White contains the full light spectrum and influences all body systems. It symbolizes purity, innocence, and new beginnings in many cultures worldwide. White is commonly used in weddings, hospitals, and modern architecture to convey cleanliness and simplicity. While a versatile color, white can appear stark if overused and shows dirt or aging more readily than darker colors. When combined with other hues, white draws out their qualities and acts as a neutral backdrop to guide the eye.
Introduction on fashion & designing concepts in fashionSIMI RAAJ
Fashion refers to popular styles and trends in areas like clothing, accessories, and home decor. There are several levels of fashion markets including haute couture (high fashion custom designs), prêt-à-porter (ready-to-wear), and mass-market clothing. The document outlines the process of fashion design from research and inspiration to creating prototypes, costing garments, and presenting collections. It also discusses key aspects of fashion like seasons, target markets, and the universal language of self-expression through style.
This session focuses on developing knowledge of how textile fabrics are created through exploring factors like history, culture, function, and research. Students will learn about specific textile design principles like creating repeat patterns, engineered patterns, and considering scale. The session activities include drawing asymmetric patterns, creating a mood board, and experiments with pattern repeats and scales.
The document provides information about block printing and screen printing processes. It discusses that block printing involves using carved wooden blocks to apply dye to fabric in a slow process, but can produce highly artistic results. The block printing process involves washing, tying, and drying the fabric, filling blocks with dye, and pressing them onto the fabric. Screen printing forces ink through a porous fabric screen to produce an image, and was originally used to print wallpaper. The screen printing process involves using a film positive to expose and develop a screen to create open print areas.
This document provides an introduction to working with clay ceramics. It discusses that clay is created from the decomposition of igneous rock and involves the interplay of moisture, plasticity, and heat. The origins of ceramics date back to when people first learned to control fire. The document then covers properties of clay like plasticity, shrinkage, texture and moisture. It provides instructions for preparing clay, such as kneading or wedging to remove air bubbles. Various stages of clay are defined, from plastic to leather-hard to bisqueware and glazeware. Safety tips are also provided for handling clay.
Fabric finishes are applied after fabric production to improve appearance, feel, or properties. Aesthetic finishes influence texture, luster, drape, and hand. Calendering uses rollers to impart finishes like glazing, moire, or embossing. Other techniques include brushing, shearing, and flocking to modify texture. Functional finishes provide benefits like wrinkle resistance or stain release. A fabric's fiber content and construction determine suitable finishing methods.
Kashmiri embroidery, also known as Kashida, is known for its fine stitches and flat, formalized designs. Common stitches used include satin stitch, stem stitch, chain stitch, and darning stitch. The embroidery is traditionally done by men in Kashmir on fabrics like silk and wool. Motifs often depict floral patterns and Kashmiri landscapes. The embroidery is known for its subtle colors and use of single thread to create symmetrical patterns on both sides of the fabric. Kashmiri embroidery is used to embellish garments, home goods, and other crafts like carpets.
Introduction on fashion & designing concepts in fashionSIMI RAAJ
Fashion refers to popular styles and trends in areas like clothing, accessories, and home decor. There are several levels of fashion markets including haute couture (high fashion custom designs), prêt-à-porter (ready-to-wear), and mass-market clothing. The document outlines the process of fashion design from research and inspiration to creating prototypes, costing garments, and presenting collections. It also discusses key aspects of fashion like seasons, target markets, and the universal language of self-expression through style.
This session focuses on developing knowledge of how textile fabrics are created through exploring factors like history, culture, function, and research. Students will learn about specific textile design principles like creating repeat patterns, engineered patterns, and considering scale. The session activities include drawing asymmetric patterns, creating a mood board, and experiments with pattern repeats and scales.
The document provides information about block printing and screen printing processes. It discusses that block printing involves using carved wooden blocks to apply dye to fabric in a slow process, but can produce highly artistic results. The block printing process involves washing, tying, and drying the fabric, filling blocks with dye, and pressing them onto the fabric. Screen printing forces ink through a porous fabric screen to produce an image, and was originally used to print wallpaper. The screen printing process involves using a film positive to expose and develop a screen to create open print areas.
This document provides an introduction to working with clay ceramics. It discusses that clay is created from the decomposition of igneous rock and involves the interplay of moisture, plasticity, and heat. The origins of ceramics date back to when people first learned to control fire. The document then covers properties of clay like plasticity, shrinkage, texture and moisture. It provides instructions for preparing clay, such as kneading or wedging to remove air bubbles. Various stages of clay are defined, from plastic to leather-hard to bisqueware and glazeware. Safety tips are also provided for handling clay.
Fabric finishes are applied after fabric production to improve appearance, feel, or properties. Aesthetic finishes influence texture, luster, drape, and hand. Calendering uses rollers to impart finishes like glazing, moire, or embossing. Other techniques include brushing, shearing, and flocking to modify texture. Functional finishes provide benefits like wrinkle resistance or stain release. A fabric's fiber content and construction determine suitable finishing methods.
Kashmiri embroidery, also known as Kashida, is known for its fine stitches and flat, formalized designs. Common stitches used include satin stitch, stem stitch, chain stitch, and darning stitch. The embroidery is traditionally done by men in Kashmir on fabrics like silk and wool. Motifs often depict floral patterns and Kashmiri landscapes. The embroidery is known for its subtle colors and use of single thread to create symmetrical patterns on both sides of the fabric. Kashmiri embroidery is used to embellish garments, home goods, and other crafts like carpets.
The Chamba Rumal is a form of embroidery that originated in the Chamba region of Himachal Pradesh. [1] It involved outlining designs in charcoal which women would then embroider using untwisted silk thread in the double satin stitch. [2] Common motifs included religious scenes, characters from epics like the Ramayana and Mahabharata, and animals. [3] The craft has declined but efforts are being made to revive traditional techniques and promote the unique embroidery.
The document discusses various types and styles of printing fabrics. It describes three main approaches to printing color on fabric: direct printing, discharge printing, and resist printing. It then provides details on different printing techniques like block printing, roller printing, screen printing, and others; explaining their process, advantages, and disadvantages. The document also covers various pattern styles used in printing like stripes, checks, dots, geometrical prints, and others.
