This document provides an overview of a research study on the traditional clothing practices of women in Baltistan, Pakistan. The study aims to document and preserve the traditional dress and ornament styles worn by older Balti women that are at risk of being lost. It will involve interviewing 30 women aged 50+ from 3 regions to understand similarities and differences in clothing construction, materials, and ornament use between areas. The researcher will examine garments, take photos, and analyze qualitative interview data. The study seeks to educate future generations on Balti women's cultural heritage before direct sources of knowledge are gone.
OFTAMILNADUStyle of dressing by the Tamils were so simple and humble a piece of white cloth measuring four or eight feet with a shirt is enough to complete their dress. Now it is giving way to pant and shirt and even designer dresses. Ladies when attained puberty wore a long shirt with blouse and a piece of cloth called ‘thaavani’ to cover the top portion of the body. After marriage they were sareeand blouse. Now modern dresses are slowly making their way to replace these traditional dresses.
OFTAMILNADUStyle of dressing by the Tamils were so simple and humble a piece of white cloth measuring four or eight feet with a shirt is enough to complete their dress. Now it is giving way to pant and shirt and even designer dresses. Ladies when attained puberty wore a long shirt with blouse and a piece of cloth called ‘thaavani’ to cover the top portion of the body. After marriage they were sareeand blouse. Now modern dresses are slowly making their way to replace these traditional dresses.
Contains :
• What is Fashion?
• History
• Old & New Fashion
• Fashion Jobs
• Views About Fashion
• Fashion & Islam
• Advantages & Disadvantages Of Fashion
• How does fashion affect the Economy?
• Fashion is a Blessing or a curse?
• Difference between boys and girls fashion.
This presentation highlights the glorious Mughal Era(1526-1748) costume,textile, ornament and it's impact on today's fashion.Detail description about of men's clothing ,women's clothings with accessories that affected the fashion world with it's richness and intricacy.
Contains :
• What is Fashion?
• History
• Old & New Fashion
• Fashion Jobs
• Views About Fashion
• Fashion & Islam
• Advantages & Disadvantages Of Fashion
• How does fashion affect the Economy?
• Fashion is a Blessing or a curse?
• Difference between boys and girls fashion.
This presentation highlights the glorious Mughal Era(1526-1748) costume,textile, ornament and it's impact on today's fashion.Detail description about of men's clothing ,women's clothings with accessories that affected the fashion world with it's richness and intricacy.
Power Point presentation on "The Indigenous People around the World" as part of International Day of the World's Indigenous People observed in College which bagged 1st Prize
These are the Slides for MA (Final year) Students of the Department of Social Work, University of Peshawar.
Course Title: Social Institutions and Social System of Pakistani Society
Dr. Imran Ahmad Sajid
Famous Caviteño Dressmakers from 1946 – 1998*iosrjce
IOSR Journal of Humanities and Social Science is a double blind peer reviewed International Journal edited by International Organization of Scientific Research (IOSR).The Journal provides a common forum where all aspects of humanities and social sciences are presented. IOSR-JHSS publishes original papers, review papers, conceptual framework, analytical and simulation models, case studies, empirical research, technical notes etc.
Redefining Indian Identity through fashion.Hershey Desai
The word “ethnicity” is quite ambiguous. It has often been used while describing certain patterns or behaviors established within a society. At times, ethnicity can also be related to more literal geographic boundary. The definition has changed multiple times over the past few years. Earlier, it emphasized on the cultural aspect of a region whereas now, with the age of modernization, ethnicity usually refers to a social groups following a similar trait such as speaking the same language or having similar religious beliefs etc. Our perspective of ethnicity is with reference to individuality, values and practices of a group who feel connected to their heritage, either through traditional methods or via a hybrid of different cultures, overall making the society distinct enough to stand out from the other ethnic groups. However, ethnicity isn’t always inherited from the older generations. With globalization, ethnicity can be “constructed by external socioeconomic processes and media promotions” too (Nagel, 1994)
There is no fixed definition for ethnic identity. It’s a dynamic fluid term that keeps evolving with the various global conditions of society.
Referring to the statement of this particular assignment, Quentin Crisp quoted,
Fashion is what you adopt when you don’t know who you are.
