This document is a project report submitted by Varsha Karadia, a 2nd year fashion design student at Dezyne E'cole College, for a print development project. The project involved ideating geometric patterns, selecting five for further development, and rendering the prints using different color schemes and Photoshop. Karadia developed the selected prints using monochromatic, complimentary, and neutral color palettes to convey different moods. The developed prints were then applied to a shift dress. The report documents the process and outcomes of the print development project.
Draping is the process of positioning and pinning fabric on a dress form to develop a garment's structure before creating a sewing pattern. It teaches designers how darts and seams shape garments and give proper fit. Draping allows designers to experiment with different designs easily by changing fabric drapes and placements of darts. The main advantage is that designers can see the 3D form of a design before cutting and sewing, and adjustments are simpler than working with paper patterns. However, draping requires an accurate dress form and sense of the design's shape, and tracing the draped fabric takes more time than traditional pattern making.
Fashion draping is the process of positioning and pinning fabric on a dress form to understand what creates a great fit and how to achieve it. Designers no longer use draping as part of the design process but instead experiment with fabrics on a dress form so they can immediately see the results of how their design will look.
This document is a project report submitted by Nistha Chandela, a student of fashion design, to partially fulfill her diploma requirements. The report discusses various surface ornamentation techniques used in tie-dye, including twisting, coiling, folding, binding, and sewing methods. Diagrams demonstrate how to apply each technique by binding, twisting, pleating, or gathering portions of fabric before dyeing. The concluding section shows some of Nistha's original tie-dye samples created using these methods.
This document describes various tie dye methods including twisting and coiling, folding, binding, sewing, marbling, and knotting. For each method, the key steps are outlined such as twisting fabric until it is half the original length and tying it at intervals. The document also mentions the author's creation of cushion covers using marbling effects for tie dye.
Varsha Karadia, NSQF level 6 of NSDC,fashion Designdezyneecole
This document describes various methods for decorating fabric, including twisting and coiling, folding, binding, sewing, and knotting. It provides step-by-step instructions for techniques like making pleats, twisting fabric to shorten its length, tying knots or threads along the fabric, gathering sections using running stitches, and bunching fabric into a ball to dye it. The goal is to create decorated scarves and fabrics using materials like chiffon.
Sangeeta Chouhan submitted a project report on tie and dye techniques as part of her 2-year diploma in fashion design. The report details various tie and dye methods like knotting, binding, folding, and twisting that are used to create patterns and effects when dyeing fabric. It includes photographs and explanations of samples produced using techniques like marbling, sewing, and spiral folding. The aim was to showcase tie and dye skills and abilities for the partial fulfillment of her diploma requirements.
This document is a project report submitted by Varsha Karadia, a 2nd year fashion design student at Dezyne E'cole College, for a print development project. The project involved ideating geometric patterns, selecting five for further development, and rendering the prints using different color schemes and Photoshop. Karadia developed the selected prints using monochromatic, complimentary, and neutral color palettes to convey different moods. The developed prints were then applied to a shift dress. The report documents the process and outcomes of the print development project.
Draping is the process of positioning and pinning fabric on a dress form to develop a garment's structure before creating a sewing pattern. It teaches designers how darts and seams shape garments and give proper fit. Draping allows designers to experiment with different designs easily by changing fabric drapes and placements of darts. The main advantage is that designers can see the 3D form of a design before cutting and sewing, and adjustments are simpler than working with paper patterns. However, draping requires an accurate dress form and sense of the design's shape, and tracing the draped fabric takes more time than traditional pattern making.
Fashion draping is the process of positioning and pinning fabric on a dress form to understand what creates a great fit and how to achieve it. Designers no longer use draping as part of the design process but instead experiment with fabrics on a dress form so they can immediately see the results of how their design will look.
This document is a project report submitted by Nistha Chandela, a student of fashion design, to partially fulfill her diploma requirements. The report discusses various surface ornamentation techniques used in tie-dye, including twisting, coiling, folding, binding, and sewing methods. Diagrams demonstrate how to apply each technique by binding, twisting, pleating, or gathering portions of fabric before dyeing. The concluding section shows some of Nistha's original tie-dye samples created using these methods.
