SlideShare a Scribd company logo
Film Opening Sequence Analysis 
*Comment on the following aspects in relation to your film opening title sequence choice 
V for vendetta 
Name: Adam 
Grundy 
My Analysis 
Supporting Images 
Cinematography & 
Camera 
Techniques 
First we start on an establishing shot from the speakerphone on 
a wet night. This sets up the beginning scene perfectly for the 
film. It shows the viewer that the scene is going to be sinister. 
This is a clever idea by the director because it shows the viewer 
what is going to happen before it happens; you could also say 
that dramatic irony could apply here due to knowing something 
before the character does. Next up with have a close up, there 
are multiple close ups in the particular scene, but all to do with 
the same theme. Every character in this scene has a close up, so 
all the thingermen (Antagonists) are about to sexually abuse the 
protagonist because she had broken the law. This is good use of 
close-ups because it lets the viewer see the reactions of the 
characters, to see how they are feeling at the current moment; 
The males are all in a positive mood whereas the female 
protagonist is terrified so as you can see facial expressions are 
an important aspect. There is also a close up on the male 
protagonist, even though we cannot see his reaction due to him 
wearing a mask, we could see that from the angle of his head 
tilt that he was not impressed by what was on the mind of the 
antagonists. Now this scene had multiple uses of tracks, first 
was a track of only her and the male protagonist, this may have 
been to keep the audience wondering who the male was since 
there was only one female in the scene, it is unsure to know 
who it was since there a few characters who were wearing long 
coats. It may have been the masked protagonist to symbolise 
that there are two protagonists without telling the viewer 
directly. The use of the two shot was to show both the 
protagonist and antagonist in the same shot, you see both sides 
in the same shot. Two shots are good for establishing
Film Opening Sequence Analysis 
*Comment on the following aspects in relation to your film opening title sequence choice 
relationships between characters, here it shows the male 
protagonist do a cease fire and the antagonist continue to fight 
back but fail. This is cleaver use of a two shot because you get 
too see both sides of this, in two different reasons; First as 
protagonist and antagonist and secondly as someone who 
wanted to stop the fighting and someone who did not, so it was 
a clever decision by the director. Lastly is the use of the a high 
angle shot as the protagonist throws the gun, this could be 
interpreted as a Point a View shot because it would be at the 
height of the protagonist but I decided to class it as a High angle 
shot because that’s what it was, the use of a high angle shot 
was used to make the throw of the gun look longer than it is, 
which us believe the protagonist is strong and fierce. . 
Visual Effects & 
Colour Scheme 
The visual scheme for this scene is dark; this is used to show us 
something that you wouldn’t see in the afternoon. It also sets 
up the antagonists in this scene too and shows us a much 
darker and corrupt England. Though we only find this out from 
the characters the establishing shot as their version of England 
has a “Curfew” in which our version of England we have a 
nothing like this. Throughout the scene it continues to be 
gloomy with very little light from the dim lamps along the street 
providing some light to this alleyway, As it is night we can guess 
that it’s chilly as all the characters are wearing thick and heavy 
coats. This adds to the scene to make it more it energetic and 
powerful. The tone helps portray the setting, time and 
sometimes just to create a feeling. 
Genre 
Conventions 
The start of the film is with the speakerphone announcing that 
the town/city is now in a curfew which shows that this version 
is Britain is much different to our version. It also shows us that 
this setting is much more stricter as the speaker on the 
television is speaking about justice as if they are keen on their
Film Opening Sequence Analysis 
*Comment on the following aspects in relation to your film opening title sequence choice 
word but as we find out later on that they don’t live in an 
equally fair Britain, and during the speaking he is speaking 
propaganda which shows us that this is a fascist Britain which 
also backs up the point of the “Justice” he was on about and 
how he is lying to the population to get their beliefs up. Since 
it’s set in a Fascist Britain it gives us the feeling that there is or 
will be an uprising against the current dictator and that shows 
us that the film is an action film, this is proved later on in the 
Scene when the male protagonist starts to fight with the male 
antagonists after they were about to abuse the female 
protagonist. With that it shows us that the film will continue to 
bring dark imagery throughout the film as they did at the 
beginning. The film also comes across as science fiction as it is 
set in a futuristic fascist version of Britain so though it is a made 
up story, this can be classed as an alternate reality. I searched 
something up and the book/film is based around the theory of if 
is based around if the Nazi’s had won the war, so they created 
their own political party called Norsefire and their own secret 
police called the thingermen. 
Narrative 
Throughout the scene, the narrative is all based around 
governmental and anti-governmental topics. With the 
exception of about the antagonists speaking of rape, the 
narrative of the antagonists shows us that they are not that well 
educated unlike the protagonists. The speech with V, most of 
the words begin with the letter V which gives the viewer the 
idea of what his name is going to be. Though the main theme of 
the scene is governmental so it sets up the theme of the film 
and what is going to happen throughout 
Editing Techniques 
The scene consists of multiple editing techniques, first of all 
during the interrogation scene. It doesn’t break the 180 degree 
rule, while always staying on the left side and never on the 
right. Though it does go on level with 180 degrees but that’s the 
most it does in this scene. Also it looks like one straight cut, no
Film Opening Sequence Analysis 
*Comment on the following aspects in relation to your film opening title sequence choice 
roughness and no stops. Just one continues cut, which also 
known as continuity editing. Directors use this to make sure it’s 
a smooth scene and that it keeps it looking professional. You 
can see it was filmed with multiple cameras as it shows us a 
single shot from multiple angles. It jumps around also cross 
cutting where it jumps between cuts. 
Title Credit Design 
No credits in this scene.

