The Oresteia

The Oresteia
Instead of saying The Oresteia is a tragic trilogy that many people are killed, it would be more
appropriate to generalize it as the extension and the termination of vendetta. Even though Oresteia
doesn't cover the origin of the whole feud of the twins, Atreus and Thyestes, the whole trilogy never
digresses from the main theme: revenge. As the first observable vendetta in the trilogy,
Clytemnestra's revenge to Agamemnon is dramatic and thought–provoking with the specialty of her
role in her family and her reasons to kill Agamemnon in the story.
For the mariticide in Agamemnon, reflecting Clytemnestra's attitude to Agamemnon is way more
significant than marking as the first murdering in the trilogy. From line 1521 to 1564, we may
understand ... Show more content on Helpwriting.net ...
In today's ethic, we may condemn everyone who murders his family members no matter who they
are. But in pre–modern society, people normally rebuke and disdain those who murders his/her
bloodlines because it is a betrayal to their parents' or their own blood. In line 1529, Clytemnestra
describes Agamemnon's bloodline killing and his death that "with the sword he struck; with the
sword he paid for his own act." This indicates another reason that Clytemnestra murders
Agamemnon: to punish those who betrayed their bloodlines. Since Iphigeneia is the daughter of
both Agamemnon and Clytemnestra, killing Agamemnon is definitely reasonable to Clytemnestra.
Nevertheless, Clytemnestra is also the member of Agamemnon family, what will people think if she
murders her husband? People might not judge the murderer in the mariticide or uxoricide as heavy
as those murder the bloodlines because sexual partners don't share the blood from the same parents
during pre–modern period. In a way, mariticide and uxoricide are totally same as the normal
murdering. Thus, we may see the Chorus is unable to condemn Clytemnestra for betraying her
husband and "Make lamentation, render the graceless grace to his soul for huge things done in
wickedness?" (1544) is the most they may
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Annotated Bibliography On Menelaus
Annotated Bibliography Menelaus was a king of Sparta in ancient Greek mythology and was
married to Helen. His immediate family members were his parents Atreus and Aerope, and his
brother Agamemnon who was ruler of the city of Mycenae. Menaleus was one of the main
characters in the Trojan War. When Menelaus and Agamemnon were children, their father, Atreus
battled with his brother, their Uncle, Thyestes. Atrius and Thyestes could not agree about who would
be the king of the city of Mycenae. In the end, Thyestes materialized victorious. Thyestes son,
Aegisthus, helped him by murdering Atreus. The murder of their father had forced Menelaus and
Agamemnon to seek refuge, by fleeing the city, to the courts of neighboring regions. Some time ...
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Later, during the wedding of Peleus and Thetis, Eris the goddess of strife, was angry for not being
invited. She threw a golden apple with the words, "to the fairest one" inscribed on it amidst the
guests. Aphrodite, Hera, and Athena had a squabble over who should get the apple. They asked the
Prince, Paris of Troy, to be the judge. The three goddesses offered him glorious gifts, but in the end
Paris of Troy gave the apple to Aphrodite. Helen had promised the Prince the most beautiful woman
in the world. Aphrodite helped him kidnap Helen. Menelaus was enraged by this and conjured the
oath that had been taken by all the suitors of Helen. Helped by his brother Agamemnon, the two set
a course for Troy. The departure of Menaleus and his brother set off a chain of events, including
commissioning the help of Odysseus, which led to the fall of Troy. At the end of the war, Menelaus
initially wanted to kill Helen as a result of her leaving him for Paris of Troy. He changed his mind
though when he saw her blubbering, in melancholy, and shedding her robes uncovering her beautiful
body for him to gaze upon. Once back in Sparta, the life of the couple was strained by the events of
the

Analyzing Clytaemnstra's 'Agamemnon'
An eye for an eye, or in Clytaemnestra's case, a death for an death is never the answer for bringing
about justice. Clytaemnestra vengeance on Agamemnon backfires because she is simply doing the
exact same thing as he did. In Clytaemnstra's mind her actions are justified because of all the evil
things Agamemnon has done to her and others. Clytaemnestra believes she has many reason to kill
Agamemnon but most of those reason are based in hypocrisy because through killing him she is
reenacting everything she hates about him. In the play, "Agamemnon," Clytaemnestra believes her
actions are justified, especially since he got away with the death of their daughter. She discusses in
the play how, he should have banished or punished in someway (Aeschylus 42). Earlier in the play,
she also discusses her suffering while he was at warfront, saying it was a terrible burden (Aeschylus
26). She also discusses how she was expected to be like a bloodhound or a loyal servant, hating
everyone he hated (Aeschylus 26). This may have been a ploy to make her husband more
comfortable, but have been one of her justifications to murder her husband. Clytaemnestra had many
other reasons to murder her husband but they ... Show more content on Helpwriting.net ...
First, she kills Agamemnon and an innocent woman, Cassandra, just like Agamemnon killed their
innocent daughter, Iphigeneia. She also kills Agamemnon due to jealousy, when in fact she was with
another man while he was away at war. She may have suffered while he was at war, but he suffered
by her sword, a worse fate than loneliness. As for the curse, that her lover, Aegisthus discussed, she
stated it was Atreus who wielded the sword (Aeschylus 43), it seems much more likely that it was
compliance towards her lover, who wanted to seek vengeance for his father's and family's sake.
There was no divine being at work, just Clymaemnestra's

Edgar Allan Poe's Short Prose Analysis
The images of self and others in Edgar Allan Poe's short prose
Edgar Allan Poe's imaginary universe in his short prose is based on ideas like death, fear, burial,
mourning, selfhood, and on the versions or faces the human mind or phyche can take. Such images
outlines a romantic conscience, preoccupied with the analysis of selfhood, choosing a gothic
environment for his short and dense stories. As expected, his prose gravitates towards thriller, horror
or detective stories, styles of literary fiction that he elaborated the most as a writer. The aim of this
essay is to show how the concept of selfhood and its modern variations appears in E.A. Poe's prose,
emphasizing the distinction between I and You, or self and others. As mainly psychological thrillers,
one of the main ideas Poe underlines in ... Show more content on Helpwriting.net ...
Hence, the individual, in Poe's short prose, is by nature incomplete, however, not all his characters
pursuit unity, whereas founding their complementary self, or double, can only be followed by death,
as the most complete state of being. In this essay I am going to emphasise Poe's modern vision of
the selfhood, embodied in the sheer distinction between the self – I – and – the other–, which is an
expression of the divided conscience of the modern man. Analyzing some major prose of E.A. Poe,
such as William Wilson, The fall of the house of Usher and The Purloined letter I will try to
demonstrate that the concept of self is shown as an incomplete entity, which, paradoxically, though
typical for a modern mind, longs for unity, but in the same time feels an overwhelming awe for the
loss of the individuality, which Poe presents as an anticipation of dying.
As I have mentioned, one genre that Poe had written in style of was detective fiction. Firstly, I'm
going to analyse the concept of selfhood in The Purloined letter, by referring to the pseudo–detective
couple: Dupin and the

Character Sketch Of Oedipus
Sophocles' Oedipus is a standout amongst the most surely understood grievous legends ever. His
bizarre destiny drives him to terrible destruction that leaves both the peruser and the gathering of
people feeling candidly influenced. As indicated by the meaning of the Greek thinker, Aristotle,
Oedipus' troublesome story qualifies him as a sad legend. Oedipus is the epitome of Aristotle's
portrayal of a shocking saint through his capacity to safeguard his excellence and intelligence, in
spite of his defects and scrape. The Aristotelian perspective of an unfortunate saint does not uncover
the absence of ethical quality or even the fiendishness of the hero, in view of a blunder of judgment.
The disaster and show so consummately fit the Aristotelian attributes of Oedipus. Thinking about
Aristotle's meaning of a terrible legend, it can be discovered that Oedipus fits the character depiction
flawlessly through different qualities that he shows and the starting point of his appalling fall: There
stays then the man who involves the mean amongst piety and debasement. He isn't additional
customary in uprightness and nobility but then does not fall into terrible fortune as a result of
insidiousness and fiendishness but since of some hamartia of a kind found in men of high notoriety
and favorable luck, for example, Oedipus and Thyestes and acclaimed men of Aristotle's meaning of
a disastrous legend completely fits the character of Oedipus on account of the different attributes he
shows