This document provides information on various resist dyeing techniques used in Indian textiles, including bandhini, leheria, ikat, and batik. It describes the traditional processes for each technique, discussing how sections of fabric are tied, stitched or coated with wax to prevent dye from penetrating before dyeing. For bandhini, the fabric is tied in intricate patterns before dyeing. For leheria, the fabric is pleated and portions are tied to create striped effects. Batik involves using hot wax to coat areas of fabric before dyeing to create complex patterns. The document highlights important centers for producing these traditional textiles in states like Rajasthan and provides references for further reading.
Batik is an art form that involves applying wax to fabric to resist dyes and create intricate patterns and designs. The process originated in Java, Indonesia, where hot wax is used to block off areas of cloth before dyeing it with multiple colors. By carefully waxing and dyeing the fabric, complex patterns can be built up layer by layer. Once complete, the wax is removed to reveal the finished batik fabric with its colorful designs.
Ikat is a resist dyeing technique used in weaving that binds areas of yarn before dyeing to create patterns and designs. It is believed ikat textiles developed in coastal Indian states through ancient trade with Indonesia. Ikat can be produced in warp ikat (dyed warp threads), weft ikat (dyed weft threads), and double ikat (dyed both warp and weft threads). The intricate production process involves skillfully binding yarns with dyes, then weaving the dyed threads to produce vibrant, unique textile designs.
The document provides an overview of the history and development of the global textile industry. It discusses the evolution from ancient spinning and weaving techniques to modern industrial processes. Key events mentioned include the inventions that drove the first and second industrial revolutions, such as the spinning jenny and water frame. The document also summarizes current global textile production statistics and Bangladesh's role as a major exporter, particularly of garments. Bangladesh has become the second largest exporter of ready-made garments after China.
Textile designing involves applying patterns and designs to fabric surfaces. There are several techniques for constructing and decorating fabric, including weaving, knitting, printing, and dyeing. Common printing methods are hand block printing, roller printing, screen printing, and 3D printing, which apply colored designs to fabric. Dyeing techniques like tie-dye, resist dyeing, and discharge dyeing impart patterns by controlling how the fabric is immersed in dye baths or preventing dye from reaching all areas.
how did fashion in India evolve? in this presentation i have covered costume history of India.
Reach Me at priyalthakkar96@gmail.com
Also Check rainbowmonkey.in for my work
Kashmir carpets are handmade and hand-knotted in Kashmir, India. They have intricate, primarily oriental and floral designs in a range of colors and qualities. The history of Kashmir carpets dates back to the 16th century when Mughal emperors introduced Persian carpet makers to Kashmir to make the stone palaces more comfortable. Kashmir carpets became known for their distinctive designs and high quality, with some taking up to 8 months to produce. They are recognized as some of the finest wool and silk carpets in the world.
Colors can affect us physically and mentally. Red can raise blood pressure while blue has a calming effect. The color of an object is determined by the wavelength of light it reflects. There are various color schemes that can create harmonious combinations, such as monochromatic using different shades of one color, analogous using neighboring colors, complementary pairing opposite colors, triadic using three colors in an equilateral triangle, split complementary combining a color with those adjacent to its complement, rectangle combining two complementary pairs, and square spacing four colors evenly. Proper use of color schemes can produce pleasing visual effects.
This document is a project dissertation submitted by Ms. Nidhi Nayak on Chikankari, a traditional embroidery art from Lucknow, India. It provides an introduction to Chikankari and discusses its origins in Persia and development in Lucknow. The dissertation also examines the history of Chikankari, describes the various stitching techniques used, and outlines the traditional production process of block printing designs, embroidery, and washing the finished textiles.
This presentation reflects on the mood board and inspiration board which is the foundation of designing process.
Presented by The students of BA Degree in Jewellery Design & Manufacturing Techniques batch 13.
The document provides information about traditional woven textiles from India, including muslin and jamdani fabrics. It discusses the origins, history, production process, and characteristics of dhaka muslin and jamdani textiles. It also provides details about chanderi fabric, including that it is made from silk/cotton or pure silk threads woven with traditional cotton yarn and gold zari to create a luxurious sheer texture. Motifs are handwoven using needles and often feature nature-inspired designs coated in gold, silver, or copper.
This document provides information about the craft of batik printing including:
- Batik involves applying wax in a resist pattern on cloth before dyeing, so the waxed areas remain the original color.
- Batik originated in India and is also practiced in countries like Indonesia, Malaysia, and Nigeria.
- In India, batik has a history of over 2000 years and was originally done with rice starch and wax.
- Famous regions for Indian batik include Gujarat, Rajasthan, West Bengal, Andhra Pradesh, and Maharashtra.
- The basic materials used are cotton/silk fabric, paraffin wax, and dyes. Tools include wooden blocks, brushes,
This document provides information on various traditional textiles from different regions of India, including Sindhi embroidery from Gujarat, Kashmiri shawls, Phulkari embroidery from Punjab, Kalamkari printing from Andhra Pradesh, Mudhubani painting from Bihar, Bandhani tie-dye from Rajasthan and Gujarat, Chikankari embroidery from Uttar Pradesh, Kasuti embroidery from Karnataka, Kantha quilting from Bengal, and Baluchari, Jamdani, Ikat, Patola and Pochampally woven textiles. For each style, the document outlines the base fabrics, threads, stitches, motifs and products typically featuring each textile
This document discusses different methods of textile printing. It begins by explaining the basic process of printing designs on fabric using blocks, rollers or screens to apply color. It then compares automatic and hand printing methods. The main methods covered are direct, discharge and resist printing. Specific techniques like block, screen and digital printing are explained in terms of how they work, their advantages and disadvantages. The document provides an overview of the various techniques used in textile printing.
The document discusses different styles of fashion including Versace, Giorgio Armani, Paul Smith, Alberta Ferretti, punk fashion, goth fashion, hippie fashion, and vintage fashion. It provides brief biographies of famous fashion designers like Versace, Armani, and Ferretti. It also describes the aesthetics and influences of different subcultures including punks, goths, and hippies on fashion trends. Vintage fashion refers to new or used clothing originating from previous eras, generally considered to be from the 1920s to 20 years ago.
