E4 is a British digital television channel launched in 2001. It is aimed mainly at the lucrative 15-35 age group. Programming includes imported American shows such as The Big Bang Theory and Scrubs, as well as British shows like The Inbetweeners and Made in Chelsea. E4 broadcasts some American shows like Desperate Housewives up to a week before their broadcast on Channel 4. Its most viewed broadcast was an episode of The Inbetweeners that attracted over 3.7 million viewers in 2010.
This powerpoint travels back in time to explore where the genre comedy originates from, it includes legends such as Charlie Chaplin and Macaulay Culkin.
it spread haltingly and transmission was mainly in black & white. The thinkers and policy makers of the country, who had just been liberated from centuries of colonial rule, frowned upon television, looking on at it as a luxury for Indians
This powerpoint travels back in time to explore where the genre comedy originates from, it includes legends such as Charlie Chaplin and Macaulay Culkin.
it spread haltingly and transmission was mainly in black & white. The thinkers and policy makers of the country, who had just been liberated from centuries of colonial rule, frowned upon television, looking on at it as a luxury for Indians
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
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Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
2. E4 is a British digital television channel, launched as a pay-TV companion to
Channel 4 on 18 January 2001. The "E" stands for entertainment, and the channel
is mainly aimed at the lucrative 15–35 age group. Programming includes U.S.
imports such as The Cleveland Show, The O.C., Smallville, Veronica Mars,
Everwood, What About Brian?, Desperate Housewives, How I Met Your Mother,
90210, One Tree Hill, Ugly Betty, Scrubs, Rules of Engagement, The Big Bang Theory,
2 Broke Girls, Revenge, and formerly Friends. Other programming includes British
shows such as Misfits, The Ricky Gervais Show, Shameless, Hollyoaks, Skins, The
Inbetweeners, Made in Chelsea, and My Mad Fat Diary. Some U.S. imports, such
as Desperate Housewives and Ugly Betty are screened on E4 up to one week
ahead of their Channel 4 broadcasts. Its most successful broadcast to date was
on 11 October 2010 when an episode of The Inbetweeners pulled in over 3.7
million viewers.
3.
Channel 4's primary purpose is the fulfilment of its public service remit, which is
defined in the 2003 Communications Act.
This states that "the public service remit for Channel 4 is the provision of a broad
range of high quality and diverse programming which, in particular:
(a) demonstrates innovation, experiment and creativity in the form and content
of programmes;
(b) appeals to the tastes and interests of a culturally diverse society;
(c) makes a significant contribution to meeting the need for the licensed public
service channels to include programmes of an educational nature and other
programmes of educative value; and
(d) exhibits a distinctive character."
The remit was updated by the 2010 Digital Economy Act, which, in addition to
the above, requires Channel 4 to participate in a broader range of activities.
The Digital Economy Act 2010 requires Channel 4 to participate in:
the making of a broad range of relevant media content of high quality that,
taken as a whole, appeals to the tastes and interests of a culturally diverse
society.
The E4 remit continues on the following page: http://bit.ly/lvaxdH
4. E4 appeals mainly to younger people such as young adults from 16+. This is down
to the nature of the programmes such as The Big Bang Theory, How I met your
Mother, Hollyoaks, Skins and so on. The gender of the audience is both men and
women but as the majority of shows follow a comedy genre, it may appeal to
young adult men more. The viewers will typically be on a low or no income at all
due to the young age and could either be single or in a relationship. In terms of
psychographics the audience will be the strugglers as they don’t have any plans
for tomorrow and tend to be young adults who people might see as losers and so
they use the programmes on this channel such as The Big Bang Theory to immerse
themselves in and escape from reality. Also possibly mainstreamers who attend
university as the programmes fit in with their daily university schedule that they are
in and are looking for stability and trust in their lives.
