Types of shots
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This document discusses different types of shots used in filmmaking including extreme close up, close up, medium shot, long shot, and extreme long shot. An extreme close up shows very small details and is used for mystery scenes. A close up reveals faces and characters. A medium shot shows arms and shoulders. A long shot shows the full body. An extreme long shot provides context and shows landscapes. Examples of each shot type are also provided.
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Types of shots
The document discusses different types of shots used in filmmaking including extreme close up, close up, medium shot, long shot, and extreme long shot. An extreme close up shows very small details, a close up reveals faces, a medium shot shows the arms and shoulders, a long shot shows the full body, and an extreme long shot provides context and landscape. Examples are provided to illustrate each type of shot.
Question 3
The document discusses the genre, editing, music/sound, and camera shots used in a movie. The genre is a revenge thriller that shows how a single parent police officer's lifestyle changes from bright to dark. The movie is edited at a fast pace with quick cuts and scene transitions to build intensity. Sound effects like gunshots are used while background music is avoided to make some scenes more serious. Camerawork includes wide shots to establish scenes, close-ups when characters speak, over-the-shoulder shots for multiple characters, and long shots.
Differnt types of camera shots
This presentation goes through some of the different camera shots used in photography and in the film industry.
Semantic and syntactic
This document discusses semantic and syntactic elements commonly used in psychological thriller trailers. Semantically, they often feature limited lighting in small enclosed spaces to heighten fear. Trailers may introduce the antagonist to set expectations. Locations like cabins isolated in the woods are also frequently used. Voiceovers are sometimes employed to enhance suspense. Syntactically, the narrative must be compelling and tie into the horror elements. One common plot device is possession that can't be seen by other characters. Overall, thrillers aim to intrigue audiences with just enough information while leaving them wanting more.
Animated storyboard
The animated storyboard describes 12 shots for a horror film. Shot 1 shows the killer under a lamp flashing in and out of frame to an unsettling prayer. Shot 2 is a mid-shot of a girl being dragged from bed, misleading viewers to think the kidnapper is the killer. Shot 3 shows cult leaders in masks by a bonfire to another prayer. Shots 4-7 continue developing the cult plot and include characters sending a note to join and one being dragged through mud. Shots 8-10 are inter-titles introducing the director, film title, and release date with ominous fonts and music. Shot 11 shows a surviving character hanging upside down and opening her eyes suddenly.
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Genre analysis
The document discusses key elements of the horror genre including setting, iconography, cinematography, narrative/characters, and themes. Settings in horror films are usually eerie locations that set the tone and allow for scary shots. Iconography includes props, costumes, and characters used to develop personality. Cinematography employs shots and camera angles to only reveal what filmmakers want seen, using techniques like point of view shots. Narratives feature a protagonist and antagonist with supporting characters that may die, and can have sequels. Common themes are good vs evil, zombies, vampires, insanity, revenge, nightmares, masked murderers, and sci-fi horrors.
Narrative Theorists
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Types of shots
The document discusses different types of shots used in filmmaking including extreme close up, close up, medium shot, long shot, and extreme long shot. An extreme close up shows very small details, a close up reveals faces, a medium shot shows the arms and shoulders, a long shot shows the full body, and an extreme long shot provides context and landscape. Examples are provided to illustrate each type of shot.
Question 3
The document discusses the genre, editing, music/sound, and camera shots used in a movie. The genre is a revenge thriller that shows how a single parent police officer's lifestyle changes from bright to dark. The movie is edited at a fast pace with quick cuts and scene transitions to build intensity. Sound effects like gunshots are used while background music is avoided to make some scenes more serious. Camerawork includes wide shots to establish scenes, close-ups when characters speak, over-the-shoulder shots for multiple characters, and long shots.
Differnt types of camera shots
This presentation goes through some of the different camera shots used in photography and in the film industry.
Semantic and syntactic
This document discusses semantic and syntactic elements commonly used in psychological thriller trailers. Semantically, they often feature limited lighting in small enclosed spaces to heighten fear. Trailers may introduce the antagonist to set expectations. Locations like cabins isolated in the woods are also frequently used. Voiceovers are sometimes employed to enhance suspense. Syntactically, the narrative must be compelling and tie into the horror elements. One common plot device is possession that can't be seen by other characters. Overall, thrillers aim to intrigue audiences with just enough information while leaving them wanting more.
Animated storyboard
The animated storyboard describes 12 shots for a horror film. Shot 1 shows the killer under a lamp flashing in and out of frame to an unsettling prayer. Shot 2 is a mid-shot of a girl being dragged from bed, misleading viewers to think the kidnapper is the killer. Shot 3 shows cult leaders in masks by a bonfire to another prayer. Shots 4-7 continue developing the cult plot and include characters sending a note to join and one being dragged through mud. Shots 8-10 are inter-titles introducing the director, film title, and release date with ominous fonts and music. Shot 11 shows a surviving character hanging upside down and opening her eyes suddenly.
Football Fight Club
This mixed documentary uses interviews, narration, and observational footage to examine football hooliganism in the UK. It follows several well-known hooligans and shows their daily lives, including planning fights on social media and discussing their subculture. Clothing and identity are important themes. The narrative jumps between hooligan and family perspectives on football violence.
Genre analysis
The document discusses key elements of the horror genre including setting, iconography, cinematography, narrative/characters, and themes. Settings in horror films are usually eerie locations that set the tone and allow for scary shots. Iconography includes props, costumes, and characters used to develop personality. Cinematography employs shots and camera angles to only reveal what filmmakers want seen, using techniques like point of view shots. Narratives feature a protagonist and antagonist with supporting characters that may die, and can have sequels. Common themes are good vs evil, zombies, vampires, insanity, revenge, nightmares, masked murderers, and sci-fi horrors.
