This document discusses clothing, jewelry, hairstyles, and textiles during the Gupta period in India. It notes that finely printed, dyed, and embroidered textiles were available, including floral designs from Deccan and Paithan. Women's clothing included the antariya skirt and uttariya shawl. Hairstyles featured central partings for women covered by decorative ornaments. Gold jewelry was commonly worn, including necklaces, bracelets, and anklets. Men generally wore their hair shoulder-length and curled, and their main clothing was a long-sleeved brocaded tunic.
Traditional male attire in rural Gujarat consists of cotton drawers called 'Chorno' and a short upper body covering called 'Angrakhu'. For their head, men wear a thickly folded turban called 'Phento'. Women traditionally wear a colored petticoat called 'Chaniyo' often embroidered, along with a blouse called 'Choli' or 'Polku' and a head and body covering called 'Odhani'. For festivals like 'Ras' and 'Garba', men wear a tight long-sleeved coat called 'Keviya' along with tight pants and a colorful turban, while women wear a lehenga-choli or
The document discusses textiles, clothing, hairstyles, and jewelry during the Maurya and Sunga periods in ancient India. Fine cotton, silk, wool, linen and jute fabrics were widely available and woven into clothes. Women typically wore antariyas tied in different styles and uttariyas as head coverings. Their hair was parted and braided and they wore gold necklaces. Men wore antariyas draped around their waists and secured with sashes. Their hairstyles often involved braided turbans. Military clothing included sewn tunics and lower antariyas.
This document provides information on various types of embroidery techniques found in Asia, including mirror work, soof embroidery, kharek embroidery, pakko embroidery, rabari embroidery, jats embroidery, and mutwas embroidery. The summary highlights that these embroidery styles originate from communities in places like Gujarat, Rajasthan, Sindh, and Kutch and involve the use of mirrors, geometric patterns, and motifs inspired by nature, mythology, and daily life. The embroidery is used to create various products like clothes, bags, caps, and home decor items.
usefull for all home science students and for all competitive exams like NET/JRF for other knowledge visit our you tube channel anita singh clothing and textile classes
Bandhani is a tie-dye technique used to create patterned fabrics in Gujarat and Rajasthan, India. The technique involves tying parts of the fabric prior to dyeing to create resist-dyed patterns. It has a long history in India dating back to at least the 5th century AD. Traditional bandhani fabrics were made of cotton, silk, or wool and featured patterns like spots, stripes, or geometric motifs. Important centers of bandhani production include Jamnagar, Bhuj, and Ahmedabad in Gujarat as well as cities in Rajasthan. Traditional bandhani fabrics were worn by women of all castes and religions and featured natural dyes in colors like
Kasuti embroidery is a traditional embroidery style from Karnataka that involves intricate patterns stitched onto fine silk or matte cloth without knots. Common motifs include temples, chariots, lamps, and palanquins. The process is labor intensive, with the pattern first marked and then stitched thread-by-thread to appear on both sides of the cloth. A traditional Kasuti saree features borders and motifs spread across the body and pallu with no consistent theme, making each saree unique.
This document discusses clothing, jewelry, hairstyles, and textiles during the Gupta period in India. It notes that finely printed, dyed, and embroidered textiles were available, including floral designs from Deccan and Paithan. Women's clothing included the antariya skirt and uttariya shawl. Hairstyles featured central partings for women covered by decorative ornaments. Gold jewelry was commonly worn, including necklaces, bracelets, and anklets. Men generally wore their hair shoulder-length and curled, and their main clothing was a long-sleeved brocaded tunic.
Traditional male attire in rural Gujarat consists of cotton drawers called 'Chorno' and a short upper body covering called 'Angrakhu'. For their head, men wear a thickly folded turban called 'Phento'. Women traditionally wear a colored petticoat called 'Chaniyo' often embroidered, along with a blouse called 'Choli' or 'Polku' and a head and body covering called 'Odhani'. For festivals like 'Ras' and 'Garba', men wear a tight long-sleeved coat called 'Keviya' along with tight pants and a colorful turban, while women wear a lehenga-choli or
The document discusses textiles, clothing, hairstyles, and jewelry during the Maurya and Sunga periods in ancient India. Fine cotton, silk, wool, linen and jute fabrics were widely available and woven into clothes. Women typically wore antariyas tied in different styles and uttariyas as head coverings. Their hair was parted and braided and they wore gold necklaces. Men wore antariyas draped around their waists and secured with sashes. Their hairstyles often involved braided turbans. Military clothing included sewn tunics and lower antariyas.