5. Hollyoaks is a long-running British television teen drama, first broadcast on Channel
4 on 23 October 1995. It was originally devised by Phil Redmond, who had also
devised the Channel 4 soap Brookside. The programme is set in a fictional suburb
of Chester called Hollyoaks, and features a large cast of characters primarily
aged between 16 and 35. Beginning with a cast of just seven major characters in
1995, the serial now has approximately 50 main cast members. Hollyoaks has a
high cast turnover in comparison with other British soaps; as of December 2012, just
thirteen characters have spent 5 years or longer on the show.
This programme matches E4’s target audience of the strugglers as it appeals
mainly to younger adults around the ages of 15-16+, the primary age range of
characters in the programme also reflect this as they are mainly between 16 and
35 and so people of this age will be attracted to it. It is also for people who find
escapism essential as the storylines allows people to fully immerse themselves in
the hectic lives of all of the different characters.
Press release for upcoming storyline:
http://www.digitalspy.co.uk/soaps/s13/hollyoaks/news/a528644/hollyoaks-malerape-storyline-expert-qa-with-advisor-duncan-craig.html
6. Misfits is a British science fiction comedy-drama television show, on the network
Channel 4, about a group of young offenders sentenced to work in a community
service programme, where they obtain supernatural powers after a strange
electrical storm. The series started in 2009 and is currently ongoing.
Antonia Thomas, Iwan Rheon, Lauren Socha, Nathan Stewart-Jarrett, and Robert
Sheehan are introduced as Alisha Daniels, Simon Bellamy, Kelly Bailey, Curtis
Donovan, and Nathan Young respectively. Sheehan left after the second series,
replaced in the third by Joseph Gilgun as Rudy Wade. On 19 March 2013,
Channel 4 announced at a press event that they have renewed Misfits for a fifth
and final series containing 8 episodes.
It matches to the audience of E4 which are strugglers of the ages 16+ as they
don’t have any plans for tomorrow and live for today and people may see them
as losers and wasters so Misfits will be relatable to them.
Press release for upcoming series:
http://www.channel4.com/info/press/news/misfits-series-5
7. ITV (previously ITV1 from 2001 to 2013) is the flagship television channel of ITV plc in
the United Kingdom. Having previously been a collective name for a network of
separate regional television channels, it is now the brand name of the ITV Network
operating in England, Wales, southern Scotland (Dumfries & Galloway, the Scottish
Borders), the Isle of Man, and the Bailiwicks of Jersey and Guernsey. From 2001
until 2013, the channel was known as 'ITV1', because the 'ITV1' brand name was
introduced by Granada and Carlton in August 2001, alongside the regional
identities of their eleven regional companies. ITV1 replaced these regional brands
completely in October 2002, before Granada acquired Carlton in a corporate
takeover and merged to form ITV plc in 2004. The ITV brand, however, should be
distinguished from the UK-wide ITV, of which ITV forms a large proportion.
ITV and its predecessor channels (collectively known simply as ITV from 1955 to
2001, and always treated as a single channel for ratings purposes), have
contended with BBC One for the status of the UK's most watched television
channel since the 1950s. However in line with other terrestrial channels, ITV's
audience share has fallen in the era of multi-channel television. ITV is the biggest
and most popular commercial television channel in the United Kingdom.
ITV plc replaced the ITV1 name on 14 January 2013 in favour of the channel's
former name, 'ITV'.
8.
ITV1 is a mainstream public service channel funded by advertising revenue. It
aims to attract the widest possible audience by offering a range of high quality
programmes that are inclusive in their appeal, particularly at peak viewing
times. Whilst principally targeted at mass audiences, ITV1 also shows
programmes for particular sections of the audience: for example children,
adults under 35, men, and people watching at home during the day. ITV1 has
no specific remit to cater for specific minorities or to be innovative in form or
content, though these qualities will be present in the schedule from time to
time. The Communications Bill published in November 2002 proposes that
ITV1’s statutory remit shall, from enactment during the course of 2003, become
“the provision of a range of high quality and diverse programming”. That is
what
ITV has sought to offer throughout its nearly fifty years of broadcasting.
