The Romantic Age saw a new creative spirit emerge in English literature as exemplified by the poetry of Wordsworth, Coleridge, Byron, Shelley, and Keats. Writers of this period expressed enthusiasm for ideals of freedom and an ideal commonwealth. The essence of Romanticism was that literature should reflect spontaneity in nature and humanity. Poets like Wordsworth and Coleridge invested ordinary life and people with profound significance. While Scott, Byron, and Shelley had large audiences, Coleridge and Wordsworth best represented the Romantic genius. This was also an age of poetry, though some writers like Coleridge and Southey wrote more prose. Women also began to find success as
Theory and Practice: Romantic Rhetoric and the ArtistCasey McArdle
My presentation from the 2008 Practical Criticism Midwest Conference. I explore the nature of the Romantic Fragment and its correlation to Romantic Rhetoric.
According to William Wordsworth poetry is the powerful overflow of spontaneous feelings. Wordsworth describes his main intention to write Lyrical Ballads is to choose incidents from real life and add a colour of imagination so that ordinary things may be represented in an unusual fashion.
Theory and Practice: Romantic Rhetoric and the ArtistCasey McArdle
My presentation from the 2008 Practical Criticism Midwest Conference. I explore the nature of the Romantic Fragment and its correlation to Romantic Rhetoric.
According to William Wordsworth poetry is the powerful overflow of spontaneous feelings. Wordsworth describes his main intention to write Lyrical Ballads is to choose incidents from real life and add a colour of imagination so that ordinary things may be represented in an unusual fashion.
Hello everyone! This presentation is on lyrical Ballads combine work of Wordsworth and Coleridge. in this presentation I have not discussed any poem I have just given overview of the lyrical Ballads.
Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator.
During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.
DIFFERENCE BETWEEN WORDSWORTH AND COLERIDGE'S CONCEPT OF POETRYAlpa Ponda
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
Function and nature of poetry on the basis of preface to lyrical balladsladsRikapBaidya
the function and nature of poetry described by William Wordsworth in Preface to Lyrical Ballads can be known by it. Hope it will help you to know it better.
Romantic period in English Literature. Focuses on romantic poets like Blake, Wordsworth, Colridge, Shelly, Keats, Byron. Includes a brief history and meaning of Romanticism.
Hello everyone! This presentation is on lyrical Ballads combine work of Wordsworth and Coleridge. in this presentation I have not discussed any poem I have just given overview of the lyrical Ballads.
Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator.
During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.
DIFFERENCE BETWEEN WORDSWORTH AND COLERIDGE'S CONCEPT OF POETRYAlpa Ponda
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
Function and nature of poetry on the basis of preface to lyrical balladsladsRikapBaidya
the function and nature of poetry described by William Wordsworth in Preface to Lyrical Ballads can be known by it. Hope it will help you to know it better.
Romantic period in English Literature. Focuses on romantic poets like Blake, Wordsworth, Colridge, Shelly, Keats, Byron. Includes a brief history and meaning of Romanticism.
biography of s.t coleridge
introduction to biographia literaria
synopsis of chap 14
critical analysis
literary devices
objections and defence
fancy and imagination
primary and secondary imagination
William Wordsworth Essay
William Wordsworth
William Wordsworth Essay
Essay on Wordsworths Poetry
Essay about William Wordsworth
William Wordsworth Essay
"For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is fact."
This is said by Matthew Arnold. According to him, IDEA is supreme and in poetry, it is the idea that matters, that are attached by poetry through emotions. According to him THE FUNCTION OF POETRY is to interpret life for us, to console us, to sustain us. He says if SCIENCE IS APPEARANCE then the POETRY IS EXPRESSION and there is no appearance without expression.
Then Arnold talks about setting our standard for poetry high. We must accustom ourselves to HIGH STANDARD and STRICT JUDGEMENT and there is no place for CHARLATANISM in poetry. Charlatanism is for confusing the difference between excellent and inferior, sound and unsound or only half sound, true and untrue or only half true. Judging with little differences has paramount importance, so there is no place for charlatanism in poetry.
An overview of the history of romantic periodDayamani Surya
An analysis of the salient features of the romantic period, the first generation and second generation of the romantic poets, writers and their works are described at a glance.
Two hundred years before the death of Roger White in 1993, Shaykh Ahmad-i-Ahsai "arose to dedicate the remaining days of his life to the task" of preparing the way, as one of the two critical precursors of the Baha'i Revelation, "for the advent of a new Manifestation." In the next several years of that fin de siecle he began to write a great deal about the metaphorical nature of the prophecies relating to the birth of a new and independent Revelation of God.
