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Transmedia – Reinventing the art of
storytelling
Turo Drakvik




          Helsinki                  London                  Mumbai

          Activeark Oy              Activeark Ltd           Activeark Ltd
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          00150 Helsinki, FIN       London, EC1Y 0UJ        Chembur, Mumbai - 400071
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          www.activeark.fi            www.activeark.com      mum@activeark.com
“Not long ago we were spectators, passive
 consumers of mass media. Today, we are
 media.”


– Frank Rose ”The Art of Immersion”
Transmedia: the definition

• Transmedia storytelling is the technique of telling
    stories across multiple platforms and formats
    using current digital technologies, not to be
    confused with traditional cross-platform media
    franchises, sequels or adaptations.
    A transmedia production will develop stories
    across multiple forms of media in order to deliver
    unique pieces of content over multiple channels.




   source: Wikipedia – http://en.wikipedia.org/wiki/Transmedia_storytelling
What happened to traditional
storytelling?
Short answer:
The internet happened
• The internet is teaching us new ways of
 storytelling. Narratives are no longer linear and
 more often than not are told, or at least informed,
 by the participation of a consumer
 community.
• After centuries of linear storytelling, we are
 witnessing the emergence of a new form of
 narrative – one that’s native to internet in the
 same way the novel is native to the print.
Why is this happening?
• As soon as the audience can step in, create
 content and direct, they do so.

• That’s why the old model crumbles. We know
 that just from looking at the numbers. Box office
 sales, DVD sales, music sales have all
 plummeted in recent years.
So now it’s all about
participation
• Transmedia storytelling is converging the worlds
  of movies, TV, gaming, social media, advertising
  and adding to it real life & real people –>
  participation.

• Transmedia story is the creation of information
  through experiences we can relate and
  interact with.
Transmedia storytelling
example: Collapsus
• Collapsus looks into the near future and shows
 you how the imminent energy transition affects a
 group of ten young people, who appear to be
 caught up in an energy conspiracy.
Collapsus walkthrough
Some charasteristics of
transmedia
1. The blurring of author and audience: Whose
   story is it?
2. The blurring of story and game: How do you
   engage with it?
3. The blurring of entertainment and marketing:
   What function does it serve?
4. The blurring of fiction and reality: Where does
   one end and the other begin?
Why use transmedia storytelling?
“I can’t order people – I have no authority –
  but as a marketer I have the responsibility
  to get people excited. If you take
  responsibility to make something
  interesting, to tell a story that people
  choose, – that’s marketing.”


– Seth Godin
Sounds complicated? Well it’s
not.

It’s just different from what we
are used to.

That is why it takes a bit more
effort than it used to.
In the middle of difficulty lies
opportunity...
Most marketers aren’t interested
in storytelling.


   Most storytellers aren’t interested
   in marketing.



              Here’s you chance!
Transmedia in marketing:
examples
• Batman – The Dark Knight was a transmedia
 experiment with over 10 million participants
 in over 75 countries that played across
 hundreds of web pages, interactive games,
 mobile phones, print, email, real world
 events, video and unique collectibles.
Warner Bros – Dark Knight
• Coca-Cola created the Happiness Factory – a
 virtual world of characters living inside a vending
 machine. The series lives across multiple
 channels, including commercials, interactive
 video games, and a musical soundtrack that
 features a variety of artists.
Happiness Factory – A documentary
• Brisk Machete is a minute-long stop-motion
 video in which Danny Trejo reprises his role in
 Robert Rodriguez's Machete movie on behalf of
 Brisk Iced Tea.
Brisk Iced Tea – Machete
Transmedia sounds great!

But how can I benefit from all
this?
Try doing this:

1. Create a consistent brand story
2. Bring people together and give them
   something to do.
3. Make sure the experience across all platforms
   is unified.
4. Let each platform do what it does best.
“It’s not about ROI. It’s about
 ROE – return on engagement.”