This document provides instructions and questions for a creative ability test from 2001. It explains that the test aims to evaluate general observation skills, imagination, creative expression, form and color sense, and communication abilities. For question 1, candidates must design chairs portraying the professions of doctor, artist, hitchhiker, social worker, or magician through 3D sketches using dry colors and brief explanations. Question 2 asks candidates to illustrate the processes involved in ironing and folding a shirt. The document provides sample answers for both questions and information about a design school admission expert who can be contacted.
The document discusses the key concepts of interior design including beauty, expressiveness, functionality, elements of design such as lines, form, texture, color, pattern, light, and space. It covers principles of design like proportion, balance, emphasis, rhythm, and harmony. The basic types of design are structural and decorative. There are four units of design: naturalistic, stylized, geometric, and abstract. The objective of interior design is to create beauty, expressiveness, and functionality within an interior space.
The document discusses the cultural meanings and uses of the color black. In Western cultures, black traditionally symbolizes mourning but has also taken on modern connotations of elegance and sophistication. However, in some Asian cultures like Japan, white symbolizes mourning while black represents honor. The document also provides tips on using black in fashion, interior design, and photography to convey different styles and moods.
The document discusses the cultural meanings and uses of the color black. In Western cultures, black traditionally symbolizes mourning but has also taken on modern meanings of sophistication and elegance. However, in some Asian cultures like Japan, white symbolizes mourning while black represents honor. The document also explores how black is used in fashion and interior design for its grounding qualities and ability to make other colors stand out.
The Chamba Rumal is a form of embroidery that originated in the Chamba region of Himachal Pradesh. [1] It involved outlining designs in charcoal which women would then embroider using untwisted silk thread in the double satin stitch. [2] Common motifs included religious scenes, characters from epics like the Ramayana and Mahabharata, and animals. [3] The craft has declined but efforts are being made to revive traditional techniques and promote the unique embroidery.
The document discusses various types and styles of printing fabrics. It describes three main approaches to printing color on fabric: direct printing, discharge printing, and resist printing. It then provides details on different printing techniques like block printing, roller printing, screen printing, and others; explaining their process, advantages, and disadvantages. The document also covers various pattern styles used in printing like stripes, checks, dots, geometrical prints, and others.
This document provides information on various resist dyeing techniques used in Indian textiles, including bandhini, leheria, ikat, and batik. It describes the traditional processes for each technique, discussing how sections of fabric are tied, stitched or coated with wax to prevent dye from penetrating before dyeing. For bandhini, the fabric is tied in intricate patterns before dyeing. For leheria, the fabric is pleated and portions are tied to create striped effects. Batik involves using hot wax to coat areas of fabric before dyeing to create complex patterns. The document highlights important centers for producing these traditional textiles in states like Rajasthan and provides references for further reading.
Batik is an art form that involves applying wax to fabric to resist dyes and create intricate patterns and designs. The process originated in Java, Indonesia, where hot wax is used to block off areas of cloth before dyeing it with multiple colors. By carefully waxing and dyeing the fabric, complex patterns can be built up layer by layer. Once complete, the wax is removed to reveal the finished batik fabric with its colorful designs.
Ikat is a resist dyeing technique used in weaving that binds areas of yarn before dyeing to create patterns and designs. It is believed ikat textiles developed in coastal Indian states through ancient trade with Indonesia. Ikat can be produced in warp ikat (dyed warp threads), weft ikat (dyed weft threads), and double ikat (dyed both warp and weft threads). The intricate production process involves skillfully binding yarns with dyes, then weaving the dyed threads to produce vibrant, unique textile designs.
The document provides an overview of the history and development of the global textile industry. It discusses the evolution from ancient spinning and weaving techniques to modern industrial processes. Key events mentioned include the inventions that drove the first and second industrial revolutions, such as the spinning jenny and water frame. The document also summarizes current global textile production statistics and Bangladesh's role as a major exporter, particularly of garments. Bangladesh has become the second largest exporter of ready-made garments after China.
Textile designing involves applying patterns and designs to fabric surfaces. There are several techniques for constructing and decorating fabric, including weaving, knitting, printing, and dyeing. Common printing methods are hand block printing, roller printing, screen printing, and 3D printing, which apply colored designs to fabric. Dyeing techniques like tie-dye, resist dyeing, and discharge dyeing impart patterns by controlling how the fabric is immersed in dye baths or preventing dye from reaching all areas.
how did fashion in India evolve? in this presentation i have covered costume history of India.
Reach Me at priyalthakkar96@gmail.com
Also Check rainbowmonkey.in for my work
Kashmir carpets are handmade and hand-knotted in Kashmir, India. They have intricate, primarily oriental and floral designs in a range of colors and qualities. The history of Kashmir carpets dates back to the 16th century when Mughal emperors introduced Persian carpet makers to Kashmir to make the stone palaces more comfortable. Kashmir carpets became known for their distinctive designs and high quality, with some taking up to 8 months to produce. They are recognized as some of the finest wool and silk carpets in the world.
Colors can affect us physically and mentally. Red can raise blood pressure while blue has a calming effect. The color of an object is determined by the wavelength of light it reflects. There are various color schemes that can create harmonious combinations, such as monochromatic using different shades of one color, analogous using neighboring colors, complementary pairing opposite colors, triadic using three colors in an equilateral triangle, split complementary combining a color with those adjacent to its complement, rectangle combining two complementary pairs, and square spacing four colors evenly. Proper use of color schemes can produce pleasing visual effects.
This document is a project dissertation submitted by Ms. Nidhi Nayak on Chikankari, a traditional embroidery art from Lucknow, India. It provides an introduction to Chikankari and discusses its origins in Persia and development in Lucknow. The dissertation also examines the history of Chikankari, describes the various stitching techniques used, and outlines the traditional production process of block printing designs, embroidery, and washing the finished textiles.
This presentation reflects on the mood board and inspiration board which is the foundation of designing process.