This document provides information on various types of embroidery techniques found in Asia, including mirror work, soof embroidery, kharek embroidery, pakko embroidery, rabari embroidery, jats embroidery, and mutwas embroidery. The summary highlights that these embroidery styles originate from communities in places like Gujarat, Rajasthan, Sindh, and Kutch and involve the use of mirrors, geometric patterns, and motifs inspired by nature, mythology, and daily life. The embroidery is used to create various products like clothes, bags, caps, and home decor items.
usefull for all home science students and for all competitive exams like NET/JRF for other knowledge visit our you tube channel anita singh clothing and textile classes
Bandhani is a tie-dye technique used to create patterned fabrics in Gujarat and Rajasthan, India. The technique involves tying parts of the fabric prior to dyeing to create resist-dyed patterns. It has a long history in India dating back to at least the 5th century AD. Traditional bandhani fabrics were made of cotton, silk, or wool and featured patterns like spots, stripes, or geometric motifs. Important centers of bandhani production include Jamnagar, Bhuj, and Ahmedabad in Gujarat as well as cities in Rajasthan. Traditional bandhani fabrics were worn by women of all castes and religions and featured natural dyes in colors like
Kasuti embroidery is a traditional embroidery style from Karnataka that involves intricate patterns stitched onto fine silk or matte cloth without knots. Common motifs include temples, chariots, lamps, and palanquins. The process is labor intensive, with the pattern first marked and then stitched thread-by-thread to appear on both sides of the cloth. A traditional Kasuti saree features borders and motifs spread across the body and pallu with no consistent theme, making each saree unique.
Muga silk is Assam's prized possession, known for its golden color and strength. Sericulture is an important industry in Assam, with muga and eri silks produced traditionally. Women's handloom weaving is a cultural tradition, producing items like the mekhala skirt and patani lower garment. Motifs in weaving depict nature and everyday life. Traditional costumes vary among the Bodo, Dimasa, Mech, and Aitunia tribes of Assam, incorporating locally produced silk and cotton with distinctive styles of dress for men and women. Jewelry like the kopo phul earrings and gaam kharu bangles are notable parts of Assamese adornment.
During the 7th and 8th centuries, the Rajput clan emerged as warriors in Rajasthan and central India. They established kingdoms in the 6th century but fought amongst themselves. Prithvi Raj Chauhan resisted Islamic invaders. Rajput costumes had influences from the Gupta period, including the choli, ghaghra skirt, and odhani shawl. In the 12th-13th centuries, the Delhi Sultanate was established in former Rajput areas. Under the Mughals, traditional Indian and foreign cultural influences blended, seen in clothing like the jama tunic and pyjama trousers. Nizams of Hyderabad adopted Mughal styles after declaring independence in the early 17
The document discusses the handicraft industry in Jammu and Kashmir. It notes that the handicraft sector provides employment for about 3.78 lakh workers and had production of Rs. 1650.30 crores in 2012-13. A major export, handicraft goods worth Rs. 1080.80 crore were exported in 2012-13. Shawl making is a prominent handicraft in the region, with the traditional process involving harvesting, sorting, spinning, weaving, and finishing. The industry has potential for employment and exports but faces challenges like underdeveloped infrastructure, lack of modernization, and impact of political instability on production.
here is brief information about Ahir and Heer Bharat embroideries of Gujarat, including origin, history, techniques used in making, motifs and designers.
you can check out how I used this embroidery in woman's apparel by clicking this link
https://www.behance.net/gallery/99553209/Heer-bharat-%28embroidery%29
This document provides an overview of different types of Banarsi brocade fabrics from India, including zari brocade, amru brocade, and abrawan brocade. It describes the weaving techniques used to create patterns by transfixing supplementary threads between the warp. Abrawan brocade specifically uses a transparent base fabric with zari or silk patterning woven in. There are three types of abrawan brocade - cut-work brocade with floats cut away, tarbana with a metallic zari ground, and styles using only gold or gold and silver threads. Gyasar brocade from Tibet also features profuse gold threading and traditional Tibetan motifs
Indian clothing has varied throughout history depending on region and culture. In ancient times, the Indus Valley civilization produced cotton textiles. During the Vedic period people wore a single cloth wrapped around the body. In later eras like the Mauryan and Gupta periods, dress was differentiated by gender and social class. Regional styles also developed among the Rajputs and during the Mughal empire when ornate fabrics became popular. Modern Indian fashion has been influenced by Bollywood and incorporates both traditional regional styles and western trends adapted to the local climate.
