The fugitive notes
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The document analyzes the opening title sequence of the film "The Fugitive". It introduces the main characters Harrison Ford and Tommy Lee Jones through spotlighting them to the beat of the music. A crime scene is then shown with policemen investigating and Harrison Ford present with blood and scratches, though willingly speaking with police. Flashbacks in black and white show sirens in the city and a gun, with an ambulance identifying the setting as Chicago. The fast-paced title sequence with blue and white lights is meant to signal a fast-paced action film and catch the audience's attention.
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The fugitive notes
The trailer provides context clues to summarize the plot of the film "The Fugitive". It shows the Warner Bros studio logo in blue, indicating it will involve crime or police. Famous directors are shown who have made crime films in the past. Shots of Harrison Ford searching with a flashlight and Tommy Lee Jones suggest the main characters. The title "The Fugitive" is then shown over dark shadows, establishing it will have a dark setting in Chicago. Black and white flashbacks, sirens, and a gun build suspense. An ambulance with "Chicago" emphasizes the location. Police radios are heard but the character played by Harrison Ford is not in cuffs, implying he is not completely guilty.
Shank Trailer Analysis - A2 Media Studies
The document analyzes the trailer for the film "Shank" in three parts:
1) It describes the poster, noting the dark lighting and distressed expressions representing a dangerous future London.
2) It examines the first intertitle highlighting the distributor of the previous film "KiDULTHOOD" to entice audiences.
3) It analyzes the ending shot of an angry fist moving toward the camera to stop the music and tension, leaving audiences wanting more. Suspense and pace were keys to the trailer's success.
The Fugitive and Ferris opening titles
The document provides analysis of the opening scenes of two films: The Fugitive and Ferris Bueller's Day Off. For The Fugitive, the opening establishes a dark and suspenseful tone through its use of dark colors, diegetic sirens, and a bloody crime scene. This foreshadows the criminal themes of the film. For Ferris Bueller's Day Off, the opening aims to introduce the comedic character of Ferris through its lack of suspenseful music, light font, and portrayal of Ferris' cheeky and confident nature, which works to get the audience on his side as the protagonist.
Music video research
The document discusses music videos that inspire the author's own video project. Specifically:
1) Aphex Twin's "Come To Daddy" video, praised for its slightly abstract but followable plotline and cinematic quality on a small budget.
2) M.I.A.'s "Born Free" video, known for its political metaphors and banning for explicit content. The author admires its controversy and cinematic techniques.
3) Steven Wilson's "Harmony Korine" video, inspired by Dali's surrealist film, praised for its sharp images, European surrealism influences, and disturbing nature.
Frame 9
The document provides analysis of several shots from a film. The shots are all very dark and gloomy, representing death and a lack of hope. They show homeless people in the city, indicating these characters will be important. They also show two women talking who appear drunk and vulnerable. Later shots show a car driving at night, with the driver seeming cautious of police, implying he may do something illegal. The final shot revisits one of the women, confirming her important role and emphasizing how isolated and vulnerable she is as the man stalking her knows where she lives.
Frame 9
The document provides analysis of multiple dark and gloomy shots from a film. The shots depict homeless people in an urban setting, highlighting their lack of hope. They also show two men arguing and two intoxicated women talking, implying future conflict. Additional shots from inside a car at night suggest the driver is following the women and may intend to harm them. The analysis indicates the film will involve themes of death, vulnerability, and injustice in a dangerous city environment.
Run Lola Run
The document provides an analysis of the film Run Lola Run. It summarizes the key events of the second run which are slightly different than the first run. In this run, Lola's father tells her he is leaving the family and is not actually her father. She then holds him at gunpoint to get money for her boyfriend Manni. She is about to run to Manni but he is hit by an ambulance. The document also analyzes the film's representation of Lola as committed to Manni, intended audience, genres including crime and drama, use of color like red to signify danger, and how it draws on postmodern concepts like being similar to a video game through restarting runs.
Thriller%20 research[1]
The document provides a history of the thriller genre, beginning with early silent films in the 1910s that showed weekly thriller-themed scenes. In the 1930s, detective films like "The Thin Man" based on a Dashiell Hammett novel helped establish the genre. Alfred Hitchcock's 1935 film "The 39 Steps" set the template for adventure thrillers followed by Bond films. Gritty crime thrillers of the 1970s like "The French Connection" further developed the genre. Modern Hollywood thrillers exemplified by 2004's "The Bourne Supremacy" feature action scenes, car chases, and fights in foreign locations. The document also analyzes thriller movie posters focusing on technical codes like colors
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The fugitive notes
The trailer provides context clues to summarize the plot of the film "The Fugitive". It shows the Warner Bros studio logo in blue, indicating it will involve crime or police. Famous directors are shown who have made crime films in the past. Shots of Harrison Ford searching with a flashlight and Tommy Lee Jones suggest the main characters. The title "The Fugitive" is then shown over dark shadows, establishing it will have a dark setting in Chicago. Black and white flashbacks, sirens, and a gun build suspense. An ambulance with "Chicago" emphasizes the location. Police radios are heard but the character played by Harrison Ford is not in cuffs, implying he is not completely guilty.
Shank Trailer Analysis - A2 Media Studies
The document analyzes the trailer for the film "Shank" in three parts:
1) It describes the poster, noting the dark lighting and distressed expressions representing a dangerous future London.
2) It examines the first intertitle highlighting the distributor of the previous film "KiDULTHOOD" to entice audiences.
3) It analyzes the ending shot of an angry fist moving toward the camera to stop the music and tension, leaving audiences wanting more. Suspense and pace were keys to the trailer's success.
