THRILLER CONVENTIONS
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The document analyzes conventions of different thriller subgenres. It notes that psychological thrillers focus on mental/emotional conflict between characters and use deception or mental attacks between characters to build suspense. Action thrillers feature races against time, violence against an antagonist, and contain explosions and elaborate action scenes accompanied by fast-paced music. The document asks the reader to choose two films from different thriller subgenres and compare them through textual analysis of the conventions in each film.
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The document discusses the thriller genre and its various subgenres. It defines thrillers as films that evoke intense feelings of anticipation, exhilaration and anxiety in the audience. Common elements include a brave male protagonist seeking to restore balance and an antagonist with a hidden identity that is uncovered. Key subgenres mentioned are action, psychological, supernatural, mystery, spy, disaster, crime, and religious thrillers. Mise-en-scene, sound, and editing techniques commonly used in thrillers to build tension and suspense are also outlined.
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Target audience research
Psychological thrillers target a mixed gender audience aged 18-35. Women make up a larger portion of the audience as they enjoy exploring the mystery and depth of the plot. They are also more drawn to the intellectual aspects of the mental illnesses and strange behaviors portrayed. However, psychological thrillers also attract males aged 18-35 through scenes of violence and death associated with male protagonists' psychological problems. The target age is 18+ as some disturbing characters and issues may not be suitable for younger viewers.
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Theories that are incorporated in my product
The document discusses three theories incorporated in the product:
1. Maslow's hierarchy of needs which the product portrays through the protagonist seeking belonging, self-esteem, and fulfilling psychological needs.
2. Todorov's theory of equilibrium being disrupted by outside forces, which is embodied as the disequilibrium in the product gradually worsening.
3. Propp's analysis of character archetypes in fairy tales, which the product embodies through the hero and villain, with the villain triggering the hero to lose confidence and become a social outcast.
Physiological thrillers
Psychological thrillers focus on the main character's mental strength and resources as they battle psychological themes like reality, perception, identity, and existence. While incorporating elements of mystery and drama, psychological thrillers resolve around specific themes through the main character rather than relying on physical action. Examples include exploring how characters grapple with what is real versus perceived, understanding their purpose and identity, and confronting their mortality.
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Task 2
The document discusses the representation of teenage male characters in a thriller film based on a school shooting. It analyzes real-life school shooters like those at Virginia Tech and characters in films like "We Need to Talk About Kevin" to portray the main character as a psychopathic killer. Examples of other violent incidents like the Oklahoma City bombing and characters like Oliver from an unnamed film are referenced to justify depicting the main character as an insane, cold-blooded psychopath motivated to kill people. The social group of teenage males is said to be negatively portrayed in a way that is realistic and aligns with the examples discussed.
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The document discusses several theories related to collective identity and audience reception of media. It addresses how media representations of young people as threats to society can influence audience perceptions and the construction of social identities. Theories discussed include copy cat behavior, encoding/decoding theory, social identity theory, and how passive consumption of negative media portrayals can widen gaps between social groups.
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Media convergence and synergy film2
The document discusses media convergence in the film industry, which involves combining old and new media in production, distribution, and exhibition. It provides examples like magazines producing websites, TV creating interactive channels, and films being distributed digitally. Media convergence can also involve collaborations between industries like film and music. Synergy is when two or more entities have a larger combined effect and is seen in production through collaborations, and in distribution through coordinated release of related products. The film Quantum is used as an example where production involved 3D specialists, distribution released related beer and perfume, and marketing involved cross-promotion with Sony games. Attack the Block also used online and radio convergence for its campaign. Large companies have an advantage in synergizing efforts across
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This document analyzes the genre of psychological thrillers. It discusses that psychological thrillers focus more on the mental states and psychology of characters rather than action. They incorporate elements of mystery, drama, and horror. Psychological thrillers often have unreliable narrators or vague goals ("MacGuffins") that drive the plot. Common themes in psychological thrillers include reality, perception, identity, and existence. Typical characters include criminals, stalkers, and vulnerable individuals. Psychological thrillers also have distinguishing directorial techniques like the use of shadows, eerie music, and flashbacks in editing.
