There are 3 types of music video notes 1
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There are three main types of music videos: 1. Narrative videos contain footage that tells a story line, sometimes using clips from movies if the song was a soundtrack. These are more expensive to produce. 2. Performance videos primarily show the band or artist performing. They are a cheaper alternative but use various shots to keep it interesting. 3. Conceptual videos are based around a concept and involve significant post-production editing. Michael Jackson's "Black or White" is an example of an extremely expensive conceptual video. However, some music videos combine elements of all three types.
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History of music videos
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
Music video analysis
The document analyzes the music video for "To Be The Best" by Tenacious D. It finds that the video is mainly narrative, though it contains some aspects of disjuncture and performance during the song portions. The video appears to parody typical narrative music videos through its ridiculous elements and comedy-film-like style. It also notes that the song itself takes up little time in the full video, showing that modern music videos are viewed more as an art form than a way to simply showcase a song.
S1 Auteur Presentation - Jonathan Glazer
Jonathon Glazer is a British film and music video director born in 1966 known for artistic, narrative-driven videos featuring voiceovers and theatrical lighting. Some of his most famous works include music videos for Radiohead, Massive Attack, and Jamiroquai as well as the Guinness ad "Swimblack."
Mv types
There are four main types of music videos: performance, narrative, concept, and hybrid. Performance videos feature the artist performing the song for most or all of the video. Narrative videos tell a story that relates to the song's lyrics. Concept videos are based on a single idea, sometimes related and sometimes unrelated to the song. Hybrid videos combine elements of two or more types, such as performance and concept.
Music video timeline part 2
Michael Jackson's "Thriller" music video from 1983 was the first world premiere video aired on MTV. Directed by John Landis, the narrative video makes references to horror films and holds the record for most copies sold. Eminem's 1999 "My Name Is" video prominently featured himself to increase his star image and brand, with the lyrics and video illustrating each other. PSY's 2012 "Gangnam Style" performance-based video helped convey his brand image through various depictions of himself, and it was the first video to reach 1 billion YouTube views showing how music videos are now viewed.
History of music videos (2)
Originally, music videos were used to advertise music by filming artists performing songs. In the 1960s, the term "rock video" was coined as artists like the Big Bopper had their performances filmed for television. Music videos during this time period were typically shot of artists on tour or on location and loosely related to the song lyrics. The invention of video technology in the 1970s and 1980s led to more sophisticated music videos with heavy editing effects. In 1984, MTV was founded and provided a platform for artists like Michael Jackson to promote their music and careers through music videos.
Michael Jackson
This video analysis summarizes Michael Jackson's 1987 music video for "The Way You Make Me Feel". The 7-10 minute video was directed by Joe Pytka and featured a mix of narrative and performance scenes. It showed Jackson's iconic dance moves and included voyeuristic camerawork and silhouettes. The video portrayed Jackson chasing and ultimately winning over a woman, similar to a "happy ever after" story structure in films. While some critics praised the video as iconic, others found Jackson's dancing to be too provocative.
Textural analysis 1
The document analyzes the music video for "Bittersweet Symphony" by The Verve. It discusses several key points:
1) The video challenges stereotypes of the indie genre by embedding the musical performance into a narrative. This gives it elements of both indie and Britpop styles.
2) Shots include static shots and movement shots where the camera follows the singer down the street, portraying his detached mood.
3) The orchestral music contrasts with the realistic suburban visuals of run-down areas, representing being governed by money rather than personal success.
4) As the tempo and vocals increase, the other band members join the singer in walking as if unable to change their predetermined paths
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History of music videos
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
Music video analysis
The document analyzes the music video for "To Be The Best" by Tenacious D. It finds that the video is mainly narrative, though it contains some aspects of disjuncture and performance during the song portions. The video appears to parody typical narrative music videos through its ridiculous elements and comedy-film-like style. It also notes that the song itself takes up little time in the full video, showing that modern music videos are viewed more as an art form than a way to simply showcase a song.
S1 Auteur Presentation - Jonathan Glazer
Jonathon Glazer is a British film and music video director born in 1966 known for artistic, narrative-driven videos featuring voiceovers and theatrical lighting. Some of his most famous works include music videos for Radiohead, Massive Attack, and Jamiroquai as well as the Guinness ad "Swimblack."
Mv types
There are four main types of music videos: performance, narrative, concept, and hybrid. Performance videos feature the artist performing the song for most or all of the video. Narrative videos tell a story that relates to the song's lyrics. Concept videos are based on a single idea, sometimes related and sometimes unrelated to the song. Hybrid videos combine elements of two or more types, such as performance and concept.
Music video timeline part 2
Michael Jackson's "Thriller" music video from 1983 was the first world premiere video aired on MTV. Directed by John Landis, the narrative video makes references to horror films and holds the record for most copies sold. Eminem's 1999 "My Name Is" video prominently featured himself to increase his star image and brand, with the lyrics and video illustrating each other. PSY's 2012 "Gangnam Style" performance-based video helped convey his brand image through various depictions of himself, and it was the first video to reach 1 billion YouTube views showing how music videos are now viewed.
History of music videos (2)
Originally, music videos were used to advertise music by filming artists performing songs. In the 1960s, the term "rock video" was coined as artists like the Big Bopper had their performances filmed for television. Music videos during this time period were typically shot of artists on tour or on location and loosely related to the song lyrics. The invention of video technology in the 1970s and 1980s led to more sophisticated music videos with heavy editing effects. In 1984, MTV was founded and provided a platform for artists like Michael Jackson to promote their music and careers through music videos.