The Fugitive and Ferris opening titles
The document provides analysis of the opening scenes of two films: The Fugitive and Ferris Bueller's Day Off. For The Fugitive, the opening establishes a dark and suspenseful tone through its use of dark colors, diegetic sirens, and a bloody crime scene. This foreshadows the criminal themes of the film. For Ferris Bueller's Day Off, the opening aims to introduce the comedic character of Ferris through its lack of suspenseful music, light font, and portrayal of Ferris' cheeky and confident nature, which works to get the audience on his side as the protagonist.
Music video research
The document discusses music videos that inspire the author's own video project. Specifically:
1) Aphex Twin's "Come To Daddy" video, praised for its slightly abstract but followable plotline and cinematic quality on a small budget.
2) M.I.A.'s "Born Free" video, known for its political metaphors and banning for explicit content. The author admires its controversy and cinematic techniques.
3) Steven Wilson's "Harmony Korine" video, inspired by Dali's surrealist film, praised for its sharp images, European surrealism influences, and disturbing nature.
Frame 9
The document provides analysis of several shots from a film. The shots are all very dark and gloomy, representing death and a lack of hope. They show homeless people in the city, indicating these characters will be important. They also show two women talking who appear drunk and vulnerable. Later shots show a car driving at night, with the driver seeming cautious of police, implying he may do something illegal. The final shot revisits one of the women, confirming her important role and emphasizing how isolated and vulnerable she is as the man stalking her knows where she lives.
Frame 9
The document provides analysis of multiple dark and gloomy shots from a film. The shots depict homeless people in an urban setting, highlighting their lack of hope. They also show two men arguing and two intoxicated women talking, implying future conflict. Additional shots from inside a car at night suggest the driver is following the women and may intend to harm them. The analysis indicates the film will involve themes of death, vulnerability, and injustice in a dangerous city environment.
Run Lola Run
The document provides an analysis of the film Run Lola Run. It summarizes the key events of the second run which are slightly different than the first run. In this run, Lola's father tells her he is leaving the family and is not actually her father. She then holds him at gunpoint to get money for her boyfriend Manni. She is about to run to Manni but he is hit by an ambulance. The document also analyzes the film's representation of Lola as committed to Manni, intended audience, genres including crime and drama, use of color like red to signify danger, and how it draws on postmodern concepts like being similar to a video game through restarting runs.
Thriller%20 research[1]
The document provides a history of the thriller genre, beginning with early silent films in the 1910s that showed weekly thriller-themed scenes. In the 1930s, detective films like "The Thin Man" based on a Dashiell Hammett novel helped establish the genre. Alfred Hitchcock's 1935 film "The 39 Steps" set the template for adventure thrillers followed by Bond films. Gritty crime thrillers of the 1970s like "The French Connection" further developed the genre. Modern Hollywood thrillers exemplified by 2004's "The Bourne Supremacy" feature action scenes, car chases, and fights in foreign locations. The document also analyzes thriller movie posters focusing on technical codes like colors
Thriller research
The document provides a history of the thriller genre, beginning with early silent films in the 1910s that showed weekly thriller-themed scenes. In the 1930s, detective films like "The Thin Man" based on a Dashiell Hammett novel helped establish the genre. Alfred Hitchcock's 1935 film "The 39 Steps" set the template for adventure thrillers followed by Bond films. Gritty crime thrillers of the 1970s like "The French Connection" further developed the genre. Modern Hollywood thrillers exemplified by 2004's "The Bourne Supremacy" feature action scenes, car chases, and fights in foreign locations. The document also analyzes thriller movie posters focusing on technical codes like colors
Genre signifies (W.A)
This document discusses the genres of several films based on their trailers. It analyzes Taken as a crime and thriller due to its depiction of a French drug cartel kidnapping the main character in exchange for sex. The Godfather is summarized as a crime drama due to its portrayal of family problems, money issues, guns, and gunshots. Pain and Gain is described as a comedic crime film that follows criminals attempting to kidnap a billionaire for money in a terrible way. Sin City is characterized as a noir and crime film shown in black and white with numerous fights and outlaws teaming up to kill a powerful man for money. Ocean's 11 is summarized as a heist film about 11 insane men trying to
Run lola run 1999
Run Lola Run is a 1998 German film directed by Tom Tykwer, starring Franka Potente as Lola. The film tells the story of Lola who needs to obtain 100,000 deutsche marks in 20 minutes to save her boyfriend Manni's life. The main part of the film shows three alternative scenarios or "runs" of Lola trying to get the money, where each run starts the same but develops differently. The film explores themes of fate, free will, and how small changes can lead to largely different outcomes. It was a critical and commercial success, notably for its fast-paced editing style between the three scenarios.
Comedy genre analysis
Comedy films aim to create humor through exaggerated situations and events that are unusual or abnormal. Some of the earliest films were comedies, showing it is one of the oldest film genres. While most comedies have happy endings, black comedies emerged in the 1960s dealing with darker topics like death and sexuality through films like Dr. Strangelove. Comedy can be combined with other genres to create subgenres like action comedy, comedy horror, and romantic comedy.
Gangster squad poster analysis
The poster suggests that the film Gangster Squad will feature violence and destruction, as implied by the fire in the middle and the title. It will follow a group of police officers in 1940s Los Angeles who operate outside the law, as indicated by the tagline "NONAMES. NO BADGES. NO MERCY". The characters are positioned to show that Sean Penn's character Mickey Cohen, a real-life mobster, is the main antagonist they must take down.
