5 THINGS
What every charity should
know about social media
Vanessa Barnett
Partner, TMT
@vanessabarnett
THE LAW (AND OTHER STUFF)
 Mostly old laws, with a bit of the new
 Four key areas of law:
 Intellectual property
 Data protection/privacy
 Defamation/contempt
 Employment
 One key set of terms and conditions (well, sort of)
 Social media platform T+Cs
ONE – RESPECT MY AUTHORITY
(INTELLECTUAL PROPERTY)
http://southparkstudios.mtvnimages.com/shared/downloads/images/season-14/1403/1403_cartmanJunkieA.jpg
Flikr attribution:
naixn
Flikr attribution:
grendelkhan
Flickr attribution:
p_a_h
Getting the right rights in
 Creating new content
 Commercial production
 Assignment always
preferable!
 User generated content
 Assignment unlikely, but very
wide licence
 Employees/consultants
 Using existing third party
content
 Commercial licence
 Content libraries
 Creative Commons
 Be careful licence rights
wide enough
 Exclusive/non-exclusive
 Territory
 Media
 Devices
 Language
Copyright myths
 Everything on the Internet is in the public domain, so I can use it
 No, only stuff where copyright has actually expired is in the public domain
 If there’s no copyright notice, I can use it
 No, no notice is needed to get copyright, it just arises and the creators are
protected – notices, these days, are for information
 If I change it, I have not made a copy, so I can use it
 No, that’s still a copy which has been derived from the original, so still an
infringing copy
 If I just copy part of it, it’s not a copy, so I can use it
 No, because a copy can be the whole or a substantial part (and that’s
qualitative – think of the Mona Lisa smile!)
 If I don’t make any money out of it, it’s not commercial, so it’s
permitted
 No, the exceptions which allow use of copyright works without permission
are very narrow (e.g. research, private study, news reporting, etc)
The „right‟ to „share‟
TWO – DON‟T BE A DATA
DUFFUS
Privacy and Electronic
Communications Regulations
 Need a positive indication of consent – but that doesn‟t
automatically mean a tick box
 Directive defines „the data subject‟s consent‟ as:
„any freely given specific and informed indication of his wishes by
which the data subject signifies his agreement to personal data
relating to him being processed‟
 ICO read this as some form of communication where the
individual knowingly indicates consent, saying:
“This may involve clicking an icon, sending an email or subscribing to
a service. The crucial consideration is that the individual must fully
understand that by the action in question they will be giving consent.”
The „soft‟ opt in – how far can you
stretch it?
 PECR say no need for consent if:
 Obtained details from the intended recipient in the context of a sale
or negotiations for the sale of a product or service AND
 The marketing relates to sender‟s own/similar products or services
AND
 The recipient is given a simple means of refusing the
communications (but an opt-out or otherwise) at data collection and
on every subsequent communication
 So careful with mailing list purchases too!
All boils down to this
Tell people what
you are doing with
personal data
Do what you have
told them!
THREE – NO SUCH THING
AS #INNOCENT
http://www.thetimes.co.uk/tto/multimedia/archive/00320/102030342_Paul_Cham_320099c.jp
g
Paul Chambers
Sally Bercow
http://www.independent.co.uk/news/uk/crime/twitter-libel-sally-bercow-says-she-has-learned-
the-hard-way-as-she-settles-with-tory-peer-lord-mcalpine-over-libellous-tweet-8630653.html
Jordan
#ad #spon
 Disclosure of paid promotions or endorsements
 Use ‘#ad’ hashtag or #spon if someone has been paid to
promote your charity
 The position of charity „ambassadors‟ is unclear
FOUR – WE ARE ALL IN IT
TOGETHER (UNFORTUNATELY!)
Responsibility for employees
FIVE – DON‟T FORGET THE
CONTRACT STUFF
Common themes for social media
platform T+Cs
 Don‟t spam
 Don‟t bully, intimidate or harrass
 No nudity or pornographic content
 Don‟t infringe or violate rights of third parties (including
copyright!)
 Don‟t publish confidential stuff
 Don‟t associate with us
 Get logos right
simples
Facebook specifics
 Promotions
 Facebook Promotions Guidelines – keep it legal and if any
‘gambling’ element, need consent from Facebook
 Ads
 Facebook Pages Terms
 Relevant and appropriate for audience
 Appropriately targeted!
 Data
 Get consent and be transparent
 Cannot use for purpose outside of consents
 No tagging without consent!
Twitter specifics
 Don‟t send unsolicited @ replies or mentions
 When you post something on Twitter you grant Twitter a
licence to do what it wants with your content!