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
The document discusses different types of Indian brocades such as those produced in Banaras. It outlines the various threads, dyes, motifs, and designs used in brocade weaving. Specific types are described like opaque zari brocade, ab-e-rawan, tissue brocades, himrus, and amrus. The weaving process is intricate and can take several months to complete using traditional jacquard looms. Brocades originated in Banaras but are also woven in other Indian cities.
Kashmiri embroidery, also known as Kashida, is known for its fine stitches and flat, formalized designs. Common stitches used include satin stitch, stem stitch, chain stitch, and darning stitch. The embroidery is traditionally done by men in Kashmir on fabrics like silk and wool. Motifs often depict floral patterns and Kashmiri landscapes. The embroidery is known for its subtle colors and use of single thread to create symmetrical patterns on both sides of the fabric. Kashmiri embroidery is used to embellish garments, home goods, and other crafts like carpets.
The document provides information about traditional woven textiles from India, including muslin and jamdani fabrics. It discusses the origins, history, production process, and characteristics of dhaka muslin and jamdani textiles. It also provides details about chanderi fabric, including that it is made from silk/cotton or pure silk threads woven with traditional cotton yarn and gold zari to create a luxurious sheer texture. Motifs are handwoven using needles and often feature nature-inspired designs coated in gold, silver, or copper.
This document provides information about Indian fashion designer Sabyasachi Mukherjee and his journey in the fashion industry. It discusses his education background, key achievements like being the first Indian designer to showcase in Milan, inspiration from Indian culture and textiles, popular collections, bollywood designs, and marketing strategies. Sabyasachi is known for reviving Indian textiles and techniques through his luxury wedding collections featuring intricate embroidery and focus on sustainability through initiatives like Save Saree.
The traditional costumes of Maharashtra reflect the state's rich cultural diversity. Women typically wear saris like the nauvari or lugade styles, which are draped in different regional patterns. Paithani saris from the town of Paithan are renowned for their intricate zari embroidery. Men generally wear a dhoti with shirt and turban. Regional communities like the Kolis have distinctive styles of saris, loincloths and jewelry. Traditional attire is now blending with modern influences, especially in urban areas, though historical costumes remain an integral part of Maharashtrian identity and festivals.
This document summarizes clothing, jewelry, and hairstyles in the Byzantine Empire. Men typically wore tunics and cloaks, while trousers were seen as unfashionable. Rich women dressed in elaborate, stiff clothing decorated with jewels and embroidery. Their hairstyles involved braiding long hair and mounting it atop the head. Byzantines favored silk fabrics and adopted styles from the Middle East, wearing form-fitting clothing that covered the skin fully. Jewelry such as bangles, necklaces, and headpieces were also popular.
Kushan and Kanishka era clothing, hairstyles, and jewelry are described. Men wore antariya, uttariya, and kayabandh with a turban. Women wore an antariya sari-style and uttariya shawl. Common hairstyles included leaves in hair and forehead curls. Popular jewelry included pearl necklaces, disc earrings, and ankle rings. Men's tunics and coats are detailed along with their belts, boots, and turbaned hairstyles.
The Mughal elite wore elaborate and expensive clothing made from fine materials like silk and muslin. Mughal women's garments included layers of see-through muslin while men wore long coats called jamas and choghas. Accessories included ornate turbans, jewelry and decorated shoes. Various types of drawstring pants called paijamas were worn by both men and women in the Mughal Empire. Royals and nobility displayed their high status through conspicuous consumption of extravagant textiles and accessories.
how did fashion in India evolve? in this presentation i have covered costume history of India.