This document describes various tie dye methods including twisting and coiling, folding, binding, sewing, marbling, and knotting. For each method, the key steps are outlined such as twisting fabric until it is half the original length and tying it at intervals. The document also mentions the author's creation of cushion covers using marbling effects for tie dye.
Varsha Karadia, NSQF level 6 of NSDC,fashion Designdezyneecole
This document describes various methods for decorating fabric, including twisting and coiling, folding, binding, sewing, and knotting. It provides step-by-step instructions for techniques like making pleats, twisting fabric to shorten its length, tying knots or threads along the fabric, gathering sections using running stitches, and bunching fabric into a ball to dye it. The goal is to create decorated scarves and fabrics using materials like chiffon.
Sangeeta Chouhan submitted a project report on tie and dye techniques as part of her 2-year diploma in fashion design. The report details various tie and dye methods like knotting, binding, folding, and twisting that are used to create patterns and effects when dyeing fabric. It includes photographs and explanations of samples produced using techniques like marbling, sewing, and spiral folding. The aim was to showcase tie and dye skills and abilities for the partial fulfillment of her diploma requirements.
Embroidery is the handicraft of decorating fabric or other materials with needle and thread or yarn. Embroidery is most often used on caps, hats, coats, blankets, dress shirts, denim, stockings, and golf shirts.
1. The document describes various embroidery stitches including backstitch, bullion stitch, chain stitch, cross-stitch, feather stitch, fish bone stitch, French knot, herringbone stitch, lazy daisy chain stitch, looped stitch, running stitch, satin stitch, split stitch, seed stitch, and stem stitch.
2. It also provides instructions for transferring embroidery designs using hot-iron transfer, tracing, and stamping methods.
3. Finally, it lists good habits for clean and quality embroidery work such as having a clean work space, proper materials, hair control, using the right needles, proper thread and fabric handling, and cleaning the work area.
This document discusses fabric construction and properties for dress design. It begins by introducing dress design and fashion design. There are several key steps in designing a garment, including sketching a design, creating a muslin sample, making a pattern, and the finished dress. Fabric choice, color, design, and decoration are the four essentials of dress design. The document then covers various fabric constructions like woven, knitted, laced, and non-woven fabrics. It describes different weaves like plain, twill, satin, and their characteristics. The summary provides an overview of the key topics and processes covered in the document.
This document is a project report submitted by Monika Samtani, a second year B.Sc. Fashion Technology student at Dezyne E'cole College, on the topic of tie-dye surface design techniques. The report describes several binding methods for tie-dye, including the folding method, sewing method, marbling effect, and more. It provides step-by-step instructions and illustrations for each binding technique. The principal of Dezyne E'cole College reviewed and graded the project.
This document discusses various aspects of pattern making, including:
1. Pattern making is the process of manipulating flat fabric pieces to conform to the three-dimensional curves of the human body. It bridges the gap between design and production by translating designs into physical garment pieces.
2. There are three main methods of pattern making - drafting, draping, and flat pattern making. Drafting uses measurements to draw construction lines, while draping involves shaping fabric directly on a dress form. Flat pattern making manipulates existing patterns.
3. Patterns allow for quicker and easier cutting than draping or drafting, with less fabric waste. Patterns can also be reused or altered through techniques like grading.
This document provides instructions for preparing fabric and cutting patterns. It discusses straightening, shrinking, and pressing fabric before laying out pattern pieces. Four types of fabric folds are described for layout. Pointers are given for positioning patterns accurately and pinning them in place. Marking tools and techniques are outlined for transferring pattern marks to fabric. The overall goal is to prepare tools, materials, and fabric properly before cutting out pattern pieces.
This document provides instructions for preparing fabric and cutting patterns. It discusses straightening, shrinking, and pressing fabric before laying out pattern pieces. Four types of fabric folds are described for layout. Pointers are given for positioning patterns accurately and pinning them in place. Marking tools and techniques are outlined for transferring pattern marks to fabric. The overall goal is to prepare tools, materials, and fabric properly before cutting patterns.
Tie dye is a technique for dyeing fabrics that results in interesting colorful patterns by crumpling, pleating, or folding fabric and tying it with string. Common fabrics used are cotton t-shirts, silk scarves, bed sheets, and clothing. The document describes several tie dye techniques including making stripes by rolling the fabric and tying loops, spirals by folding the fabric around a central point, dots by tying small pinched sections, floral dots by grouping pinched sections, and the accordion fold technique. The easiest method is crumpling the fabric randomly and wrapping strings all over it without following a pattern.