Media presentation
This document provides an overview for a low-budget British comedy film called "The Bad Recruit". The film follows a new policeman on his first day who bungles his first drug case. Key elements that will be featured include comedic scenes of the officer slipping up and falling during a training race, getting embarrassed while receiving an award, and a chase scene where he retrieves fake drugs. The target audience is 12A due to guns, violence and drug references. Scenes will be shot on location at a sports hall, track, police station and involving props like bikes, fake drugs, guns and police uniforms.
Genre Analysis- Comedy
Comedy is a genre that aims to elicit laughter through entertaining stories and characters, though some comedies take on serious material. While comedy dates back to silent films relying on slapstick, the addition of dialogue introduced verbal humor. In the 1960s, comedy became darker, but lightened again in the 1990s with films like "Home Alone." Modern comedy continues to evolve with genres like action comedy, black comedy, horror comedy, and dramedy that provide a balance of humor and serious issues.
Gangster squad poster analysis
The poster summarizes the film Gangster Squad by highlighting several key elements:
1) It features Emma Stone's character in a red dress to suggest her seductive and potentially femme fatale role, along with Ryan Gosling and Josh Brolin's characters working together to take down the main antagonist Mickey Cohen, played by Sean Penn.
2) The clouds, fire, and tagline "NO NAMES. NO BADGES. NO MERCY" foreshadow violence and a serious crime thriller set in 1940s Los Angeles, as indicated by the stylized Hollywood sign.
3) Mickey Cohen is the largest figure on the poster, with Ryan Gosling and Josh Brolin smaller beside
Film opening analysis the fugitiv
The film opens with the Warner Brothers logo followed by the names of the producing team set to a slowly building musical score. Harrison Ford's name appears in a prominent manner to establish him as the main actor. The scene then cuts to an establishing shot of a big city before flashing back in black and white to show a woman being murdered, indicating this will be a crime thriller set in Chicago. Harrison Ford's character is then shown covered in blood and scratches being taken into a detective's car for questioning about the woman's murder.
Mallek Gomorrah Analysis
The film Gomorrah depicts the harsh realities of a small Italian community controlled by the mafia. It opens with simple credits against a black screen, setting a simplistic tone. Two men are shown preparing to use a tanning booth, revealing tattoos that indicate they are part of a criminal brotherhood. One man suddenly shoots the other in the back, a cold assassination between supposed allies. The killers then casually walk away, showing the mafia's iron grip on the town through organized violence.
Big combo 9 frame
The 9-frame analysis summarizes scenes from a film noir called Big Combo. It begins with title cards showing the actor names and film title over a dark city setting with jazz music, establishing the genre. Subsequent frames show a woman being chased and restrained by men in a darkened alley, emphasizing her innocence through lighting. Another frame introduces a man in a hat that may be following the woman or involved with the police, as stories focused on crime and police are common in film noir.
22 jump street opening essay
The film opening analyzed is 22 Jump Street, the sequel to 21 Jump Street. It begins with a montage summarizing the first film to remind viewers of the story. The title sequence features police sirens to represent the main characters as undercover officers. The opening then shows the characters gearing up with weapons in an comedic manner, establishing the film's action-comedy genre. Tension is built through the characters' discussion of the antagonist and intense music, though their immature arguing undercuts the serious tone for humor. The opening concludes with the protagonists captured after a comedic failed confrontation with the antagonist, signaling the film will contain both action and comedy scenes.
Music video draft 2 evaluation
This document provides an evaluation of draft edits made to a music video. Scenes were changed from full color to black and white to match the depressing lyrics and narrative of a girl cheating. Money falling was added to represent wealth and question its source, generating intrigue. Tunnel scenes now show the artist dancing in smoke with associates to convey crime, while editing hue and saturation to portray drug effects. Car scenes introduce a female character arguing with the protagonist to advance the narrative of a relationship in dispute, using conventional R&B video tropes.
Bad blood
The document provides an analysis of a music video in 14 paragraphs. It summarizes each shot of the video, describing the scenes, costumes, and elements that establish a mysterious and action-packed narrative with spy and sci-fi influences. Several artists are introduced throughout the video, shown in various dramatic situations involving fighting, weapons, and betrayal. The video utilizes dramatic lighting, costumes, weapons, and an explosive finale to bring the story to a climactic end and market the song and artists.
Conventions of my trailer
The document analyzes the conventions used in the trailers for the films "My Trailer" and "Spring Breakers". Both trailers begin with fast-paced editing of close-up shots and voiceovers to quickly convey information about the film over calming non-diegetic music. They also include scenes depicting criminal activities by the characters shown in low lighting to make them appear dangerous. Money and alcohol are used as props to signify illegal activity and rebellion. The trailers also include displaying the actors' names with shots of their characters.
Codes and conventions of crime
This document analyzes and compares the codes and conventions used in the crime films Se7en and L.A. Confidential. It discusses their characterization of detectives and villains, settings that reflect tone and themes, costumes that identify characters' roles, diegetic and non-diegetic music and sounds, and differing narrative structures where one film restores equilibrium while the other does not.
Hollyoaks melodrama
Hollyoaks is a melodramatic soap opera that dramatizes realistic elements. It uses various technical codes like close-up shots to convey emotions, long shots to set scenes and establish relationships between characters. Dark lighting and framing techniques imply impending drama. It covers everyday themes and issues viewers can relate to, set in a single community with conflicts and violence. The trailer uses ominous music against images of destruction to hint at broken hearts and shattered lives. Costumes identify characters and settings are referenced to suggest something terrible happened. Clear heroes, villains and disruption of equilibrium engage viewers in the narrative.