Reach Me at priyalthakkar96@gmail.com
Also Check rainbowmonkey.in for my work
Bandhani printing is a tie-dye technique mainly practiced in Rajasthan and Gujarat, India. The traditional colors used are yellow, red, green, blue, and black in shapes like dots, squares, waves and stripes. The process involves tying the fabric with plastic shapes and dyeing it with natural dyes extracted from plants. Different shapes used in the patterns have symbolic meanings and the technique is an important part of the cultural heritage of western India.
The document provides a historical overview of clothing in ancient India from the Indus Valley civilization through the Gupta period. Key developments include:
- Rudimentary clothing in the Indus Valley civilization from 5000 years ago made of cotton and decorated with beads.
- Unstitched drapes like the antariya, uttariya and kayabandh in the Vedic period, with influences from Persia and Greece introducing stitched garments.
- The Mauryan period saw finer fabrics and silk imports, with draped clothing styles influenced by Greco-Roman styles.
- The Kushan period featured a mixture of indigenous draped clothing and foreign influences like tunics,
Traditional Costumes of India #RajasthanMahin Hassan
This document provides information about traditional costumes and textiles from Rajasthan, India. It discusses the main types of clothing worn by men and women, including ghagras, cholis, odhnis, pagris, angarkhas and pyjamas. It also describes important textile crafts from the region like block printing, tie dye work, embroidery and mirror work. These crafts use locally sourced materials like cotton and silk. The document outlines the historical origins and development of these textiles and costumes, noting their royal patronage and increasing popularity both within India and internationally due to the influence of globalization.
The costumes of Andhra Pradesh reflect the region's culture and traditions. For women, the traditional outfit is the saree, while men typically wear a dhoti or lungi. Different areas have distinctive costumes, such as the colorful embroidered outfits of the Lambadi tribe or the ikat sarees of Ponchampalli. Famous sarees from the region include the brocade-bordered Dharmavaram saree and the cotton Gadwal saree with silk accents. Traditional arts like kalamkari painting and banjara embroidery also feature prominently in Andhra Pradesh's vibrant traditional costumes.
Muga silk is Assam's prized possession, known for its golden color and strength. Sericulture is an important industry in Assam, with muga and eri silks produced traditionally. Women's handloom weaving is a cultural tradition, producing items like the mekhala skirt and patani lower garment. Motifs in weaving depict nature and everyday life. Traditional costumes vary among the Bodo, Dimasa, Mech, and Aitunia tribes of Assam, incorporating locally produced silk and cotton with distinctive styles of dress for men and women. Jewelry like the kopo phul earrings and gaam kharu bangles are notable parts of Assamese adornment.
During the 7th and 8th centuries, the Rajput clan emerged as warriors in Rajasthan and central India. They established kingdoms in the 6th century but fought amongst themselves. Prithvi Raj Chauhan resisted Islamic invaders. Rajput costumes had influences from the Gupta period, including the choli, ghaghra skirt, and odhani shawl. In the 12th-13th centuries, the Delhi Sultanate was established in former Rajput areas. Under the Mughals, traditional Indian and foreign cultural influences blended, seen in clothing like the jama tunic and pyjama trousers. Nizams of Hyderabad adopted Mughal styles after declaring independence in the early 17
The document discusses the handicraft industry in Jammu and Kashmir. It notes that the handicraft sector provides employment for about 3.78 lakh workers and had production of Rs. 1650.30 crores in 2012-13. A major export, handicraft goods worth Rs. 1080.80 crore were exported in 2012-13. Shawl making is a prominent handicraft in the region, with the traditional process involving harvesting, sorting, spinning, weaving, and finishing. The industry has potential for employment and exports but faces challenges like underdeveloped infrastructure, lack of modernization, and impact of political instability on production.
here is brief information about Ahir and Heer Bharat embroideries of Gujarat, including origin, history, techniques used in making, motifs and designers.
you can check out how I used this embroidery in woman's apparel by clicking this link
https://www.behance.net/gallery/99553209/Heer-bharat-%28embroidery%29
This document provides an overview of different types of Banarsi brocade fabrics from India, including zari brocade, amru brocade, and abrawan brocade. It describes the weaving techniques used to create patterns by transfixing supplementary threads between the warp. Abrawan brocade specifically uses a transparent base fabric with zari or silk patterning woven in. There are three types of abrawan brocade - cut-work brocade with floats cut away, tarbana with a metallic zari ground, and styles using only gold or gold and silver threads. Gyasar brocade from Tibet also features profuse gold threading and traditional Tibetan motifs
Indian clothing has varied throughout history depending on region and culture. In ancient times, the Indus Valley civilization produced cotton textiles. During the Vedic period people wore a single cloth wrapped around the body. In later eras like the Mauryan and Gupta periods, dress was differentiated by gender and social class. Regional styles also developed among the Rajputs and during the Mughal empire when ornate fabrics became popular. Modern Indian fashion has been influenced by Bollywood and incorporates both traditional regional styles and western trends adapted to the local climate.