The document provides information on using three-dimensional dress forms for designing and fitting clothing. It discusses how dress forms come in different sizes to represent different body types and how they allow designers to see how garments will fit and drape on the body. Adjustable forms can be tailored to fit specific individuals. The document then gives step-by-step instructions for making a custom dress form to match an individual's exact measurements and outlines the materials and methods needed.
This document discusses garment patterns and fabrics. It covers topics such as the importance of the pattern as a communication tool between design and production. It describes how patterns should be marked with grain lines and pairing methods. The document also discusses establishing the grain line relationship between patterns and fabrics, and how pile direction can influence pattern layout. It provides guidelines for grain lines on different garment components.
Dezyne E'cole College student portfolio made after her 1year duration of study at the college. Msc.Fashion Technology student are given technical inputs to make them industry ready. Presenting her work just after 9 months of her period of study at Dezyne E'cole College , Ajmer.
The document discusses knitting, which is a process of creating fabric or other crafts from loops of yarn or thread. It begins by acknowledging those who helped with a knitting project. It then defines knitting, compares it to weaving, discusses characteristics of knitted fabrics and common defects. The document outlines the formation of a knit stitch, describes warp and weft knitting structures, and discusses different knitting machines and methods.
Tie-dye has been used for over 6,000 years and was popularized in the 1960s-1970s. It involves folding, twisting, or binding fabric and then applying dye to create patterns. The document provides instructions for common tie-dye techniques like sunburst, stripes, spiral and bullseye patterns. Materials needed for tie-dying include fabric, dye, rubber bands, gloves, bottles for dye application, and protection for surfaces.
This document provides instructions for Technology and Livelihood Education (TLE) class. It discusses classifying tools and materials for measuring, cutting, and sewing. It lists sewing tools like scissors, rulers, needles and describes how to draft patterns for items like pillowcases. The document outlines the steps to make a pillowcase, including cutting fabric, folding, stitching sides, hemming the opening. It emphasizes the importance of safety precautions like not putting pins in the mouth when sewing.
Paper weaving is an ancient craft that involves interlacing paper strips in a loom. The document defines key weaving terms like warp, weft, and loom. It then provides a 13-step process to make a paper weaving, including cutting a paper loom, weaving colored paper strips in an over-under pattern, and framing the finished weaving. Various weaving patterns like plain, basket, twill, and satin weaves are also explained.
Draping fabric on a dress form is an important skill for fashion designers. It allows them to experiment with different dart and seam placements to achieve the perfect garment fit before finalizing the design. In contrast to sketching alone, draping provides a hands-on way to visualize how fabric will hang and move on the body. This trial-and-error process is especially useful for delicate fabrics like lingerie or complex designs seen in high fashion. While draping eliminates the need to add wearing ease estimates, an accurate dress form and stable fabric are required to transfer the design successfully to a paper pattern.
This session seeks to enlighten the learner on what pattern is, its improtance and and ways of obtaining them. it also help you to identify the tools and materials needed for pattern making
Fashion draping is an important process in fashion design where fabric is positioned and pinned on a dress form to develop a garment's structure. Muslin fabric is commonly used for draping as it is inexpensive and comes in various weights. The draping process involves selecting initial fabric, tearing it to shape, blocking and pressing it to form, and adding seam allowances. Draping allows designers to visualize how a dress will look and make adjustments before cutting, while reducing fabric waste. It is considered an important process used by many top fashion brands.
2015 AFB Leadership Sew Independent (2)Polly Abbott
This document provides tips for teaching sewing to students with vision impairments. It discusses developing tactile skills, confidence, and viewing one's capabilities differently through sewing. Tips are provided for threading needles, using sewing machines, cutting fabric, and measuring. Safety is stressed. Volunteers assisting in the sewing room should understand how students with vision loss sew independently. Beginner project ideas like pillowcases, bags, and aprons are suggested. The goal is to teach skills, troubleshooting, and independence.
1. The document provides instructions and information about various basic hand sewing stitches for dressmaking and tailoring.
2. It describes 7 different hand sewing stitches - back stitch, basting stitch, running stitch, outline stitch, blanket stitch, catch stitch, and chain stitch. Diagrams and explanations of how to perform each stitch are provided.