Michael Jackson
This video analysis summarizes Michael Jackson's 1987 music video for "The Way You Make Me Feel". The 7-10 minute video was directed by Joe Pytka and featured a mix of narrative and performance scenes. It showed Jackson's iconic dance moves and included voyeuristic camerawork and silhouettes. The video portrayed Jackson chasing and ultimately winning over a woman, similar to a "happy ever after" story structure in films. While some critics praised the video as iconic, others found Jackson's dancing to be too provocative.
Textural analysis 1
The document analyzes the music video for "Bittersweet Symphony" by The Verve. It discusses several key points:
1) The video challenges stereotypes of the indie genre by embedding the musical performance into a narrative. This gives it elements of both indie and Britpop styles.
2) Shots include static shots and movement shots where the camera follows the singer down the street, portraying his detached mood.
3) The orchestral music contrasts with the realistic suburban visuals of run-down areas, representing being governed by money rather than personal success.
4) As the tempo and vocals increase, the other band members join the singer in walking as if unable to change their predetermined paths
Presentation on music videos
The document discusses common motifs used in music videos, including fragmentation of the body through close-ups, mythical and mysterious settings like gothic mansions, elements of horror such as extreme violence, intertextuality by showing the recording process, ritual celebrations like parties, and impossible sequences through special effects and animation. Other features examined are shots with bright lights and clips from associated films.
Music video
This document provides guidelines for the music video for Carly Rae Jepsen's song "Call Me Maybe" directed by Luke Taylor. It outlines that the video should have a "cheesy" and bright tone to match the popular, catchy song. It recommends using various camera techniques, locations, and lighting styles. Key elements include having many people sing parts of the chorus, portraying the song's verses through a couple's acting, and quick editing during the chorus. Influences cited include music videos by Nickelback, Black Eyed Peas, and Taylor Swift as well as movies like High School Musical. The crew is listed and concerns note finding enough participants and dealing with weather.
Types of Music Videos | A2 Media Research
A2 Media Research Research about the different types of music videos there are; most particularly performance based and reverse videos. Contains both description and examples for each type
History of the music video
The history of music videos began in the 1920s with the first known music video appearing in Al Jolson's 1927 film The Jazz Singer. In the 1940s, Disney's Fantasia was the first commercial film to use stereophonic sound. In the 1960s, the Beatles produced early music videos to accompany their songs. The launch of MTV in 1981 was a major development, dedicating its programming exclusively to music videos. Modern platforms like YouTube have further increased the distribution and viewing of music videos online. However, some modern music videos remain controversial due to the frequent objectification of women.
History of the music video
The history of music videos began in the 1920s with films that synchronized dialogue with songs. Early music videos were shown on Panoram soundies in the 1940s and included sexualized imagery of women. Disney's Fantasia in 1940 was one of the first films with stereophonic sound. In the 1960s, the Beatles produced short films to accompany their songs and helped launch the rock music video era. MTV's launch in 1981 was pivotal, broadcasting music videos 24/7 and exposing audiences to new artists. Modern websites like YouTube have increased the popularity and controversy of music videos online.
History of a music video
This document summarizes the history and evolution of music videos from the 1920s to the present. It traces some of the earliest music videos that were shown in theaters in the 1920s-1930s. Television played a key role from the 1950s onward in broadcasting music videos. The 1960s saw the development of music videos as a way to promote new songs. In the 1970s, music videos began telling stories that accompanied song lyrics. MTV launched in 1981 and was hugely influential in promoting artists through music videos. Modern music videos are often high-budget productions and some, like Michael Jackson's "Thriller," have become mini-movies. New technologies like YouTube have further transformed how music videos are created and distributed.
Music timeline
The document traces the evolution of music videos from 1927 to 1994, highlighting some key developments:
- In 1927, Al Jolson's "Mammy" was one of the first videos featuring a singer and was filmed from multiple angles.
- "Singing in the Rain" (1952) advanced camera techniques like panning but had much lower sound quality than modern videos.
- "The House of the Rising Sun" (1964) was one of the first music videos filmed in color.
- "Help!" (1975) was used as the soundtrack for a major movie, representing an early integration of music and film.
Michel Gondry
Michel Gondry is a French film and music video director known for his innovative visual style. He often films music videos in a single shot and uses techniques like stop motion animation. Some of his most famous music videos include "Human Behaviour" by Björk, "Fell in Love with a Girl" by The White Stripes, and "Knives Out" by Radiohead. Gondry has collaborated with many artists multiple times throughout his career directing both music videos and films.
Assignment 10 presentation
The first music video aired on MTV was "Video Killed the Radio Star" by The Buggles in 1980. It cost $50,000 to produce and became a commercial success, reaching number one on charts. Music videos have since evolved, as seen in Michael Jackson's "Smooth Criminal" which was over 9 minutes long and cost around $500,000 compared to the 3 minute video by The Buggles. Audiences enjoy rewatching music videos to see different interpretations and references to other works, and videos that repeat shots, images and choreography. The author has watched "Thriller" and "Smooth Criminal" multiple times due to enjoying the artist, song and interesting narrative or controversial moves.
History of music videos
This document provides a history of music videos from their origins in the 1930s featuring early performers like Elvis Presley and Cliff Richard to modern innovations. It notes that music videos evolved from simple live performances to narrative films directed by famous directors like Spielberg. The most expensive video was Michael and Janet Jackson's "Scream" budgeted at $7 million. The future of music videos may involve more product placements to drive sales of endorsed brands seen in popular artists' videos according to fan behavior theories.