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
The document discusses different types of Indian brocades such as those produced in Banaras. It outlines the various threads, dyes, motifs, and designs used in brocade weaving. Specific types are described like opaque zari brocade, ab-e-rawan, tissue brocades, himrus, and amrus. The weaving process is intricate and can take several months to complete using traditional jacquard looms. Brocades originated in Banaras but are also woven in other Indian cities.
Kashmiri embroidery, also known as Kashida, is known for its fine stitches and flat, formalized designs. Common stitches used include satin stitch, stem stitch, chain stitch, and darning stitch. The embroidery is traditionally done by men in Kashmir on fabrics like silk and wool. Motifs often depict floral patterns and Kashmiri landscapes. The embroidery is known for its subtle colors and use of single thread to create symmetrical patterns on both sides of the fabric. Kashmiri embroidery is used to embellish garments, home goods, and other crafts like carpets.
The document provides information about traditional woven textiles from India, including muslin and jamdani fabrics. It discusses the origins, history, production process, and characteristics of dhaka muslin and jamdani textiles. It also provides details about chanderi fabric, including that it is made from silk/cotton or pure silk threads woven with traditional cotton yarn and gold zari to create a luxurious sheer texture. Motifs are handwoven using needles and often feature nature-inspired designs coated in gold, silver, or copper.
This document provides information about Indian fashion designer Sabyasachi Mukherjee and his journey in the fashion industry. It discusses his education background, key achievements like being the first Indian designer to showcase in Milan, inspiration from Indian culture and textiles, popular collections, bollywood designs, and marketing strategies. Sabyasachi is known for reviving Indian textiles and techniques through his luxury wedding collections featuring intricate embroidery and focus on sustainability through initiatives like Save Saree.
The traditional costumes of Maharashtra reflect the state's rich cultural diversity. Women typically wear saris like the nauvari or lugade styles, which are draped in different regional patterns. Paithani saris from the town of Paithan are renowned for their intricate zari embroidery. Men generally wear a dhoti with shirt and turban. Regional communities like the Kolis have distinctive styles of saris, loincloths and jewelry. Traditional attire is now blending with modern influences, especially in urban areas, though historical costumes remain an integral part of Maharashtrian identity and festivals.
This document summarizes clothing, jewelry, and hairstyles in the Byzantine Empire. Men typically wore tunics and cloaks, while trousers were seen as unfashionable. Rich women dressed in elaborate, stiff clothing decorated with jewels and embroidery. Their hairstyles involved braiding long hair and mounting it atop the head. Byzantines favored silk fabrics and adopted styles from the Middle East, wearing form-fitting clothing that covered the skin fully. Jewelry such as bangles, necklaces, and headpieces were also popular.
Kushan and Kanishka era clothing, hairstyles, and jewelry are described. Men wore antariya, uttariya, and kayabandh with a turban. Women wore an antariya sari-style and uttariya shawl. Common hairstyles included leaves in hair and forehead curls. Popular jewelry included pearl necklaces, disc earrings, and ankle rings. Men's tunics and coats are detailed along with their belts, boots, and turbaned hairstyles.
The Mughal elite wore elaborate and expensive clothing made from fine materials like silk and muslin. Mughal women's garments included layers of see-through muslin while men wore long coats called jamas and choghas. Accessories included ornate turbans, jewelry and decorated shoes. Various types of drawstring pants called paijamas were worn by both men and women in the Mughal Empire. Royals and nobility displayed their high status through conspicuous consumption of extravagant textiles and accessories.
how did fashion in India evolve? in this presentation i have covered costume history of India.