Narrative Theorists
The document discusses two narrative theorists - Vladimir Propp and Gustav Freytag. Propp identified seven character archetypes that commonly appear in narratives, including villains, helpers, and heroes. Freytag analyzed narrative structure and identified five parts of a dramatic storyline: exposition, rising action, climax, falling action, and resolution. The author explains how they applied Propp's character types but not Freytag's structural model to their film project in order to keep viewers constantly surprised.
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Codes and Conventions of Interviews outlines key techniques for filming and editing interviews. Cinematography focuses on framing the subject using the rule of thirds and mid shots from eye-level. Editing removes questions and uses cutaways of relevant footage to keep viewers engaged when the subject speaks. Mise-en-scene considers the subject's costume, lighting, makeup, props, and setting to relate to the documentary's topic. Graphics identify the subject and their relevance in two superimposed lines using easy-to-read font related to the documentary's theme.
Mise en scene
The document is about mise-en-scene elements used in the film Kill Bill Vol. 1. It discusses various aspects of mise-en-scene like lighting, camera angles, composition, color, character placement, shot types, depth of field, and framing. Each page focuses on one mise-en-scene element and provides examples from Kill Bill Vol. 1 to illustrate how that element was employed in the film.
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This document defines and describes different camera shots and angles used in filmmaking, including establishing shots, extreme long shots, long shots, medium shots, close ups, over the shoulder shots, point of view shots, bird's eye views, and low angle shots. It explains what each shot shows or emphasizes and common purposes they serve in setting scenes and portraying characters.
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The opening scene of The Thing establishes the setting of Antarctica and introduces the main characters and conflict. It shows a spaceship crashing to Earth, then cuts to two men in a helicopter pursuing and shooting at a dog across the icy landscape. Visual and audio techniques like high and low camera angles, non-diegetic music, and diegetic helicopter and gun sounds are used to create tension and portray the dog as the victim being hunted by the antagonistic helicopter. The genres of sci-fi and horror are signaled through the isolated Antarctic setting and the spaceship crash from outer space.
Textual analysis2
The opening scene of The Thing establishes the setting of Antarctica and introduces the main characters and conflict. It shows a spaceship crashing to Earth, then cuts to two men in a helicopter pursuing and shooting at a dog across the icy landscape. Visual and audio techniques like camera angles, non-diegetic music, and diegetic sounds are used to create tension and portray the dog as the pursued victim and the helicopter as its threatening antagonist. The genres of sci-fi and horror are signaled through the isolated Antarctic setting and the crashed alien spacecraft.
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The opening sequence of The Prestige establishes a mood of mystery through its use of camera angles, sound, mise-en-scene, and narrative elements. Wide and medium shots show the action in the courtroom and magic show. Sound effects of birds and the audience enhance scenes. Dark, shadowy lighting and mysterious costumes set the formal tone. Character names are given but occupations are concealed, hinting at secrets yet to be revealed.
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Shotlist for horror film
This shot list details the camera shots needed for a horror film set in the woods. It includes 18 shots ranging from establishing shots, close-ups, tracking shots, and shots from different angles. The shots will show a victim, played by Bryony, walking alone in the woods while being stalked by a vampire, played by Hasnat. The shots will capture the victim's increasing unease and eventual attack by the vampire. Equipment needed includes cameras, tripods, and a phone.
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This document describes various camera shots including extreme close-up, big close-up, close-up, medium close-up, medium shot, medium long shot, long shot, very long shot, two shot, over the shoulder shot, interview looks into space, moving subject walks into space, high angle shot, low angle shot, and tilted frame shot. Each shot type is defined and an example is provided from a film to illustrate how it can be used to convey emotion, emphasis different elements, establish scenes, and make viewers feel uneasy.
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Textual Analysis 2
The opening scene of The Thing establishes the setting of Antarctica and introduces the main characters and conflict. It shows a spaceship crashing to Earth, then cuts to two men in a helicopter pursuing and shooting at a dog across the icy landscape. Visual and audio techniques like high and low camera angles, non-diegetic music, and diegetic helicopter and gun sounds are used to create tension and portray the dog as the victim being hunted by the antagonistic helicopter. The genres of sci-fi and horror are signaled through the isolated Antarctic setting and the spaceship crash from outer space.
Textual analysis2
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This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
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Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
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Types of shots
- 1. TYPES OF SHOTS Dariana Alfonzo
- 2. Content Types of Shot • Extreme Colusse Up • Closse Up • Medium Shot • Long Shot • Extreme Long Shot Story Board
- 3. Types of shots • Extreme Closse Up: This type of shot is used to show very small details in the scene. It can also be used in scenes of mystery to show some details that the director consider necessary to understand the video. • Close Up: This type of shot is used to reveal the face of the protagonist or other characters.
- 4. • Medium Shot: This type of shot is used to show the arms and shoulders of the character, and gives more information. • Long Shot: This type of shot is used when the director wants to show the full body of the characters. Also when those are walking or moving. • Extra Long Shot: This type of shot is used to show the landscape and to put the audience in context.
- 5. Extra Long Shot Image of the protagonist on the grass Image of the protagonist on the grass Medium Shot Man in the grass Man in the grass
- 6. Long Shot the Coca Cola the Coca Cola Close Up Close Up of the bug Close Up of the bug
- 7. Extreme Closse Up Extreme Close Up of the sheet of the Extreme Close Up of the face Coca Cola