Taking the sentence in a literal sense, it stated that those who are clueless about their ethnic origins would just adopt the fashion sense of their current society in order to derive a feeling of identity. Fashion styles are just one aspect contributing to ethnic identity. But why is ethnic fashion considered as a distinguishing characteristic? After all, fashion evolves at a rapid pace; new trends popping up constantly each year, various styles being adopted from different regions etc.
Ethnic fashion is vital because it has a multitude of identities. It can represent a person’s traditional heritage, or political affiliations, religious associations, or even simply, individuality in terms of personal taste. Just like the term “ethnicity”, ethnic fashion is dynamic, forever evolving and still managing to retain its own unique characteristic that allows it to differentiate itself from other communities.
The best place to study various styles of ethnic fashion is in India. With changes brought forth by globalization, India has been divided into three distinct categories of ethnic individuality, each unique and considering themselves to be the dominant Indian identity.
La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
From Stress to Success How Oakland's Corporate Wellness Programs are Cultivat...Kitchen on Fire
Discover how Oakland's innovative corporate wellness initiatives are transforming workplace culture, nurturing the well-being of employees, and fostering a thriving environment. From comprehensive mental health support to flexible work arrangements and holistic wellness workshops, these programs are empowering individuals to navigate stress effectively, leading to increased productivity, satisfaction, and overall success.
MRS PUNE 2024 - WINNER AMRUTHAA UTTAM JAGDHANEDK PAGEANT
Amruthaa Uttam Jagdhane, a stunning woman from Pune, has won the esteemed title of Mrs. India 2024, which is given out by the Dk Exhibition. Her journey to this prestigious accomplishment is a confirmation of her faithful assurance, extraordinary gifts, and profound commitment to enabling women.
Care Instructions for Activewear & Swim Suits.pdfsundazesurf80
SunDaze Surf offers top swimwear tips: choose high-quality, UV-protective fabrics to shield your skin. Opt for secure fits that withstand waves and active movement. Bright colors enhance visibility, while adjustable straps ensure comfort. Prioritize styles with good support, like racerbacks or underwire tops, for active beach days. Always rinse swimwear after use to maintain fabric integrity.
Have you ever wondered about the lost city of Atlantis and its profound connection to our modern world? Ruth Elisabeth Hancock’s podcast, “Visions of Atlantis,” delves deep into this intriguing topic in a captivating conversation with Michael Le Flem, author of the enlightening book titled “Visions of Atlantis.” This podcast episode offers a thought-provoking blend of historical inquiry, esoteric wisdom, and contemporary reflections. Let’s embark on a journey of discovery as we unpack the mysteries of ancient civilizations and their relevance to our present existence.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
Follow us on: Pinterest
Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
Is your favorite ring slipping and sliding on your finger? You're not alone. Must Read this Guide on What To Do If Your Ring Is Too Big as shared by the experts of Andrews Jewelers.
Unique Wedding Bands For Women Who Want To Stand Out.pptx
Traditional dress
1. Traditional Clothing Practices
of Women in Baltistan
Submitted by:
Sarwat Halima Haider
Department of Textiles and Clothing (2014)
Research Supervisor:
Dr. Samia Kalsoom
Co- Supervisor:
Dr. Bedar Bakht
2. 1. INTRODUCTION
Throughout the record history, clothing along
with food and shelter has been recognized as
one of primary need of mankind throughout
the globe (Manlow, 2007).
Although different cultures have varying
attitudes towards clothing, the same is true
for different attitudes within a culture as well.
They can vary from family to family and
individuals to individual.
Gilgit-Baltistan is home to a number of
diversified cultures, ethnic groups, languages
and various backgrounds.
3.
4. 1. INTRODUCTION
The traditional dress
worn by Balti women
is of very unique
style. The
construction of the
garment is very
different and useful
according to their
environment.
The dress is stitch by
the special women
who know how to
stitch the garments.
5. 1.1 REVIEW OF RELATED
LITERATURE
Attire is most importantly an unmistakable
mean of covering the body and has been
known as the "second skin“. Clothing turns
into a piece of the self-perception and the
same worries that are attached to the body
are regularly connected to apparel (Horn &
Gurel, 1981).
Throughout history the surrounding world of
man has impinged on to this mysterious land
and left indelible impressions of its contacts
on the people and their inaccessible habitat.
