Mise en scene
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The document is about mise-en-scene elements used in the film Kill Bill Vol. 1. It discusses various aspects of mise-en-scene like lighting, camera angles, composition, color, character placement, shot types, depth of field, and framing. Each page focuses on one mise-en-scene element and provides examples from Kill Bill Vol. 1 to illustrate how that element was employed in the film.
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The document discusses different types of shots used in filmmaking including extreme close up, close up, medium shot, long shot, and extreme long shot. An extreme close up shows very small details, a close up reveals faces, a medium shot shows the arms and shoulders, a long shot shows the full body, and an extreme long shot provides context and landscape. Examples are provided to illustrate each type of shot.
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The document instructs the reader to take 16 photographs of various outdoor and indoor scenes twice - once with a shallow depth of field so that the background is out of focus, and again with a deep depth of field so that everything is in focus. The reader must use a tripod, manual focus, and change the aperture between shots to receive full credit. They are to shoot pairs of each scene - one with shallow depth of field and one with deep depth of field where everything is in focus.
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Camera shots can be categorized by distance from the subject: long shots show the full figure and environment, medium shots show from mid-thigh up, and close-ups show a body part or facial expression. Shots are used to establish scenes, show reactions, and manipulate the audience's perspective of characters through camera angles like high angles, low angles, and eye level. Reverse angles cut between a subject's point of view and what they are seeing.
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Camera focus in cinematography is important for creating meaning and engaging audiences. There are different types of focus like soft focus, deep focus, and shallow focus. Lighting also plays a key role, with different techniques like high key lighting used for comedies and low key lighting for horror. Three point lighting with a key light, back light, and fill light is commonly used. Camera angles, lighting placement, and focus help tell the story and set the mood.
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
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Chapter 5
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Chapter 6
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2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
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spot a liar (Haiqa 146).pptx Technical writhing and presentation skills
spot a liar (Haiqa 146).pptx Technical writhing and presentation skills
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Mise en scene
- 3. Kill Bill Vol. 1 (2003) Dominance Mise en Scene Color Composition Character placement Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Angle Density Depth
- 4. Kill Bill Vol. 1 (2003) Lighting Mise en Scene Color Composition Character placement Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Angle Density Depth
- 5. Shot Kill Bill Vol. 1 (2003) Color Mise en Scene Composition Lighting Lens/filter/ stock Form Shot Secondary Framing Angle Density Depth Character placement Extreme Long Shot Long Shot Staging Full Shot Medium Shot Character Close-up proximity Extreme Close-up
- 6. Kill Bill Vol. 1 (2003) Angle Mise en Scene Color Composition Lighting Lens/filter/ stock Form Shot Secondary Framing Angle Density Depth Character placement Birdโs Eye Staging High Eye-level Low Character Dutch proximity
- 7. Kill Bill Vol. 1 (2003) Color Mise en Scene Color Composition Character placement Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Angle Density Depth
- 8. Kill Bill Vol. 1 (2003) Lens/filter/ stock Mise en Scene Color Composition Character placement Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Angle Density Depth
- 9. Kill Bill Vol. 1 (2003) Secondary Mise en Scene Color Composition Character placement Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Angle Density Depth
- 10. Kill Bill Vol. 1 (2003) Density Mise en Scene Color Composition Character placement Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Angle Density Depth
- 11. Kill Bill Vol. 1 (2003) Composition Mise en Scene Horizontal Vertical Diagonal Lighting Binary Triangle Circular Shot Lens/filter/ stock Form Staging Secondary Framing Character proximity Angle Density Depth
- 12. Kill Bill Vol. 1 (2003) Form Mise en Scene Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Open Angle Closed Density Depth
- 13. Kill Bill Vol. 1 (2003) Framing Mise en Scene Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Tight Angle Loose Density Depth
- 14. Kill Bill Vol. 1 (2003) Depth of Field Mise en Scene Lighting Lens/filter/ stock Form Staging Shot Secondary Framing Character proximity Shallow Angle Deep Density Depth
- 15. Kill Bill Vol. 1 (2003) Character placement Mise en Scene Horizontal Vertical Diagonal Lighting Binary Triangle Circular Shot Lens/filter/ stock Form Staging Secondary Framing Character proximity Angle Density Depth
- 16. Kill Bill Vol. 1 (2003) Staging Mise en Scene Horizontal Vertical Diagonal Lighting Binary Triangle Circular Shot Lens/filter/ stock Form Staging Secondary Framing Character proximity Angle Density Depth
- 17. Kill Bill Vol. 1 (2003) Character proximity Mise en Scene Horizontal Vertical Diagonal Lighting Binary Triangle Circular Shot Lens/filter/ stock Form Staging Secondary Framing Character proximity Angle Density Depth
- 18. Kill Bill Vol. 1 (2003) Your turn Mise en Scene Horizontal Vertical Diagonal Lighting Binary Triangle Circular Shot Lens/filter/ stock Form Staging Secondary Framing Character proximity Angle Density Depth
- 19. Kill Bill Vol. 1 (2003) Your turn Mise en Scene Horizontal Vertical Diagonal Lighting Binary Triangle Circular Shot Lens/filter/ stock Form Staging Secondary Framing Character proximity Angle Density Depth
- 20. Kill Bill Vol. 1 (2003) Your turn Mise en Scene Horizontal Vertical Diagonal Lighting Binary Triangle Circular Shot Lens/filter/ stock Form Staging Secondary Framing Character proximity Angle Density Depth
- 21. Mise en Scene