Presented by The students of BA Degree in Jewellery Design & Manufacturing Techniques batch 13.
The document provides information about traditional woven textiles from India, including muslin and jamdani fabrics. It discusses the origins, history, production process, and characteristics of dhaka muslin and jamdani textiles. It also provides details about chanderi fabric, including that it is made from silk/cotton or pure silk threads woven with traditional cotton yarn and gold zari to create a luxurious sheer texture. Motifs are handwoven using needles and often feature nature-inspired designs coated in gold, silver, or copper.
This document provides information about the craft of batik printing including:
- Batik involves applying wax in a resist pattern on cloth before dyeing, so the waxed areas remain the original color.
- Batik originated in India and is also practiced in countries like Indonesia, Malaysia, and Nigeria.
- In India, batik has a history of over 2000 years and was originally done with rice starch and wax.
- Famous regions for Indian batik include Gujarat, Rajasthan, West Bengal, Andhra Pradesh, and Maharashtra.
- The basic materials used are cotton/silk fabric, paraffin wax, and dyes. Tools include wooden blocks, brushes,
This document provides information on various traditional textiles from different regions of India, including Sindhi embroidery from Gujarat, Kashmiri shawls, Phulkari embroidery from Punjab, Kalamkari printing from Andhra Pradesh, Mudhubani painting from Bihar, Bandhani tie-dye from Rajasthan and Gujarat, Chikankari embroidery from Uttar Pradesh, Kasuti embroidery from Karnataka, Kantha quilting from Bengal, and Baluchari, Jamdani, Ikat, Patola and Pochampally woven textiles. For each style, the document outlines the base fabrics, threads, stitches, motifs and products typically featuring each textile
This document discusses different methods of textile printing. It begins by explaining the basic process of printing designs on fabric using blocks, rollers or screens to apply color. It then compares automatic and hand printing methods. The main methods covered are direct, discharge and resist printing. Specific techniques like block, screen and digital printing are explained in terms of how they work, their advantages and disadvantages. The document provides an overview of the various techniques used in textile printing.
The document discusses different styles of fashion including Versace, Giorgio Armani, Paul Smith, Alberta Ferretti, punk fashion, goth fashion, hippie fashion, and vintage fashion. It provides brief biographies of famous fashion designers like Versace, Armani, and Ferretti. It also describes the aesthetics and influences of different subcultures including punks, goths, and hippies on fashion trends. Vintage fashion refers to new or used clothing originating from previous eras, generally considered to be from the 1920s to 20 years ago.
This document provides instructions and questions for a creative ability test from 2001. It explains that the test aims to evaluate general observation skills, imagination, creative expression, form and color sense, and communication abilities. For question 1, candidates must design chairs portraying the professions of doctor, artist, hitchhiker, social worker, or magician through 3D sketches using dry colors and brief explanations. Question 2 asks candidates to illustrate the processes involved in ironing and folding a shirt. The document provides sample answers for both questions and information about a design school admission expert who can be contacted.
The document discusses the key concepts of interior design including beauty, expressiveness, functionality, elements of design such as lines, form, texture, color, pattern, light, and space. It covers principles of design like proportion, balance, emphasis, rhythm, and harmony. The basic types of design are structural and decorative. There are four units of design: naturalistic, stylized, geometric, and abstract. The objective of interior design is to create beauty, expressiveness, and functionality within an interior space.
The document discusses the cultural meanings and uses of the color black. In Western cultures, black traditionally symbolizes mourning but has also taken on modern connotations of elegance and sophistication. However, in some Asian cultures like Japan, white symbolizes mourning while black represents honor. The document also provides tips on using black in fashion, interior design, and photography to convey different styles and moods.
The document discusses the cultural meanings and uses of the color black. In Western cultures, black traditionally symbolizes mourning but has also taken on modern meanings of sophistication and elegance. However, in some Asian cultures like Japan, white symbolizes mourning while black represents honor. The document also explores how black is used in fashion and interior design for its grounding qualities and ability to make other colors stand out.
This document discusses the psychological effects and cultural meanings associated with different colors. It provides examples of how colors like red, blue, green, yellow, pink, purple, brown, black, and white can have different connotations. For instance, red is associated with danger, passion and blood but also happiness in some cultures. Blue is often seen as calm and trustworthy. The document also explores how the meanings of colors have changed over time and vary across cultures and historical periods.
White symbolizes purity, innocence, light, perfection, and truth. It represents new beginnings, simplicity, peace, youth, birth, marriage, and cleansing. In many cultures and religions, white is associated with divinity, spirituality, and protection. White is commonly worn by brides and used to represent truce, achievement, happiness, and faith. It is often associated with hospitals, doctors, nurses, dentists, and angels.
The document discusses the use of the color white in architecture. It argues that white is commonly seen as a neutral color, but it has significant perceptual, psychological, and physiological impacts. White can cause glare, eyestrain, and lack of focus or concentration in work environments if overused. The document advocates for a balanced, intentional use of white to convey openness but also comfort. Architects should avoid generalized white and consider the ergonomic needs of occupants.
The evolution of colour theory and the still lifeLibby Bourne
The document discusses the history and symbolism of color in art. It begins by explaining how color theory concepts like primary/secondary colors and color wheels are applied in visual arts. It then describes how artists invented early pigments and how the availability and use of color evolved alongside different art movements from Renaissance to Impressionism. Specific colors like red, blue, and yellow are highlighted for their symbolic associations and how notable artists like Van Gogh, Monet, and Turner employed them in innovative ways that advanced art techniques.
The document discusses different colors and their symbolic meanings and associations. It provides quotes about various colors including black, white, gold, blue, orange, red, green, brown, and their connotations of power, purity, prestige, authority, fun, passion, earthiness. It also discusses using color, texture, and contrast to create visual interest and unique spaces.
This document summarizes the use of color in several famous artworks through history. It analyzes how the colors in each painting represent different tones and symbols that convey the artist's intended message. For example, Raphael's Madonna of the Meadow uses warm colors like red and brown to symbolize love, passion, earth and stability. Grunewald's The Crucifixion uses dark colors to depict sadness and death. Watteau's The Embarkation for Cythera uses bright, happy colors to represent a joyful new beginning for migration.