6. 1.1 REVIEW OF RELATED
LITERATURE
Northern areas (Gilgit Baltistan) of
Pakistan have now opened new
approaches to history. That is a world, no
doubt, less known, but full of
information”. (Dani, 1989).
The traditional Balti dress is color full
mostly red, green and pink color,
having silver or golden boundaries.
In Balti women dress there is a small
opening on both elbows which are used
to put out their hands for washing clothes
and other purposes.
8. 1.1 REVIEW OF RELATED
LITERATURE
For winter season special sweater RuguneGone
(winter cloths) are used which are made up of
wool or cotton. It is decorated with different
handicrafts from the front side.
9. 1.1 REVIEW OF RELATED
LITERATURE
The custom of wearing
(Nating) caps by the women members
in the areas of Baltistan have a unique
feature of its cultural heritage.
The piece of jewelry worn in the front
is called “zewarat” which is made of
Pure Silver.
“TUMAR” is used to cover the
spherical Balti cap which is usually
wear by the women of Baltistan.
11. 1.2 STATEMENT OF THE
PROBLEM
Now a days the traditional Balti dress is not
popular among young generation only old
women wear the traditional dress, this
research is an attempt to explore and
preserve the knowledge of the traditional
clothing of Balti women.
In this research the researcher will describe/
keep a record of the traditional dress and
ornaments worn by Balti women for
upcoming generations.
This is the right time to keep the record as
the old women are the only source of
information.
12. OBJECTIVES OF THE STUDY
1. To observe and record the clothing
practices of Balti women in three different
regions (Skardu, Khaplu & Shigar) of
Baltistan.
2. To find out the similarities and differences in
clothing practices of Balti women among
three regions.
3. To know the construction methods of the
Balti dress.
4. To know the materials used in making dress
of Balti women.
5. To know the ornaments used by Balti
women.
13. 1.3 Significance of the
Research Study
Baltistan is one of the beautiful and
remote areas of Pakistan, but at a
same time it is very rich in it’s culture.
The culture of Baltistan is very unique
and has its own importance. Also, this
is a study which will conduct at 8,700
feet above sea level, on highest land
of Pakistan.
14. 1.3 Significance of the
Research Study
The traditional clothing of women in
Baltistan has been vanished and after
one generation the women who have
the knowledge will expire, it is the right
time to raise our pen on this topic so a
record can be kept for our
generations.
The nations who do not preserve their
culture left no mark behind them for
their up coming generation.
15. 1.4 Delimitations of the
Research Study
The study will be delimitated to:
1. Female age group above 50 years.
2. Data will be collected from three
regions of Baltistan (Skardu, Khaplu
& Shigar).
16.
17. Key terms of Research Study
Baltistan: Presence in the North of Pakistan
Practice: The way people follow things
Culture: Ccustoms and social behavior of a
particular people or society.
Vanished: Disappear suddenly and
completely.
Ornaments: Jewellery.
Balti women: The women who live in
Baltistan.
Traditional Clothing: Cloths worn by them.
Ethnography: Culture study.
18. 2. Time plan
S.no Activity Week Period
1 Supervisor meeting 2 weeks 01 June to 15 June
2014
2 Formation of the interview 2 weeks 16 June to 30 June2014
3 Data collection 4 weeks 1 July to 30 July 2014
4 Interviews of women 4 weeks 1 Aug to 31 Aug 2014
5 Review of literature 12 weeks 1 sep to 30 Nov 2014
6 Data analysis &
interpretation
4 weeks 1 Dec to 30 Dec 2014
7 Review the study 8 weeks 1 Jan to 30 Feb 2015
8 Compiling the study 10 weeks 1 March to 15 May
2015
9 Submission of the study 16 May 2015
20. 3.1 Nature of the study
The study is Ethnography and
exploratory in nature that is why
qualitative method will use to achieve
the objectives of this research.
21. 3.2 Population of the study
The population for the study will
comprise of old women age above 50
years who live in three different
regions (Skardu, Shigar & Khaplu) of
Baltistan and those women used to
wear the Balti dress.
22. 3.3 Sampling Design
Three areas (Skardu, Shigar &
Khaplu) of Baltistan are selected for
sampling. A sample of 30 old women
above 50 years of age will be selected
by non probability purposive sampling
from these three regions. 10 women
from each area will be selected.
23. 3.4 Research Questions
1. What are the clothing practices of Balti
women in three different regions (Skardu,
Khaplu & Shigar) of Baltistan?