3. The document also mentions that there are 4 types of basting stitch: hand basting, machine basting, pin basting, and basting edges with an iron. Rubrics for evaluating hand sewing samples of the different stitches are included.
Gracika Benjamin , Diploma Fashion Design Second Yeardezyneecole
Portfolio Of Student Of Dezyne E'cole College,Gracika Benjamin , Second Year Fashion Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com
Sheikh Anjum Firdoush , Diploma Fashion Design Second Yeardezyneecole
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Embroidery is the handicraft of decorating fabric or other materials with needle and thread or yarn. Embroidery is most often used on caps, hats, coats, blankets, dress shirts, denim, stockings, and golf shirts.
1. The document describes various embroidery stitches including backstitch, bullion stitch, chain stitch, cross-stitch, feather stitch, fish bone stitch, French knot, herringbone stitch, lazy daisy chain stitch, looped stitch, running stitch, satin stitch, split stitch, seed stitch, and stem stitch.
2. It also provides instructions for transferring embroidery designs using hot-iron transfer, tracing, and stamping methods.
3. Finally, it lists good habits for clean and quality embroidery work such as having a clean work space, proper materials, hair control, using the right needles, proper thread and fabric handling, and cleaning the work area.
This document discusses fabric construction and properties for dress design. It begins by introducing dress design and fashion design. There are several key steps in designing a garment, including sketching a design, creating a muslin sample, making a pattern, and the finished dress. Fabric choice, color, design, and decoration are the four essentials of dress design. The document then covers various fabric constructions like woven, knitted, laced, and non-woven fabrics. It describes different weaves like plain, twill, satin, and their characteristics. The summary provides an overview of the key topics and processes covered in the document.
This document is a project report submitted by Monika Samtani, a second year B.Sc. Fashion Technology student at Dezyne E'cole College, on the topic of tie-dye surface design techniques. The report describes several binding methods for tie-dye, including the folding method, sewing method, marbling effect, and more. It provides step-by-step instructions and illustrations for each binding technique. The principal of Dezyne E'cole College reviewed and graded the project.
This document discusses various aspects of pattern making, including:
1. Pattern making is the process of manipulating flat fabric pieces to conform to the three-dimensional curves of the human body. It bridges the gap between design and production by translating designs into physical garment pieces.
2. There are three main methods of pattern making - drafting, draping, and flat pattern making. Drafting uses measurements to draw construction lines, while draping involves shaping fabric directly on a dress form. Flat pattern making manipulates existing patterns.
3. Patterns allow for quicker and easier cutting than draping or drafting, with less fabric waste. Patterns can also be reused or altered through techniques like grading.
This document provides instructions for preparing fabric and cutting patterns. It discusses straightening, shrinking, and pressing fabric before laying out pattern pieces. Four types of fabric folds are described for layout. Pointers are given for positioning patterns accurately and pinning them in place. Marking tools and techniques are outlined for transferring pattern marks to fabric. The overall goal is to prepare tools, materials, and fabric properly before cutting out pattern pieces.
This document provides instructions for preparing fabric and cutting patterns. It discusses straightening, shrinking, and pressing fabric before laying out pattern pieces. Four types of fabric folds are described for layout. Pointers are given for positioning patterns accurately and pinning them in place. Marking tools and techniques are outlined for transferring pattern marks to fabric. The overall goal is to prepare tools, materials, and fabric properly before cutting patterns.
Tie dye is a technique for dyeing fabrics that results in interesting colorful patterns by crumpling, pleating, or folding fabric and tying it with string. Common fabrics used are cotton t-shirts, silk scarves, bed sheets, and clothing. The document describes several tie dye techniques including making stripes by rolling the fabric and tying loops, spirals by folding the fabric around a central point, dots by tying small pinched sections, floral dots by grouping pinched sections, and the accordion fold technique. The easiest method is crumpling the fabric randomly and wrapping strings all over it without following a pattern.
The document provides information on using three-dimensional dress forms for designing and fitting clothing. It discusses how dress forms come in different sizes to represent different body types and how they allow designers to see how garments will fit and drape on the body. Adjustable forms can be tailored to fit specific individuals. The document then gives step-by-step instructions for making a custom dress form to match an individual's exact measurements and outlines the materials and methods needed.