Agamemnon-Christian Perspective
Agamemnon Justice And Vengeance.
Justice delivers the just recompense or payment for wrongdoing or transgression of a law. Justice
evokes the feeling of equality and fairness. Wrongs done – wrongs rewarded. In so doing we live
life as law abiders and not law breakers and have a reasonable expectation of abiding in civility, and
not rebellious mayhem. Vengeance, on the other hand, is the emotional response to a perceived
wrong without regard for how it stands up against the rule of law. It can be acting in revenge. As
Christians we are to respect the rule of law –God's. We are to take our rightful place, no matter how
difficult, behind the promise that God will exact the justice according to His knowledge and in his
own time. ... Show more content on Helpwriting.net ...
We are sinners capable of concocting revenge; we are murderous and all too often capable of
heinous acts of cruelty. We hear of children murdering their parents because the parents would not
allow attendance to the prom, a new cell phone or use of the family car. Certainly, without the
coupling of the restraining power of the Holy Spirit and our own conscious – there but for the grace
of God, go we.
Agamemnon Unending Vengeance
In the plays to come we will no doubt see much of the same. That behavior is what humanity seems
to thirst for, as we are blood thirsty people without God. The Libation Bearers and The Eumenides,
will surely offer –in other ways and by other means– much of the same 'worst of humanity' that we
saw in this play. More nets, more people who live in this life only without regard for the afterlife. At
some point, like the Capulets and Montagues, and the Hatfields and the McCoys of old, we will see
a resolution. I mean, we are allies of Great Britain now and the United States are united even after
over 600,000 casualties of war.
Agamemnon Innocence And Suffering In The Midst Of Vengeance
Apollo had a crush on her and sought to seduce her into an affair (which he did often). He had given
her the gift to see into the future. When she somehow offends him and he curses her gift of seeing
past and future, with the weight of no one believing her prophecies. She can tell all she sees but no

How does Seneca’s Characterisation of Thyestes add to the...
Characterisation is hugely important to a plot just for it to make some sort of sense. The
characterisation of key figures in the plot, however, has huge significance as it helps you to
understand why the characters perform certain, (often unthinkable,) actions. If we only have one
dimensional characters described to us then we are unable to immerse ourselves into a highly
complex plot. Intense characterisation makes us form connections with key figures and actually
empathise with some of them, especially in the case of the "Thyestes." As a rule, characterisation is
vital to make any plot evoke any sort of feelings except the enjoyment of reading a pleasurable
story. Methods of characterisation include appearance, personality and ... Show more content on
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He should also be learned and philosophical. All these traits apply to Thyestes, a stereotypical wise
man. This adds to the impact of the plot as we see Thyestes as a good man and one who certainly
doesn't deserve to suffer through the tragic demise of his sons. Seeing Thyestes as a wise and
philosophical man who has suffered through life makes us empathise with him hugely as any death
is made multiple times worse if the victims are innocent. Thyestes, however, seems slightly too
trusting of Atreus and does not think through his invitation and almost subconsciously hopes that
Atreus means well.
We also hear Thyestes exclaim: "is it from grief or fear? Or doth great joy hold tears?" Thyestes
cunning mind knows that it is wrong to trust Atreus and causes him to cry but Thyestes decides to
think of the tears in joy rather than fear, ignoring his own subconscious warning. "My cause of fear,
which I myself know not, thou demandest of me. Naught to be feared I see, but still I fear. Fain
would I go, but my limbs totter with faltering knees, and other–whither than I strive to go am I
borne away in thrall. Just so a ship, urged on by oar and sail, the tide, resisting both oar and sail,
bears back...invites? Then must I fear. Some trick strays hereabouts." Thyestes uses negative phrases
to highlight the fear he feels about going back to Atreus. He also uses the nature simile of the tide to
show the strong

Iphigenia Compare And Contrast Essay
A generation prior to Trojan War, Thyestes and Atreus were two brothers who contended for throne
of Argos. The man Thyestes seduced the wife of his brother and was exiled by Atreus from Argos.
When Thyestes later asked for forgiveness, his brother pretended to have forgiven him but planned
to secretly avenge for his wife's seduction, and also to show that his brother was unclean before
citizens of Argos so that he wouldn't get the crown (Hadas et al 15). This essay will compare the
major character in each of Iphigenia among Taurians and electra plays and the minor characters
which are later playing minor roles in the play. Atreus revenges for seduction of his wife by killing
two children of Thyestes. Later, Atreus killed two sons of Thestes and cut them into pieces, then
served them at a banquet to their father during an honor of his return (Hadas et al 15). It was a
horrible experience for Thyestes after discovering what was prepared for his meal. He then went
away from Argos with only his infant child called Aegisthus after ... Show more content on
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Based on her opening monologue, it is evident that Artemis paid her in order to save her from being
slaughtered as a sacrifice. Artemis then brought a deer to be sacrificed instead of her. She was then
taken to barbarian Taurians land where she held the position of a priestess (Hadas et al 18). She was
given the role of taking care of all sacrificial murders where captured murders were slaughtered. She
neither likes the country nor the ways they conduct their activities. Immediately after speaking the
opening monologue, a herdsman comes in with news that they have captured two Greeks and have
to be sacrificed. She however fails plans this plan by claiming that the two are unfit and hence
cannot be sacrificed. The plans goes on well up to the time a storm prevents the ship used by Greeks
from escaping (Hadas et al

Agamemnon Essay examples
Agamemnon
Agamemnon is the first book in the Orestiean Trilogy written by the famous Greek tragedy writer,
Aeschylus. Agamemnon is a story of justice and revenge. The story takes place in a city called
Argos. It starts with Agamemnon, the king of Argos, away at the Trojan War. The city is eagerly
awaiting the news of their king's welfare and the outcome of the war. Watchmen are posted in the
city, watching for the beacon that would report the capture of Troy and Agamemnon's return.
Beacons are set up from Troy to Argos; when one beacon is lit, the next one will be lit, until the last.
The play starts when a palace watchman discovers the beacon and tells Agamemnon's wife,
Clytemnestra, the good news.
The chorus enters relating the story ... Show more content on Helpwriting.net ...
Clytemnestra goes into the palace threatening Cassandra and leaves her alone with the chorus.
Alone with the chorus, Cassandra starts going into trances. She seems to break down, asking why
Apollo has brought her to Argos just to destroy her again. She then talks about a woman entrapping
a man. She says, "The treacherous water's poured, the lustral bath is full; she holds him in a trap
made like a gown– she strikes! He crashes down! Listen! It is treachery, treachery, I say!"
Cassandra walks fearfully into the palace, then the chorus hears Agamemnon's cry for help. After
some deliberation of what to do, they go into the palace only to see Clytemnestra over the dead
bodies of Agamemnon and Cassandra. Clytemnestra tells that the reason for this seemingly wrong
act was to do justice for Agamemnon sacrificing their daughter. Clytemnestra's lover and partner in
crime, Aegisthus, enters the palace with an armed bodyguard and justifies his part in the crime. He
tells of Atreus', Agamemnon's father, sinful act against Thyestes, Aegisthus' father.
The chorus finds Aegisthus guilty of the treasonous act of killing the king and just hopes for
Agamemnon's son, Orestes to return and end this injustice.
Agamemnon has a good story line; it is a story about the meaning of justice and the carrying out of
revenge. However, the way the story was written, with many long discourses by