History of music videos
Oskar Fischinger was a pioneer of abstract musical animation in the early 20th century, creating films where cut out paper moved to the beat of music. In the 1940s, Soundies and Scopitones - three minute musical films and jukebox films respectively - were produced, featuring early music video-like dance sequences. The Beatles film "A Hard Day's Night" in the 1960s was also considered an early music video. Queen's "Bohemian Rhapsody" success led record companies to regularly produce promotional music videos. MTV, launching in 1981, was the first channel dedicated solely to music videos and helped popularize the format. YouTube later brought music videos to the internet and increased their
Music Video types
This document defines and provides examples of three types of music videos: concept music videos, which feature a plot unrelated to the song's lyrics; performance music videos, which depict the artist performing the song; and narrative music videos, which illustrate or relate visually to the lyrics through a story. Examples are given for each type including videos by Red Hot Chili Peppers, Blink-182, and Wheatus.
History of the music video
The history of music videos began in the 1920s with the first known music video appearing in Al Jolson's 1927 film The Jazz Singer. In the 1940s, Disney's Fantasia was a breakthrough as the first commercial film shown with stereophonic sound. In the 1960s, the Beatles produced early music videos to accompany their songs that set trends for other artists. The launch of MTV in 1981 was pivotal as it was the first channel dedicated to playing music videos 24/7. Modern platforms like YouTube have further increased music videos' role in promoting artists' music and careers.
History of the music video
The history of music videos began in the 1920s with the first known music video appearing in Al Jolson's 1927 film The Jazz Singer. In the 1940s, Disney's Fantasia was a breakthrough as the first commercial film shown with stereophonic sound. In the 1960s, the Beatles produced early music videos to accompany their songs that set trends for other artists. The launch of MTV in 1981 was a major development that dedicated a television channel exclusively to music videos and greatly increased their popularity. Modern platforms like YouTube have further transformed how music videos are distributed and consumed online.
Plan b she said
Plan B's "She Said" music video uses cinematic techniques to tell a narrative that matches the song and draws attention to the music. The video begins with a flashback of Plan B meeting a girl, shown through slow motion. Scenes then cut between this flashback and Plan B on trial in a courtroom. Editing techniques like jump cuts on the beat are used to introduce the jury and build tension. Plan B testifies his case, and the video matches lyrics to scenes. When Plan B raps, the editing and jury's movements match the faster tempo. Through these techniques, the video engages the audience in the story and marketing of the song.
Application of andrew goodwin and genre theories 2
The document analyzes the music video for "Arabella" by Arctic Monkeys. It discusses how the video prominently features the female body and male gaze. It also notes how the video follows conventions of indie music videos by having a low-budget, black-and-white, shaky camera style that focuses on the band. While there are some connections between the lyrics and visuals, like scenes of smoking when the lyrics mention cigarettes, most of the video simply shows the band singing. The document concludes by explaining how the video references old film noir styles to add a mysterious, romantic element that fits with the song's themes.
Review of a music video
The music video for "Kings and Queens" by 30 Seconds to Mars features over 100 people riding bikes through the streets of Los Angeles. It shows the "crank mob" taking over the city while dressed uniquely to show their individual personalities. The video was filmed in various iconic LA locations and uses dramatic shots, like the band performing on a roof silhouetted against the sun. While it uses few props, it incorporates its surroundings effectively. Some consider it more like a short film than a typical music video due to its longer length and cinematic techniques. Overall, it is an entertaining and attention-grabbing video that stands out from conventions through its creative filming in Los Angeles.
Music video
Music videos originated as promotional films for songs but became prominent in the 1980s with MTV's format. They use various filmmaking styles like animation, live action, and documentaries to interpret or promote songs. In the 1970s, programs like Top of the Pops in the UK began playing music videos, boosting song sales. Notable early music videos include Sparks' 1974 video for "This Town Ain't Big Enough for Both of Us" and Queen's 1975 video for "Bohemian Rhapsody" made for Top of the Pops. Pioneering music shows like The Old Grey Whistle Test produced many experimental videos throughout the 1970s and 1980s that helped develop the format.
Application of andrew goodwin and genre theories
The document discusses Britney Spears' music video for "Toxic" and analyzes it through genre and film theories. It notes that the video prominently displays Britney's body in minimal, provocative outfits, exemplifying Andrew Goodwin's "star image" theory by portraying her as a sexual icon. It also analyzes genre conventions like vibrant colors, choreographed dancing, and lyrics that match the on-screen actions. Additionally, it discusses how the video references the film "Mission Impossible" through one scene, drawing an intertextual connection meant to portray Britney as strong and powerful like the film's hero Tom Cruise.
Professional product
The Foo Fighters music video for the song "Rope" was directed by Butch Vig and filmed entirely on VHS. It does not have a narrative structure, rather showing different shots of the band members playing in a single white room. The video captures the alternative rock/post-grunge genre through its black and white filming, slow beginning that picks up intensity, and the band's dark clothing. The video was successful due to it being the first single from their new album, having catchy elements typical of Foo Fighters songs, and topping the charts.
Music video conventions
This document discusses the definition and conventions of music videos. It identifies three main styles of music videos: performance-based, narrative-based, and concept-based. Promotional music videos are made primarily to promote an artist's music, while artistic videos can be more experimental. Theories suggest that successful music videos typically demonstrate genre characteristics, link lyrics/music to visuals, include close-ups of the artist, develop recurring iconography, reference the act of looking at the viewer, and include intertextual references.