There was a strong poetic strain in the Shakyh's writings: symbolism and metaphor abounded. Shaykh Ahmad was very unorthodox and many "professed themselves incapable of comprehending the meaning of his mysterious allusions." This poetic, symbolic, strand has continued through the writings of the two precursors of the Babi Revelation, the Revelation of the two Manifestations of God and the writings of 'Abdu'l-Baha, all part of what you might call the poetic tradition in the Baha'i Era.
There has been, too, a series of poets beginning with Tahireh in the 1840s, to Na'im late in the nineteenth and early in the twentieth centuries, to George Townshend up to mid-twentieth century and later Robert Hayden, Roger White, Bahiyyih Nahkjavani, John Hatcher and Michael Fitzgerald, among others, who have made important contributions to the literature and commentary on the Cause in a poetic idiom. In some ways it could be said that the passing of Roger White in 1993 marks and end of two centuries of intense and significant poetic writing in a tradition centred on the appearance of two Manifestations of God in the nineteenth century. It is not the purpose of this book or this chapter to describe this long history, this tradition, of poetic influence, of poetic writing. The experience of poetry begins anew with each generation.
Since the first teaching Plan, 1937-1944, poetry written by Baha'is has slowly become a part of world literature, first through Robert Hayden and second through Roger White, the subject of this study. The poetry of White is seen as continuation and development, as part of "the decisive, the most significant, contemporary life of tradition," as poetry critic F.R. Leavis once described the poetry of the present. White should be seen, too, as part of that rich treasure of human life which is now stored within the pale of a new and emerging world religion. White had much of the culture of this embryonic Force, this Movement, fermenting, crystallizing, in his head and it took him on a voyage over the deep of poetry with its delicacy and tenderness, with its inexhaustible resources, infinitely new and striking.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
2. LITERARY CHARACTERISTICS
It is about that how literature suddenly developed a
new creative spirit, which shows itself in the poetry
of Wordsworth, Coleridge, Byron, Shelley, Keats
and in the prose of Scott, Jane Austen, Lamb and
De Quincey – a wonderful group of writers, whose
patriotic enthusiasm suggests the Elizabethan
days.
3. ROMANTIC ENTHUSIASM
An ideal commonwealth, in which
the principles of More’s ‘Utopia’
should be put in practice. Even
Wordsworth, fired with political
enthusiasm, could write,
‘ Bliss was it in that dawn to be alive,
But to be young was very heaven’.
- Wordsworth
4. The essence of Romanticism was, that literature
must reflect all that is spontaneous and unaffected
in nature and man, and be free to follow its own
fancy in its own way. In Coleridge we see this
independence expressed in ‘ Kubla khan’ and ‘The
Ancient Mariner’, two dream pictures, one of the
popular Orient, the other of the lonley sea. In
Wordsworth this literary independence led him
inward to the heart of common things as in this line,
‘Finds tongues in trees, books in the running brooks,
Sermons in stones, and good in everything ‘.
5. He invests the common
life of nature, and the
souls of common men
and women, with
glorious significance.
These two poets,
Coleridge and
Wordsworth, best
represent the romantic
genius of the age in
which they lived,
though Scott had a
greater literary
reputation, and Byron
and Shelley had larger
audiences.
6. AN AGE OF POETRY
In the Elizabethan age, the
young enthusiasts turned as
naturally to poetry as a
happy man to singing. The
glory of the age is in the
poetry of Scott, Wordsworth,
Coleridge, Byron, Shelley,
Keats, Moore and Southey.
Coleridge and Southey
wrote far more prose than
poetry; and Southey’s prose
is much better than his
verse. He could say that, in
order to earn money, he
wrote in verse.
7. WOMEN AS NOVELISTS
During this period that woman assumed ,
for the first time, an important place in
our literature . The chief reason that,
woman was for the first time given some
slight chance of education, of entering
into the intellectual life of the race. A
secondary reason may be found in the
nature of the age itself, which was
intensely emotional. As woman is
naturally more emotional than man, it
may well be that the spirit of this
emotional age attracted her and gave
her the opportunity to express herself in
literature. Like Jane Austen, Mrs. Anne
Radcliffe, Hannah More, Jane Porter.
8. THE MODERN MAGAZINES
In this age literary criticism became firmly
established by the appearance of such
magazines as, “ Edinburgh
Review(1802), The Quarterly Review
(1808), Blackwood’s Magazine (1817),
Westminster Review(1824), The
Spectator (1828), The Atheneum (1828)
and Fraser’s Magazine (1830)”. These
magazines edited by such men as
Francis Jeffrey, John Wilson and John
Gibson Lockhart. They discovered the
chief mission of the modern magazine,
which is to give every writer of ability the
opportunity to make his work known to
the world.