The Murder Trial Of Casey Anthony
From Avengers to Prosecutors: Ending Barbaric Justice. Every generation has felt, at one point or
another, uneasy about the efficacy of their justice system. One need not look further than a few
months ago with the controversial murder trial of Casey Anthony. People were enraged by the jury's
decision to let her go. Up until today, many people are convinced that there existed enough evidence
for convicting her of first–degree murder of her daughter. Can we say that today's justice system is
ineffective in administering punishment? Should people take matters in their own hands if they do
not agree on the court's decision? Well, two thousand years ago, things were different. People took
matters in their own hands. There was no judge, jury, prosecutor or defendant in Ancient Greece.
Individuals acted as executioners based on their own predilections on how justice should be
administrated and on whom. In the Oresteia, Aeschylus praises the substitution of such blood
vengeance system with trial by jury, which according to him was a more civilized and equitable
system. In that matter, I must agree with Aeschylus and argue that jury by trial is a far more civilized
and equitable system than the old blood vengeance system. First, let us agree on the problems of the
blood vengeance system. The most noticeable of the problems that arises from such system is the
endless cycle of killing. We must note that the cycle did not start with Agamemnon and Cassandra's
murder; it is far more

Violence And Pain In Roman Tragedy Thyestes
Essay 1: Thyestes Violence and pain play a major role in the Roman Tragedy Thyestes. Emotional
and psychological outbursts are the guiding forces of the characters in this play. The incidences of
violence are brought out by the emotional tensions between two characters. Atreus and Thyestes
have a long history of tension between as the fight for the power to rule the kingdom. The rivalry
leads to the severing of the relationship between the two brothers. The trigger of the actions lead to a
psychological obsession which ends in brutal violence. The effects of this family feud will be the
cause of the pain and distress to everyone involved. The pain which has been experienced by the
lead character in the play will guide his every move, his obsession will culminate in destroying his
family through the ultimate act of violence. Behind the pain coming from the aftermath results of
the relationship between brothers being severed. Years prior to the start of the play, the feuding
relationship between Atreus and Thyestes goes all the way back when their grandfather Tantalus was
condemned to the underworld by the furies. It seems the negativity based on the violence Tantalus
has spread, it carries on out to his descendants. One descendant passes the violent negative energy to
the next generation, one after the other. It's as if it is a curse. It is believed that the curse (or
prophecy described by the furies) is to show how much punishment he deserved. To watch his

Clytemnestra In The Oresteia
In the Oresteia, Clytemnestra is portrayed as an intelligent, powerful woman who acts decisively in
her own interests and to protect the throne. Clytemnestra should be considered a heroine for
demonstrating her excellence by defending her own honour according to traditions, and also for
transgressing the boundaries that limited women in ancient times. Two of the most heroic acts that
she performed were ruling Argos while Agamemnon her husband was away waging the Trojan War
and ultimately taking revenge on him for the sacrifice of her daughter. Like many heroines,
Clytemnestra is flawed and dies tragically in the end.
The daughter of Tyndareus and Leda, Clytemnestra is also the half twin sister of Helen. In the
Oresteia, Clytemnestra is a problematic character; in the beginning of the Oresteia the Watchman
says that "Oh she's a woman all right, a woman with a man's heart." (Oresteia, p.3) proving that he's
not her biggest admirer. Clytemnestra is an example for double role of man and woman, she is a
woman but the culture of the ancient time considers her ... Show more content on Helpwriting.net ...
When he found out about the affair, Atreus banished Thyestes and later invited him to a banquet and
gave him food made from the flesh of his own children. Thyestes then cursed Atreus and his family.
Further deepening the confrontation is that Aegisthus was conceived by incest specifically to take
revenge on Atreus' family including Agamemnon. Thyestes asked an oracle for advice and was told
to have a son by his own daughter who would carry out the revenge on Atreus. When Aegisthus was
born his mother Pelopia rejected the boy because she was ashamed about the incestuous relationship
with her father and banished him away from the palace. A shepherd found the boy and delivered him
to Atreus. When he grew up Thyestes told him the truth that he was his father and grandfather. So
Aegisthus killed

Justice and Social Order in The Oresteia Essay
Justice and Social Order in The Oresteia
Democracy, emerging in the city–state of Athens, allowed unprecedented power to her citizens.
Among these new powers was the ability to legislate. Yet, legislation was not without its problems.
First the citizens must agree upon what is just and unjust, and then enforce the law by bringing the
unjust to reconcile their guilt with the public through trial, and finally dispense the appropriate
penalty. This evolution was not without concern. The Greeks were attempting to establish a
governmental system which would span the middle ground between anarchy and despotism. By the
crimes played out in Aeschylus' tragic trilogy The Oresteia, Aeschylus demonstrates the contrast
between anarchy and ... Show more content on Helpwriting.net ...
Thyestes seduced Atreus' wife, and in retribution Atreus took the matter into his own hands and
determined a punishment outside of the societal law (Libation Bearers, ln.989–90). The most
complete account of this anarchist travesty is related by Aegisthus (Agamemnon, ln.1578–611).
Aegisthus states that his father Thyestes returned to Atreus' home, after his transgression, as a
suppliant, and found Atreus a gracious host. Atreus welcomed his brother and prepared a great feast.
After a "day of meat–eating with good cheer", Atreus revealed to his brother that the meat he had
ingested and enjoyed was none other than Thyesetes' twelve children. It was at this point that
Thyestes placed a curse upon the House of Atreus. In this case, Atreus distributed a punishment
unbefitting the crime and acted on his own accord without consultation of the gods. Because there is
no mention of Atreus' rule or kingdom in these accounts by Aeschylus, this may be interpreted as a
personal vendetta between the brothers. Further, since it is clear that Atreus acted alone the crime
may be projected as that of anarchy.
Agamemnon, however, portrays an unconscious despot. None of the crimes committed by him were
done alone, and all were committed against subordinates in his kingdom. The list of his crimes are
numerous. The chorus claims Agamemnon's guilt in leading many Achean youths to their slaughter
"for the sake of another's wife" at Troy (Ag., ln. 445–55). Though

The Aeneid By Virgil, The Oresteia, And Sappho By Sappho
Rationality affects the way we behave, but emotions change our behavior and drive us to behave the
way we do. People are driven by emotions, yet we can not allow them to be the only thing that
controls our actions and behaviors. Rationality helps control our emotions and prevents them from
getting too out of hand. There are three texts from seminar that demonstrate this idea of emotional
power: The Aeneid by Virgil, The Oresteia by Aeschylus, and Sappho by Sappho. In The Aeneid, the
text discusses Aeneas' journey to Italy and the many encounters he had. It was in this text that the
females displayed emotional power. The Oresteia is a play about murder, revenge, and justice within
the royal family of Argos. Emotion is what drives this play ... Show more content on
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Rational, only in appearance, Dido tells her sister, Anna, to go build her a "pyre in secret, deep
inside our courtyard under the open sky" to "obliterate every trace of the man" (144; lines 618, 623).
Anna does as her sister tells her to and is deceived by what the pyre was really meant for. Dido
attempts to rid herself of her emotions by burning every trace of Aeneas, yet her emotions
eventually take over. With her heart torn apart, Dido commits suicide. Dido's sister on the other hand
is hurt but still emotionally stable. Anna is stunned, grieving, and hurt by the actions of her sister.
She states, "how very cruel... You have destroyed your life, my sister, mine too" (151; lines 847,
848). Despite playing a part in her sister's death, Anna remains levelheaded and requests help to
"bathe [Dido's] wounds in water" and hopes that if a "lingering breath still hovers" that she should
"catch it on [her] lips" (151; lines 851, 852). Similar to The Aeneid, The Oresteia also demonstrates
characters caving into their emotions. Clytemnestra, the Queen of Argos, lacks the power to prevent
her daughter being used as a sacrificial lamb to the gods. The misery she felt when her husband,
Agamemnon, sacrificed their daughter was immense. So immense that it led her to murder, for she
thought that