Reach Me at priyalthakkar96@gmail.com
Also Check rainbowmonkey.in for my work
Bandhani printing is a tie-dye technique mainly practiced in Rajasthan and Gujarat, India. The traditional colors used are yellow, red, green, blue, and black in shapes like dots, squares, waves and stripes. The process involves tying the fabric with plastic shapes and dyeing it with natural dyes extracted from plants. Different shapes used in the patterns have symbolic meanings and the technique is an important part of the cultural heritage of western India.
The document provides a historical overview of clothing in ancient India from the Indus Valley civilization through the Gupta period. Key developments include:
- Rudimentary clothing in the Indus Valley civilization from 5000 years ago made of cotton and decorated with beads.
- Unstitched drapes like the antariya, uttariya and kayabandh in the Vedic period, with influences from Persia and Greece introducing stitched garments.
- The Mauryan period saw finer fabrics and silk imports, with draped clothing styles influenced by Greco-Roman styles.
- The Kushan period featured a mixture of indigenous draped clothing and foreign influences like tunics,
Traditional Costumes of India #RajasthanMahin Hassan
This document provides information about traditional costumes and textiles from Rajasthan, India. It discusses the main types of clothing worn by men and women, including ghagras, cholis, odhnis, pagris, angarkhas and pyjamas. It also describes important textile crafts from the region like block printing, tie dye work, embroidery and mirror work. These crafts use locally sourced materials like cotton and silk. The document outlines the historical origins and development of these textiles and costumes, noting their royal patronage and increasing popularity both within India and internationally due to the influence of globalization.
The costumes of Andhra Pradesh reflect the region's culture and traditions. For women, the traditional outfit is the saree, while men typically wear a dhoti or lungi. Different areas have distinctive costumes, such as the colorful embroidered outfits of the Lambadi tribe or the ikat sarees of Ponchampalli. Famous sarees from the region include the brocade-bordered Dharmavaram saree and the cotton Gadwal saree with silk accents. Traditional arts like kalamkari painting and banjara embroidery also feature prominently in Andhra Pradesh's vibrant traditional costumes.
Pratigya Bhatnagar,B.Sc.-Fashion Technology+2 years Diploma dezyneecole
Pratigya Bhatnagar submitted a project to Dezyne E'cole College proposing a saree design for Air India air hostesses. The project analyzed traditional Indian motifs and architectural motifs to select designs. It explored methods for simplifying, repeating, and laying out motifs on the saree and accompanying blouse and skirt. The final proposed saree design incorporated traditional welcoming colors and was well-pleated for the professional needs of air hostesses. References included traditional Indian textiles books and online sources for fabric information and images.
Dresses worn in different parts of Indiavanshsinghal5
This document provides a brief overview of the traditional dresses worn in different states and union territories of India. It includes 3 sentences describing the dresses of Delhi, Himachal Pradesh, and Jammu & Kashmir. The document then continues to describe the traditional dresses of various other states in 1-2 paragraphs each, including Punjab, Uttar Pradesh, Rajasthan, and others. It focuses on highlighting the unique features and cultural influences reflected in the traditional clothing of each region.
OFTAMILNADUStyle of dressing by the Tamils were so simple and humble a piece of white cloth measuring four or eight feet with a shirt is enough to complete their dress. Now it is giving way to pant and shirt and even designer dresses. Ladies when attained puberty wore a long shirt with blouse and a piece of cloth called ‘thaavani’ to cover the top portion of the body. After marriage they were sareeand blouse. Now modern dresses are slowly making their way to replace these traditional dresses.
This document provides an overview of Gujarat's culture, including its festivals, cuisine, crafts, textiles, costumes, and jewelry. Some key points:
- Gujarat is known for folk dances like garba and raas that are performed during Navratri festivals. Traditional Gujarati food is primarily vegetarian and healthy.
- The state has rich textile traditions like Patola silk sarees, Bandhani tie-dye, embroidery styles like Banni and Kutchi that use mirrors and threadwork.
- Traditional Gujarati costumes vary by region and community but include items like chaniya cholis for women and kediyus for men. Bridal wear
The clothing of Rajasthan reflects the local culture, religion, and environment. Women wear colorful skirts and tops called ghaghra, choli, and kurti along with an odhni scarf. Men traditionally wear turbans called pagris in various regional styles as well as dhoti skirts and angarkha tunics. Royal clothing was especially ornate, using rich materials and embroidery, while common people emphasized functional designs appropriate for the desert climate. Traditional dress continues to express Rajasthani identity and social status.