Music video theories
Sven E Carlsson's theory is that music videos use binary oppositions to drive their narratives forward, and that there are two main types of music videos: performance videos that mainly show the artist singing and dancing, and conceptual videos that show something else symbolically representing the song. Michael Shore concludes that most music videos recycle styles and contain adolescent male fantasies of speed, power, women and wealth, conveying a message of soft-core pornography. Andrew Goodwin argues that understanding these theories is the basis for understanding music videos and their relationship to cinema, television, visual art, dreams, poetry and advertising.
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Presentation on music videos
The document discusses common motifs used in music videos, including fragmentation of the body through close-ups, mythical and mysterious settings like gothic mansions, elements of horror such as extreme violence, intertextuality by showing the recording process, ritual celebrations like parties, and impossible sequences through special effects and animation. Other features examined are shots with bright lights and clips from associated films.
Music video
This document provides guidelines for the music video for Carly Rae Jepsen's song "Call Me Maybe" directed by Luke Taylor. It outlines that the video should have a "cheesy" and bright tone to match the popular, catchy song. It recommends using various camera techniques, locations, and lighting styles. Key elements include having many people sing parts of the chorus, portraying the song's verses through a couple's acting, and quick editing during the chorus. Influences cited include music videos by Nickelback, Black Eyed Peas, and Taylor Swift as well as movies like High School Musical. The crew is listed and concerns note finding enough participants and dealing with weather.
Types of Music Videos | A2 Media Research
A2 Media Research Research about the different types of music videos there are; most particularly performance based and reverse videos. Contains both description and examples for each type
History of the music video
The history of music videos began in the 1920s with the first known music video appearing in Al Jolson's 1927 film The Jazz Singer. In the 1940s, Disney's Fantasia was the first commercial film to use stereophonic sound. In the 1960s, the Beatles produced early music videos to accompany their songs. The launch of MTV in 1981 was a major development, dedicating its programming exclusively to music videos. Modern platforms like YouTube have further increased the distribution and viewing of music videos online. However, some modern music videos remain controversial due to the frequent objectification of women.
History of the music video
The history of music videos began in the 1920s with films that synchronized dialogue with songs. Early music videos were shown on Panoram soundies in the 1940s and included sexualized imagery of women. Disney's Fantasia in 1940 was one of the first films with stereophonic sound. In the 1960s, the Beatles produced short films to accompany their songs and helped launch the rock music video era. MTV's launch in 1981 was pivotal, broadcasting music videos 24/7 and exposing audiences to new artists. Modern websites like YouTube have increased the popularity and controversy of music videos online.
History of a music video
This document summarizes the history and evolution of music videos from the 1920s to the present. It traces some of the earliest music videos that were shown in theaters in the 1920s-1930s. Television played a key role from the 1950s onward in broadcasting music videos. The 1960s saw the development of music videos as a way to promote new songs. In the 1970s, music videos began telling stories that accompanied song lyrics. MTV launched in 1981 and was hugely influential in promoting artists through music videos. Modern music videos are often high-budget productions and some, like Michael Jackson's "Thriller," have become mini-movies. New technologies like YouTube have further transformed how music videos are created and distributed.
Music timeline
The document traces the evolution of music videos from 1927 to 1994, highlighting some key developments:
- In 1927, Al Jolson's "Mammy" was one of the first videos featuring a singer and was filmed from multiple angles.
- "Singing in the Rain" (1952) advanced camera techniques like panning but had much lower sound quality than modern videos.
- "The House of the Rising Sun" (1964) was one of the first music videos filmed in color.
- "Help!" (1975) was used as the soundtrack for a major movie, representing an early integration of music and film.
Michel Gondry
Michel Gondry is a French film and music video director known for his innovative visual style. He often films music videos in a single shot and uses techniques like stop motion animation. Some of his most famous music videos include "Human Behaviour" by Björk, "Fell in Love with a Girl" by The White Stripes, and "Knives Out" by Radiohead. Gondry has collaborated with many artists multiple times throughout his career directing both music videos and films.
Assignment 10 presentation
The first music video aired on MTV was "Video Killed the Radio Star" by The Buggles in 1980. It cost $50,000 to produce and became a commercial success, reaching number one on charts. Music videos have since evolved, as seen in Michael Jackson's "Smooth Criminal" which was over 9 minutes long and cost around $500,000 compared to the 3 minute video by The Buggles. Audiences enjoy rewatching music videos to see different interpretations and references to other works, and videos that repeat shots, images and choreography. The author has watched "Thriller" and "Smooth Criminal" multiple times due to enjoying the artist, song and interesting narrative or controversial moves.
History of music videos
This document provides a history of music videos from their origins in the 1930s featuring early performers like Elvis Presley and Cliff Richard to modern innovations. It notes that music videos evolved from simple live performances to narrative films directed by famous directors like Spielberg. The most expensive video was Michael and Janet Jackson's "Scream" budgeted at $7 million. The future of music videos may involve more product placements to drive sales of endorsed brands seen in popular artists' videos according to fan behavior theories.
History of music videos
Oskar Fischinger was a pioneer of abstract musical animation in the early 20th century, creating films where cut out paper moved to the beat of music. In the 1940s, Soundies and Scopitones - three minute musical films and jukebox films respectively - were produced, featuring early music video-like dance sequences. The Beatles film "A Hard Day's Night" in the 1960s was also considered an early music video. Queen's "Bohemian Rhapsody" success led record companies to regularly produce promotional music videos. MTV, launching in 1981, was the first channel dedicated solely to music videos and helped popularize the format. YouTube later brought music videos to the internet and increased their
Music Video types
This document defines and provides examples of three types of music videos: concept music videos, which feature a plot unrelated to the song's lyrics; performance music videos, which depict the artist performing the song; and narrative music videos, which illustrate or relate visually to the lyrics through a story. Examples are given for each type including videos by Red Hot Chili Peppers, Blink-182, and Wheatus.