Movie trailer
The document analyzes several movie trailers and provides tips for creating effective trailers. It discusses elements like dialogue, sound, camera work, theme exploration, and leaving the audience wanting more. Specific trailers summarized include Kidualthood, Bullet Boy, Baby Boy, and Poetic Justice. The document also provides potential shots and story elements for a sample trailer about former lovers reconnecting after years apart, with one willing to go to extremes to rekindle their relationship.
Goodfellas analysis
The Goodfellas trailer uses costume, lighting, cinematography, editing, and sound to set the tone and provide context. Costume shows the characters' wealth and profession. Lighting remains high key except for one low key scene showing secrecy. Cinematography uses pan shots to show fast action and the environment. One shot of Joe Pesci firing at the audience references a classic film. The trailer has three acts that change the feel through Henry Hill's narration and era-appropriate music to demonstrate the progression of time and the characters.
Runaway pitch
This pitch is for a crime thriller film titled "Runaway - Pitch" targeting 15-30 year old males. The protagonist is a 23 year old man who rebels against his parents as a teen and gets involved in a life of crime. He crosses a dangerous gang by ripping them off during an illegal weapons deal. Now on the run from the gang in an unnamed city, the protagonist must avoid being killed as the gang hunts him down. The opening sequence would show the protagonist running from the gang through the city streets and alleys while flashing back to when he committed the double cross, setting up his dire situation.
Ejercicio 11
El documento describe cómo la robotización industrial, que comenzó en la década de 1970, ha llevado a la construcción de plantas de montaje parcial o completamente automatizadas mediante el uso de robots en sustitución de la mano de obra humana. Este proceso ha generado debate sobre si conduce a la destrucción masiva de puestos de trabajo o satisface las necesidades socioeconómicas de la población mediante un aumento de la productividad.
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Thriller research
The document provides a history of the thriller genre, beginning with early silent films in the 1910s that showed weekly thriller-themed scenes. In the 1930s, detective films like "The Thin Man" based on a Dashiell Hammett novel helped establish the genre. Alfred Hitchcock's 1935 film "The 39 Steps" set the template for adventure thrillers followed by Bond films. Gritty crime thrillers of the 1970s like "The French Connection" further developed the genre. Modern Hollywood thrillers exemplified by 2004's "The Bourne Supremacy" feature action scenes, car chases, and fights in foreign locations. The document also analyzes thriller movie posters focusing on technical codes like colors
Genre signifies (W.A)
This document discusses the genres of several films based on their trailers. It analyzes Taken as a crime and thriller due to its depiction of a French drug cartel kidnapping the main character in exchange for sex. The Godfather is summarized as a crime drama due to its portrayal of family problems, money issues, guns, and gunshots. Pain and Gain is described as a comedic crime film that follows criminals attempting to kidnap a billionaire for money in a terrible way. Sin City is characterized as a noir and crime film shown in black and white with numerous fights and outlaws teaming up to kill a powerful man for money. Ocean's 11 is summarized as a heist film about 11 insane men trying to
Run lola run 1999
Run Lola Run is a 1998 German film directed by Tom Tykwer, starring Franka Potente as Lola. The film tells the story of Lola who needs to obtain 100,000 deutsche marks in 20 minutes to save her boyfriend Manni's life. The main part of the film shows three alternative scenarios or "runs" of Lola trying to get the money, where each run starts the same but develops differently. The film explores themes of fate, free will, and how small changes can lead to largely different outcomes. It was a critical and commercial success, notably for its fast-paced editing style between the three scenarios.
Comedy genre analysis
Comedy films aim to create humor through exaggerated situations and events that are unusual or abnormal. Some of the earliest films were comedies, showing it is one of the oldest film genres. While most comedies have happy endings, black comedies emerged in the 1960s dealing with darker topics like death and sexuality through films like Dr. Strangelove. Comedy can be combined with other genres to create subgenres like action comedy, comedy horror, and romantic comedy.
Gangster squad poster analysis
The poster suggests that the film Gangster Squad will feature violence and destruction, as implied by the fire in the middle and the title. It will follow a group of police officers in 1940s Los Angeles who operate outside the law, as indicated by the tagline "NONAMES. NO BADGES. NO MERCY". The characters are positioned to show that Sean Penn's character Mickey Cohen, a real-life mobster, is the main antagonist they must take down.
Media presentation
This document provides an overview for a low-budget British comedy film called "The Bad Recruit". The film follows a new policeman on his first day who bungles his first drug case. Key elements that will be featured include comedic scenes of the officer slipping up and falling during a training race, getting embarrassed while receiving an award, and a chase scene where he retrieves fake drugs. The target audience is 12A due to guns, violence and drug references. Scenes will be shot on location at a sports hall, track, police station and involving props like bikes, fake drugs, guns and police uniforms.
Genre Analysis- Comedy
Comedy is a genre that aims to elicit laughter through entertaining stories and characters, though some comedies take on serious material. While comedy dates back to silent films relying on slapstick, the addition of dialogue introduced verbal humor. In the 1960s, comedy became darker, but lightened again in the 1990s with films like "Home Alone." Modern comedy continues to evolve with genres like action comedy, black comedy, horror comedy, and dramedy that provide a balance of humor and serious issues.
Gangster squad poster analysis
The poster summarizes the film Gangster Squad by highlighting several key elements:
1) It features Emma Stone's character in a red dress to suggest her seductive and potentially femme fatale role, along with Ryan Gosling and Josh Brolin's characters working together to take down the main antagonist Mickey Cohen, played by Sean Penn.
2) The clouds, fire, and tagline "NO NAMES. NO BADGES. NO MERCY" foreshadow violence and a serious crime thriller set in 1940s Los Angeles, as indicated by the stylized Hollywood sign.