The Argos Were Deeply Insulted By Troy
Agamemnon
1. The Argos were deeply insulted by Troy. How is that sense of insult expressed and described in
the play? See lines 40–80, 355–435, 810–829.
The city of Argos was highly insulted by Troy as Argos was ruled under the hospitality for
welcoming strangers. Therefore, when Paris came to abduct the Helen, wife of Menelaus and the
brother of Agamemnon (Ruler of Argos), the Argos were insulted. Strangers who visited Argos were
greeted with a warm welcome. Agamemnon is guided by Zeus so hosts, guests and strangers are
treated well.to be protected by Menelaus. But because of this law, kings were not obeying the rule.
Paris broke the law by not following Argos city rule, he did not welcoming strangers. Agamemnon
did not accept the choice ... Show more content on Helpwriting.net ...
She is offended when she sees an eagle (sign of Zeus) taking the pregnant rabbit, only to kill it; this
creates a conflict between Zeus and Artemis however, the humans are only to pay the price for this.
3. How does Clytemnestra understand the meaning or value of her act of revenge against
Agamemnon? See lines 1372–1447.
– Clytemnestra wanted to avenge her daughter Iphigenia because Agamemnon scarifies
Clytemnestra just to go to calm the storm. If he does not sacrifices her daughter than the Gods get
angry because of faith and everyone's sealed by destiny. The Gods are in a higher standing than
Zeus. Agamemnon choose to sacrifices her daughter thus Clytemnestra act of revenge.
4. How does Aegisthus understand the meaning or value of his act of revenge against Agamemnon?
See lines 1577–1611.
Aegisthus is a cousin of Agamemnon, Agamemnon father fed Aegisthus brothers as a meal.
Aegisthus is Clytemnestra's lover. His act of revenge was to rule the city of Argos after
Agamemnon's death. Aegisthus revenge was to avenge his brother's deaths.
The reason why the brothers were fed to Aegisthus was in dispute was because of Thyestes.
Thyestes committed adultery with Atreus wife. This all led up to the result of Aegisthus's revenge.
Aegisthus and Agamemnon were both in

Agamemnon By Euripides Essay
Euripides was classic Athens. He is one of whose plays have long survived. Importantly, he was
well identified with theatrical innovation, which has profoundly influenced drama up to the modern
times, most especially in the representation of traditional, mythical heroes as the ordinary people in
an extraordinary circumstance. Apparently, was so unique among many writers of ancient Athens
because of his abundant sympathy that he demonstrated towards the victims of society, most
especially being women. Agamemnon, Orestes and Electra were the main characters in the plays.
The play revolves around the leader of Greek forces, Agamemnon, and his deadly decision to
sacrifice his first daughter Iphigenia, to preserve his honor by doing battle against ... Show more
content on Helpwriting.net ...
Later, Orestes killed two sons of Thestes and cut them into pieces, then served them at a banquet to
their father during an honor of his return (277). It was a horrible experience for Thyestes after
discovering what was prepared for his meal. He then went away from Argos with only his infant
child called Aegisthus after cursing both Orestes and his descendants. After the death of Orestes, the
throne was left under Agamemnon his son, who later married a daughter of Sparta's king. They bore
three children, of which one inherited his father's throne upon death. The remaining son of Orestes
married Helen, who became king of Sparta upon her father's death. Another seduction in the
descendants of Orestes occurs. Later after the wedding, Paris who was the son of Troy's king,
seduced Helen then took her away. A great force was organized to restore Helen to her husband.
However, due to adverse winds, they were unable to sail towards Troy. They appeased goddess
Artemis to calm the winds by sacrificing a young girl who arrived at the camp. They sailed to Troas
but there was a lot of justification of the murder of their mother by Orestes who was later afflicted
with madness then goes to become a spirit to hunt and punish murderers

Jorge Luis Borges Irony
The writing styles of Edgar Allen Poe and Jorge Luis Borges are very in sync when it comes to
literary devices such as irony, imagery, setting and so on. In many of their stories, the authors
demonstrate their extraordinary technique through the short story "The Purloined Letter" written by
Poe and "The Garden of Forking Paths" written by Borges. Piquing the readers mind and causing a
sensation of awe at the end their story, they entice the reader to experience a whole new world of
literature, forcing the reader to scrutinize the text in a manner, in which a pedestrian reader would
find complex. These authors are one when it comes to "painting an imagine", however differences
do occur within the actual use of literary devices that both authors ... Show more content on
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He's left clues to the resolution of the mystery throughout the story, so by the time the truth was
giving at the end, all he has to do is give us one key sentence to have everything come together.
Borges keeps the suspense until the very end, in which pace of the story is slow, leaving the readers
to at the edge of their seats. Everything that the reader had questioned was answered, whereas Poe's
end still left the reader with unanswered questions. What does the letter say? Who sent it? What's
the sender's relationship to the lady? The readers do not know as much as they did in the beginning.
In addition, are Duplin and Minister D related in some way? Their names have the same first initial,
they know each other very well, they think alike, and they have a long relationship with each other.
"–Un dessein si funeste, S'il n'est digne d'Atrée, est digne de Thyeste. They are to be found in
Crébillon's 'Atrée. (122) when translated means "Such a mean plan is unworthy of Atreus, but totally
worthy of Thyestes". Atreus and Thyestes are two brothers from Greek mythology whose ruthless,
life–long feud takes sibling rivalry to a whole new level. Could Duplin and Minister be

The Oresteia Literary Analysis
The Oresteia is a story of tragedy and compromises an outline of revenge. In modern Western
principles, revenge appears to be a slightly restricted concern. However, in the hierarchical world of
Greece, revenge is an enacted and endorsed principle that is a societal norm. In the Oresteia,
revenge is used to examine the nature of human act and impulse, just like justice and transgression.
The Oresteia emphases on revenge happening within a family that leads to ferocity and differing
commitments. The concern with revenge opens a horizon to ferocity, responsibility, punishment, and
justice. "Exacting its debt, vengeance shouts loud: let the payment for bloody blow be bloody blow."
(Cho. 313) In the Oresteia, revenge begins with Clytemnestra's ... Show more content on
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Agamemnon's father, Atreus, took revenge on his brother, Thyestes, who committed adultery with
Atreus' wife. On planning the revenge against Thyestes, Atreus pretended to reconcile with Thyestes
by having dinner. Atreus revenge was cruel and made the innocent suffer; being the children of
Thyestes. Atreus had to kill, cook, and serve Thyestes his own children. The revenge between Atreus
and Thyestes did not only come from the adultery committed, but from both of them wanting to
obtain power. It was thought that Gods would indicate with signs who were supposed to get the
power. Atreus found a golden lamb thinking that that was the Gods sign of power belonging to him;
however, Thyesetes, being so envious, he asked Aerope to take that golden lamb for him so he can
have the power. In fact, the stories behind Atreus and Thyestes are part of unique cruelty tragedies in
the Greek Mythology. In the Eumenides, Orestes wants revenge. He wants to kill his mother
Clytemnestra for having killed Agamemnon. Clytemnestra asks Orestes if he is not afraid of a
mother's curse but he said that he would not be able to escape his father's curse if Orestes did not kill
Clytemnestra. "Wait, my child! My son, have you no feelings? This breast once nurtured you,
cradled your sleep, your soft mouth sucked the milk that made you strong." (Clytemnestra,