History of the music video
The history of music videos began in the 1920s with the first known music video appearing in Al Jolson's 1927 film The Jazz Singer. In the 1940s, Disney's Fantasia was a breakthrough as the first commercial film shown with stereophonic sound. In the 1960s, the Beatles produced early music videos to accompany their songs that set trends for other artists. The launch of MTV in 1981 was pivotal as it was the first channel dedicated to playing music videos 24/7. Modern platforms like YouTube have further increased music videos' role in promoting artists' music and careers.
History of the music video
The history of music videos began in the 1920s with the first known music video appearing in Al Jolson's 1927 film The Jazz Singer. In the 1940s, Disney's Fantasia was a breakthrough as the first commercial film shown with stereophonic sound. In the 1960s, the Beatles produced early music videos to accompany their songs that set trends for other artists. The launch of MTV in 1981 was a major development that dedicated a television channel exclusively to music videos and greatly increased their popularity. Modern platforms like YouTube have further transformed how music videos are distributed and consumed online.
Plan b she said
Plan B's "She Said" music video uses cinematic techniques to tell a narrative that matches the song and draws attention to the music. The video begins with a flashback of Plan B meeting a girl, shown through slow motion. Scenes then cut between this flashback and Plan B on trial in a courtroom. Editing techniques like jump cuts on the beat are used to introduce the jury and build tension. Plan B testifies his case, and the video matches lyrics to scenes. When Plan B raps, the editing and jury's movements match the faster tempo. Through these techniques, the video engages the audience in the story and marketing of the song.
Application of andrew goodwin and genre theories 2
The document analyzes the music video for "Arabella" by Arctic Monkeys. It discusses how the video prominently features the female body and male gaze. It also notes how the video follows conventions of indie music videos by having a low-budget, black-and-white, shaky camera style that focuses on the band. While there are some connections between the lyrics and visuals, like scenes of smoking when the lyrics mention cigarettes, most of the video simply shows the band singing. The document concludes by explaining how the video references old film noir styles to add a mysterious, romantic element that fits with the song's themes.
Review of a music video
The music video for "Kings and Queens" by 30 Seconds to Mars features over 100 people riding bikes through the streets of Los Angeles. It shows the "crank mob" taking over the city while dressed uniquely to show their individual personalities. The video was filmed in various iconic LA locations and uses dramatic shots, like the band performing on a roof silhouetted against the sun. While it uses few props, it incorporates its surroundings effectively. Some consider it more like a short film than a typical music video due to its longer length and cinematic techniques. Overall, it is an entertaining and attention-grabbing video that stands out from conventions through its creative filming in Los Angeles.
Music video
Music videos originated as promotional films for songs but became prominent in the 1980s with MTV's format. They use various filmmaking styles like animation, live action, and documentaries to interpret or promote songs. In the 1970s, programs like Top of the Pops in the UK began playing music videos, boosting song sales. Notable early music videos include Sparks' 1974 video for "This Town Ain't Big Enough for Both of Us" and Queen's 1975 video for "Bohemian Rhapsody" made for Top of the Pops. Pioneering music shows like The Old Grey Whistle Test produced many experimental videos throughout the 1970s and 1980s that helped develop the format.
Application of andrew goodwin and genre theories
The document discusses Britney Spears' music video for "Toxic" and analyzes it through genre and film theories. It notes that the video prominently displays Britney's body in minimal, provocative outfits, exemplifying Andrew Goodwin's "star image" theory by portraying her as a sexual icon. It also analyzes genre conventions like vibrant colors, choreographed dancing, and lyrics that match the on-screen actions. Additionally, it discusses how the video references the film "Mission Impossible" through one scene, drawing an intertextual connection meant to portray Britney as strong and powerful like the film's hero Tom Cruise.
Professional product
The Foo Fighters music video for the song "Rope" was directed by Butch Vig and filmed entirely on VHS. It does not have a narrative structure, rather showing different shots of the band members playing in a single white room. The video captures the alternative rock/post-grunge genre through its black and white filming, slow beginning that picks up intensity, and the band's dark clothing. The video was successful due to it being the first single from their new album, having catchy elements typical of Foo Fighters songs, and topping the charts.
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Application of andrew goodwin and genre theories 2
Application of andrew goodwin and genre theories 2
Similar to There are 3 types of music video notes 1
Music video conventions
This document discusses the definition and conventions of music videos. It identifies three main styles of music videos: performance-based, narrative-based, and concept-based. Promotional music videos are made primarily to promote an artist's music, while artistic videos can be more experimental. Theories suggest that successful music videos typically demonstrate genre characteristics, link lyrics/music to visuals, include close-ups of the artist, develop recurring iconography, reference the act of looking at the viewer, and include intertextual references.
Music video theories
Sven E Carlsson's theory is that music videos use binary oppositions to drive their narratives forward, and that there are two main types of music videos: performance videos that mainly show the artist singing and dancing, and conceptual videos that show something else symbolically representing the song. Michael Shore concludes that most music videos recycle styles and contain adolescent male fantasies of speed, power, women and wealth, conveying a message of soft-core pornography. Andrew Goodwin argues that understanding these theories is the basis for understanding music videos and their relationship to cinema, television, visual art, dreams, poetry and advertising.