The document discusses different colors and their cultural, religious, and symbolic associations around the world. It describes how colors like black, white, blue, orange, red, yellow, green, violet are perceived in various cultures and religions. It also provides interesting facts about the colors and how they are used in branding by different companies.
Mottega lamps are handcrafted in Portugal and come in 9 shapes and 11 colors, with shades offered in 3 colors or fabrics. Each lamp is made from high quality materials like faience and brass and includes exquisite details from the electrical cord to bases made of sand-cast metals. Mottega takes care to craft each lamp with quality from top to bottom.
This document provides an overview of cultural studies. It begins by discussing different definitions and conceptions of culture, including culture as aesthetic forms with an aim of pleasure, as a reservoir of the best ideas, and as something that differentiates groups. It then discusses key thinkers and concepts in cultural studies, such as imagined communities, orientalism, and theories around representation, identity, and power. The document lists important critics and theorists in cultural studies and provides keywords to understand topics within the field, such as hybridity, ideology, and national identity. It concludes by outlining the origins and sites of cultural studies inquiry, including postmodern everyday life, subcultures, and visual culture.
Ngoc Nguyen visited the Metropolitan Museum of Art in New York City with their grandparents. The museum has one of the finest Asian art collections which has deepened Nguyen's understanding of art. The museum itself is an impressive architectural structure housing works that transport visitors back in time. Nguyen was particularly struck by the Hall of the Buddha and its seated Bodhisattva statue, feeling a sense of peace and guidance. Overall, the visit provided valuable cultural and educational experiences that enhanced Nguyen's appreciation for art and history.
This document provides information about elements and principles of art, characteristics of different historical art periods in Western classical art, and architectural structures from Western classical periods. It includes definitions and examples of key elements of art like line, shape, color, form and principles like balance, rhythm. It also describes characteristics of art from periods like Greek, Roman, Byzantine, Gothic and architectural styles from pre-historic to Romanesque. Learners are assigned tasks to analyze elements and principles in classical works of art and create sketches, sculptures and 3D models demonstrating influences of Western classical art.
Cultures traditionally express identity through unique visual forms like costumes, paintings, sculptures and architecture. Throughout history, as civilizations changed due to events like wars, migrations spread cultural values to new lands. Contemporary artists grapple with effects of globalization on identity and belonging, sometimes looking to cultural heritage of the past. The document profiles several artists exploring these themes through mediums like painting, printmaking, sculpture and weaving.
The document discusses colour theory and the colour wheel. It defines colour theory as relating to the physiological impacts of colour combinations. The colour wheel is a circular arrangement of colours organized by their relationship. It includes primary colours of red, yellow and blue, secondary colours of orange, green and violet, and tertiary colours that are mixtures of primary and secondary. Each colour is then defined, discussing their traditional meanings and associations across cultures. The document concludes that the colour wheel combines warm and cool colours, and colour choice can indicate events or individuals.
The document discusses colour theory and the colour wheel. It defines colour theory as relating to the physiological impacts of colour combinations. The colour wheel is a circular arrangement of colours organized by their relationship. It includes primary colours of red, yellow and blue, secondary colours of orange, green and violet, and tertiary colours that are mixtures of primary and secondary. Each colour is then defined, discussing their traditional meanings and associations across cultures. The document concludes that the colour wheel combines warm and cool colours, and colour choice can indicate events or individuals.
This document discusses religious behaviors in ancient societies, focusing on rites of passage, burial and sacrifice, and sacred art and artifacts. It provides examples of initiation rites that followed a pattern of separation, transition, and incorporation. It also describes burial sites from the Stone Age that contained ornaments, and the practice of burying the dead under houses in ancient Turkey. Sacred artifacts discussed include the Venus of Willendorf fertility figurine and the megalithic structures and art at Newgrange in Ireland that marked solstices.
Look what the house parts change in interior design. This brings a huge difference in the interior of the house. So make the best choice for your home and choose the best interior designers in chandigarh.
This document discusses how Christians can build strong identities based on benevolence rather than hostility towards other religions. It argues that religious differences alone do not divide people, but rather the tendency to build identity through hostility. The document examines how Christians can reframe doctrines as "healing teachings" meant to bind people together. It also explores how liturgies and rituals can inspire kindness rather than reinforce divisions between religious groups. The overall message is that Christians can develop strong identities through hospitality rather than hostility towards those of other faiths.
Land Use and Legibility- Urban Design TerminologyGrace Henry
Land Use and Legibility- two basic and yet important terms used in Urban design. The definition, history and examples are listed through the presentation.
Intelligent Building- Burj Khalifa and Advantech Linkou Campus Phase 1Grace Henry
What makes a building intelligent?
Let's go through these two examples to know those features better.
One is the world's most tallest building and the other conceived of latest automations.
Pneumatic, Kinetic and Mobile StructuresGrace Henry
Pneumatic, kinetic and mobile structures can adapt to changing environments and needs. Pneumatic structures use compressed air or vacuum pressure within membranes, fabrics or films to create enclosed spaces like domes or vaults. Kinetic structures incorporate movable or changeable elements to transform buildings for varying functions. Mobile structures are lightweight and portable, allowing installation and removal in temporary or seasonal applications. Together, these structural approaches provide flexibility through architectural motion and adaptation.
William LeBaron Jenney was an American engineer and architect considered the pioneer of modern skyscrapers. In 1884, he designed the 10-story Home Insurance Building in Chicago, which was the world's first skyscraper. It had a steel frame structure with iron support beams and terracotta tile exterior. This innovative design allowed for large windows which provided better lighting and ventilation compared to previous masonry buildings. The Home Insurance Building helped establish the skyscraper as the dominant building type in large cities in the late 19th century.
Landscape Architecture- Hardscaping elements Grace Henry
Hardscaping refers to permanent landscape elements made from hard materials like stone, concrete, wood, and metal. It includes features like driveways, walkways, retaining walls, stairs, and planters. Hardscaping is used to provide structure, separate different areas, and enhance the beauty of the natural landscape. There are many options for hardscaping materials with considerations including durability, maintenance needs, and aesthetic qualities. Proper planning is needed to incorporate hardscaping elements that meet the functional needs of the space.
