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Wallpaper production 4
1.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 1 of 9 Wallpaper production Unit 217: Applying standard papers to walls and ceilings
2.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 2 of 9 Wallpaper production Block printing • A traditional method of printing that has been used to print wallpaper and textiles for hundreds of years • A relief design is first dipped in ink then applied by hand to a paper to create the design • Block-printed wallpapers are distinguished by their depth of colour and a distinctive texture, caused as the printing block is pulled away from the paper.
3.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 3 of 9 Wallpaper production Screen printing • Stencils are placed onto a screen with a rectangular frame with a fine woven mesh stretched over it. • The screen is positioned face down on the paper before coloured ink is applied. • A rubber squeegee is then dragged across the mesh, forcing ink through the areas uncovered by the stencil creating a design. • The screen is then removed and placed in the next position and the procedure is repeated.
4.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 4 of 9 Wallpaper production Dry embossing • Paper is fed through a pair of embossing rollers in its dry state • The design is pressed out by a steel roller with a relief pattern pressing the paper into a soft roller or male and female rollers where the relief pattern or textured (male roller) presses into the hollowed (female roller) Wet embossing • Two papers bonded together (duplexed) pressed while the adhesive bonding the papers is still wet • Papers moulded/embossed wet are more resistant to stretching and retain relief better after hanging
5.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 5 of 9 Wallpaper production Blown vinyl • An expanding agent is added to liquid PVC which is then applied to flat wallpaper • This is then heated at a high temperature causing the wall covering to expand in size, producing a three-dimensional effect
6.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 6 of 9 Wallpaper production Activity 1 In groups, discuss and complete the wallpaper production chart. Activity 2 In groups, discuss the types of paper used in painting and decorating. Discuss your findings with the rest of your class
7.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 7 of 9 Suitability of different wallpaper Before you apply a wall covering to a surface you must consider the following: • Surface conditions (porous, previously papered)? • Preparation methods? • Type of paper (vinyl, washable, anaglypta, supaglypta, blown vinyl)? • Application methods? • Domestic, commercial or industrial? Discuss with your class
8.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 8 of 9 Suitability of different wallpaper What are the recommended preparation methods for the following examples of existing surfaces? • New plaster (very porous) • Oil-based (gloss) • Wallpapered areas Discuss and compare with your class
9.
© 2013 City
and Guilds of London Institute. All rights reserved. Level 2 Diploma in Painting and Decorating 9 of 9 Questions 1. Which type of wallpaper production, described as 'relief design', is first dipped in ink then applied by hand to a paper to create the design? 2. Which type of wallpaper is an expanding agent that is added to liquid PVC, which is then applied to flat wallpaper? 3. List and explain two considerations before applying wallpapers.
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