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Music video styles and history
This document summarizes the history and styles of music videos. It discusses early styles like in-concert videos and animation. It also covers narrative videos and parody/pastiche videos. The document then outlines the influence of MTV in the 1980s and innovations like Michael Jackson's "Thriller" video. It concludes by noting the impact of computer animation, Dire Straits' "Money For Nothing" video, and the internet/YouTube on the distribution and styles of modern music videos.
Musicvideointroandintertextuality ppt1-111005145736-phpapp01
This document discusses the history and conventions of music videos. It explains that music videos first emerged in the 1920s but became more prominent with advances in video recording technology. Key developments included Bob Dylan's 1965 video and the rise of MTV in the 1970s. The document also outlines some common technical codes in music videos like camerawork, editing, and visual effects. Finally, it examines how music videos draw from other media like film, television, art, photography, and fashion through intertextuality.
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The document outlines four main styles of music videos: performance based, narrative based, concept based, and cameo based. Performance based videos primarily feature the artist performing the song, narrative based videos attempt to tell a story visually related to the song's lyrics, concept based videos are based around a single unusual idea or editing/filming technique, and cameo based videos involve other artists or famous people appearing alongside the main artist.
Music video slide show
Music videos have been around since the 1920s but became more prominent in the 1970s with the rise of music television shows. Early music videos were short promotional clips of artists performing their songs. The 1975 video for Bohemian Rhapsody by Queen was groundbreaking for using visual effects and setting conventions for modern music videos. Effective music videos illustrate, amplify, or contradict the song's lyrics and music through techniques like cinematography, editing, intertextual references, and relationships between audio and visuals. Intertextual referencing is common and can be stylistic, through narrative or themes, or incorporate content from other works to enhance meaning and sell the artist.
Music video theory
There are three main types of music videos: performance videos show the artist singing and/or playing instruments; narrative videos contain a story line that runs throughout, sometimes featuring the artist as actors; and conceptual videos are based around a single concept or idea rather than the lyrics or song.
Research into the music video industry
Music videos go through three main stages of production: pre-production involving planning, production which is the filming, and post-production such as editing. The purpose of music videos is to promote the artist and song through visuals that help audiences connect to and remember the song. Famous music video directors like David Fincher and Anthony Mandler are known for their memorable, high production value videos. The cost of music videos can vary widely from under $1,000 to over $10 million, depending on elements like location, talent, and special effects. Today, most audiences access music videos through YouTube, television channels like MTV, or included on artist album DVDs.
Research On Music Video Directors
This document provides information about three music video directors: Spike Jonze, Michel Gondry, and Chris Cunningham. It discusses some of their notable music videos and directorial styles. Spike Jonze is known for unconventional visual storytelling and mixing animation with live action. Michel Gondry is inspired by film and known for his imaginative manipulation of scenes. Chris Cunningham's videos are often dark and distorted, collaborating frequently with Aphex Twin. Videos by all three directors push creative boundaries in their visuals and storytelling.
Music video
The document defines a music video as a short video used to market and promote an artist's music and merchandise. It discusses the origins of music videos in the 1980s and purposes such as selling songs, entertaining audiences, and marketing artists. The history section outlines early forms like musical films from the 1930s and Soundies in the 1940s. It then covers the rise of television and how MTV launched in 1981 as a 24-hour music channel, helping popularize the format. Finally, common elements of music videos are defined like performance, narrative, thematic, symbolic, and cameo appearances.
History of music videos
Music videos have evolved from early promotional films set to music in the 1930s-1950s. Early forms included illustrated songs in the 1890s, Soundies musical films of the 1940s, and musical shorts that filled time between films. In the 1960s, Scopitones and early music videos known as "lip dubs" emerged. Video Concert Hall in 1979 was one of the first TV networks to feature music videos. Finally, MTV launched in 1981 and became the first channel dedicated solely to music videos, popularizing the format.
Research into music videos
This document discusses different types of music videos and their key characteristics. It begins by describing narrative music videos, which tell a story through a sequence of events that parallel the song. Performance music videos capture a live performance to give audiences an authentic view of the artist. Conceptual music videos are more abstract and focus on visuals over narrative or lyrics. The document then provides examples and analyses of different music videos to illustrate these styles. It also covers technical aspects like camera angles, shots, editing, and the production process.
Music video research and intertextuality
An introduction into the genre of music videos, including a brief history, examination of past and modern day technical codes, and how modern day music videos all incorporate some form of intertextuality. Adapted and updated by alevelmedia.co.uk
Music video research
This document discusses different types of music videos and their purposes. Promotional music videos are intended to promote an artist's music and typically feature the artist more prominently. They can range from mass appeal videos to more controversial videos meant to generate discussion. Artistic music videos are less conventional and more experimental or abstract short films that use music and imagery to tell a story rather than strictly promote the artist. Examples of both promotional and artistic styles are provided to illustrate the differences.
Conventions of a music videos
There are three main types of music videos: narrative videos which tell a story, conceptual videos based around a single idea, and performance videos featuring the artist. Music videos use various camera shots and angles like close-ups and tracking shots to focus attention. They also utilize editing techniques, lighting, costumes, sets and props to match the genre and mood of the song.
Music video research
A music video is a short film that integrates a song and imagery, typically produced for promotional or artistic purposes. Promotional music videos primarily aim to market and promote the artist's music, often featuring the artist frequently and aiming to generate buzz. They can range from mass appeal videos to more controversial ones. Artistic music videos are less conventional and more experimental or abstract, acting more as short films that complement the song rather than promote the artist. The amount an artist appears depends on the video's purpose as promotional or artistic.