All you need to know about timber in just a single ppt with interesting slides. Hope it hlps! This ppt was created as the result of a teamwork with my classmates
Red clay found on the floor of the Atlantic Ocean is rich in iron and is composed of finely divided clay materials that were derived from land, transported by winds and ocean currents, and deposited far from land in the deepest parts of the ocean basin, especially in mid-latitudes. Seaweed contains iodine compounds that can be extracted by heating the seaweed to produce an ash containing iodide, which is then dissolved out and oxidized to isolate iodine. The Dead Sea contains over 45 billion tons of minerals rich salts, including 26 essential minerals not found in other bodies of water, which allows people to float due to the high density and penetrates the skin for climatotherapy treatment.
MINORU YAMASAKI- A life in architecture (World trade center)Grace Henry
- Minoru Yamasaki was an influential American architect best known for designing the original World Trade Center in New York City.
- He was one of the most prominent architects of the 20th century and helped pioneer the "New Formalism" style which incorporated classical elements into modern buildings.
- Some of Yamasaki's other notable works included the Lambert-St. Louis International Airport, the Pacific Science Center in Seattle, and the Rainier Tower, also in Seattle.
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3. Introduction
White (full color spectrum white color) contains the entire light
spectrum. Thus it influences all systems of the body. This is the basis for
light therapy.
6. “The first of all single colors is white … We shall set down white for the
representative of light, without which no color can be seen; yellow for the earth;
green for water; blue for air; red for fire; and black for total darkness.”
— Leonardo Da Vinci
7. How the Color White Affects Us Physically
• Aids mental clarity
• Encourages us to clear clutter or
obstacles
• Evokes purification of thoughts or
actions
• Enables fresh beginnings
8. White in different cultures
Around the world, color symbolism and usage can be modified,
changing with the times, prevailing sentiments, and issues within
vogue.
9. White and weddings
White wedding gowns represent the bride’s innocence and purity.
Historically, blue associated with virginity, virtue and wholesomeness.
Something Old, Something New, Something Borrowed And Something
Blue
- represents the purity and chastity of the bride. Blue laws were
prominent from 1930’s to 40’s.
10. In Southern India, the bride wears an
off- white or cream- colored sari.
A Japanese woman wear a white
kimono on first of the three- day
wedding ritual. It symbolizes her death
from her birth family and invokes her
new societal status.
After, 1960s, ornate kimonos with
heavily brocaded or embroidered
jackets came in, but all were worn with
a simple white kimono underneath.
11. In western Africa, white is the traditional
color for weddings. The groom wears a
white dashiki and the woman a white
kaftan
In Muslim tradition, white represents
purity and is also the favored color for
wedding garments. However, green
represents nature in Koran and is also
worn.
In Southern Africa, the Zulu people don’t
rely as much on ceremonial wedding dress
as they do jewelry, including necklaces and
bracelets, to show one’s marriage status.
e.g. a black, blue, and white- banded
bracelet. Consequently, when white beads
are placed next to another hue, the
colored beads take on positive meanings.
When a necklace has very little white, it
sends a negative message.
12. Brides have worn white for centuries
Started by the ancient Greek brides, painted their entire
bodies white and wore white flowers in their hair.
In 16th century, pale green in Northern Europe and England
to symbolize new life and the hope for fertility.
During Elizabethan times, white became symbolic of pure,
young and virginal.
Until Queen Victoria, wedding gown any color.
With the industrial revolution and the coming of
department stores in the 1890s, aspired white gown.
13. Married in white, you will have chosen all right.
Married in grey, you will go far away.
Married in black, you will wish yourself back.
Married in red, you’ll wish yourself dead.
Married in blue, you will always be true.
Married in pearl, you’ll live in a whirl.
Married in green, ashamed to be seen.
Married in yellow, ashamed of the fellow.
Married in brown, you’ll live out of town.
Married in pink, your spirits will sink.
14. Region White
Africa Purity, traditionally the color for death
and mourning
Zulu- purity
Maasai- ceremonial color of passage into
adulthood ( adornment of white chalk on
one’s body)
Asia Death, funerals, mourning, peace, purity,
travel
Australia Aboriginal X ray style of aboriginal painting,
symbolizes the act of creation
India Highest social caste, chastity, purity,
spiritual rebirth, mourning, happiness
Mid- east Islam- the absolute uniqueness of god,
purity, and mourning Israel.
Life, purity and innocence
White across
the world
15. White color symbolism varies from continent
and on a smaller scale within a geographic
region from tribe to tribe, there are a few
generalities that can be made.
Within Christianity, white symbolizes purity
and innocence and became synonymous with
the coloring for angels.
Ellis Wilson, Funeral Procession, c. 1950
Wilson’s work portrays people dressed in the basic funeral colors of black and white. The white clad figures represent the old
world (traditional African custom) of wearing white while the figures dressed in black represent the contemporary western dress.
The painting shows these two traditions are coexisting.
16. WHITE
IN ATHLETICS AND SPORTS
Dr. Jigor Kano, founder of Judo,
created divisions among
students using Belt colors
To give students recognition for
certain achievements.
17. White signifies…
Worn by ancient Greeks to bed to ensure pleasant dreams
On Yom Kippur, worn by Grand Rabbi dresses restore an amicable relationship between God and
his people.
In the Bible, color of light and an emblem of the divine.
A person, politically ultraconservative.
In Chinese culture, colors to five primary elements, directions, and four seasons. White with
metal, west, and autumn.
18. Facts
• According to Pantone Inc., best selling color for the classic American t-shirt.
• White in a dream represents happiness at home.
• White castles are a symbol of achievement, destiny perfectly fulfilled, and spiritual perfection.
• Originally, scientists wore beige coats. In the late 19th century, medical professionals chose white
ones. Idea of hope and expectations for healing and recovery that the physicians would bring.