3) Mickey Cohen is the largest figure on the poster, with Ryan Gosling and Josh Brolin smaller beside
Film opening analysis the fugitiv
The film opens with the Warner Brothers logo followed by the names of the producing team set to a slowly building musical score. Harrison Ford's name appears in a prominent manner to establish him as the main actor. The scene then cuts to an establishing shot of a big city before flashing back in black and white to show a woman being murdered, indicating this will be a crime thriller set in Chicago. Harrison Ford's character is then shown covered in blood and scratches being taken into a detective's car for questioning about the woman's murder.
Mallek Gomorrah Analysis
The film Gomorrah depicts the harsh realities of a small Italian community controlled by the mafia. It opens with simple credits against a black screen, setting a simplistic tone. Two men are shown preparing to use a tanning booth, revealing tattoos that indicate they are part of a criminal brotherhood. One man suddenly shoots the other in the back, a cold assassination between supposed allies. The killers then casually walk away, showing the mafia's iron grip on the town through organized violence.
Big combo 9 frame
The 9-frame analysis summarizes scenes from a film noir called Big Combo. It begins with title cards showing the actor names and film title over a dark city setting with jazz music, establishing the genre. Subsequent frames show a woman being chased and restrained by men in a darkened alley, emphasizing her innocence through lighting. Another frame introduces a man in a hat that may be following the woman or involved with the police, as stories focused on crime and police are common in film noir.
22 jump street opening essay
The film opening analyzed is 22 Jump Street, the sequel to 21 Jump Street. It begins with a montage summarizing the first film to remind viewers of the story. The title sequence features police sirens to represent the main characters as undercover officers. The opening then shows the characters gearing up with weapons in an comedic manner, establishing the film's action-comedy genre. Tension is built through the characters' discussion of the antagonist and intense music, though their immature arguing undercuts the serious tone for humor. The opening concludes with the protagonists captured after a comedic failed confrontation with the antagonist, signaling the film will contain both action and comedy scenes.
Music video draft 2 evaluation
This document provides an evaluation of draft edits made to a music video. Scenes were changed from full color to black and white to match the depressing lyrics and narrative of a girl cheating. Money falling was added to represent wealth and question its source, generating intrigue. Tunnel scenes now show the artist dancing in smoke with associates to convey crime, while editing hue and saturation to portray drug effects. Car scenes introduce a female character arguing with the protagonist to advance the narrative of a relationship in dispute, using conventional R&B video tropes.
Bad blood
The document provides an analysis of a music video in 14 paragraphs. It summarizes each shot of the video, describing the scenes, costumes, and elements that establish a mysterious and action-packed narrative with spy and sci-fi influences. Several artists are introduced throughout the video, shown in various dramatic situations involving fighting, weapons, and betrayal. The video utilizes dramatic lighting, costumes, weapons, and an explosive finale to bring the story to a climactic end and market the song and artists.
Conventions of my trailer
The document analyzes the conventions used in the trailers for the films "My Trailer" and "Spring Breakers". Both trailers begin with fast-paced editing of close-up shots and voiceovers to quickly convey information about the film over calming non-diegetic music. They also include scenes depicting criminal activities by the characters shown in low lighting to make them appear dangerous. Money and alcohol are used as props to signify illegal activity and rebellion. The trailers also include displaying the actors' names with shots of their characters.
Codes and conventions of crime
This document analyzes and compares the codes and conventions used in the crime films Se7en and L.A. Confidential. It discusses their characterization of detectives and villains, settings that reflect tone and themes, costumes that identify characters' roles, diegetic and non-diegetic music and sounds, and differing narrative structures where one film restores equilibrium while the other does not.
Hollyoaks melodrama
Hollyoaks is a melodramatic soap opera that dramatizes realistic elements. It uses various technical codes like close-up shots to convey emotions, long shots to set scenes and establish relationships between characters. Dark lighting and framing techniques imply impending drama. It covers everyday themes and issues viewers can relate to, set in a single community with conflicts and violence. The trailer uses ominous music against images of destruction to hint at broken hearts and shattered lives. Costumes identify characters and settings are referenced to suggest something terrible happened. Clear heroes, villains and disruption of equilibrium engage viewers in the narrative.
Movie trailer
The document analyzes several movie trailers and provides tips for creating effective trailers. It discusses elements like dialogue, sound, camera work, theme exploration, and leaving the audience wanting more. Specific trailers summarized include Kidualthood, Bullet Boy, Baby Boy, and Poetic Justice. The document also provides potential shots and story elements for a sample trailer about former lovers reconnecting after years apart, with one willing to go to extremes to rekindle their relationship.
Goodfellas analysis
The Goodfellas trailer uses costume, lighting, cinematography, editing, and sound to set the tone and provide context. Costume shows the characters' wealth and profession. Lighting remains high key except for one low key scene showing secrecy. Cinematography uses pan shots to show fast action and the environment. One shot of Joe Pesci firing at the audience references a classic film. The trailer has three acts that change the feel through Henry Hill's narration and era-appropriate music to demonstrate the progression of time and the characters.
Runaway pitch
This pitch is for a crime thriller film titled "Runaway - Pitch" targeting 15-30 year old males. The protagonist is a 23 year old man who rebels against his parents as a teen and gets involved in a life of crime. He crosses a dangerous gang by ripping them off during an illegal weapons deal. Now on the run from the gang in an unnamed city, the protagonist must avoid being killed as the gang hunts him down. The opening sequence would show the protagonist running from the gang through the city streets and alleys while flashing back to when he committed the double cross, setting up his dire situation.
