Narrative–Involvesa storythat mayormay notrelateto thelyricsofthe song.
Mixture– Canconsist morethan one style e.g.Performanceand Narrative
Cameo– The artist featuresinthe narrativebut doesn’t perform.
Animation – Digital / Stop frame
Abstract/Niche– Themusic video doesn’t relatein any way to the song.
The type ofshot can depend on the style/genre of the music video.
• Close ups predominantly used (especially in performance music videos) Perhaps Extreme Close Upsoflips, guitar strings.
• CraneShots (Hovering over the stage)
• Low-Angles/High Angles
• Long Shots &Extreme LongShots, perhaps togain an observers perspective (from afar)
• Pans/Tilts , transitions from different performers.
• Tracking
• Jump-cutting
• Footagecan beeditedtosyncwiththe music.
• Split-Screens/ CGI tocreate abigger impactthatoriginal footagecouldnotcreate.
• Diegetic soundis sometimes used suchas dialogue froma character,gunshots.
• Changein thelevels ofsound.
• Props–Performanceequipment, bandmerchandise.
• Costume– Tocreatea characterorrepresentationofthe band,TylerfromTwentyOne Pilotoften
wearsblackandredcostumes.Audiences canthereforeassociatethosecolourswith Tyler.
• Locations–ConcertHalls, venues, streets,parks
• Facial Expressions
Cutaways –This is a brief shotthat momentarily interrupts continuous action by inserting another related action, object or character,
followed by a cutback to the originalshot.
Eyeline Match – This edit cuts froma character toan object orperson they were looking at.
Flashback – Ascene ormoment (often introduced through fade to black/white effect) that exposes a moment that occurs earlier in the
narrative.
Cross-Cutting – The editing technique ofalternating orinterweaving one narrativeaction with another. Usually in different locations,
essentially combining the two. This edit is often used todramatically build tension and/or suspense in chase scenes ortocompare the
differing scenes.
Graphic Match – An edit in which two different objects of the same shape aredissolved from one intothe other.
Parallel Editing – This is an edit where events in two locations arecut together in ordertoimply aconnection between the two events.
Seafret-Oceans
This music video follows the narrative style as
it features a young girl comes home in the
beginning shot (1), through the use of diegetic
sound, she calls for her Mum. The song starts
immediately and the camera follows the girl
(pan effect) to the kitchen where she find a
note left by her Mum. She goes into her room
and as she takes off her coat, from a over the
shoulder shot, “LOSER” is written across the
top of her shirt, showing this character
potentially isn't favoured. She finds a
superhero outfit in her closet and puts it on
and heads outside and the music progresses
from a calm tone to a more upbeat
atmosphere. She seems to full of emotions as
she displays facial expressions of being
indecisive, contemplative behaviour, she
seems unsure of herself.
1
2
3
In shot 3, the audience are introduced to
the possible culprits behind the “loser”
written on her shirt as they display
bullying behaviour towards her and she
uses her ‘powers’ to get them to leave her
alone which is possibly a symbolic
message that suggests she’s moving on
from them and not letting them get to her
anymore

More Related Content

What's hot

Storyboard presentation
Storyboard presentationStoryboard presentation
Storyboard presentation
Valvainolivi
 
Soap opera presentations stephen lyons
Soap opera presentations stephen lyonsSoap opera presentations stephen lyons
Soap opera presentations stephen lyons
aq111824
 
The ballad of mona lisa
The ballad of mona lisaThe ballad of mona lisa
The ballad of mona lisa
Arikarin
 
Soap opera presentation notes stephen lyons
Soap opera presentation notes stephen lyonsSoap opera presentation notes stephen lyons
Soap opera presentation notes stephen lyons
aq111824
 
Media Music Video Codes And Conventions Presentation
Media   Music Video Codes And Conventions PresentationMedia   Music Video Codes And Conventions Presentation
Media Music Video Codes And Conventions Presentation
emijean
 
Music codes and convention
Music codes and conventionMusic codes and convention
Music codes and convention
bret margieson
 