2. Is clothing practice of Balti women in 3
different regions (Skardu, Khaplu & Shigar)
of Baltistan are different?
3. What are the construction methods of the
Balti women dress?
4. Which materials are used in Balti women
dress?
5. Which types of ornaments are used by Balti
women?
24. 3.5 Instrumentation
The researcher will take in depth
interview from the population for gaining
access to individuals life world.
The interview will be semi structured by
nature. A series of open end questions
based on the topic areas will be asked
by the sample.
Interpretive validity approach will be use,
which is concern with the participant’s
perspective.
25. 3.5 Instrumentation
The researcher will also examine the
construction methods of the Balti
women dress.
Photographs of garment and
ornaments will be taken.
26. 3.6 Data Collection Procedure
Data from internet and books will
collect in record.
Information through interviews will be
hand written and then added in to the
record.
The open end nature of the questions
defines the topic and also gives
opportunities for interviewer and
interviewee to explain the topic in
detail.
27. 3.6 Data Collection Procedure
The researcher will also examine the
construction methods of the Balti women
dress its different parts which are stitch
together and also observe the difference
in style between the three regions.
Photographs of garment and ornaments
will add to give the evidence.
Field observation through photograph
will also be provided.
28. 3.7 Data Analysis Techniques
The most widely recognized analysis
of qualitative research is observer
impression. That is, researcher or
observer examine the information
decipher it through shaping an
impression and report their impression
in an organized and sometimes
quantitative form.
29. 3.7 Data Analysis Techniques
Every interview / observation has
narrative aspects. The core activity in
narrative analysis is to formulate
stories presented by people in
different contexts and based on their
different experiences.
Data collected through the interviews
will be analyzed qualitatively.
30. References
Ameer, Saadullah (2002). Shumali Illaqa Jat: Eik Nazar. Nadir Printers, Gilgit.
Creswell, J. W. (1994). Research Design: Qualitative and quantitative approaches.
Thousand Oaks, CA: Sage Publications Incorporated.
Dani, Ahmad Hassan. (1989). Northern Areas of Pakistan. Islamabad: National
Institute of Historical and Cultural Research. p. 414.
Dani, Ahmad Hassan (2001). History of Northern Areas of Pakistan up to 2000
A.D. Sang-e-meel Publication, Lahore.
Endreson, R. T. (1998). History, Folk lore and Culture of Gilgit Baltistan. Oxford
University Press, London.
Erwin, M.D., Kinchen. L.A., & Peters.K.A. (1979). Clothing for Moderns. New York.
Macmillan.
Frembegen, J. (1964). Ethnographical Field-Research on the History of the
Northern Areas. Oxford University Press, London.
Gay LR. Educationa Research, ninth edition. Student Book Company, New Dehli,
India.
Grant McCracken, Culture and consumption: A Theoretical account of the
structure and movement of the cultural meaning of consumer goods, Journal
of Consumer Research
Vol. 13, No. 1 (Jun., 1986), pp. 71-84 Published by: The University of Chicago
Press
31. References
Ameer, Saadullah (2002). Shumali Illaqa Jat: Eik Nazar. Nadir Printers, Gilgit.
Genna Reeves-DeArmond, Jennifer Paff Ogle, and Kenneth R. Tremblay, Jr.
Clothing and Textiles Research Journal July 2011 29: 216-231, first
published on August 19, 2011
G.M. Mir, “Future of Gilgit and Baltistan”, Daily Nawai Waqt, Rawalpindi, October
19, 1982.
Hilali, Wahid Beig (1995). Hikayat-e-Baltistan. Baltistan Book Depot, Skardu.
Hussainabadi, Yousaf (2003). Tareekh-e-Baltistan. Baltistan Book depot, Skardu.
Kefgen, M. & Specht, P. T. (1981). Individuality in clothing selection and Personal
Appearance; A Guide for consumer. (3rd ed). New York: Macmillan.
Kefgen, M. & Specht, P. T. (1986). Individuality in clothing selection and Personal
Appearance. U.S.A.
Malik, Iftikhar (2008). Arz-e-Shumal Ka Manzar Nama. Habib Publishers, Gilgit.
Manlow, V.(2007). Designing Clothes: Culture and Organization of the Fashion
Industry. New Brunswick. USA; Transaction.