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Webcelebrities
Ana Brambilla
2019
Social Identity Theory
US (in group)
THEM (out group)
Identity
as...
… a
continuum.
Erving Goffman (1922 - 1982)
Self as PERFORMER
Self as CHARACTER
“… individuals need to present
themselves as acceptable
persons to others. They are
strategic in their impression
formation.”
The more real something
seems to be, the better!
… even if it’s all about a
theatrical version of any real
life.
“(...) elites can serve, in some way, to approach
everyone. (...) Elite people are available to be a
general identification object and have their own
relevance. Thus, in a elite centered
communication system, we don’t consider the
hypothesis of vulgar people represented by
themselves.”
Galtung & Ruge, 1973
AUTHOR-NARRATOR-PROTAGONIST
I
Ordinary
Person
TALENT Celebrity
Celebrity
Everydayness
Exoticism
Talent
Ordinary
Person
Exclusivity
Kinoshita Yuka
Let’s practicing !
To:
Sarah
To:
Noor
To:
Zeinab More here.
To:
Lubna
To:
Rami Or here.
To:
Omar
There is an obsession for an epidermal level of the truth, by the real thing (Umberto Eco)
REALITY?
FICTION?
NON-FICTION!
It highlights everything which is trivial, banal in any life.
“When you see the other
without clothes, you
realise that he/she
extremely looks like you.”
Jorge Fernández Díaz
Deindeviduation Effects Theory:
“... when people are ‘visually anonymous’,
their personal identities become less
important and social identities become
salient.”
COMPARISON
SELF-AWARENESS
SELF-PERCEPTION
Possible Selves:
The ‘ideal self‐regulatory system’
focuses on the absence or
presence of positive and negative
outcomes.
Expected Self
Hoped-for Self
Feared Self
Num mundo onde tudo é LÍQUIDO...
Somos assediados pela falta de autoevidência que afeta
a realidade altamente midiatizada e espetacularizada de
nossos dias, os sujeitos contemporâneos sentem a
pressão cotidiana da obsolescência de tudo o que existe.
Inclusive e muito especialmente, a fragilidade do próprio
eu. Depois de haver desaparecido a noção de identidade,
que já não pode manter a ilusão de ser fixa e estável, a
subjetividade contemporânea ouviu o enfraquecer de
quase todos os pilares que costumavam sustentá-la.

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Web Celebrity

  • 2.
  • 3. Social Identity Theory US (in group) THEM (out group) Identity as... … a continuum.
  • 4. Erving Goffman (1922 - 1982) Self as PERFORMER Self as CHARACTER “… individuals need to present themselves as acceptable persons to others. They are strategic in their impression formation.”
  • 5.
  • 6.
  • 7.
  • 8. The more real something seems to be, the better! … even if it’s all about a theatrical version of any real life.
  • 9.
  • 10.
  • 11. “(...) elites can serve, in some way, to approach everyone. (...) Elite people are available to be a general identification object and have their own relevance. Thus, in a elite centered communication system, we don’t consider the hypothesis of vulgar people represented by themselves.” Galtung & Ruge, 1973
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 27. There is an obsession for an epidermal level of the truth, by the real thing (Umberto Eco) REALITY? FICTION? NON-FICTION! It highlights everything which is trivial, banal in any life.
  • 28. “When you see the other without clothes, you realise that he/she extremely looks like you.” Jorge Fernández Díaz
  • 29.
  • 30. Deindeviduation Effects Theory: “... when people are ‘visually anonymous’, their personal identities become less important and social identities become salient.” COMPARISON SELF-AWARENESS SELF-PERCEPTION Possible Selves: The ‘ideal self‐regulatory system’ focuses on the absence or presence of positive and negative outcomes. Expected Self Hoped-for Self Feared Self
  • 31. Num mundo onde tudo é LÍQUIDO... Somos assediados pela falta de autoevidência que afeta a realidade altamente midiatizada e espetacularizada de nossos dias, os sujeitos contemporâneos sentem a pressão cotidiana da obsolescência de tudo o que existe. Inclusive e muito especialmente, a fragilidade do próprio eu. Depois de haver desaparecido a noção de identidade, que já não pode manter a ilusão de ser fixa e estável, a subjetividade contemporânea ouviu o enfraquecer de quase todos os pilares que costumavam sustentá-la.