The document discusses common character types found in thriller movies. It describes how thrillers can be split into psychological, action, and criminal subgenres. Psychological thrillers often feature an "innocent victim" like Jodie Foster's character in Silence of the Lambs who is interrogating Hannibal Lecter. Criminal thrillers typically involve "criminals and convicts" as threats, such as Lecter who feels dangerous during interrogations. Psychological thrillers may also include "stalkers and creepy attitudes" that create an unsettling tone without a physical presence. The role of "the law" also differs between genres, with it sometimes opposing the protagonist in action thrillers but protecting characters in

1. CHARACTERS IN THRILLER MOVIES
Joe Sheldon

2. THRILLER MOVIES
• A thriller can be split into three subgenres; a psychological, action and
criminal thriller.
• In my movie idea, the subgenre is psychological and criminal, however
overlap is often found in characters that are typical of thrillers, even
though their role may differ.
• An example of a famous psychological thriller is The Sixth Sense (Dir.
Shyamalan, 1999). Furthermore, The Bourne Identity (Dir. Liman, 2002)
and Reservoir Dogs (Dir. Tarantino, 1992) are famous action and crime
thrillers respectively.

3. THE INNOCENT VICTIM
• Each thriller requires a victim to show the power of the antagonist.
Usually these victims are in groups, although it can be found that a
singular victim is used to show the villain deteriorating the victim's
physical or mental state.
• One such innocent victim is Jodie Foster’s character Clarice Starling in
Silence Of The Lambs (Dir. Demme, 1991). The film is primarily known as
a horror but has many psychological thriller aspects. She is shown
interrogating serial killer and cannibal Hannibal Lecter to gain
information about another killer on the loose, Buffalo Bill. In various
scenes, she is shown suffering as a result of talking to him and is clearly
uncomfortable during scenes with him.
• Other kinds of innocent victim include a typical ‘chatterbox’ character,
usually a young woman, and a young couple.

4. CRIMINALS AND CONVICTS
• The first major threat in thriller movies are criminals. These can be
criminals that corrupt the main character during their time in prison or
escaped convicts that are a threat to society.
• In Silence Of The Lambs, Anthony Hopkins plays Hannibal Lecter, a serial
killer who is in prison and being asked to provide information on a
fellow killer. During scenes in which he is being interrogated, he feels a
dangerous character, with long takes of his crazed face often being the
main focus. He is the threat in the film, who constantly feels to be
perpetuating danger.
• These characters already connote danger after being in prison for doing
something wrong, which aids them in appearing as lethal to the
character

5. STALKERS AND CREEPY ATTITUDES
• In a psychological thriller, a stalker can be the main villain and threat to the
innocent victim. Their obsessive behavior appears as frightening in the
movie and will show an audience who the antagonist is from the start
without the need for mass exposition.
• Sometimes the stalker does not need to have a physical presence to be
scary. A sense of unease can be created through mentioning of their actions
or attitudes. The Blair Witch Project (Dir. Sánchez, 1999) is often regarded as
one of the great psychological films, and it shows no manifestation of the
threat to the characters throughout the movie.
• A general tone of malice can be created around a character through multiple
film-making methods. Long takes that continue after the other character has
started talking, obsessive behavior and acting unnatural can all create this
sense.

6. THE LAW
• The law, in the form of the police or a generally powerful character, is
present in thriller films- but fulfills different roles in action and
psychological thrillers.
• In an action thriller, the law can often be an antagonistic presence. They
oppose the criminal who is the main character of the thriller film, often
fighting for a cause the audience can support. This is seen much in the
Fast and Furious action thriller series.
• However, in psychological thrillers the law can often be an end goal or
protector of the main characters. The aim is often to call the police or be
protected by them throughout. The Silence Of The Lambs shows Clarice
as being under constant protection from the law.