This document discusses garment patterns and fabrics. It covers topics such as the importance of the pattern as a communication tool between design and production. It describes how patterns should be marked with grain lines and pairing methods. The document also discusses establishing the grain line relationship between patterns and fabrics, and how pile direction can influence pattern layout. It provides guidelines for grain lines on different garment components.
Dezyne E'cole College student portfolio made after her 1year duration of study at the college. Msc.Fashion Technology student are given technical inputs to make them industry ready. Presenting her work just after 9 months of her period of study at Dezyne E'cole College , Ajmer.
The document discusses knitting, which is a process of creating fabric or other crafts from loops of yarn or thread. It begins by acknowledging those who helped with a knitting project. It then defines knitting, compares it to weaving, discusses characteristics of knitted fabrics and common defects. The document outlines the formation of a knit stitch, describes warp and weft knitting structures, and discusses different knitting machines and methods.
Tie-dye has been used for over 6,000 years and was popularized in the 1960s-1970s. It involves folding, twisting, or binding fabric and then applying dye to create patterns. The document provides instructions for common tie-dye techniques like sunburst, stripes, spiral and bullseye patterns. Materials needed for tie-dying include fabric, dye, rubber bands, gloves, bottles for dye application, and protection for surfaces.
This document provides instructions for Technology and Livelihood Education (TLE) class. It discusses classifying tools and materials for measuring, cutting, and sewing. It lists sewing tools like scissors, rulers, needles and describes how to draft patterns for items like pillowcases. The document outlines the steps to make a pillowcase, including cutting fabric, folding, stitching sides, hemming the opening. It emphasizes the importance of safety precautions like not putting pins in the mouth when sewing.
Paper weaving is an ancient craft that involves interlacing paper strips in a loom. The document defines key weaving terms like warp, weft, and loom. It then provides a 13-step process to make a paper weaving, including cutting a paper loom, weaving colored paper strips in an over-under pattern, and framing the finished weaving. Various weaving patterns like plain, basket, twill, and satin weaves are also explained.
Draping fabric on a dress form is an important skill for fashion designers. It allows them to experiment with different dart and seam placements to achieve the perfect garment fit before finalizing the design. In contrast to sketching alone, draping provides a hands-on way to visualize how fabric will hang and move on the body. This trial-and-error process is especially useful for delicate fabrics like lingerie or complex designs seen in high fashion. While draping eliminates the need to add wearing ease estimates, an accurate dress form and stable fabric are required to transfer the design successfully to a paper pattern.
This session seeks to enlighten the learner on what pattern is, its improtance and and ways of obtaining them. it also help you to identify the tools and materials needed for pattern making
Fashion draping is an important process in fashion design where fabric is positioned and pinned on a dress form to develop a garment's structure. Muslin fabric is commonly used for draping as it is inexpensive and comes in various weights. The draping process involves selecting initial fabric, tearing it to shape, blocking and pressing it to form, and adding seam allowances. Draping allows designers to visualize how a dress will look and make adjustments before cutting, while reducing fabric waste. It is considered an important process used by many top fashion brands.
2015 AFB Leadership Sew Independent (2)Polly Abbott
This document provides tips for teaching sewing to students with vision impairments. It discusses developing tactile skills, confidence, and viewing one's capabilities differently through sewing. Tips are provided for threading needles, using sewing machines, cutting fabric, and measuring. Safety is stressed. Volunteers assisting in the sewing room should understand how students with vision loss sew independently. Beginner project ideas like pillowcases, bags, and aprons are suggested. The goal is to teach skills, troubleshooting, and independence.
1. The document provides instructions and information about various basic hand sewing stitches for dressmaking and tailoring.
2. It describes 7 different hand sewing stitches - back stitch, basting stitch, running stitch, outline stitch, blanket stitch, catch stitch, and chain stitch. Diagrams and explanations of how to perform each stitch are provided.
3. The document also mentions that there are 4 types of basting stitch: hand basting, machine basting, pin basting, and basting edges with an iron. Rubrics for evaluating hand sewing samples of the different stitches are included.