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El documento describe cómo la robotización industrial, que comenzó en la década de 1970, ha llevado a la construcción de plantas de montaje parcial o completamente automatizadas mediante el uso de robots en sustitución de la mano de obra humana. Este proceso ha generado debate sobre si conduce a la destrucción masiva de puestos de trabajo o satisface las necesidades socioeconómicas de la población mediante un aumento de la productividad.
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Similar to The fugitive notes
The fugitive
The document provides a summary of the opening title sequence and establishing scenes of the film "The Fugitive". It describes how the use of searchlights, sound effects, and colors establish it as a crime/thriller film and introduce the main characters of Harrison Ford and Tommy Lee Jones, who play fugitive and detective. Scenes of a flashback murder in black-and-white are analyzed for how they build mystery and suspense. The document concludes by discussing shots that seem to implicate Harrison Ford's character as the murderer but also hint he may be innocent.
Film openings
The document provides a summary of the title sequences and opening scenes of several films to introduce their genres and characters. For The Fugitive, it describes a tense title sequence with police lights and Harrison Ford's character being introduced covered in blood. For Ferris Bueller's Day Off, it contrasts the relaxed blue font title with Ferris being portrayed as a cheeky character. For The Breakfast Club, it analyzes the 1980s-style title sequence and introduces the detained characters. For 10 Things I Hate About You, it shows the contrast between the upbeat opening and the introduction of the rebellious main character through her music choice. The summaries give a sense of how each opening sets expectations for the genre and characters.
Thriller movie title sequences
The title sequence of Hostage features a black and white color scheme with red accents, conveying a sense of danger typical of the thriller genre. It places the viewer in the middle of a crime scene through alternating wide and close shots that build tension. Dark instrumental music and occasional sirens further heighten the tension and mystery of the scene.
The art of the title sequence
The document discusses the purpose and analysis of title sequences in films. It provides examples of title sequences from films like Psycho, King Kong, and Juno that are brief and set the genre. The Catch Me If You Can sequence uses stick figures and music to set a mysterious crime genre. Dawn of the Dead uses graphic images and sounds to create fear and horror. Richard Morrison discusses successful title sequences for Batman from 1989 that had never been done before and Sweeney Todd that brought new animation elements.
Goodfellas
The opening sequence of Goodfellas establishes several narrative elements and techniques:
It creates mystery and questions (enigma codes) around the characters, their actions, and setting through minimal exposition. Binary oppositions set up expectations of crime/gangster versus law/civilian themes.
Characters are introduced visually through their attire that suggests Italian-American mafia involvement looking powerful yet dangerous. Cinematography emphasizes the protagonist's dominance through focused close-ups while others are blurred. Weaponry implies future violent scenes.
Through diegetic sounds, the setting is implied to be New York City, though specifics are withheld. Scenes will feature both busy public areas as well as quiet, secluded
All 4 deconstructions
The document provides details about the opening credits and sequences of three films - The Good, the Bad and the Ugly, High Noon, and Prometheus. It analyzes the use of music, text, camera shots, and imagery to convey information and set expectations about the genres and plots of the films without any dialogue. Key points introduced include the use of Ennio Morricone's western-themed score in The Good, the Bad and the Ugly, the focus on actor names over director/producer in High Noon, and Daniel Craig's confused but confident character in the alien landscape of Prometheus.
Analysis of opening sequence to sunset boulevard
The opening sequence of Sunset Boulevard begins with the Paramount Pictures logo fading into a tracking shot moving down the long dark road. Title credits are shown for over a minute with upbeat brass music building suspense. The camera then tilts up to reveal police cars speeding towards it, as a voiceover explains they are the homicide squad responding to a death. The next shot shows the large pool area and body floating in the water, surrounded by police and journalists of the time period. The camera then films up from below the pool's surface at the body, before the screen fills with light for a transition into the main character typing at work as a writer.
Textual Analysis of No Country for Old Men (2007)
The document provides an analysis of the opening sequence of the film "No Country For Old Men". It notes that the villain is calm when arrested, implying past experience with the system. Diegetic sounds of a police car emphasize the isolated setting. A lack of soundtrack during a killing shows the murderer's lack of empathy. Mise-en-scene reveals the remote, American desert location. Establishing shots present the isolated surroundings and conjure notions of a Western. A close-up of an air tank foreshadows its importance as a murder weapon.
Conventions of genre film trailer credited by Camie
The document discusses film trailers and analyzes the trailers for the films Inception and Law Abiding Citizen. It notes that the Inception trailer uses a slow, beating soundtrack that increases tension and suspense. It features first-person narration and fade-in/out shots of film scenes. Symbols like black suits and guns imply suspense and action. The Law Abiding Citizen trailer also starts with a rating before showing the protagonist on a roof with mellow music. It includes shots of violence and escalating action scenes of police and weapons as the music intensifies, implying danger and threat. Both trailers effectively establish the genres through conventions like costumes, music, and visually exciting scenes.
Students analysis
The document provides analyses of several scenes from the film La Haine by students. It discusses:
1) The final scene where Vinz gets in a struggle with a police officer and gets shot, then Hubert advances on the officer with guns drawn as Said looks on in horror amid gunfire.
2) The opening sequence uses documentary-style footage and music to convey the social and political conditions in France realistically.
3) A short music scene that plays controversial music out a window to show the community's unified feelings towards police amid themes of police brutality and racism.