Music video - Intro and intertextuality
This document discusses the technical codes and conventions of music videos. It covers the early history of music videos from the 1920s through the 1970s. It then analyzes elements like camerawork, editing, effects, and intertextuality. Common techniques discussed include fast cuts, split screens, references to other works, and the increasing use of film elements. Directors are also noted as drawing from cinema and other media in their music video work.
The Purpose of Music Videos
Music videos initially emerged in the 1940s as a way to promote songs and artists through visuals synced to music. They gained popularity with the rise of music television channels like MTV in the 1980s. Today, music videos are widely used to market songs, albums, artists, directors, and record labels through various online and social media platforms. They provide additional revenue streams beyond music sales and help cross-promote films, TV shows, and other entertainment properties through collaborative partnerships.
Music Video Initial Research
The document discusses different frameworks for analyzing music videos. It summarizes Frith's three typologies of music videos as performance, narrative, or conceptual. Examples are given for each type. The document also outlines Goodwin's seven conventions for music videos, which include close-ups of artists, developing star iconography, references to voyeurism, and relationships between lyrics/music and visuals. Genres are also said to have consistent styles.
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Musicvideointroandintertextuality ppt1-111005145736-phpapp01
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Jonathan newton as pre production tasks feedback sheet
This document provides feedback from a teacher to a student, Jonathan Newton, on pre-production tasks for an AS film project. The teacher notes that Jonathan has completed most tasks successfully, including research, script, storyboards, and schedules. However, more detail is needed for certain areas like props, actors, costumes, and equipment. Some items also need re-uploading in a readable format. Jonathan makes the requested improvements, gaining more details in chosen areas and resizing files. As a result, his work is now deemed a proficient Level 3 standard by the teacher.
Jonathan newton as coursework overall marksheet
Jonathan Newton received marks for his AS coursework in film production. For his planning work, he received a mark of 14/20. His main construction task on filming, editing, and sound received an overall mark of 36/60. His evaluation of the film through a series of questions received a mark of 15/20. In total, Jonathan received a grade of C with an overall mark of 65/100.
Question 2
The document discusses how the film represents the target audience of males aged 16-25.
The costume and actors were chosen to match what the target audience typically wears and looks like, such as hoodies and jeans, to make them feel represented.
While some conventions were followed, like casting actors of the target age, other elements like setting the interrogation in a classroom challenged conventions too much. This may prevent the target audience from engaging with the film as intended.
Props
Dexter will use a belt to tie up his hands during an interrogation scene. Jonty will provide old style keys to unlock the padlock on the belt restraining Dexter. A table and chairs from a classroom will also be used as props, with the table and basic, non-descript chairs fitting the interrogation setting.
Cast Costume
The document summarizes costumes for three characters - Derick, Sir, and Man 1 - in a short film on a limited budget. Derick will wear a grey hooded sweatshirt to portray a "bad guy", along with a striped shirt to give mixed impressions, and blue jeans for relatability. Sir will wear a burgundy hoodie to convey boldness and power, though this will only be apparent at the end. Man 1 will wear a white t-shirt with red sleeves to falsely imply purity while also signaling danger.
Cast
Dexter Gibson was chosen to play Derick because he has experience in stage productions and currently plays a main role in his school's production of Singin' in the Rain, making him a competent actor. Mathew Davies was selected to play Sir due to his height of 6'5", which will allow him to appear intimidating while interrogating Derick. Jonathan Newton chose himself for the small role of Man 1 in order to simplify logistics and filming by not needing to coordinate an additional actor.
Eqiupoment list
The document summarizes the key equipment that will be used to film a scene, including a Canon 700D SLR camera, a Rode VideoMic Go microphone for superior sound quality over the camera's built-in mic, a Velborn Df-61 tripod used for most shots due to its tilt and extension features, and stage lights to provide ambient lighting for the dark scene and create a dark effect.
Cast
Dexter Gibson was chosen to play Derick because he has experience in stage productions and currently plays a main role in the school's production of Singin' in the Rain, making him a competent actor for the role. Jonty Preston was selected as Sir due to his height of 6ft 5in, which will allow him to appear intimidating when interrogating Derick but his size won't always work against the role. Mathew Davies was cast as Man 1 because his tall stature will make him look intimidating.
Props
This document lists props needed for a film production. It identifies props for specific actors like handcuffs and keys. General props include an old-fashioned desk light to be purchased from a charity shop, basic classroom tables and chairs to fit the style of integrating into a classroom setting for the film.
Cast costume
This document provides costume details for three characters in a play:
1) Dexter Gibson will wear a blue suit, red tie, and white shirt to portray his character Derrick as classy but dangerous.
2) Jonty Preston will wear an old tweed suit, yellow tie and shirt, and brown shoes to show that his character Sir is older and out of date with fashion.
3) Mathew Davies will wear a white shirt, silver tie, and black trousers to portray his character as a smart, formal, and up-to-date new cop.
Target audience research
The document describes the results of a survey about movie preferences. The survey found that most respondents who preferred action movies were male and between the ages of 16-25. Specifically, of the 25 people who said action movies were their favorite genre, 19 were male and 19 were between 16-25 years old. Therefore, the target audience for an action movie should be male teenagers and young adults aged 16-25.