Different sub genres
The document discusses four thriller sub-genres: action, psychological, crime, and horror. Action thrillers focus on physical action and stunts to create suspense. Psychological thrillers deal with mental and emotional problems and situations characters struggle to escape. Crime thrillers involve violence to build anxiety around a criminal's plans and motives. Horror thrillers feature mentally ill killers who aim to play with audiences' emotions by instilling fear and terror. While the sub-genres are similar in combining suspense, their key differences lie in their specific focuses on action, psychology, crime, or horror.
Genre research
Psychological thrillers focus on characters' unstable mental states and complex relationships. They emphasize characters relying on mental rather than physical strength as they battle for equilibrium in their own minds or prey on each other mentally. Common themes include death, loss of reality, identity struggles, and guilt. Psychological thrillers commonly use first-person narratives and ambiguity about reality to focus on characters' minds. They tend to be set in urban areas and use costumes to portray characters as fitting social norms. Cinematography, music, and iconography like knives and shadows are employed to build tension and mystery.
What is a thriller
A thriller is a broad genre of literature, film, and television that keeps audiences alert by stimulating their emotions. There are several subgenres of thrillers, including action, crime, psychological, and science fiction thrillers. Action thrillers incorporate physical action and danger, while crime thrillers involve crimes like serial killers. Psychological thrillers create suspense through the unknown mind, and science fiction thrillers explore threats from the future. Key themes in thrillers involve protagonists facing death or danger from stronger antagonists like criminals or aliens. Famous directors like Steven Spielberg have made acclaimed films across various thriller subgenres over several decades.
Psychological drama genre
Psychological drama is a subgenre of psychological thriller that is highly character-driven with an emphasis on internal or personal conflicts rather than external threats of violence. While psychological dramas may contain some elements of psychological horror, they differ from thrillers in their slower pace and focus on exploring characters, relationships, and emotional dilemmas rather than incorporating life-threatening situations.
Thriller sub genres
The document discusses several sub-genres of thriller films:
1) The legal thriller focuses on a lawyer fighting crime both inside and outside the courtroom, often risking their career or life.
2) Action thrillers involve obstacles, violence, and a final confrontation between the protagonist and antagonist with elements like car chases and explosions.
3) Crime thrillers show most of the action through a criminal's eyes and emphasize the crime and action over emotional aspects.
Physiological thriller
Psychological thrillers focus heavily on characters and their mental state. They incorporate elements of mystery, drama, and horror as characters prey on one another's minds through deception and unsettling psychological manipulation. Common themes in psychological thrillers involve death, reality, identity, existence, and purpose. Some conventions of the genre include low lighting, quick edits, unsettling music, flashbacks, claustrophobic settings, and surreal elements meant to confuse or unsettle the audience. Famous directors who have mastered psychological thrillers include Alfred Hitchcock, David Lynch, and Martin Scorsese.
Codes and conventions
This document discusses the codes and conventions of psychological thrillers. It defines psychological thrillers as focusing on character emotions like distress, anger, and mental state. Key technical codes used in psychological thrillers include low lighting to create tension, fast cuts to build suspense, and tense music to mirror character emotions. Common themes in psychological thrillers involve reality, mental state, identity and death. Examples of influential psychological thriller films and novels are provided.
Conventions of a thriller
A thriller is a genre that revolves around anticipation and tension, keeping the audience on the edge of their seats. There are many sub-genres of thrillers including crime thrillers, spy thrillers, horror thrillers, and psychological thrillers. Crime thrillers in particular involve crimes like murders and robberies, with fast-paced action and suspense as the protagonist investigates and antagonists scheme.