The document discusses traditional costumes and shawls from different regions in North East India, including Manipur, Nagaland, and Meghalaya. Some key points:
- Manipuri shawls are known for their intricate embroidery designs featuring motifs like flowers, elephants, and butterflies woven on fabrics like wool, cotton and silk.
- Nagaland shawls vary by tribe, with distinctive designs indicating social status. Examples include the Tsungkotepsu shawl of the Ao tribe and Angami Naga shawls featuring animal motifs.
- In Meghalaya, traditional garments feature locally produced mulberry silk and Endi silk. The Khasi and Garo tribes
The document provides an overview of traditional dresses and costumes across different states and union territories of India. It describes the typical outfits worn by men and women in states like Delhi, Himachal Pradesh, Jammu and Kashmir, Punjab, Uttar Pradesh, Rajasthan, and others, highlighting regional diversity in Indian fashion influenced by culture and religion.
This ppt will be helpful for gaining the basic knowledge of Indian traditional textile from various states and regions. I will definitely try to add more slides in it.
Rajasthan is located in northwestern India and has a long history dating back 5000 years. It was previously known as Gurjaratra and Rajputana. Parts of Rajasthan belonged to the Indus Valley Civilization between 3500-1750 BCE. Rajasthani culture is characterized by colorful costumes, textiles with unique prints, and ornate traditional jewelry worn from head to toe by both men and women. Traditional Rajasthani attire for men includes turbans, angarkhas, dhotis, and achkins, while women wear ghagras, cholis, odhnis, and ornate jewelry including mathapattis, kadas, and jhumkas. Mo
This document provides information on various Indian crafts and textiles, including pashmina shawls, chanderi sarees, kutch shawls, muga silk, kota sarees, phanek, ilkal sarees, balapuram sarees, kanchipuram sarees, pochampally sarees, ikat sarees, kosa silk, tussar silk, pachra, naga shawls, banarasi sarees, and bhagalpur silk. For each, it describes key characteristics such as materials, weaving techniques, motifs, regions of origin, and processes involved in creating the crafts.
The slides narrate briefly about the finest sarees woven in various handloom clusters across the country. It talks about Banarasi, Kanchipuram, Kota, Uppada and Patola Sarees. And, also look into our beautiful collections of saree.
Identification of apparel, textile, print of Arunachal PradeshJonathan Yang
The document summarizes the traditional apparel, textiles, prints, accessories, and crafts of several tribes in Arunachal Pradesh, India. It describes the distinctive clothing styles of tribes like the Monpa, Sherdukpen, Apatani, and Mishmi. It notes that while the tribes are ethnically similar, geographical separation has led to different dressing customs. It also provides details on traditional textiles, patterns, accessories like nose plugs and belts, and crafts like bamboo handicrafts, carpet weaving, and Tangkha painting.
The document provides information about the traditional costumes of the Naga people of Nagaland. It discusses:
- The history of Nagaland and how the British came to rule the region in the late 19th century.
- The textile traditions of the Naga tribes, including weaving techniques, designs, colors, and items of clothing like shawls. Designs and colors vary between tribes and villages.
- Specific shawls and items of clothing worn by different tribes, such as the Tsungkotepsu warrior shawl of the Ao tribe. Clothing displays social status and achievements.
- Weaving is done exclusively by women using back-strap looms. Mot
Bdft i, hcr, unit-iii ,traditional costume of himachal pradesh,Rai University
The traditional costumes of Himachal Pradesh are diverse and colorful, changing based on community and tribe. The main communities are Brahmins, Rajputs, and various tribes like Gaddis and Pangawals. The Brahmins typically wear kurtas and turbans, while the Rajputs favor tight churidars and stiff turbans. The Gaddi tribe, who are shepherds, wear thick wool cholas coats and unique topi caps to endure the harsh weather. Shawls are a prominent fabric, especially fine pashmina shawls, featuring floral and folklore designs. Traditional headgear also varies by region, such as the colorful Kullu topi caps.
The document provides details about Bomkai saris from Orissa, India. It discusses:
- Bomkai saris originate from a village in Ganjam district of southern Orissa and are known for their intricate tie-dye patterns and designs influenced by tribal art.