Omnes Dimitte Notas Rhetorical Analysis
The two talks that I saw at the Classics Research Symposium were James Patton's Omnes Dimitte
Notas: Thyestes' Loss of Stoic Masculinity over the Course of Seneca's Thyestes and Tom Francis'
Problems of Verbal Aspect in New Testament Greek. These two presenters had different approaches
to different subjects within their respective areas of expertise, but both presenters provided the
audience with helpful handouts guiding them through their presentations. For the first talk, Omnes
Dimitte Notas: Thyestes' Loss of Stoic Masculinity over the Course of Seneca's Thyestes, James
Patton analyzed the language in Thyestes, stating how Atreus presented normal masculinity while
Thyestes presented stoic masculinity and how his masculinity is "thrown

Destiny And Fate In Short Story : Fate And Destiny
Fate and Destiny Literary Analysis Essay The founder of philosophy, Christina Carlina, once said,
"fate is chance; destiny is choice." You may have thought these two ideas were the same thing.
However, they are distinctly different. Fate is what is meant to be set in the future, destiny is what
you make it. The two short stories, "The Monkey's Paw" and "The Doomed House of Atreus" are
two very similar stories. But in what ways? Both of these stories are controlled by destiny, choices
for an outcome in the future. In the story of the "Monkey's Paw" about the White family, it is ruled
by destiny. One reason why this story's theme is destiny is because when the White Family was
precisely told that the Monkey Paw would lead to great danger, they were still persistent on keeping
it. Sergeant–Major Morris says, "I threw it on the fire. If you keep it, don't blame me for what
happens. Pitch it on the fire again, like a sensible man (Jacobs 2)." This comment to Mr. White from
Morris is a drastic statement. He clearly tells Mr. White of the great danger, but the White's are too
curious and are relentless. Another reason why "The Monkey's Paw" is ruled by destiny is when the
White's receive the paw, and make their first wish. It is to be granted with two–hundred pounds
(money). They are not very clear with their wish and with the 'gift' of two–hundred pounds comes
their son's death. The White's greediness of money leads to their son's death and when the second
wish is made for him

Oedipus The King Research Paper
Can we assure ourselves that we know what fate really is? The question of whether fate was
predetermined by the Greek gods when one was born, or could the individual choose their fate, is
debateable. In both tragedy plays, Agamemnon and Oedipus the King, the oracles indicated that the
fate of Agamemnon and Oedipus was ordained. However, we cannot put all liability on the gods.
The path that they have decided to take with the decisions that they made, partially led to their
downfall. Therefore, they should've personally taken responsibility for fulfilling their prophecy.
Agamemnon was a virtuous and an ambitious person, he struggled to choose between whether to
sacrifice his daughter, Iphigeneia or abandon the war to Troy. He had the choice ... Show more
However, it cannot can be used as an excuse for our actions because our actions explains much more
like our motivations. Our motivations can lead us into making irrational choices/actions in order to
achieve our goals. Therefore, it can be said that both Agamemnon and Oedipus were the victim of
their fate, but it was their personal traits and thoughts that they could overcome god's will that led to
their ultimate death. If we are not quick at judgements and decision making, then we would be able
to think about situations sensibly and actually think about the given facts before making logical
decisions. As well as we shouldn't always be too proud of ourselves because when we're full of pride
and confident, we tend to overestimate our ability to overcome

Sherlock Holmes Vs Duin Research Paper
Sherlock Holmes and Dupin are both very good detectives, however they both have their merits and
disadvantages. In this essay I will argue that Sherlock Holmes makes a better Detective than Dupin.
Dupin is arrogant, selfish, and imaginative, while Sherlock Holmes is Selfless, Confident, and he is
also imaginative like Dupin, but he does not let that imagination interfere with is work. Even though
Dupin and Sherlock Holmes both have merit with imagination, Sherlocks ability to not let his
imagination interfere with his work and his selflessness makes him a better detective, even though
he may not always get his case right. Dupin is a very arrogant person an observation is made
through situations, such as the cellar. Dupin even inquires about ... Show more content on
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Holmes usually investigates and solves cases just for the fun of it and he never really asks for a
reward or receives any sort of remuneration for any of his work. Holmes does not receive any sort of
reward when he solves the Silver Blaze case, because all he really wanted to gain from the case is
knowledge and companionship. "If you care to smoke a cigar in our rooms, Colonel, I shall be
happy to give you any other details which might interest you" (Silver Blaze, 101). This is Holmes is
trying to share his knowledge with the colonel, but Holmes is also looking for companionship with
the colonel also. Sherlock Holmes is selfless in his acts in the fact that he does not want any sort of
reward for his work other than to gain knowledge and companionship. Holmes last good quality is
his confidence, though it sometimes can get him into trouble it seldom does. Holmes confidence
brings to life in Silver Blaze when he leads the investigation and figures out that the horse had
wandered to a neighboring pasture. "Ah, it bolted and was cared for by one of the neighbours"
(Silver Blaze, 101). Holmes figured this out because he has the confidence in himself to be
knowledgeable and research about the area. Holmes is a confident

Tereus Injustices In Ovid's Metamorphoses
Further on, in Book Six of "Metamorphoses", Ovid introduces readers to the characters of Tereus
and his wife, Procne. Tereus, at his wife's request, brings her sister, Philomela, for a visit. However,
he becomes so captivated by Philomela that he imprisons, rapes, and mutilates her. In order to
avenge Tereus, Procne along with Philomela, trick Tereus into consuming the flesh of his own son.
The story of Tereus, Procne and Philomela exists as one of absolute extremes. It contains the most
vicious rape, the most brutal mutilation and finally the most horrific form of retaliation:
cannibalism. Procne and Philomela know that the act of feeding their only son to Tereus would
inflict the greatest sense of revenge to not only parallel the evil acts that Tereus commits unto
Philomela, but to surpass them. ... Show more content on Helpwriting.net ...
In most societies, rape and mutilation exist among the worst crimes imaginable, already labeling
Tereus's initial crimes as unjust. However, the act of Tereus feasting on another human's flesh,
especially the flesh of his own offspring, defies all laws of humanity. Though Tereus is the consumer
of the human meal, Procne and Philomela, do not escape free of repercussion either. "The ethics of
revenge become a troublesome issue. New battle–lines are drawn, as the characters lose all moral
grounding and are drawn into the perpetration of uncontrolled, orgiastic violence" (Gildenhard,
Zissos 36). In the end, the act of cannibalism is so atrocious that it implicates all parties

Peleus Research Paper
Peleus: Peleus was a hero in Greek mythology and the son of Aeacus, who was the king of the island
of Aegina. He was husband of the sea nymph Thetis who was able to change form. Together they
nurtured for Achilles, their son. Peleus, Telamon, his brother, and Eurytion were all participants in
the Argonautic expedition. Peleus and Thetis had seven sons, but six of them died when they were
born, leaving Achilles to be their only son.
Achilles: Achilles was a soldier who fought with the Greeks, and he is the only son of Peleus and
Thetis. His mom had the desire for him to be invulnerable so she dipped him into the river Styx,
however she didn't realize that his heels, the part from which she was holding him, were not touched
by the river waters, therefore leaving him vulnerable. Later, in the Trojan War, a poisonous arrow
shot by Paris and guided by Apollo hit him in his heel and killed him.
Hades: Hades was the brother of Zeus and Poseidon, and the son of Cronus. After the overthrow of
their father, he lost and became the lord of the underworld and the ruler of the dead. The Greeks
called him Plouton, due to the precious metals mined from the earth, therefore, Hades also became
the god of wealth. He preferred the underworld much more, so it was rare for him to leave his
kingdom. Hades' weapon was a pitchfork, which he used to create earthquakes. ... Show more
He was the god of music and is often depicted playing a golden lyre. Apollo was also known as the
Archer, the god of healing, the god of light, and the god of truth. One of his most important daily
tasks was to harness his four–horse chariot in order to move the Sun across the sky. Apollo was
worshipped in the island of Delos. He can heal wounds, and at the same time bring forth disease
with his arrows. Apollo was born on Delos, where everyone helped his mother give birth to him.
Apollo is also called Phoebus and

