Viktor Shklovsky: Art as Technique Student: Johann Stoll Caracas, November 2011
Viktor Shklovsky and Russian Formalists thrived in Moscow  from  1916 until 1930.
Parting from the statement “Art is thinking in images”, Shklovsky  frameworks his ideas.
“ Poets are much more concerned with arranging images than with  creating them”. Theory rises: “imagery equals  symbolism”
Thus giving way to the introduction  of figures of speech: metaphoric and metonymic.
Economy of mental effort: “a satis- factory style is…which delivers the greatest amount of thought in the  fewest words”.
Habitualization and familiarizaton: “ And art…exists to make one feel things, to make the stone stony”.
So “the purpose of art is to impart  the sensation of things as they are perceived and not as they are  known”.
“ Tolstoy makes the familiar seem  by not naming the familiar object. He describes an object as if he were seeing it for the first time”.
The purpose of an image is “not to make us perceive meaning, but to create a special perception of  the object”.
References Con Davies, R. and Schleifer, R. (1994).  Contemporarty Literary Criticism. Literary and Cultural Studies.  New York and London: Longman.

Viktor shklovsky

  • 1.
    Viktor Shklovsky: Artas Technique Student: Johann Stoll Caracas, November 2011
  • 2.
    Viktor Shklovsky andRussian Formalists thrived in Moscow from 1916 until 1930.
  • 3.
    Parting from thestatement “Art is thinking in images”, Shklovsky frameworks his ideas.
  • 4.
    “ Poets aremuch more concerned with arranging images than with creating them”. Theory rises: “imagery equals symbolism”
  • 5.
    Thus giving wayto the introduction of figures of speech: metaphoric and metonymic.
  • 6.
    Economy of mentaleffort: “a satis- factory style is…which delivers the greatest amount of thought in the fewest words”.
  • 7.
    Habitualization and familiarizaton:“ And art…exists to make one feel things, to make the stone stony”.
  • 8.
    So “the purposeof art is to impart the sensation of things as they are perceived and not as they are known”.
  • 9.
    “ Tolstoy makesthe familiar seem by not naming the familiar object. He describes an object as if he were seeing it for the first time”.
  • 10.
    The purpose ofan image is “not to make us perceive meaning, but to create a special perception of the object”.
  • 11.
    References Con Davies,R. and Schleifer, R. (1994). Contemporarty Literary Criticism. Literary and Cultural Studies. New York and London: Longman.