- They traditionally use cotton but can also be made from silk. The intricate dyeing process involves tying and dyeing yarn in sections to create complex patterns.
- Motifs often feature nature and mythology themes reflecting Orissan culture like fish, peacock, flowers. Borders have detailed temple-inspired designs.
- The weaving is a long process done on pit looms. Traditional jala techniques are used to create complex patterns
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
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Article: https://pecb.com/article
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How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
2. ABOUT
• The couture of any culture imbibes and reflects the essence of
its legacy.
• Rajasthan is believed to be the land of the brave and
chivalrous and they do live like wartime heroes.
• The life there is gala and they celebrate every second of their
life.
• They wear bright hues like red, green, yellow, orange, etc. as
it absorbs less heat compared as darker colours.
• Rajasthan is famous for their block prints tie and dye
technique, colorfull embroideries and mirror works
3. MATERIAL
• Rajasthan is associated with the production of colorful
fabrics in the Manu – Gurjar tradition since ancient times.
• Block printings, Bandhani (tie and dye prints), Bagaru
prints(hand block printing), sanganer prints and Zari
embroidery are major export products.
• The fabrics are generally cotton or silk on which the dying is
done. The fabric is tied with a thread at a certain point and then
submerged into colourful dyes to create a range of patterns.
• This technique is also used in Ikat & Batik textile.
• It is also famous for its mirror works and colorful
embroideries.
5. ACCESSORIES
• Jewellery - Rajasthan jewelleries are beautifully
designed and embellished with diamonds,
emeralds and precious stones.
- The jewelleries are intricately designed with
very fine detailing.
- Kundan is a very famous stone- studded
jewellery
which involves extreme intricacy, skill, time and
craftsmanship.
- They are gold jewellery with glass stones
embedded in it.
- Natural elements like moon, leaves, sun and
flowers are the main inspiration for their designs.
6. JEWELLERY
• Women - Females from tribes such as Meena, Gayari and Bhil
wear different kind of jewelleries than that of women
from tribes like Raikas and Rabaris. A very common
accessory worn by the women is the ‘borla’ generally
known as ‘maang tikka’ that is worn in the middle
parting of the hair.
• Men - Men too wear accessories such as earrings with a
pearl necklace, gold chain and a thick big bracelet is
worn around their neck.
• Footwear - Mostly the shoes are designed from sheep, camel or
7.
8.
9. Some of the
accessories
worn by the
Rajasthani
women are:
WAIST : tagdi
NECK : noshar necklace, tevta, aad,gulsari
FOREHEAD: shishpool,tika,rakdri
EAR : surliya,sangali
NOSE : nathali,kanta
ARM : bajubandh,baju,batta
PALMS : hathpool
FINGERS : rings
HEAD: rakdi,borla, tika
ANKLES : takane kanduji, tule,jodh
TOES : bichuvae, chitki
10. ACCESSORIES
WORN BY MEN
ARE:
AMULETS : shar-nakh-jantr
ANKLETS : tazim
GOLD NECKLACE : baleora
NECK : hansli
EARS : jhela ora murkhi
SHOULDER : khag or khandhe-ka gahna
ARMLET : bajubandh
11. Costumes of women
• WOMEN
Women wear a long skirt called Ghaghra, Choli or Kurti (blouses
and tops) with an Odhini.
The Ghaghra reaches above the ankle that has a narrow waist
increasing the flare with the width and the base.
The pleats and the width are the symbol of health of the female.
Odhnis are long piece of fabric, embrodried or printed used for
covering the head and matched with the skirt worn. Both Hindu and
Muslim women wear the odhini.
The motifs and colors available on this dress are especially symbolic
to caste and dress
12.
13.
14. Costumes of men
MEN
The men wear Pagri (turban), Pyjamas, Angarkha, Dhoti, Waistband (Patka)
and Kamarbandh are integral clothing of men in Rajasthan.
Pagri (turban)
• Pagri is an important part of men’s costume in Rajasthan.
• The normal pagri is eight inches wide and eighty two feet long.
• The way the pagri is worn varies from region to region, also it signifies
the region and caste of the men like the people of Udaipur tie a flat Pagri
over their head while people from Jaipur wear an angular one. Jodhpuri
men like to wear Safa having curved bands.
• Different types of pagris for big events and festivals.