 Promoted tweets must be appropriately targeted, comply with
all applicable laws and regulations, and accurately reflect
your brand
 Remember @[your charity] will be responsible for all
promoted content on Twitter on its behalf
FINALLY
THANK YOU

Staying on the right side of the law

  • 1.
    5 THINGS What everycharity should know about social media Vanessa Barnett Partner, TMT @vanessabarnett
  • 3.
    THE LAW (ANDOTHER STUFF)  Mostly old laws, with a bit of the new  Four key areas of law:  Intellectual property  Data protection/privacy  Defamation/contempt  Employment  One key set of terms and conditions (well, sort of)  Social media platform T+Cs
  • 4.
    ONE – RESPECTMY AUTHORITY (INTELLECTUAL PROPERTY)
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
    Getting the rightrights in  Creating new content  Commercial production  Assignment always preferable!  User generated content  Assignment unlikely, but very wide licence  Employees/consultants  Using existing third party content  Commercial licence  Content libraries  Creative Commons  Be careful licence rights wide enough  Exclusive/non-exclusive  Territory  Media  Devices  Language
  • 10.
    Copyright myths  Everythingon the Internet is in the public domain, so I can use it  No, only stuff where copyright has actually expired is in the public domain  If there’s no copyright notice, I can use it  No, no notice is needed to get copyright, it just arises and the creators are protected – notices, these days, are for information  If I change it, I have not made a copy, so I can use it  No, that’s still a copy which has been derived from the original, so still an infringing copy  If I just copy part of it, it’s not a copy, so I can use it  No, because a copy can be the whole or a substantial part (and that’s qualitative – think of the Mona Lisa smile!)  If I don’t make any money out of it, it’s not commercial, so it’s permitted  No, the exceptions which allow use of copyright works without permission are very narrow (e.g. research, private study, news reporting, etc)
  • 11.
    The „right‟ to„share‟
  • 12.
    TWO – DON‟TBE A DATA DUFFUS
  • 14.
    Privacy and Electronic CommunicationsRegulations  Need a positive indication of consent – but that doesn‟t automatically mean a tick box  Directive defines „the data subject‟s consent‟ as: „any freely given specific and informed indication of his wishes by which the data subject signifies his agreement to personal data relating to him being processed‟  ICO read this as some form of communication where the individual knowingly indicates consent, saying: “This may involve clicking an icon, sending an email or subscribing to a service. The crucial consideration is that the individual must fully understand that by the action in question they will be giving consent.”
  • 15.
    The „soft‟ optin – how far can you stretch it?  PECR say no need for consent if:  Obtained details from the intended recipient in the context of a sale or negotiations for the sale of a product or service AND  The marketing relates to sender‟s own/similar products or services AND  The recipient is given a simple means of refusing the communications (but an opt-out or otherwise) at data collection and on every subsequent communication  So careful with mailing list purchases too!
  • 16.
    All boils downto this Tell people what you are doing with personal data Do what you have told them!
  • 17.
    THREE – NOSUCH THING AS #INNOCENT
  • 18.
  • 19.
  • 20.
  • 21.
  • 24.
    #ad #spon  Disclosureof paid promotions or endorsements  Use ‘#ad’ hashtag or #spon if someone has been paid to promote your charity  The position of charity „ambassadors‟ is unclear
  • 25.
    FOUR – WEARE ALL IN IT TOGETHER (UNFORTUNATELY!)
  • 26.
  • 27.
    FIVE – DON‟TFORGET THE CONTRACT STUFF
  • 28.
    Common themes forsocial media platform T+Cs  Don‟t spam  Don‟t bully, intimidate or harrass  No nudity or pornographic content  Don‟t infringe or violate rights of third parties (including copyright!)  Don‟t publish confidential stuff  Don‟t associate with us  Get logos right simples
  • 29.
    Facebook specifics  Promotions Facebook Promotions Guidelines – keep it legal and if any ‘gambling’ element, need consent from Facebook  Ads  Facebook Pages Terms  Relevant and appropriate for audience  Appropriately targeted!  Data  Get consent and be transparent  Cannot use for purpose outside of consents  No tagging without consent!
  • 30.
    Twitter specifics  Don‟tsend unsolicited @ replies or mentions  When you post something on Twitter you grant Twitter a licence to do what it wants with your content!  Promoted tweets must be appropriately targeted, comply with all applicable laws and regulations, and accurately reflect your brand  Remember @[your charity] will be responsible for all promoted content on Twitter on its behalf
  • 31.
  • 33.