Investment in original UK production distinguishes ITV1 from other commercial
channels; it aims to remain the largest investor in original production of any
European broadcaster outside the BBC. This commitment to original
The ITV remit continues on the following page: http://bit.ly/18nNsE8
9. ITV1’s target audience varies greatly, targeting the majority of potential audience
members as well as current ones depending on the times throughout the day.
During the early morning programmes such as Daybreak and Lorraine are
broadcast, which appeal to almost the entire TV market, especially businessmen
and women who are on higher income who are married and have children who
follow a mainstreamer psychographic as it gives current and accurate news
stories and interviews from all around the world and mainstreamers enjoy their
daily routine and security, trust and stability is vital but also succeeders. During
midday, programmes such as Loose Women and Peter Andre’s 60 min makeover
are broadcast and these would appeal to mainly women of 35+ who maybe are
unemployed / work part time on low incomes as during this time most people
would be working. They might however, be married and prioritise housewife duties
or might be single, possibly with children. Then evening television consists of game
shows and soap operas which would mainly appeal to older generations that are
primarily female who might be retired, these people would fall into the resigned
category but the soaps do appeal to younger to middle aged people as
well, mainly women who can be classed as mainstreamers.
10. Marchlands is a five-part supernatural drama first shown on ITV in the United Kingdom on
3 February 2011, telling the story of three different families living in the same house at
three different time periods, in 1968, 1987 and 2010. The three families are linked by the
spirit of a young girl who died in mysterious circumstances in 1967. The first episode has
the appearance of a ghost story spanning three different time periods and generations
in a single house in Yorkshire.
This ITV1 drama links to the target audience of ITV1 because the storyline and the setting
of the story links to older people as the story involves a lot of these due to it being set
over 3 different time periods, so people belonging to the resigned group who are
around the ages of 50+ might find the drama interesting. Another target audience it
matches to is the mainstreamers as these are people who are in a daily, stable routine
and will enjoy it as a nice way to finish off their night, they will be married or couples in a
relationship around 35+. It also appeals to explorers as it is a horror mystery and the
discoverers might find the mystery and investigation shown in the drama a fun, new
experience.
Press released for the ITV Drama Marshlands:
http://www.itv.com/dramapremieres/marchlands/
11. Downton Abbey is a British period drama television series created by Julian Fellowes and
co-produced by Carnival Films and Masterpiece. It first aired on ITV in the United
Kingdom & Ireland on 26 September 2010 and on PBS in the US on 9 January 2011. Four
series have been made so far. The series which is set in the Yorkshire country estate of
Downton Abbey depicts the lives of the aristocratic Crawley family and their servants in
the post-Edwardian era – with the great events in history having an affect on their lives
and the British social hierarchy such as the RMS Titanic, WWI, Spanish Influenza
pandemic, the Marconi scandal, Interwar period, the formation of the Irish Free State
and the Teapot Dome scandal.
Downton Abbeys primary audience are the resigned. This is because Downton Abbey is
nostalgic and traditional and matches the profile of the resigned and can be associated
with the unchanging values the resigned group have and these people will be of both
gender of ages 50+ who are maybe on or used to be on a high income. A secondary
audience for Downton Abbey can be the aspirers as both the characters of Downton
Abbey and aspirers value their image and appearance and both find need for status is
vital as the Downton characters especially do.
Press release for the planned new series of the ITV Drama Downton Abbey:
http://www.itv.com/presscentre/press-releases/itv-commissions-fifth-series-downtonabbey#.UoPpdij9VYk
12. BBC One is the flagship television channel of the BBC (British Broadcasting
Corporation) in the United Kingdom, Isle of Man and Channel Islands. It was
launched on 2 November 1936 as the BBC Television Service, and was the world's
first regular television service with a high level of image resolution. It used the
Marconi-EMI all-electronic television service and, for the first three months, the
Baird 240-line intermediate film system. Germany introduced television with a
medium level of image resolution (180 lines) in 1935, initially based on intermediate
film, but fully electronic by 1936. It was renamed '''BBC TV''' in 1960, using this name
until the launch of sister channel BBC Two/BBC2 in 1964, whereupon the BBC TV
channel became known as 'BBC1, with the current spelling adopted in 1997.