Genre conventions film
The document analyzes the genre conventions used in film trailers for action/mystery thrillers. It discusses three film trailers - Inception, Phone Booth, and Law Abiding Citizen - and how they effectively employ techniques like establishing shots, symbolic coding, soundtrack buildup and climaxes to attract audiences. Key conventions highlighted include the use of ominous music, shots of danger/violence, dark clothing, and an omniscient narrator to generate suspense and intrigue. The document inspires ideas for the narrator's trailer, such as using the villain's perspective in voiceovers and focusing on symbolic phone imagery to set up the main character's peril.
Auteur Study- Martin Scorsese
Martin Scorsese is an American film director, producer, screenwriter, and actor known for his crime dramas and collaborations with Robert De Niro and Leonardo DiCaprio. Some of his most famous films include Goodfellas, Taxi Driver, and The Departed, for which he won an Academy Award. Scorsese is renowned for his depiction of violence and use of techniques like freeze frames and tracking shots. His films often explore Italian-American identity and themes of crime, masculinity, and redemption through complex character studies.
All 4 deconstructions
This document provides a detailed summary of the opening credits and sequences of several films. It analyzes the visual and audio elements used to introduce characters, set the tone, and build intrigue for the storyline. Through the use of camera shots, music, font styles, and imagery, critical details are revealed about the main protagonists and antagonists as well as hints about the central conflicts or themes in just the opening few minutes before the film begins.
Film opening analysis
The opening titles of "The Fugitive" immediately set the tone and reveal the film's themes of pursuit and danger. The title is shown with a flashing flashlight, foreshadowing that the main character will be pursued. The blue font titles are accompanied by police sirens, signaling that police will play a major role. Establishing shots of Chicago give a sense of location and coincide with the implied narrative of searching for someone in the city. Violent black-and-white images of an attack, paired with diagetic police sirens, imply danger and suspense without revealing details. The film quickly introduces Helen Kimble as she is attacked, though the audience does not know who she is yet. Her brutal death
Media: Film Noir
Both L.A. Noire and L.A. Confidential use similar mise-en-scene elements to establish the film noir genre, including dark colors, scenes set at night, and femme fatale characters portrayed through costume and acting. Both films also use composition and close-up shots to make characters seem powerful and dominate the screen. While the narratives introduce Los Angeles in a similar bright manner, they then juxtapose this with darker elements to subvert expectations and establish the true noir tone of the stories.
Film noir
Film Noir began in the early 1940s as an organic artistic movement in Hollywood inspired by hardboiled crime fiction. European émigré directors like Fritz Lang, Robert Siodmak, and Billy Wilder brought highly stylized, theatrical stories to the screen that drew from German expressionist cinema. Film Noir focused on criminals and gangs but avoided graphic violence. It had conventions like corrupt cops, femme fatales, and alienated protagonists depicted through low-key lighting, Dutch angles, and iconography of alcohol, cigarettes, and rainy streets. Themes involved everyday people turning evil and taboo subjects, set in bars, nightclubs, and gambling dens with convoluted, first-person narratives using
Psycho by Alfred Hitchcock
The document provides an analysis of key conventions and techniques used in the 1960 Alfred Hitchcock film Psycho. It discusses the film's establishment of conventions for the thriller/horror genre such as an isolated setting, blonde female victim, and knife as a weapon. It also analyzes the use of title sequences, mise-en-scene, sound, and camera work in pivotal scenes. Specifically, it notes how the jagged title design and unsettling music establish unease. Mise-en-scene depicts the vulnerability of the victim through clothing and positioning. Camera angles are used to reveal characters and build suspense.
Crazies
The opening sequence establishes a deserted, burning town followed by a montage of shots two days earlier showing a normal town. A character drives into town to 1950s music, establishing the initial normal setting. Various scenes then show people going about their daily lives and routines to further convey the sense of normalcy before things become "crazy". The sequence culminates with a man shooting at police during a baseball game, with emphasized sound effects during the gunshot. This is followed by a computerized aerial view, hinting at a conspiracy regarding the people becoming "crazy".
Laceys repertoire of elements new
This trailer for the action thriller movie "A Walk Among the Tombstones" effectively entices its target male audience. It introduces Liam Neeson as an ex-cop turned private detective hired to find the men who killed a man's wife. The trailer establishes the dark and mysterious tone through its lighting, music, and glimpses of guns and violence. It leaves the audience wondering about the kidnappers' motives and who the girl in the red coat is. Overall, the trailer utilizes many genre conventions like its setting in New York City and focus on revenge to draw viewers into the film's plot and intrigue them to watch.
Similar product analysis
This document provides summaries of the openings of four films:
1) The Fugitive establishes itself as a crime/investigation film through its blue title cards and police sirens. Shots of the crime scene and the suspicious-looking main character build mystery.
2) Ferris Bueller's Day Off features upbeat music and breaking of conventions to signal it will be a lighthearted comedy, in contrast to The Fugitive.
3) Into the Wild uses nature shots and quotes to portray an adventure or travel story, with hints of sadness from a character.
4) 127 Hours builds excitement through music and shots of the main character preparing for an adventure, establishing the film will focus on his journey and
Similar to The fugitive notes (20)
Conventions of genre film trailer credited by Camie
Conventions of genre film trailer credited by Camie
More from Cameron2511
Colquhoun, cameron cw feedback
The student completed the main coursework task for their A2 Media Studies class, demonstrating proficiency in technical skills like camera work, editing, and sound mixing. Their music video received positive feedback for beautiful shots, good use of locations and props, and a well-edited beat. The student showed basic ability in their digipack design with a fitting front and back but less creative inside images. Their poster displayed proficiency in technical skills with a design fitting the genre and band that clearly understood conventions.