Analysis of the first 2 minutes of james bond the quantum of solace
The opening scene of Quantum of Solace sets the fast-paced tone for the rest of the movie through a series of quick shots over the first two minutes. Shots of rivers, cliffs, dark cars traveling at high speeds, guns being loaded, and cuts between multiple shots every 5 seconds immerse viewers in the action from the start. This grabs the audience's attention and requires them to think fast to keep up with the movie. Introducing the main character through a shot of their eye early on allows viewers to relate to them as the story begins. The document argues this opening scene is very effective at engaging audiences and setting expectations for an action-packed film, making first impressions crucial through shot selection, pacing, and
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The document discusses the history and evolution of action movies. It begins with a definition of action films as movies featuring heroes facing physical challenges and threats while struggling against adversity. It then outlines key developments in the genre from the 1920s through modern day, including the rising popularity of action heroes in the 1980s and advances in CGI technology in the 1990s and 2000s. The document also lists common action movie subgenres and notable directors and actors that have contributed to the genre.
Floor plan
This document appears to be a location floor plan that mentions a door, filming spot, and lights. It also lists the names Derick and Sir, as well as the word "Man".
Production schedule
The production schedule outlines the filming dates for a scene called "The Interview" between January 8th and February 22nd. It details that scene 1 will be filmed on January 8th in English block EN4 with a cast of 3 actors and a crew of 1. The schedule also provides costume details for each cast member and props needed for the interview scene and filming equipment.
Target audience research
A survey using a Google Forms questionnaire was conducted to determine the target audience for action movies. The 3 question survey asked for gender, age, and favorite movie genre. Of the 45 responses, 25 people said action was their favorite genre. Additionally, 19 of those 25 people were between the ages of 16-25 and 19 of the 25 were male. Therefore, the survey concluded that the target audience for action movies should be male and between the ages of 16-25 as that age range and gender comprised the majority who enjoyed action movies.
Analysis of the first 2 minutes of james bond the quantum of solace
The opening scene of Quantum of Solace sets the fast-paced tone for the rest of the movie through a series of quick shots over the first two minutes. Sweeping shots of cars racing and bullets being loaded create an intense feeling of an impending chase and fight. The many rapid cuts between shots in the first minute are intended to keep the audience engaged by challenging them to process the large amount of visual information at a fast pace. Showing the main character's eye early on allows audiences to relate to and follow the character from the beginning. This impactful opening establishes the themes and style that will define the movie.
Analysis of the first 2 minutes of taken
The film starts with a standard studio logo, indicating it is a new movie. The first scene shows a party hat in the past, suggesting the film will involve a past event. Eerie background music in the first minute also hints the past contains some mystery. The scene then cuts to a lonely man in a dark house, holding a tablet. Empty food containers indicate he lives alone, linking back to the family shown in the past scene. In under two minutes, the opening provides clues about the film's focus on a mysterious past event and a man living alone in the present.
Action movie genre research
This document discusses the history and evolution of action films. It outlines how the genre began in the 1920s with swashbuckling films and grew in popularity through the 1940s-50s with westerns. The 1970s saw the rise of the James Bond films which changed audience expectations. The 1980s featured many famous actor-led action films while the 1990s saw advances in CGI allow for more adventurous films. Today, action movies require smaller budgets due to CGI and have expanded to include many subgenres.
Back to the future part and Ferris Buller analysis
The document analyzes the opening scenes of the movies "Back to the Future" and "Ferris Bueller's Day Off" to show how directors establish important information in just the first few minutes. In "Back to the Future," clocks and a messy room are used to set up the theme of time and portray the main character as a scientist. In "Ferris Bueller," establishing shots introduce the setting and main character Ferris, and interactions with his parents imply he will lie about being sick. Both openings effectively introduce characters and hint at plots to engage audiences from the start.
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Introduction to objective, scope and outcome the subject
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There are 3 types of music video notes 1
- 1. Notes 1 16/06/15 JonathanNewton There are 3 types of music video Narrative Performance Conceptual Narrative Performance basedvideosonlyshowthe bandorartist.It isa chaep alternative.The videosusually use a wide varietyof shotsto make itmore interesting;otherwise there isariskthat the audience will lose interest Example Bestforyou bythe foofighters Narrative Containsmostlyfootage whichshowsastoryline Sometimesthere are clipsof filmfromamovie if the filmwasreleasedwiththe songasa sound track.Eg Skyfall byAdele. Theyare harderto filmand planin pre-production because there isastoryline andthisalsoresultsin highercosts. Example Bon-jovi- Always Conceptual The filmisbasedarounda concept.Thistype of musicvideohasa lot of post productionandediting init. A example isMichael JacksonItsblackwhichisstill the mostexpensive musicvideoof all time at $6 million1991 Howeverthere are musicvideoswhichmix all 3typesof film AndrewGoodwin “Dancingin the distractionfactory” He suggested There are 6 keyfeaturestoa musicvideo And 5 wayswe anaylisisamusicvideo 6 features 1. musicvideosdemonstrategendercharacteristics.Suchasdancersnexttothe artist. 2. There isalwaysrelationshipbetweenthe visualsandlyrics 3. There isa relasionsipbetweenlyricsandvisuals 4. The demandsof the record lable will include the needsforlotsof close-upsof the artist
- 2. Notes 1 16/06/15 JonathanNewton 5. The artist mat developmortifsoriconographythatrecuracross theirworka visual style eg Jacksonscream 6. There isfrequentreferencestothe notionof lookingscreenswithinscreensfilmingcamera and particularlyvoyeuristic.Treatmentof the femalehumanbody. 7. There isofternreferencestomostlytofilmandpopculture Laura Mulvey “The male gaze” The 3 wayswe gaze 1. Men lookingatwoman 2. Woman lookingatwoman 3. Woman lookingatthemselves Most filmsandmediawe are lookingthroughthe eyesof a white heterosexual male