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With our short film we want to look as close to big blockbuster movies as possible.
That means a lot of camera movement and high staged blocking.
In the end scene we wanted to include a bit of slow motion.
We will have everything from Tilt-angles to hand held.
Parallax will be a big tool in our short film. Foreground and background will be
included in the Parallax.
That means we will have a lot of tracking shots, but also still shots too enhance the
feeling of loneliness and vulnerability.
The camerawork of the movie “Premium Rush” was pretty good and we will take
some shots of that, which we liked a lot.
We will follow the 3 point lighting guide line, but we will match the lighting to
the mood of each scene.
In the beginning we will have soft lighting (High key), but as the story moves on
it gets darker and everything has more contrast (Low key).
Colour grading is really important to us, because it hasn’t been done much in the
past years.
We will do basic colour correction and then try to copy the grading from the oceans
movies.

2.35:1 is the aspect
ratio we are going to
use.
It has a very
pleasing framing
and it’s really
cinematic.
I know that I didn’t go into a lot of
detail, but you will get detailed
updates on our production pretty
soon.

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The look of our film

  • 1.
  • 2. With our short film we want to look as close to big blockbuster movies as possible. That means a lot of camera movement and high staged blocking. In the end scene we wanted to include a bit of slow motion. We will have everything from Tilt-angles to hand held. Parallax will be a big tool in our short film. Foreground and background will be included in the Parallax. That means we will have a lot of tracking shots, but also still shots too enhance the feeling of loneliness and vulnerability. The camerawork of the movie “Premium Rush” was pretty good and we will take some shots of that, which we liked a lot.
  • 3. We will follow the 3 point lighting guide line, but we will match the lighting to the mood of each scene. In the beginning we will have soft lighting (High key), but as the story moves on it gets darker and everything has more contrast (Low key).
  • 4. Colour grading is really important to us, because it hasn’t been done much in the past years. We will do basic colour correction and then try to copy the grading from the oceans movies. 2.35:1 is the aspect ratio we are going to use. It has a very pleasing framing and it’s really cinematic.
  • 5. I know that I didn’t go into a lot of detail, but you will get detailed updates on our production pretty soon.