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SHINTO
 LINEAR EDITING
 NON-LINEAR EDITING
 Analog editing(LINEAR EDITING) is the name
given to traditional tape-based video post
production
 Tape-based editing is linear because we
cannot jump instantly to any point in a
videotape.
 Linear video editing is a process of selecting,
arranging and modifying images and sound in
a pre-determined, ordered sequence – from
start to finish.
 Linear editing is most commonly used when
working with videotape. Unlike film,
videotape cannot be physically cut into
pieces to be spliced together to create a new
order. Instead, the editor must dub or record
each desired video clip onto a master tape.
 It is simple and inexpensive. There are very few
complications with formats, hardware conflicts,
etc.
 For some jobs linear editing is better. For
example, if all you want to do is add two
sections of video together, it is a lot quicker and
easier to edit tape-to-tape than to capture and
edit on a hard drive.
 Learning linear editing skills increases your
knowledge base and versatility. According to
many professional editors, those who learn
linear editing first tend to become better all-
round editors.
 one would come across when using the linear
video editing method. First, it is not possible
to insert or delete scenes from the master
tape without re-copying all the subsequent
scenes
 Secondly, because of the overdubbing that
has to take place if you want to replace a
current clip with a new one, the two clips
must be of the exact same length
 Non-linear editing. In digital video editing,
non-linear editing is a method that allows we
to access any frame in a digital video clip
regardless of sequence in the clip
 The nonlinear video editing method is a way of
random access editing, which means instant
access to whatever clip you want, whenever you
want it.
 So instead of going in a set order, you are able
to work on any segment of the project at any
time, in any order you want.
 In nonlinear video editing, the original source
files are not lost or modified during editing.
 This is done through an edit decision list (EDL),
which records the decisions of the editor and can
also be interchanged with other editing tools.
 It is also easy to change cuts and undo previous
decisions
 FINAL CUT PRO
 ADOBE PREMIER PRO
 AVID MEDIA COMPOSER
 EDIUS ect…
 PROJECT WINDOW
 SOURCE MONITOR
 PROGRAM MONITOR
 TIMELINE
 TOOL WINDOW
 EFFECT CONTROLS
 EFFECT WINDOW
Video editing systems and their components
Video editing systems and their components
Video editing systems and their components
Video editing systems and their components
Video editing systems and their components
Video editing systems and their components
Video editing systems and their components

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Video editing systems and their components

  • 2.  LINEAR EDITING  NON-LINEAR EDITING
  • 3.  Analog editing(LINEAR EDITING) is the name given to traditional tape-based video post production  Tape-based editing is linear because we cannot jump instantly to any point in a videotape.
  • 4.  Linear video editing is a process of selecting, arranging and modifying images and sound in a pre-determined, ordered sequence – from start to finish.  Linear editing is most commonly used when working with videotape. Unlike film, videotape cannot be physically cut into pieces to be spliced together to create a new order. Instead, the editor must dub or record each desired video clip onto a master tape.
  • 5.
  • 6.  It is simple and inexpensive. There are very few complications with formats, hardware conflicts, etc.  For some jobs linear editing is better. For example, if all you want to do is add two sections of video together, it is a lot quicker and easier to edit tape-to-tape than to capture and edit on a hard drive.  Learning linear editing skills increases your knowledge base and versatility. According to many professional editors, those who learn linear editing first tend to become better all- round editors.
  • 7.  one would come across when using the linear video editing method. First, it is not possible to insert or delete scenes from the master tape without re-copying all the subsequent scenes  Secondly, because of the overdubbing that has to take place if you want to replace a current clip with a new one, the two clips must be of the exact same length
  • 8.  Non-linear editing. In digital video editing, non-linear editing is a method that allows we to access any frame in a digital video clip regardless of sequence in the clip
  • 9.  The nonlinear video editing method is a way of random access editing, which means instant access to whatever clip you want, whenever you want it.  So instead of going in a set order, you are able to work on any segment of the project at any time, in any order you want.  In nonlinear video editing, the original source files are not lost or modified during editing.  This is done through an edit decision list (EDL), which records the decisions of the editor and can also be interchanged with other editing tools.  It is also easy to change cuts and undo previous decisions
  • 10.
  • 11.  FINAL CUT PRO  ADOBE PREMIER PRO  AVID MEDIA COMPOSER  EDIUS ect…
  • 12.  PROJECT WINDOW  SOURCE MONITOR  PROGRAM MONITOR  TIMELINE  TOOL WINDOW  EFFECT CONTROLS  EFFECT WINDOW