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Originally, music videos were used to
advertise the music.
Tony Bennet walking along hyde
park was filmed as one of the
earliest music videos.
Big Bopper would perform his songs
in order for them to be aired on
television in the 1960s. He was the
first to coin the term ‘Rock video’
but it was not particularly notable
until the 1980s.
Scoopitone coined in the 1960s and
during this time, visuals did loosely
relate to the lyrics on music of the
songs being played.
Music videos were usually shot either on
tour or on location.
An example of a music video shot on tour
would be ‘A Hard Day’s Night’ by the
Beatles.
A music video from the 60s shot on
location would be ‘Jail House Rock’ by
Elvis Presley
During this time we saw the idea of
manufactured bands coming into play.
Prime examples of manufactured bands
could be The Monkeys and S Club 7.
The invention of actual video made a
huge difference as to how music videos
were produced and distributed, instead of
the typical 35mm film previously used.
Devo made compilation videos in the
1970s of the surreal genre.
(add video)
In the 1980s, music videos became much
more sophisticated and heavy editing was
used to create revolutionary effects for its
time.
(add David Bowie ashes to ashes)
DIY elements were
introduced in the modern
era as cameras were
given to performers to film
themselves.
MTV was also founded in
1984 and was considered
a visual radio. One of the
most famous artists that
used MTV to rocket their
career forward was
Michael Jackson.
(Add mj thriller)
The information from the technology era
ment people used MTV a lot less .
However, the main industry pushed
technology development were the music
industry and the porn industry.
Andrew Goodwin holds that there is a
distinct relationship between lyrics and
visuals in terms of music videos. He thinks
that music videos either:
 Illustrate what is being said through the
lyrics
 Amplify what that music makes the
audience feel
 Or, contradict the lyrics and makes the
audience think a little more.
History of music videos (2)

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History of music videos (2)

  • 1.
  • 2. Originally, music videos were used to advertise the music. Tony Bennet walking along hyde park was filmed as one of the earliest music videos. Big Bopper would perform his songs in order for them to be aired on television in the 1960s. He was the first to coin the term ‘Rock video’ but it was not particularly notable until the 1980s. Scoopitone coined in the 1960s and during this time, visuals did loosely relate to the lyrics on music of the songs being played.
  • 3. Music videos were usually shot either on tour or on location. An example of a music video shot on tour would be ‘A Hard Day’s Night’ by the Beatles. A music video from the 60s shot on location would be ‘Jail House Rock’ by Elvis Presley
  • 4. During this time we saw the idea of manufactured bands coming into play. Prime examples of manufactured bands could be The Monkeys and S Club 7.
  • 5. The invention of actual video made a huge difference as to how music videos were produced and distributed, instead of the typical 35mm film previously used.
  • 6. Devo made compilation videos in the 1970s of the surreal genre. (add video)
  • 7. In the 1980s, music videos became much more sophisticated and heavy editing was used to create revolutionary effects for its time. (add David Bowie ashes to ashes)
  • 8. DIY elements were introduced in the modern era as cameras were given to performers to film themselves. MTV was also founded in 1984 and was considered a visual radio. One of the most famous artists that used MTV to rocket their career forward was Michael Jackson.
  • 10. The information from the technology era ment people used MTV a lot less . However, the main industry pushed technology development were the music industry and the porn industry.
  • 11. Andrew Goodwin holds that there is a distinct relationship between lyrics and visuals in terms of music videos. He thinks that music videos either:  Illustrate what is being said through the lyrics  Amplify what that music makes the audience feel  Or, contradict the lyrics and makes the audience think a little more.