Storylines in psychological thrillers
The document discusses key elements of an effective psychological thriller storyline. It notes that psychological thrillers are plot-driven with fast pacing and frequent crimes or obstacles to propel the story. More so than regular thrillers, they emphasize character development and exploration of the protagonist's impaired mental state. There are typically opposing sides, such as victims and police versus the protagonist, with characters trying to outwit each other psychologically rather than through brute force. It provides the film Psycho as an example that follows these conventions well.
What is the Thriller
Thrillers are characterized by suspense, action, and heroes thwarting more powerful villains through resourcefulness. While often involving murder or kidnapping, thrillers encompass many genres including legal, spy, action-adventure, medical, police, romantic, historical, political, religious, and high-tech stories. What unites them is the intense emotions they create, such as apprehension and exhilaration. Different thriller types feature varying themes depending on their genre, for example psychological thrillers focus more on mind games than action sequences.
What is Thriller
Thrillers are characterized by suspense, action, and heroes who must thwart villains' plans. Thrillers encompass many genres like crime, action, and suspense stories that create emotions of apprehension and exhilaration. Examples of thrillers include James Bond, Psycho, and Saw IV. Thrillers aim to provide excitement through disturbing or intense content that viewers do not experience in everyday life. Successful thriller openings may involve stalking or murder scenes to grab audiences' attention.
Thriller Presentaion[1]
Thrillers are characterized by suspense, action, and heroes who must thwart villains' plans. Thrillers encompass many genres like crime, action, and suspense stories that create emotions of apprehension and exhilaration. Examples of thrillers include James Bond, Psycho, and Saw IV. Thrillers aim to thrill audiences through excitement and portraying events outside everyday life, like horror films inducing fear or action films providing adrenaline through danger and stunts.
Sub-genres
Action thrillers use physical action and stunts to create suspense and tension. Plots often involve guns or weapons and keep the audience feeling danger and on the edge of their seats. Psychological thrillers focus on mental and emotional tension between characters and situations that are difficult to escape. Crime thrillers involve violence to build anxiety about what will happen next and focus on a criminal's plans and motivations. Horror thrillers feature a mentally ill killer who aims to play with audiences' emotions by instilling fear and terror through a frightening atmosphere.
Thriller codes and conventions
Thrillers aim to provide thrills and keep audiences engaged through tension and anticipation. They involve characters facing dangers like mysteries, missions, or escapes. Common technical elements include quick cuts, low lighting, and tense music to build suspense. Thrillers often evolve around double emotions and switch audiences between anxiety for characters and enjoyment of the film. Common subgenres include action, crime, disaster, and psychological thrillers involving threats like crimes, disasters, or conspiracies that characters must work to defeat.
Thrillers
This document discusses the various sub-genres and conventions of thriller films. It identifies the main sub-genres as action thriller, conspiracy thriller, crime thriller, legal thriller, political thriller, psychological thriller, and supernatural thriller. It provides examples for each sub-genre. The document also outlines some key conventions of thriller films, noting they involve preventing crimes or disasters, jeopardy, and violent confrontations between the hero and villain.
Genre and sub genre
Psychological films focus on the mind and emotional or mental issues that affect behavior. Characters may experience depression or other psychological conditions that could lead to violence or death. An example is The Orphanage, where a boy is psychologically affected and starts acting strangely.
Thrillers use suspense, tension, and excitement to stimulate audiences and provide an adrenaline rush. Plots include sudden excitement, twists and red herrings to keep viewers on the edge of their seats until the climax. Subgenres include psychological thrillers, crime thrillers, and mystery thrillers. Black Swan is an example of a psychological thriller that creates suspense through imagined mental illnesses and jealousy.
Slasher films typically involve a
Thriller
The document discusses the thriller genre and various subgenres. It provides an overview of common narrative styles in thrillers, including the protagonist facing a problem or danger. Case studies of films like Shutter Island and Silence of the Lambs are examined. Key characteristics of the thriller genre include suspense, plot twists, contrasting protagonist/antagonist characters. Subgenres discussed include action, crime, and psychological thrillers.