-Brendan Howley, Fresh Baked Entertainment
Sources
• Frank Rose

• Seth Godin

• Jawbone.tv

• Fresh Baked Entertainment

• 42 Entertainment
Books
• Frank Rose: The Art of Immersion

• Teresa Iezzi: The Idea Writers

• Daniele Fiandaca & Patrick Burgoyne: Digital
 Advertising: Past, Present and Future

• Carolyn Handler Miller: Digital Storytelling
Transmedia Storytelling

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Transmedia Storytelling

  • 1.
  • 2. Spreading The Digital Love! Transmedia – Reinventing the art of storytelling Turo Drakvik Helsinki London Mumbai Activeark Oy Activeark Ltd Activeark Ltd Pursimiehenkatu 29-31 A 14 Baltic Street East B-1, Krishnalaya CHS, 14 Postal Colony Road, 00150 Helsinki, FIN London, EC1Y 0UJ Chembur, Mumbai - 400071 +358 (0)9 4241 2600 +44 20 7253 4044 +91 222 528 5051 www.activeark.fi www.activeark.com mum@activeark.com
  • 3. “Not long ago we were spectators, passive consumers of mass media. Today, we are media.” – Frank Rose ”The Art of Immersion”
  • 4. Transmedia: the definition • Transmedia storytelling is the technique of telling stories across multiple platforms and formats using current digital technologies, not to be confused with traditional cross-platform media franchises, sequels or adaptations. A transmedia production will develop stories across multiple forms of media in order to deliver unique pieces of content over multiple channels. source: Wikipedia – http://en.wikipedia.org/wiki/Transmedia_storytelling
  • 5. What happened to traditional storytelling?
  • 7. • The internet is teaching us new ways of storytelling. Narratives are no longer linear and more often than not are told, or at least informed, by the participation of a consumer community. • After centuries of linear storytelling, we are witnessing the emergence of a new form of narrative – one that’s native to internet in the same way the novel is native to the print.
  • 8. Why is this happening?
  • 9. • As soon as the audience can step in, create content and direct, they do so. • That’s why the old model crumbles. We know that just from looking at the numbers. Box office sales, DVD sales, music sales have all plummeted in recent years.
  • 10. So now it’s all about participation
  • 11. • Transmedia storytelling is converging the worlds of movies, TV, gaming, social media, advertising and adding to it real life & real people –> participation. • Transmedia story is the creation of information through experiences we can relate and interact with.
  • 13. • Collapsus looks into the near future and shows you how the imminent energy transition affects a group of ten young people, who appear to be caught up in an energy conspiracy.
  • 16. 1. The blurring of author and audience: Whose story is it? 2. The blurring of story and game: How do you engage with it? 3. The blurring of entertainment and marketing: What function does it serve? 4. The blurring of fiction and reality: Where does one end and the other begin?
  • 17. Why use transmedia storytelling?
  • 18. “I can’t order people – I have no authority – but as a marketer I have the responsibility to get people excited. If you take responsibility to make something interesting, to tell a story that people choose, – that’s marketing.” – Seth Godin
  • 19. Sounds complicated? Well it’s not. It’s just different from what we are used to. That is why it takes a bit more effort than it used to.
  • 20. In the middle of difficulty lies opportunity...
  • 21. Most marketers aren’t interested in storytelling. Most storytellers aren’t interested in marketing. Here’s you chance!
  • 23. • Batman – The Dark Knight was a transmedia experiment with over 10 million participants in over 75 countries that played across hundreds of web pages, interactive games, mobile phones, print, email, real world events, video and unique collectibles.
  • 24. Warner Bros – Dark Knight
  • 25. • Coca-Cola created the Happiness Factory – a virtual world of characters living inside a vending machine. The series lives across multiple channels, including commercials, interactive video games, and a musical soundtrack that features a variety of artists.
  • 26. Happiness Factory – A documentary
  • 27. • Brisk Machete is a minute-long stop-motion video in which Danny Trejo reprises his role in Robert Rodriguez's Machete movie on behalf of Brisk Iced Tea.
  • 28. Brisk Iced Tea – Machete
  • 29. Transmedia sounds great! But how can I benefit from all this?
  • 30. Try doing this: 1. Create a consistent brand story 2. Bring people together and give them something to do. 3. Make sure the experience across all platforms is unified. 4. Let each platform do what it does best.
  • 31. “It’s not about ROI. It’s about ROE – return on engagement.” -Brendan Howley, Fresh Baked Entertainment
  • 32. Sources • Frank Rose • Seth Godin • Jawbone.tv • Fresh Baked Entertainment • 42 Entertainment
  • 33. Books • Frank Rose: The Art of Immersion • Teresa Iezzi: The Idea Writers • Daniele Fiandaca & Patrick Burgoyne: Digital Advertising: Past, Present and Future • Carolyn Handler Miller: Digital Storytelling