Codes and Conventions of Music Videos
Codes and Conventions of Music VideosCodes and Conventions of Music Videos
Codes and Conventions of Music Videos
RecklessUnicorn
 
Session 8 film sound: Film Appreciation Course
Session 8 film sound: Film Appreciation CourseSession 8 film sound: Film Appreciation Course
Session 8 film sound: Film Appreciation Course
Jeremy Eliab
 
Stop-Motion Animation
Stop-Motion AnimationStop-Motion Animation
Stop-Motion Animation
Parnyan
 
Final sound presentation for intro to film
Final sound presentation for intro to filmFinal sound presentation for intro to film
Final sound presentation for intro to film
chelsea859
 

What's hot (19)

Auteur study
Auteur studyAuteur study
Auteur study
 
Media key terms map
Media key terms mapMedia key terms map
Media key terms map
 
Storyboard presentation
Storyboard presentationStoryboard presentation
Storyboard presentation
 
Soap opera presentations stephen lyons
Soap opera presentations stephen lyonsSoap opera presentations stephen lyons
Soap opera presentations stephen lyons
 
The ballad of mona lisa
The ballad of mona lisaThe ballad of mona lisa
The ballad of mona lisa
 
Soap opera presentation notes stephen lyons
Soap opera presentation notes stephen lyonsSoap opera presentation notes stephen lyons
Soap opera presentation notes stephen lyons
 
CAKE Conference CameraMovement and Narration
CAKE Conference CameraMovement and NarrationCAKE Conference CameraMovement and Narration
CAKE Conference CameraMovement and Narration
 
Media Music Video Codes And Conventions Presentation
Media   Music Video Codes And Conventions PresentationMedia   Music Video Codes And Conventions Presentation
Media Music Video Codes And Conventions Presentation
 
Music codes and convention
Music codes and conventionMusic codes and convention
Music codes and convention
 
Mise en scene notes
Mise en scene notesMise en scene notes
Mise en scene notes
 
Codes and Conventions of Music Videos
Codes and Conventions of Music VideosCodes and Conventions of Music Videos
Codes and Conventions of Music Videos
 
Session 8 film sound: Film Appreciation Course
Session 8 film sound: Film Appreciation CourseSession 8 film sound: Film Appreciation Course
Session 8 film sound: Film Appreciation Course
 
Film language
Film languageFilm language
Film language
 
Codes and conventions of music videos
Codes and conventions of music videosCodes and conventions of music videos
Codes and conventions of music videos
 
GCSE Film Studies - Sound
GCSE Film Studies - SoundGCSE Film Studies - Sound
GCSE Film Studies - Sound
 
Stop-Motion Animation
Stop-Motion AnimationStop-Motion Animation
Stop-Motion Animation
 
Final sound presentation for intro to film
Final sound presentation for intro to filmFinal sound presentation for intro to film
Final sound presentation for intro to film
 
Media Studies Moving image analysis sound
Media Studies Moving image analysis   soundMedia Studies Moving image analysis   sound
Media Studies Moving image analysis sound
 
Asy1 moving image analysis - mise en scene
Asy1 moving image analysis - mise en sceneAsy1 moving image analysis - mise en scene
Asy1 moving image analysis - mise en scene
 

Similar to Codes and conventions of a music video

Carina Smith Evaluation
Carina Smith EvaluationCarina Smith Evaluation
Carina Smith Evaluation
guestad64ab10
 
Carina Smith Evaluation
Carina Smith EvaluationCarina Smith Evaluation
Carina Smith Evaluation
guestad64ab10
 
Wizard martin garrix jay hardway
Wizard martin garrix jay hardwayWizard martin garrix jay hardway
Wizard martin garrix jay hardway
lebron61
 
Wizard martin garrix jay hardway
Wizard martin garrix jay hardwayWizard martin garrix jay hardway
Wizard martin garrix jay hardway
lebron61
 
Hypodermic needle and Reception theory- textual analysis
Hypodermic needle and Reception theory- textual analysisHypodermic needle and Reception theory- textual analysis
Hypodermic needle and Reception theory- textual analysis
Emily Tomkins
 