13.
You can rely on the BBC to reflect the many communities that exist in the UK. These communities
may be based on geography, on faith, on language, or on a shared interest such as sport. You can
expect the BBC to stimulate debate within and between the communities of the UK, and to
encourage people to get involved with their local communities.
What the BBC will do to achieve this Purpose
1.
Represent the different nations, regions and communities to the rest of the UK.
Across the range of its network output, the BBC should portray and celebrate the range of cultures
and communities across the UK at national, regional and local level.
2.
Cater for the different nations, regions and communities of the UK.
The BBC should provide a range of output, including original content, designed to meet the needs of
the nations, regions and communities of the UK.
3.
Bring people together for shared experiences.
The BBC should broadcast individual programmes that bring together a very wide range of people –
for example, great state occasions, important national sports events and high-quality entertainment.
4.
Encourage interest in, and conversation about local communities.
The BBC should provide engaging output that gives an accurate picture of the many communities
that make up the UK and that informs understanding and stimulates discussion about their concerns.
The BBC should provide forums in which these communities can debate among themselves and with
other UK communities.
5.
Reflect the different religious and other beliefs in the UK.
The BBC should give people opportunities to understand the beliefs of others, and to examine their
own beliefs critically.
6.
Provide output in minority languages.
In its output, the BBC should support the UK’s indigenous languages where appropriate. It may also
provide output in other languages used by licence fee payers in appropriate contexts.
The BBC 1 remit continues on the following page: http://bbc.in/n5NA5h
14. BBC 1 has a very wide target audience. Similarly to ITV, the audience BBC 1 aims
itself at changes throughout the day. In the morning, programmes such as
Breakfast are broadcast. These type of news programmes can appeal to
anybody but they mainly appeal to working adults who are on an average or
high wage who are around the age of 25 and over who could maybe be married
or have kids in the house and want to keep up to date with the latest news. These
people could fall into the mainstreamer category but it anybody from any
category would find the morning programmes appealing. The afternoon
schedules consist of programmes such as Escape to the Country and Bargain
Hunt, appealing to more of an older audience from the ages of 40 – 50 and
older, who are unemployed possibly and may be single or looking after the
children within the household. The resigned group would find these programmes
appealing as they are traditional, nostalgic and the resigned will find the contents
of the programmes familiar; this continues with later programmes such as Antiques
Road Trip and Pointless. In the evening BBC 1s target audience widens again with
soap operas (Eastenders) and entertainment programmes (A Question of Sport)
being broadcast. The target audience for this time can be anybody of any
gender, mainly between the ages of 16-70 who may be part of a family unit.
15. Holby City is a British medical drama television series that airs weekly on BBC One.
The series was created by Tony McHale and Mal Young as a Spin-off from the
established BBC medical drama Casualty, and premiered on 12 January 1999. The show
follows the lives of medical and ancillary staff at the fictional Holby City Hospital, the
same hospital as ''Casualty'', in the fictional city of Holby, and sometimes features the
occasional crossover of characters and plots with Casualty. The show's first executive
producers were Mal and Johnathan Young, who were succeeded by Kathleen
Hutchison from 2003 to 2004, Richard Stokes (producer) from 2004 to 2006, McHale from
2006 to 2010, Belinda Campbell from 2010 to 2011, Johnathan Young from 2011 to 2013,
and Oliver Kent from 2013. The series won a British Academy Television Awards (BAFTA) in
2008 for Best Continuing Drama, and consistently draws over 5 million viewers per week
on BBC One.
The audience of Holby City might be adults around the ages of 25+ who might work in
the healthcare profession, the gender of the audience can be both male and female
and might be married with children (especially if they are over 30). Holby City might
appeal to the succeeders as they seek reward and prestige, confident and goal
orientated, as are the doctors and nurses in this TV drama.