19. As the opposite of the saturated scheme, the neutral scheme
uses colors that have been grayed down. This diffused palette
is perfect for foggy landscapes, white- on- white subjects, and
scenes with a soft, mellow mood.
Neutral Scheme
20. Neutral scheme- Advantages
• Easier to choose.
• Lightens the mood.
• Can be used to blend in or set apart features in a room.
21. Disadvantages
• It can create a gloomy ambiance.
• Can get boring.
• Blemishes are more noticeable.
23. White walls
The incredible Greek, Japanese,
Moroccan, and Scandinavian
interiors (among many others)
of days past to know that while
walls and a sense of clean
minimalism (often offset by
more colorful handmade
textiles and artwork) have been
popular and coveted long
before the contemporary take
on this trend that we know
right now.
24. INFLUENCES
A reaction to patterns of the past
Budgets and finances are tight
Risk aversion/idea overload
Craving an in-between space
25. Reactions and interpretations
• no soul, no character and no personality
• clean and fresh
• Is somehow inherently American or, more specifically, tied
to white Americans.
26. White in colonial architecture
Previously, chunam plastering were inhibited to the interiors of Kerala homes. As
colonialism struck Vernacular architecture, the white color was significantly applied
to the exterior surface too to give a marble cult.
27. White phrases
• White Christmas: the appearance of snow on Christmas day
• White elephant: a possession that no longer holds value for its owner
• White flag: the signal of a peaceful surrender
• White goods: a description of household items, such as linens, towels, and
appliances
• White hot: extreme manner of intensity
• White lie: a harmless untruth usually told out of politeness Why white
instead of another color?
• White sauce: a sauce made from stock, butter, flour and seasonings
• White feather: a symbol of cowardice
30. • “White…is not a mere absence of colour; it is a shining and
affirmative thing, as fierce as red, as definite as black…God paints in
many colours; but He never paints so gorgeously, I had almost said so
gaudily, as when He paints in white.” — G. K. Chesterton
31. WHITE MODERN ARCHITECTURE
Distinct sect of Modern movement
Started in Dessau, Germany with the Bauhaus.
White stucco forms, orthogonal geometry, and black trim.
Lack of ornament.
Precursor to Minimalist Architecture
Preceeded By: Early Modern
Succeeded By: Functionalist , Modern - Minimalist
32. Modern architecture was not white but multi-colored.
White, a crucial role as reference point.
The famous black-and-white photographs make white famous, and then the
buildings try to look more like the photographs and become really white and all
the other colors are removed.
White spaces were the influences of photography in architecture and when
photograph began to represent the actual spaces.
Discussion- Olafur Eliasson, curator Daniel Birnbaum, and Mark
Wigley, the dean of Columbia's architecture school.
33. White is the most wonderful color because within it
you can see all the colors of the rainbow. The
whiteness of white is never just white; it is almost
always transformed by light and that which is
changing; the sky, the clouds, the sun and the moon.
Richard Meier
Pritzker Award acceptance speech excerpt
34. White- Primary Colour
“Spotless” feeling that, for the right site,
feels completely effortless.
Sometimes sterile effect is too strong, even
to the point of distraction, which counters
its primary purpose.
The shoe company etq uses a dominant off-
white background to keep the users'
attention where it belongs: the shoes.
35. Pure whites, as they are so clean and pristine, often have a bluish
undertone, rendering them very cool- looking and appropriate to wear
with clear, light, bright, mid, or deep cool colors.
The warmer whites that lean more to cream work best with warm
colors, again in light, mid, bright, or deep warm tones.
36. White in fashion
The salt and pepper of the fashion world,
black and white can be done in either pure
white and black or creamy white and black.
Cool whites go with cooler skin and
creamier tone for warmer- skinned.
Combining whites is not a good idea.
Creamy white will appear dingy when
placed next to pure white.
White outfit to visually support white shoes
will make white a shining beacon.
38. “Black and white are absolute…expressing the most delicate vibration,
the most profound tranquility, and unlimited profundity.” —Shiko
Munakata
39. White and black in movies
Many films move from black and
white to color to either show a
dream sequence or a fantasy
segment. In many of such movies,
reality is shown in black and white.
Wizard of Oz, The Emerald City,
1939- Courtesy of MGM
40. Interactions of Black and White
React quite differently when surrounded by
either black or white.
Against a black outline, it frames the hue
and constrains its visual presence.
Against a white outline, the hue seems to
visually expand into the white area.
41. Favourite and least favourite
Favourite- Who prefer - are neat and immaculate in their clothing and homes.
Recall of youth and simplicity and a longing to be young again.
Least favourite- never been obsessed with
order.. Things that are a little off-center are much more interesting than those
are perfectly in line
42. Light to enhance
Fluorescent lights give off various shades of white-
ranging from extremely cool, give very sterile and
harsh to a subtle and warmer pinkish glow.
Dimming fluorescent lights make less bright, but
make the surroundings seem dull and grayed.
Light that is closest in effect to sunlight creates a
greater contrast between black and white.
Lights aiming upward to the ceiling create more
height and space, especially if the ceiling is
painted white.
Colored florescent lights trained on white walls
will seem magical.
43. Color Personalities in landscape
White flowers are universal peacemakers. Colors that clash together coexist when white is incorporated. A
loud- colored garden attains refinement with drifts of white flowers.
Most visible color in the shade garden and will draw the eye to a dark corner.
Color of choice for twilight and moon gardens. White flowers are blessed with exceptional fragrance.
Ivory and cream flowers soften hot colors and add warmth to cool garden shade- sort of the perfect buffer
plant but may look dirty against pure whites and murky against shades of orange.
44. Dennis Oppenheim, Color Mix
- Mixture of red, pink and white flowers to stimulate the mixing of red and white
wine.
45. White- one color garden
Late Sackwille- West incorporates the theme of one- color in
her Sissinghurst garden. With shades of white, among silver,
soft green and green and white foliage, the garden
contemplate its variety and peace.
46. Combination with other colors
Literally the opposite of black, white pairs well, making it ideal as a
secondary colour.
Draws out the elements of more stimulating colours
Guide your user's attention if known to use it.