The Tragedy Of Agamemnon By Sophocles Essay
When discussing Greek tragedies, there is a theme of anger and revenge that is somewhat underling
in many texts of this tragic nature. In Agamemnon by Aeschylus the main character Agamemnon
faces these constructs head on mostly as a direct result of his decision to sacrifice his daughter.
However, this is not the only case where anger and revenge is exhibited in the tragedy of
Agamemnon as in truth it runs rampant throughout the text. Another tragedy that exhibits these traits
is that of Medea written by Euripides. The central character Medea was abandoned by her husband
Jason and resultantly she made a choice to pursue a revenge plot against Jason that entailed the
murder of their children. An interesting parallel between these texts is the role that children played
in these pursuits of anger and revenge. What this really shows about Greek tragedies is the strong
role of family that is present when it comes to tragic events that are generally resultant of anger
which can then lead to revenge and thus death, hence perhaps why such works are referred to as
tragedies.
In Agamemnon, the main character Agamemnon was headed off to the well–known Trojan war
when he encountered strong winds sent by the goddess Artemis. Rather than abandon the war and
turn back Agamemnon made the choice to sacrifice his daughter Iphigenia to please Artemis so he
could go on his way. However, by making this decision Agamemnon unwittingly planted the seeds
of revenge in his wife's heart that would

Xenia- Greek Concept
Xenia is a Greek concept with a broad of meaning and a rather interesting history behind it. Xenia
can easily be defined as guest–host reciprocity but that would not be enough to tell its history,
enunciate it's meaning and warn of the retribution that comes along with breaching of Xenia. Xenia
is an institution as important as any other in the culture of a community, is empowered by the Greek
god, Zeus, the protector of travellers. Along with the respect of the god, Zeus and fear of angering
him by turning away a traveller, comes some cautionary tales told by the Greeks. These are tales of
punishment that may be received and the rewards that may be lost if the traveller that is turned away
is a god or goddess in disguise. Xenia is established by exchange of both material and non–material
services and goods such as food, shelter and protection. Breeching of Xenia has played a very
important role in history and myths of the Greeks. One of the most important is the Trojan War,
which was caused when Paris breached the Xenia in the house of Menelaus and abducted his wife
Helen. Paris ignored the mutualistic respect that is supposed to be observed between parties
involved and he stole from his host
The Greek myth I shall elaborate on is that of Atreus and his twin brother Thyestes. It is a very
perverse myth; it contains adultery and very distasteful cannibalism, however unintended it may
have been. After Atreus took over the Kingdom of their father Pelops, Atreus also

Thyestes: Attendant Seneca
Attendant Seneca
Thyestes, a play written by Seneca, is a fictional tragedy that happens in the kingdom of Argos.
Because his wife cheated with his brother Thyestes, the king Atreus murdered his brother's sons and
fed them to his brother. During this carefully constructed revenge, Atreus exhibited the meaning of
being manipulative and ruthless. The fact that Atreus holds sovereign power also unfolded through a
series of actions and conversations. Among all the characters in Thyestes, the attendant played as a
supported role, but the meaning of such a character is significant. It's possible that attendant is the
incarnation of Seneca and Seneca uses attendant to express his voice regarding kingship.
At first, the play is about how the king Atreus mercilessly tortures his brother by taking away the
most important things to his brother, his sons. "Coincidentally", a similar event also happened in
reality and Seneca did not take it as a taboo but commands Second Chorister to bring this up in the
play:
Second Chorister: Who doubts that Nero arranged to have his adoptive brother killed, or that he and
mother Agrippina arranged for ... Show more content on Helpwriting.net ...
During this period of time, Nero improved Roman people's living and promoted a more cultural life.
There is no doubt that Seneca positively influenced Nero's ruling and made Nero popular among the
Romans. In Thyestes, we could also see that the attendant (who is the incarnation of Seneca) values
the opinions of the public and wishes to make Atreus loved and supported by the Argos. During
Nero's later rules, Seneca lost his influence over Nero and Nero's tyranny later swap through the
Rome. Acting as either the writer of the play or the attendant of Atreus, Seneca hopes the king could
govern the nation in regard to people's expectation and affirmation, instead of relying on king's
absolute power to

Cassandra In Greek Tragedy
In Greek tragedy, the fate of man is most often predetermined. No matter how hard a person of the
ancient world tried to escape their destiny, if the gods decided otherwise, they were helpless to
deviate far from the path that they were set to travel. Through a mere captivating 350 lines in
Aeschylus' tragedy, The Oresteia; Cassandra uses her plight to bring light to the horrors of the house
of Atreus, prepare others for the inevitable, and eventually empower herself.
In the first play of The Oresteia trilogy, Agamemnon, Cassandra is introduced as Agamemnon's, the
king of Argos, spear captive. Cassandra who was taken from her home is, "daughter of Priam and
Hecuba, King and Queen of Troy at the time of the Trojan War" (Euripides). In addition ... Show
more content on Helpwriting.net ...
[Clytemnestra] her glittering words of welcome– No, he cannot see the stroke that Fury's hiding,
stealth, and murder. What outrage– the woman kills the man" (Agamemnon 1.1.1235–40). In
revealing this knowledge, she wants to prepare the city for what has to happen. Up until this point,
Cassandra has been building trust with the chorus and their leader by recounting the, "ancient crimes
that live within this house" (Agamemnon 1.1.1201). She has proven to be more than, "a fraud, a
fortune teller babbling lies." (Agamemnon 1.1.1200) However, with this news Cassandra is once
again dismissed, the news being too much to handle. Cassandra sees all of the facets that have bred
the desire to murder Agamemnon. Agamemnon's cousin Aegisthus being the only one of his
murdered siblings left with a desire to avenge his father and siblings. Additionally, Agamemnon's
decision to sacrifice his daughter Iphigeneia to claim a victory of Troy, "by obliterating Troy,
destroys his own perception" ultimately sealing his fate. Cassandra knows that her fate is
intertwined with the members of Agamemnon's household. Everything that she is shown by Apollo
and the Furies must come to pass. As if not being believed when given the gift of prophecy was not
enough, Apollo added another cruel clause to Cassandra's curse, "if anyone did say he believed her;
it would be a sign that she was about to suffer a violent death" (Aeschylus 302). Apollo shows
Cassandra her own death by Clytemnestra's hand, "His fire! Apollo Lord of the Light, you burn, ...
She is the lioness... she rears on her hind legs...she will kill me" (Agamemnon

The Nature Of Justice In The Oresteia By Aeschylus
The Oresteia is a book of plays written by Aeschylus that centers around the myth of the polis. In
each story, the theme of the polis is different. They each want to get revenge or avenge someone that
did wrong to someone that they love or loved. The in this story the polis poses questions as what is
the nature of justice and what are the methods of establishing and maintaining justice on earth. This
story uses the legend of the family Atreus and how he took revenge on his brother, Thyestes, for
seducing his wife. Atreus killed two of Thyestes sons and fed them to him to avenge the seducing of
his wife. This started the chain of events that led to the family thinking that an eye for an eye is the
only way to settle things. It first started off with Agamemnon's father Atreus and his brother
Thyestes who is the father of Aegisthus. During those times, they were contended for the throne of
Argos, but during this time Thyestes seduced his brother's wife and was driven out of Argos. When
he came back Atreus had established himself as the sole king. Thyestes begged his brother for
forgiveness and Atreus pretended to forgive him. Atreus was still upset that his brother seduced his
wife and was plotted to avenge that so he killed Thyestes two younger sons, cooked them, and
served them to Thyestes to eat. When Thyestes found out he was disgusted and horrified so he took
only son that he had left and fled from Argos. This is what started the polis in this story of The
Oresteia. To