Colquhoun cameron a2 cw pre production tasks improvements
This document provides feedback on a student's pre-production work for a music video project. The teacher comments that the student's research and planning is generally good, but requires more detail in some areas. Specifically, the student needs to add a shotlist, more details on genre analysis and target audience, explanations for arrows on floorplans, more details on props and actors, and an equipment list. The student created an action plan to address these areas, but some improvements could still be made. The teacher awarded the work a final mark of 14 out of 20.
Colquhoun cameron evaluation and overall feedback sheet
Cameron Colquhoon received marks for their A2 coursework, including 14/20 for planning, 31/40 for their main construction task, 6/10 and 7/10 for ancillary construction tasks of a digipak and poster respectively. Their evaluation received 14/20. Overall they scored 72/100 and received a grade of B for demonstrating proficiency in technical skills and a good understanding of tasks and conventions through their video, packaging, and presentation of the project using various technologies.
Question 3 audience feedback
The document summarizes feedback received from an audience about a video the creator made. The feedback showed that the conventions used identified the genre as indie folk. While shots of the forest lacked color due to the genre, blurry shots hurt clarity. The audience responded positively to the masks and narrative themes of domestic violence. Areas for improvement included retaking shots for clarity, adjusting angles, and adding more light to wolf scenes. Overall, the feedback was constructive and confirmed the video generally conveyed its storyline well.
Question 3: Question 3: What have you learned from your audience feedback?
The document summarizes feedback received from an audience about a video the creator made. The feedback showed that the conventions used identified the genre as indie folk. Respondents overwhelmingly agreed the conventions were typical of the genre. The audience praised the masks and narrative as the best aspects. Areas identified for improvement included shot clarity, lighting, and reducing jumps between shots. The creator reflected that with better masks, lighting, and shot continuity, the narrative would be clearer.
Props and costume
This document outlines props and sets needed for a music video about domestic violence. It describes needing a wolf mask to represent the abuser hunting victims symbolized by deer. Scenes include a bedroom with a deer in the corner representing victimization, and a room with a wolf throwing objects as a deer-person sits in a chair, showing people consumed by domestic violence. Forest scenes are also needed to show wolves chasing deer. Actors include people to play wolves and deer, and main actors Connor, Ella, Eleanor, and Ben who can effectively portray relationships.
Equipment list
The creator will use a Canon 600D camera to film their music video, which will provide good quality shots outdoors to effectively convey the narrative linked to nature. A tripod will also be used to stabilize shots of chase scenes with wolves tracking deer. Adobe Premier Pro will edit the footage, cutting shots for fast-paced chase scenes and smoother couple scenes to generate contrast.
Props and costume
The document outlines props and actors needed for a music video about domestic violence. Wolf and deer masks will be used to represent the abuser and victim, with wolves hunting deer. Scenes will include a bedroom with a deer in the corner symbolizing victimization, and a room with a wolf throwing objects as a deer stands behind a seated man. A forest is also needed to show wolves chasing deer. Various actors are listed to portray wolves, deer, and people in abusive relationships.
Target audience
The target demographic for indie folk music includes young adults aged 16-19 who are still developing their identity but know what they like, with a slightly higher female audience. They are typically still in education or have just entered the workforce. They consume indie folk music through live concerts, Spotify, vinyl/records, and CDs. They likely read magazines such as NME, Indie, and music blogs. A profile of one target audience member named Marcus is provided: he is 18 years old, works part-time in retail, enjoys local gigs and playing guitar, and likes Jose Gonzalez and Jimi Hendrix. The target audience can be considered part of the hipster culture that values non-conformity and independence
Recce
The document lists 3 filming locations for an upcoming production: a forest, a bridge, and a house.
Production Schedule
Cameron Colquhoun's production schedule outlines the timeline and logistics for filming a short film from September 2016 to February 2017. It details the preliminary tasks, pre-production planning period, and production period which runs from Christmas to early February. The production plan lists the specific scene dates and locations, required equipment, actors, start times, breaks, and props for each shoot. Editing is scheduled to take place from the 24th of January to the 3rd of February 2017.
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Question 3: Question 3: What have you learned from your audience feedback?
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The fugitive notes
- 1. Cameron Colquhoun The FugitiveNotes Themes: Then the title shows up- “The Fugitive”. The colour and shadows suggests that it will be in a dark setting. This suggests a darker, crimefeel to whatthe audience is about to watch. Warner Bros presents lets the audience know. The colour is blue which gives an indication it represents crime/police. How characters are introduced: On the beat of the music Harrison Ford shows a torch light which suggests that at some point we will be looking for Harrison Ford or something else. Harrison ford is so famous they don’t even need his name in one. Then Tommy Lee Jones who is also famous had a beat too. Synchronous sound. Directorsare shown who could have done crime films before. The less importantactors are put in the bottom corner. Mise enScene: A camera sound is then heard and shown to highlight that this is a crime scene and that this is a crime film. The housefull of men in trench coats shows that these are policemen/inspectors. There is also a man with blood on him (Harrison Ford) and scratches thatis clearly shown for the audience to see. Police radios are heard but he is not in cuffs and is willingly going that shows he is not 100% guilty. The black and white tells the audience it is a flashback to the past. The sirens are then heard in the city which is diegetic with the non-diegetic soundtrack. The soundtrack builds up wherethere is more action and the gun is shown. The ambulance says Chicago on it to emphasise wherethis film is based. Title Sequence: The title sequence is fastpaced for the beat and the flash of white and blue light. This highlights that it is going to be a fast paced action movie so it catches the audience’s attention for that in the title sequence. Also the establishing shot. Images of a city show up (Chicago) which is an establishing shot of where this film is being set.