47. Color therapy
Healing properties: In perfect balance and harmony. Color of the awakened Spirit; the light
of perfection; the light of the Cosmic Consciousness, the Divine Light.
White light raises the vibration of one's consciousness and the body, bringing harmony in
all aspects of one's life.
Esoteric/magical: Purification and cleaning on all levels, contact with higher self and
spiritual helpers, (inner) peace, aura-healing, truth seeking, consecration, spiritual
enlightenment, protection against negativity by raising your vibration, breaking curses,
exorcism, meditation, divination, inspiration, clairvoyance, invoking spirits.
48. Avoiding vehicular accidents?
Choose white! The safest car color was determined to be white.
Most visible color under all conditions except snow.
49. Bibliography
• Steven Bleicher- Contemperory color- Theory and Use
• Leatrice Eisenman- The color answer book: From the World’s leading color
expert
• http://www.sensationalcolor.com/color-meaning/color-meaning-
symbolism-psychology/all-about-the-color-white-4369#.WdbVLGiCzIV
• https://www.gardenista.com/posts/10-garden-ideas-to-steal-from-vita-
sackville-west-at-sissinghurst-castle-kent-england-harold-nicolson/
• http://www.deeptrancenow.com/colortherapy.htm
• www.housebeautiful.co.uk
• www.designsponge.com
Innocence and purity: White is the beginning of everything, before anything is muddied or thinking is 'colored'.
New beginnings: White represents the clean slate, helping us through times of stress, and allowing us put the past behind us and preparing us to move on. It symbolizes innocence and naiveté, setting the tone for a fresh start; a new beginning. It’s the perfect color for spring, as spring is a time when new life comes to be.
Equality and unity: White represents the positive as well as the negative aspects of all colors. It contains an equal balance of all the colors of the spectrum. Although the hue is crisp and clean, it actually represents the presence of every color in the spectrum.
Until recently, a white wedding gown was also the sign of a woman’s first wedding. Normally a woman did not wear white on a subsequent marriage. Nowadays many of these traditions have fallen by the wayside and a bride may wear any color, though white still may be the most popular wedding dress color.
If you want to complement simplistic furniture and features of the room without overwhelming them neutral colors work well. On the other hand, a neutral backdrop also sets the stage for special highlights of the room such as an expensive painting or designer vase.
As neutral colors can complement on their own, confusion is reduced with minute details and color combinations.
Choosing a cool or neutral side of the palette appeals strongly to intellect. Subtle colors set a mood that allows you to spend time for yourself in a more slow, relaxing and calming way. This is especially relevant for places like bedrooms where a warm blue can help you sleep faster and better.
Neutral colors can work in totally conflicting ways, but are both useful based on user’s needs
Neutral colors, especially grey, are associated with anxiety and depression. Also for colors like crisp whites, it has a temperature and mood associated with it, which is usually chilly and cold.
As they are monotonous, over time looking at these walls can get boring. Similarly, because the meek colors do not give back to us emotionally, it can be wearing overtime.
When your walls of are a more subtle color, dirt can be a constant annoyance because once they stick, they become very noticeable.
Throughout histories and across many continents this look has been celebrated and prized. As with most design trends, things are cyclical and memories are often short.
In the early 2000s, pattern was everywhere. Quirky plaids and retro prints dominated the first ICFF shows I attended and brands like Flavor Paper made us fall in love with mylar wallpaper, flocked designs and as many over-the-top patterns that we could find. Was there anything wrong with all of that detail and highly decorative style? Absolutely not. But with most swings of the pendulum comes an equal and opposite swing in the other direction. For me, that swing led us to the current trend of minimal, simple interiors.
: With the economy suffering at home and abroad, most of us are tightening our belts and spending less on decoration and more on essentials. Having spoken with thousands of homeowners (and renters) over the years, I have heard from more and more people that embracing white walls and this simpler found/thrifted aesthetic can be more cost-effective and budget-friendly.
: As design becomes a more everyday and pervasive idea, people have more control over their spaces, and have a wealth of ideas at hand. Just load the home page of Pinterest and you’ll see what I mean. With all those ideas, sometimes it’s easy to get lost in options and the simplest thing feels the safest and most realistic. Hence, white walls with an emphasis on furniture and art that can easily be moved and changed without a lot of work. Re-painting or investing in a bold wallpaper is a bigger undertaking, and I’ve found a lot of people want to find something safe and simple that won’t make them want to redecorate next year.
Because we’re all so used to “perfect” interiors being shared online in every possible place now, we often expect all people to live the same way — as if we’re all preparing for a huge photo shoot at all times with our rooms “finished” down to the last detail. But most of us aren’t living like that. A lot of us are in transition, moving to a new city, embracing being somewhat nomadic or just not knowing what pieces around the house we want — or are ready — to invest in. Often times that stage comes with embracing what’s already there in our homes — which is typically white walls and bare floors. We might add to that and make the best of what we already bring with us, and for a lot of us (myself included), that’s more than enough. Sometimes this look is intentional, but sometimes it also just means you’re waiting to find your dream sofa or waiting to save up for the wallpaper you’ve been dreaming of.
With the right styling, white can work as well in a period home as it does in one that’s super modern.
Crisp, clean white naturally makes a space feel lighter, brighter and bigger, making the most of even small amounts of natural daylight. Add reflective, glossy surfaces and the light will be bouncing from pillar to post.
. In case you are living in a small sized apartment, don’t hesitate to paint the walls in white. It will help you make the room looks visually larger. White creates the impression of brightness and neatness.
White goes with anything, which gives you a whole load more options with tiles, appliance and decorative bits than any other colour would offer. White is also an ideal backdrop for other light neutrals or small splashes of bold colour. White makes the room looks stunning and combines well with both – warm and cold colours.
‘Ombré’ originates from the French ombrer which means to shade. Ombrer, translated from the Italian ombrare and umbra, literally means ” to shade or shadow.”
. It is as if black frame is holding the hue in and compressing it.
Even thought the white boundary isolates the hue from the background, it allows the color to visually swell into its space.
This is a person who is so neat and tidy that everything has its place. Organization is a priority and
messiness it not easily tolerated.