Summary Of The Libation Bearers
The Oresteia is a trilogy of Greek tragedies written by Aeschylus (Oresteia, 2017). The Libation
Bearers is the second play in the trilogy of tragedies. In the Libation Bearers, Orestes is the son of
Clytemnestra and Agamemnon. After many years of exile, Orestes returned home to Argos in secret
to mourn the death of his father and to seek revenge for Agamemnon's death to his murderers. The
House of Atreus has a generation curse of bloodshed on the men in the family that seems as if it
cannot be broken, causing the men in the family to kill or sacrifice their own child or family
members. Apollo has also threatened to punish Orestes with further exile and more horrible
consequences if he disobeys the god quest. But throughout the play, we will learn how one must
come to reconcile with their fate. The chorus said that "blood, once spilt, does not seep easily into
the earth. It "clots hard" and refuses to disappear."
Atreus, Agamemnon's father, murdered two of his brother Thyestes children and fed them to
Thyestes after finding out that Thyestes' was having an affair with his wife Aerope. When Thyestes
found out what his brother did, Thyestes cursed Atreus and all of his bloodline. He also took
Aegisthus, who was just a baby at the time so that he can avenge what was done unto his father.
Agamemnon and his brother Menelaus gathered a huge fleet and army to set sail to Troy in the
Trojan War, to free Helen, Menelaus' wife, who was stolen by Paris, a Prince of Troy. In order for

Agamemnon Essay
Aeschylus was born in 525 B.C. and died in 466 B.C. He was the first of the three Athenian
dramatists, the other two being Sophocles and Euripides. The first of Aeschylus' plays were laid
open in 499. He was established as the founder of tragedy, according to Aristotle. He diminished the
importance of the chorus and introduced a second actor. Between the years of 484 and 458, he won
awards at the festival in the City Dionysia. He wrote more than ninety plays, but only seven survive.
The oldest of these is The Suppliant Maidens. The trilogy, Agamemnon, Choephore, and Eumendis,
was not long before 458. Aeschylus acted in his own plays.
His family belonged to an old Athenian nobility and, as part of his duty, he ... Show more content on
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However, they add an omen before she answers. They say that they say two eagles tear open a
rabbit. The eagles represent Agamemnon and Menalaus and the rabbit represented Troy. However,
the god of hunt, Aretmis, was angry for Zeus allowing the eagles to do this to the rabbits. He was
going to require a sacrifice from Agamemnon. They then cogitate the fact that Zeus places suffering
with attaining wisdom. They then tell a story that happened during the war. Agamemnon was forced
to choose between his daughter and his war companions. Artemus would not grant favorable winds
to the Greeks unless Agamemnon's daughter was sacrificed. He chose to sacrifice her in the end.
Agamemnon's loyalty to his army exceeded his loyalty to his family.
The chorus attribute the victory over Troy to Zeus and not to Agamemnon. They say that excessive
wealth, daring, and causal for many deaths are sins committed that will bring punishment. There is
evidence for a course of action against Agamemnon. A herald comes to reassure the chorus and
Clymenstra that the war was truly over but the whereabouts of Menalaus were unknown. He also
states that the temples in Troy were destroyed which further brings down Agamemnon's stature.
Agamemnon arrives with Cassandra, his newly captured servant, and is praised and put down for the
war. He goes to thank the gods for the victory. His

Vengeance In Sophocles Electra
Electra is a play written by Sophocles and it is a Greek tragedy genre. The date of when Electra was
written is unknown. Some scholars have claimed that due to the plays stylistics features, Electra was
written during the late career of Sophocles. The main character of the play is Electra who is still
mourning her father's death. Electra has several themes, such as cause and effect, disguise, and
revenge. But, the main theme is revenge because throughout the play of Electra, you can see the
theme of vengeance that continues going in circle from blood line to bloodline with no satisfaction
at the end.
The setting of Electra takes place in the royal palace in Mycenae and the background of thee play of
Electra starts when Agamemnon is murdered ... Show more content on Helpwriting.net ...
In "Electra" and "The Odyssey", both heroes returned home to make justice for the wrong acts
committed toward them or to their love ones. In "The Odyssey", Odysseus returns home disguise as
a beggar in order to see who is still loyal to him and who is not. In book twenty–one and twenty–
three, Odysseus kills the suitors because on his absence they took advantage and did not respect
what was his. The suitors want to marry Penelope, Odysseus' wife in order to poses the power and
control Ithica. They try to kill Odysseus' son Telemachus because it is his birth right to eventually
succeed the throne. If there is no one to succeed the throne, then who ever marries Penelope gains
control of everything. Another reason for killing the suitors is that the suitors were not humble and
respectful to others, especially to beggars. You can also see revenge when Poseidon was angry at
Odysseus because after the Trojan war Odysseus was so proud of oh himself and claimed that he did
not need the goods. Another reason why Poseidon wanted revenge on Odysseus is because his son
Polyphemus, the cyclops, was blinded by Odysseus. Poseidon denies the reason why his son was
blinded; he ate some of Odysseus crew members. They only thing that he wanted was Odysseus to
suffer. Even though Odysseus was in a lot of agony and lost all of his men, Poseidon wanted to
continue with his revenge because he was not satisfied. In" Electra", the reason why

Analysis Of ' Thyestes ' And ' The King '
Thyestes might lead one to answer the question, Is it possible for an individual to be just in an unjust
world? The play seems to answer the question negatively. Thyestes appears to be a just man in the
text and is treated horribly, although some would argue that he is not just regarding his previous
actions of theft and adultery. A retort could be made by asserting that to judge a man's justness one
must look at his current action more than his past. In this text, Thyestes didn't want to accept his
brothers offer of power at first, but relenting at the end saying, "Then I accept. But in name alone
will I wield the power that you've forced upon me. As for laws and arms, they will serve you, as will
I." This action and words show that Thyestes has been at least close to being a just man. Atreus, on
the other hand, is absolutely unjust and since he is the king, he makes the world unjust. In the end,
all that Thyestes gets for being just is having his kids killed and eating their remains, ruining his
only chance to give them some honor with a proper burial. Even Thyestes' kids are relatively just;
they have not hurt anyone, admitting they appear a little power hungry. They end up being
mercilessly killed one by one. Atreus is the only one in this play who seems to end up happier and
better than when they started saying "Now I praise my actions, now victory is truly won. My deed
would have been fruitless if you did not grieve so deeply." Thyestes would undeniably turn irate

Essay The Cycle of Vengeance in Aeschylus’s Oresteia
The Cycle of Vengeance in Aeschylus's Oresteia
The cyclic thread of vengeance runs like wild fire through the three plays in Aeschylus's Oresteia.
This thread, with its complexity of contemporary and universal implications lends itself quite well to
– in fact, almost necessitates – deeply interested study. While a brief summary of the Oresteia will
inevitably disregard some if not much of the trilogy's essence and intent, on the positive side it will
establish a platform of characters, events, and motives with which this paper is primarily concerned.
As such, I begin with a short overview of the Oresteia and the relevant history that immediately
precedes it.
The house of Atreus is cursed, it would seem, with the perpetual cycle ... Show more content on
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Now joined together (amorously) by a common hatred for Agamemnon, Clytemnestra
(Agamemnon's wife) and Aegisthus plot and execute the death of Agamemnon. As John H. Finley,
Jr. has rightly put it, "Both Agamemnon and Aegisthus perpetuate their father's infections" –
Agamemnon by the slaughter of innocents and Aegisthus by the adultery with Clytemnestra (Pindar
258). The Libation Bearers speaks of the remaining children of Agamemnon and Clytemnestra,
Orestes and Electra, who (with some urging from Apollo) avenge the death of their father by killing
both Aegisthus and their own mother. The Furies, enraged by Orestes' violation of the filial bond,
pursue his punishment. The Eumenides covers the taming of the Furies, the reconciliation of the
dominant opposing forces in the trilogy, the establishment of Athena's court of law, and, as J. J.
Pollitt argues, "brings us out of the earlier dark irrationality into what seems an enlightened world of
order and reason" (30). Each of these acts, excepting the first and the last, is both a consequence and
a cause: every individual involved sought to avenge the horrid act of an offender – each seemingly
sought justice by way of retribution. By identifying only a single reason or cause each for the
vengeful acts outlined above, it is easy to generalize this chain of events into cyclic manifestation of
the age–old law "an eye for an eye." Much is lost in this simplification of the story; the