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3. Dezyne E’cole College
106/10 Civil Lines
Ajmer-305001, Raj
Tel. 0145-2624679
www.dezyneecole.com
This project report of Ms. Varsha Karadia student of 2nd
Year Fashion Design Diploma, NSQF Level 6 of NSDC, has
been checked and has been graded as
_______________________________________________
_______________________________________________
Thanking you,
Principal
(seal & signature)
4. I am Varsha Karadia, student of Fashion Design
department of Dezyne E’cole College. I would like to thank
to all the mentors who had helped me to complete this
project.
I also thank Dezyne E’cole College for giving me this
opportunity to make this project and helped me to
understand the practical working of fashion designing
Acknowledgement
5. Tie and dye is a surface design technique in which we can
dye the fabric in different manner using different
methods that is sewing method, folding method, binding
method etc.
Tie and dye is a modern term invented in the mid 1960 in
the United State for a set of ancient resist dyeing
techniques, and for the products of these processes. The
process of tie and dye typically consist of folding, twisting
,pleating or crumpling fabric or a garment and binding
with string when it is dyed the dye cannot penetrate into
these areas. Which are resisted. Tie and dye can be used
to create a wide variety of designs on fabric, from
different methods of tying such as the spiral, diamond,
marble and stitching to create a beautiful pattern.
TIE AND DYE
8. TWISTING AND COILING METHOD
• First make the pleat out of fabric.
• Then handle it from two ends then start twisting the fabric.
• Twist it till it became half the length then tie it at intervals.
10. TWISTING AND COILING METHOD
• Keep the finger tips on the center of the fabric.
• Then start twisting the fabric from the center till the end.
• Then tie the fabric tightly
14. FOLDING METHOD
• Fold the fabric lengthwise.
• Make wide pleats out of the fabric.
• Then tie the fabric from middle leaving the space from both
of the side.
15.
16. FOLDING METHOD
• Make wide pleats out of the fabric.
• Then make a triangular fold from one end repeat the
folding till another end of the fabric.
• Tie the fabric tightly using thread.
17.
18. FOLDING METHOD
• First make small pleats out of the fabric.
• Then start folding the fabric till the end.
• Then tie the sample tightly using thread.
24. BINDING METHOD
• Pick the fabric from the center and make rope out of it.
• Tie the rope half way from top.
• Then dye the fabric in the colour.
25.
26. BINDING METHOD
• Pick the fabric from the center and make rope out of it.
• Tie the rope criss cross at intervals.
• Then dye the fabric in the colour.
27.
28. BINDING METHOD
• Tie a coin in the center of the fabric.
• Then make a line on the remaining fabric and gather it with
the running stitch.
• Then tie the remaining fabric
29.
30.
31. BINDING METHOD
• Handle the fabric from one corner and make rope out of it.
• Then bind the rope with thread on equal intervals.
• Than dye the fabric in the colour.
32.
33. BINDING METHOD
• First mark the dots on the fabric piece at equal distance.
• Than pick the one with nails and start tying it.
• Then tie the dots ,marked.
34.
35. BINDING METHOD
• Mark an S on the center of the fabric.
• Then gather the fabric following the wave line and tie it.
• Then bind the dots on the remaining fabric.
• Then dye the fabric.
38. SEWING METHOD
• Mark the line t similar intervals on the fabric.
• Then gathers the line with running stitch.
• Tie the threads tightly.
39.
40. SEWING METHOD
• Fold the fabric lengthwise.
• Then mark half rectangle on the on fold side.
• Gather the rectangle with running stitch and tie the thread
tightly.
41.
42. SEWING METHOD
• Fold the fabric lengthwise.
• Then mark half circle on the on fold side.
• Gather the circle with running stitch and tie the thread
tightly.
43.
44. SEWING METHOD
• Make wide pleats out of the fabric.
• Then mark wave line on it.
• Gather it using running stitch.
• Then dye the fabric.
45.
46. SEWING METHOD
• Make wide pleats out of the fabric.
• Then mark triangles on it.
• Gather the triangle using running stitch.
• Then dip fabric into colour.
47.
48. SEWING METHOD
• First fold a rectangular fabric.
• Then make the square at both the sides and gather the
fabric with running stitch.
• Then tie the fabric.
52. MARBELLING METHOD
• The fabric is bunched up into a ball and tied with a thread
and string to prevent it from opening.
• This bunch of fabric is than dyed.
55. KNOTTING METHOD
• First fold the square piece of fabric in triangle.
• Then tie to knots at the opposite side.
• Tie one knot on the remaining side of the triangle.