Holby City Storyline Press Release: http://bit.ly/1bvkbvN
16. Doctors is a British Television Drama Soap Opera, first broadcast in the United
Kingdom on BBC One on 27 March 2000. Set in the fictional English Midlands town
of Letherbridge, defined as being close to the city of Birmingham, the soap follows
the staff and their families of a doctor's office/doctor's surgery. Doctors is
produced by BBC Birmingham and is screened on BBC One, with the first episode
broadcast on 27 March 2000. It was created by Chris Murray, with Mal Young
developing it and Carson Black the original producer. The show has been shown
at lunchtime since its inception, originally at 12.30pm as a lead-in to the BBC's
''One O'Clock News''. After it was temporarily moved to allow for extended news
coverage of the September 11th 2001 attacks.
The Audience of Doctors is mainly females who are unemployed or retired due to
time the show is aired (midday during the week), these people would be around
30-70 years of age. It would also appeal to men as well but as a secondary
audience as the main audience would be women.
Press Release/Spoilers for Doctors: http://www.digitalspy.co.uk/soaps/s16/doctors/
17. BBC Three is a television channel from the BBC broadcasting via digital cable,
Freeview (UK)/terrestrial, IPTV and Satellite television/satellite platforms. The
channel has the purpose of providing innovative content to younger audiences,
focusing on new talent and new technologies. The channel is on-air from 19:00 to
around 05:00 each night, in order to share terrestrial television Bandwidth (signal
processing) with CBBC (TV channel). Unlike its commercial rivals, 90% of BBC
Three's output is from the United Kingdom and other European Union countries.
80% is original, covering all genres, from current affairs, to drama, to comedy to
animation. BBC Three has a unique 60 Seconds format for its news bulletins. This
was adopted so that operation of the channel could be completely automated,
without the complication of dealing with variable length live news broadcasts. The
current controller of the station is Zai Bennett and the Head of Scheduling is Dan
McGolpin.
18. The remit of BBC Three is to bring younger audiences to high quality public service
broadcasting through a mixed-genre schedule of innovative UK content featuring
new UK talent. The channel should use the full range of digital platforms to deliver
its content and to build an interactive relationship with its audience. The channel’s
target audience is 16-34 year olds.
19. BBC three broadcasts evening and nighttime entertainment shows that are made
to appeal to an audience of 16-34 year olds. The majority of viewers are likely to
be male young adults but a lot of females of the same age range will also watch
the channel. The primary audience are likely to be single and
unemployed/students or work on low income due to the content within
programmes such as Family Guy and Bad Education. They are unlikely to have
any children, they might be the children within the household. In terms of
psychographics I can imagine a large majority of viewers belonging to the
strugglers category, this is because they live for today and don’t have plans for
tomorrow, others may see them as loser and they seek escapism, young adults will
have these qualities and they are reflected in the content BBC three broadcasts
and will offer them escapism through the shows. Aspirers might also be attracted
to the channel as there are a lot of fashion and reality TV programmes broadcast
such as Snog, Marry, Avoid and aspirers will gain inspiration from these types of
programmes.
20. Doctor Who is a British Science-Fiction TV programme produced by the BBC. It
depicts the adventures of a Time Lord – a time-travelling humanoid alien known as
the Doctor. He explores the universe in his TARDIS which appears as a blue British
police box. The programme has received recognition as one of Britain’s most
success and finest television programmes, winning the 2006 British Academy
Television Award for Best Drama Series and 5 consecutive awards at the NTA’s. In
2011, Matt Smith became the first Doctor to be nominated for a BAFTA award for
Best Actor. In 2013, the Peabody Awards honoured Doctor Who with an
Institutional Peabody for evolving with technology and the times like nothing else
in the know television universe. Doctor Who is also listed in the Guinness World
Records as the longest running science fiction television show in the world and the
most successful science fiction show of all time.
Doctor Who has a wide audience as it as been running for 50 years and so many
fans who grew up watching it as children still do today. This means Doctor Who
has an audience of both male and female, of all ages from as young as 6 to 46
who are either married, single, in a relationship are on high income or are
unemployed. Doctor Who matches to pretty much all different psychographic
groups as well.
Press Release for 50th Anniversary: http://bbc.in/1cDSjFq