Oresteia Paper
The Transformation of Justice
A cycle of murder and death spurs from the curse on the House of Atreus in Aeschylus' The Oresteia
but transforms from justice as vengeance to justice as fairness and forgiveness through the wisdom
of Athena, establishing a new cycle of growth and life. The curse upon the House of Atreus was
brought forth through the event of Zeus' eagles devouring a pregnant hare which angered Artemis
for she is the goddess of young animals and creatures. The big black bird swoops down and
"plunged their claws in a hare, a mother bursting with unborn young–the babies spilling, quick
spurts of blood–cut off the race just dashing into life!" and instantly this brings forth the curse (A
122–124). The death of the hare's ... Show more content on Helpwriting.net ...
Clytemnestra fits the character of one of the Argos's contaminations because of her adulterous acts
with Aegisthus and her psychotic murderous plans to kill her husband Agamemnon. In her point of
view, justice will only be obtained of she avenges the death of her daughter Iphigenia by killing the
one who murdered her, Agamemnon. Cassandra mentions this cycle of fertility and decay when she
talks about "the babies wailing, skewered on the sword, their flesh charred, the father gorging on
their parts" referring to Thyestes' babies (A 1095–1097). More blood vengeance and violence only
fuels what becomes a never ending cycle of death and decay within the House of Atreus. When
Clytaemnestra finally kills Agamemnon she cries, "So he goes down, and the life is bursting out of
him–great sprays of blood, and the murderous shower wounds me, dyes me black and I, I revel like
the Earth when the spring rains come down, the blessed gifts of god, and the new green spear splits
the sheath and rips to birth in glory!", and she feels reborn from his death and even calls it a gift
from the god (A 1410–1415). Not only does Clytaemnestra feel renewed from murdering
Agamemnon, but she feels that it was the proper and just thing to do. Although the Furies don't go
after her since this is not a crime of matricide or patricide, killing her husband is unwise and unfair
because in Agamemnon's

Pelopia And Agamemnon
Pelops' sons, Atreus and Thyestes, prolonged the curse to their bloodline. Thyestes seduced Atreus's
wife, Aerope and because of this Atreus took revenge by killing his brother's sons and offered them
to them to him to eat. This act of Cannibalism continued the curse to their family. (SparkNotes
Team, n.d.) Thyestes wanted to take revenge and he was advised have a child on his own daughter
Pelopia. So, he took Pelopia by force. Fortunately, Pelopia managed to escape. At that time, Atreus
was looking for a new wife and found Pelopia. She gave birth to Aegisthus and Atreus accepted him
thinking that he is his own son. Aegisthus found out that he was Thyestes' son when his believed
father, Atreus, sent him to kill Thyestes. Thyestes asked Aegisthus to bring his mother. When
Pelopia saw her father, she killed herself. Then, Aegisthus realized that Thyestes, indeed, was his
real father. (Houghton Mifflin Harcourt, n.d.) ... Show more content on Helpwriting.net ...
He fought on the Trojan War. He sacrificed his daughter, Iphigenia, to calm the wind and make it
favor the Greek ships on their way to Troy. This sacrifice was demanded by Artemis herself. This
part of the story has another version in order to make Artemis less vicious which made the story
more complicated.
Because of Agamemnon killing her daughter, while he was away, his spouse Clytemnestra along
with her lover, his step brother, Aegisthus planned to avenge her daughter. So, when Agamemnon
victoriously returned to Mycenae, they killed him together with his mistress, Cassandra.
(SparkNotes Team,

Atreus And Aids In Vareneca's Thyestes
In Seneca's Thyestes, Atreus and Thyestes, brothers, are simultaneously portrayed as being the same
person and completely different people. The majority of the time, however, it is Atreus who draws
the parallels between him and his brother to justify the actions he takes against Thyestes. Seneca
uses each brother's thoughts on power and their self–control to contrast the two brothers. Each is
able to be pitied and hated, but never at the same time, because when we are disgusted by one's
actions we pity the other as the victim. I argue, therefore, that the brothers are essentially the same,
but only when comparing their characters from opposing times. The cases of contrast between the
two brothers contrast them as the are at a specific point of time, but those contrasts show how
similar they are to the previous versions of each other. What I mean by this is that Atreus as a
criminal is similar to Thyestes when he is the criminal, and Atreus as a victim is similar to Thyestes
when he is the victim. My argument considers the states of Atreus and Thyestes before and after
Atreus's crime against Thyestes to highlight the brothers' role reversal. During the beginning of the
play, Atreus appears as the victim. The audience meets an vengeful Atreus who claims that his
brother took away his wife by rape and his kingdom by theft; he acquired the ancient sign of power
(the ram) by deceit and he disturbed his house with deceit ("Coniugem...domum," 222–224).
Although Atreus speaks of

Deceitful Clytemnestra of Euripides' Electra Essay
Deceitful Clytemnestra of Euripides' Electra
Agamemnon returns from Troy, a victorious general, bringing home spoils, riches and fame. He is
murdered on the same day as he returns. Clytemnestra, his adulterous wife, has laid in wait for her
husband's homecoming and kills him whilst he is being bathed after his long journey. During the
Agamemnon, large proportions of the Queen's words are justifications for her action, which is very
much concerned with the sacrifice of Iphigenia to the gods, in order for the fleet to set sail for Troy.
Aegisthus, the new husband of the Queen Clytemnestra, and partner in the conspiracy to murder the
war hero, had reasons, which stemmed from the dispute between the Houses of Atreus and Thyestes.
Was the ... Show more content on Helpwriting.net ...
No blame is placed upon him by the people and they believe he "slipped his neck in the strap of
fate" 217, only after which did his spirit become "black, impure, unholy" 218. The people of
Mycenae, typically represented by the elders, and thus the Chorus have absolved him of blame in
their minds. All their words about the leader are nothing but in praise of their king. They are nearly
"faint with longing" for the return of their king, though we can also partly attribute this to a desire to
be rid of Clytemnestra more than their wish to return to the rule of Agamemnon. They indeed
emphasise the tyranny of the Queen ("she commands, full of her high hopes...manoeuvres like a
man" 13). The sentry echoes the love for the King though ("My king, I'll take your loving hand in
mine" 37), and the herald is similarly well disposed toward him, and he hasn't been under the yoke
of Clytemnestra ("he brings us light in the darkness...Agamemnon lord of men"). The people
absolve the King of blame over Iphigenia, and give him unconditional loyalty, but Clytemnestra
rests it all upon his shoulders ("girl of tears...here you are repaid" 1554). She understands the
grandeur of her action and the scale of it but believes that "what we did was destiny" 1692. Though,
it is my belief that the honourable King of Mycenae was commanded by the fates to kill his
daughter, and it was by no means his will to carry

The Oresteia

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The Oresteia