Conventions of a music video
Conventions of a music videoConventions of a music video
Conventions of a music video
louisew96
 
A2 Mise en scene - XXXTentacion - Alfie
A2 Mise en scene - XXXTentacion - AlfieA2 Mise en scene - XXXTentacion - Alfie
A2 Mise en scene - XXXTentacion - Alfie
AlfieSmith8
 
Types & conventions of music videos
Types & conventions of music videosTypes & conventions of music videos
Types & conventions of music videos
michellegrace95
 
Thirty second to mars hurricane - music video analysis
Thirty second to mars   hurricane - music video analysisThirty second to mars   hurricane - music video analysis
Thirty second to mars hurricane - music video analysis
Taggar97
 
Music video research
Music video researchMusic video research
Music video research
ryans96
 
Evaluation of media production Leah
Evaluation of media production LeahEvaluation of media production Leah
Evaluation of media production Leah
hkesson
 
Evaluation of media production
Evaluation of media productionEvaluation of media production
Evaluation of media production
debbie1234567
 

Similar to Codes and conventions of a music video (20)

Rock Music Video Production Planning.pptx
Rock Music Video Production Planning.pptxRock Music Video Production Planning.pptx
Rock Music Video Production Planning.pptx
 
Carina Smith Evaluation
Carina Smith EvaluationCarina Smith Evaluation
Carina Smith Evaluation
 
Carina Smith Evaluation
Carina Smith EvaluationCarina Smith Evaluation
Carina Smith Evaluation
 
Wizard martin garrix jay hardway
Wizard martin garrix jay hardwayWizard martin garrix jay hardway
Wizard martin garrix jay hardway
 
Wizard martin garrix jay hardway
Wizard martin garrix jay hardwayWizard martin garrix jay hardway
Wizard martin garrix jay hardway
 
Analysis of music videos codes and conventions
Analysis of music videos   codes and conventionsAnalysis of music videos   codes and conventions
Analysis of music videos codes and conventions
 
FORMS AND CONVENTIONS IN HORROR MEDIA PRODUCTS
FORMS AND CONVENTIONS IN HORROR MEDIA PRODUCTSFORMS AND CONVENTIONS IN HORROR MEDIA PRODUCTS
FORMS AND CONVENTIONS IN HORROR MEDIA PRODUCTS
 
Malevolence textual analysis
Malevolence textual analysisMalevolence textual analysis
Malevolence textual analysis
 
Hypodermic needle and Reception theory- textual analysis
Hypodermic needle and Reception theory- textual analysisHypodermic needle and Reception theory- textual analysis
Hypodermic needle and Reception theory- textual analysis
 
Conventions of a music video
Conventions of a music videoConventions of a music video
Conventions of a music video
 
Mv 2 production assignment so far
Mv 2 production assignment so farMv 2 production assignment so far
Mv 2 production assignment so far
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventions
 
A2 Mise en scene - XXXTentacion - Alfie
A2 Mise en scene - XXXTentacion - AlfieA2 Mise en scene - XXXTentacion - Alfie
A2 Mise en scene - XXXTentacion - Alfie
 
Types & conventions of music videos
Types & conventions of music videosTypes & conventions of music videos
Types & conventions of music videos
 
Thirty second to mars hurricane - music video analysis
Thirty second to mars   hurricane - music video analysisThirty second to mars   hurricane - music video analysis
Thirty second to mars hurricane - music video analysis
 
Music video research
Music video researchMusic video research
Music video research
 
Evaluation of media production Leah
Evaluation of media production LeahEvaluation of media production Leah
Evaluation of media production Leah
 
Kim q a
Kim q aKim q a
Kim q a
 
Evaluation of media production
Evaluation of media productionEvaluation of media production
Evaluation of media production
 
Codes and cons
Codes and consCodes and cons
Codes and cons
 

Recently uploaded

Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
fonyou31
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
QucHHunhnh
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Krashi Coaching
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global Impact
PECB
 

Recently uploaded (20)

9548086042 for call girls in Indira Nagar with room service
9548086042  for call girls in Indira Nagar  with room service9548086042  for call girls in Indira Nagar  with room service
9548086042 for call girls in Indira Nagar with room service
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global Impact
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
 
Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across Sectors
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
General AI for Medical Educators April 2024
General AI for Medical Educators April 2024General AI for Medical Educators April 2024
General AI for Medical Educators April 2024
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SD
 

Codes and conventions of a music video

  • 1. Codes and Conventions Of a Music Video Carla Harris
  • 2. Technical codes are how meaning is conveyed using technical equipment such as theway camera anglesare used, thedifferent types of shots, pace and style of editing, diegetic and non-diegetic sound and the genre. Symbolic techniquesare ways of displaying meanings beyondwhat youcan see, such as facial expressions, gestures and mise-en-scene.
  • 3. Theaudience areable to familiarise the media product with genresallowing them to become accustomed to seeing certain things. It provides a structure the audiencecan comprehend. To help assist suitable visualisations for the lyrics of the songs (most of the time due to nichevideos) Codes and conventions are a firm set of rules.
  • 4. Performance- Wherethe band/artistthemselvesperform/featureintheirmusicvideos. Narrative–Involvesa storythat mayormay notrelateto thelyricsofthe song. Mixture– Canconsist morethan one style e.g.Performanceand Narrative Cameo– The artist featuresinthe narrativebut doesn’t perform. Animation – Digital / Stop frame Abstract/Niche– Themusic video doesn’t relatein any way to the song.
  • 5. The type ofshot can depend on the style/genre of the music video. • Close ups predominantly used (especially in performance music videos) Perhaps Extreme Close Upsoflips, guitar strings. • CraneShots (Hovering over the stage) • Low-Angles/High Angles • Long Shots &Extreme LongShots, perhaps togain an observers perspective (from afar) • Pans/Tilts , transitions from different performers. • Tracking
  • 6. • Jump-cutting • Footagecan beeditedtosyncwiththe music. • Split-Screens/ CGI tocreate abigger impactthatoriginal footagecouldnotcreate. • Diegetic soundis sometimes used suchas dialogue froma character,gunshots. • Changein thelevels ofsound.
  • 7. • Props–Performanceequipment, bandmerchandise. • Costume– Tocreatea characterorrepresentationofthe band,TylerfromTwentyOne Pilotoften wearsblackandredcostumes.Audiences canthereforeassociatethosecolourswith Tyler. • Locations–ConcertHalls, venues, streets,parks • Facial Expressions
  • 8. Cutaways –This is a brief shotthat momentarily interrupts continuous action by inserting another related action, object or character, followed by a cutback to the originalshot. Eyeline Match – This edit cuts froma character toan object orperson they were looking at. Flashback – Ascene ormoment (often introduced through fade to black/white effect) that exposes a moment that occurs earlier in the narrative. Cross-Cutting – The editing technique ofalternating orinterweaving one narrativeaction with another. Usually in different locations, essentially combining the two. This edit is often used todramatically build tension and/or suspense in chase scenes ortocompare the differing scenes. Graphic Match – An edit in which two different objects of the same shape aredissolved from one intothe other. Parallel Editing – This is an edit where events in two locations arecut together in ordertoimply aconnection between the two events.
  • 9. Seafret-Oceans This music video follows the narrative style as it features a young girl comes home in the beginning shot (1), through the use of diegetic sound, she calls for her Mum. The song starts immediately and the camera follows the girl (pan effect) to the kitchen where she find a note left by her Mum. She goes into her room and as she takes off her coat, from a over the shoulder shot, “LOSER” is written across the top of her shirt, showing this character potentially isn't favoured. She finds a superhero outfit in her closet and puts it on and heads outside and the music progresses from a calm tone to a more upbeat atmosphere. She seems to full of emotions as she displays facial expressions of being indecisive, contemplative behaviour, she seems unsure of herself. 1 2 3 In shot 3, the audience are introduced to the possible culprits behind the “loser” written on her shirt as they display bullying behaviour towards her and she uses her ‘powers’ to get them to leave her alone which is possibly a symbolic message that suggests she’s moving on from them and not letting them get to her anymore