Characters in thriller movies
The document discusses common character types found in thriller movies. It describes how thrillers can be split into psychological, action, and criminal subgenres. Psychological thrillers often feature an "innocent victim" like Jodie Foster's character in Silence of the Lambs who is interrogating Hannibal Lecter. Criminal thrillers typically involve "criminals and convicts" as threats, such as Lecter who feels dangerous during interrogations. Psychological thrillers may also include "stalkers and creepy attitudes" that create an unsettling tone without a physical presence. The role of "the law" also differs between genres, with it sometimes opposing the protagonist in action thrillers but protecting characters in
Genre research psychological thriller
Psychological thrillers focus on a character's fragile mental state and perception of reality. They often use themes of reality, identity, perception, and death to create tension and mystery. Cinematography techniques like low lighting, city settings, darker costumes, mirrors as props, eerie music, quick camera movements, and flashbacks are employed to get inside the character's mind and build an unsettling atmosphere that leaves audiences questioning what is real.
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Prompt 4
The document discusses how human identity is increasingly "mediated" or shaped by media influences. It covers theories about how audiences both reflect and shape their identities based on media representations. While the media can influence identities through representations that get embedded in popular culture, audiences also actively interpret media texts and use media as tools to navigate and construct their own identities.
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The document provides discussion questions about the representation of youth in the TV show "Top Boy" and how it may influence youth identities. It asks how the show represents youth as "let down by adults" and as part of a subculture. It also asks how the repetitive negative portrayal of youth in the media could change their behavior and identities based on social learning theory. Finally, it prompts discussion of how the show could increase societal anxieties about youth in a similar way to how the film "Quadrophenia" did for its time period.
Prompt 3
Collective identity refers to how media representations can shape societal views of groups. Youth are often portrayed in popular media narratives of adolescence, as deviant subcultures, or as alienated from society. How audiences consume and interpret these media texts can influence their own identities and opinions of these collective groups.
Prompt question 2
The document discusses the emergence of teenagers and youth subcultures in Britain. It provides several reasons for the emergence of teenagers in postwar Britain, including the postwar baby boom, rising affluence that gave young people disposable income, and the rise of consumer culture that targeted youth markets. It also discusses factors that have led to an increase in the number of youth subcultures today, such as larger society size, rapid social change, and increased globalization. Finally, it notes that today's youth subcultures are more fluid and interconnected than classic theories portrayed.
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Collective prompt 2
Representations of British youth in media have changed over time to reflect contemporary subcultures. In the 1930s, youth were portrayed as well-mannered, while the 1950s saw the rise of rock music and rebellion against adults. The 1960s-70s showed mods, rockers and hippies, often fighting or protesting the Vietnam War. Today, gangs, drinking culture and sexualization of females are common portrayals. While some representations are negative, youth subcultures have historically challenged social norms through their style and behavior.
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Quadrophenia handout
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Collective prompt 1
This document discusses how contemporary media represents groups of people, specifically focusing on representations of young British people. It provides examples of how films and TV shows construct different representations of youth. Key terms discussed include representation, ideology, hegemony, and how media can influence and maintain dominant beliefs in society through stereotypical portrayals. The document asks students to analyze how youth are represented in episodes of a TV series in terms of the ideologies and hegemony presented.
Collective identity lesson two
This document discusses collective identity and how individuals belong to groups that share traditions and values. It addresses how collective identity is represented in media texts and constructed by users through media. Collective identities can include communities formed around age, gender, ethnicity or political ideas. The document presents theories from David Gauntlett and Anthony Giddens on how identity is consciously constructed through media and shaped by social structures. It focuses study on collective youth identity and gender identity as represented in various films and television shows from different time periods.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
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