More Related Content

What's hot

Generic Conventions of a Film Poster
Generic Conventions of a Film PosterGeneric Conventions of a Film Poster
Generic Conventions of a Film Poster
Alicemartinxo
 
Film poster analysis (A2 media studies)
Film poster analysis (A2 media studies) Film poster analysis (A2 media studies)
Film poster analysis (A2 media studies) Pablo Ortiz
 
City of god gender
City of god   genderCity of god   gender
City of god gender
Naamah Hill
 
Codes and conventions of a psychological thriller
Codes and conventions of a psychological thrillerCodes and conventions of a psychological thriller
Codes and conventions of a psychological thrillerpaigewebbx
 
Mise en-scene of 'The Woman in Black' and 'The Conjuring'
Mise en-scene of 'The Woman in Black' and 'The Conjuring'Mise en-scene of 'The Woman in Black' and 'The Conjuring'
Mise en-scene of 'The Woman in Black' and 'The Conjuring'
Alicemartinxo
 
AS Media Textual Analysis - The Conjuring
AS Media Textual Analysis - The ConjuringAS Media Textual Analysis - The Conjuring
AS Media Textual Analysis - The Conjuring
ScottCartwrightTHS
 
City of god location context
City of god location contextCity of god location context
City of god location contexttdcjackson
 
GCSE Film Studies: Evaluation examples
GCSE Film Studies: Evaluation examplesGCSE Film Studies: Evaluation examples
GCSE Film Studies: Evaluation examplesBelinda Raji
 
The Dark Knight - Genre, Narrative and Representation (Student Project)
The Dark Knight - Genre, Narrative and Representation (Student Project) The Dark Knight - Genre, Narrative and Representation (Student Project)
The Dark Knight - Genre, Narrative and Representation (Student Project)
Elle Sullivan
 
Mise en scene in horror
Mise en scene in horrorMise en scene in horror
Mise en scene in horror
DaleDownton
 
Student analysiscog
Student analysiscogStudent analysiscog
Student analysiscogsmagdeburg
 
Media – thriller genre
Media – thriller genreMedia – thriller genre
Media – thriller genrenualamckevitt
 
Sinister film poster analysis
Sinister film poster analysisSinister film poster analysis
Sinister film poster analysismasumaaa
 
Batman the-dark-knight-opening-scene-analysis
Batman the-dark-knight-opening-scene-analysisBatman the-dark-knight-opening-scene-analysis
Batman the-dark-knight-opening-scene-analysis
rhsmediastudies
 
Film Language: Editing explanation examples and worksheets.
Film Language: Editing explanation examples and worksheets. Film Language: Editing explanation examples and worksheets.
Film Language: Editing explanation examples and worksheets.
Ian Moreno-Melgar
 
Codes and conventions of horror movies
Codes and conventions of horror moviesCodes and conventions of horror movies
Codes and conventions of horror movies
m_xch
 
9 shot analysis - The Sixth Sense
9 shot analysis - The Sixth Sense9 shot analysis - The Sixth Sense
9 shot analysis - The Sixth Senserebeccaasmedia
 
Sub-Genre Crime (Camerawork/Cinematography,Editing&Sound)
Sub-Genre Crime (Camerawork/Cinematography,Editing&Sound)Sub-Genre Crime (Camerawork/Cinematography,Editing&Sound)
Sub-Genre Crime (Camerawork/Cinematography,Editing&Sound)
ljacksonmedia
 
Codes and Conventions - Psychological Thriller
Codes and Conventions - Psychological Thriller Codes and Conventions - Psychological Thriller
Codes and Conventions - Psychological Thriller
saraavrsaraavramovskaaaa
 
Film Language: Camera Movements in Cinema and Film Studies.
Film Language: Camera Movements in Cinema and Film Studies. Film Language: Camera Movements in Cinema and Film Studies.
Film Language: Camera Movements in Cinema and Film Studies.
Ian Moreno-Melgar
 

What's hot (20)

Generic Conventions of a Film Poster
Generic Conventions of a Film PosterGeneric Conventions of a Film Poster
Generic Conventions of a Film Poster
 
Film poster analysis (A2 media studies)
Film poster analysis (A2 media studies) Film poster analysis (A2 media studies)
Film poster analysis (A2 media studies)
 
City of god gender
City of god   genderCity of god   gender
City of god gender
 
Codes and conventions of a psychological thriller
Codes and conventions of a psychological thrillerCodes and conventions of a psychological thriller
Codes and conventions of a psychological thriller
 
Mise en-scene of 'The Woman in Black' and 'The Conjuring'
Mise en-scene of 'The Woman in Black' and 'The Conjuring'Mise en-scene of 'The Woman in Black' and 'The Conjuring'
Mise en-scene of 'The Woman in Black' and 'The Conjuring'
 
AS Media Textual Analysis - The Conjuring
AS Media Textual Analysis - The ConjuringAS Media Textual Analysis - The Conjuring
AS Media Textual Analysis - The Conjuring
 
City of god location context
City of god location contextCity of god location context
City of god location context
 
GCSE Film Studies: Evaluation examples
GCSE Film Studies: Evaluation examplesGCSE Film Studies: Evaluation examples
GCSE Film Studies: Evaluation examples
 
The Dark Knight - Genre, Narrative and Representation (Student Project)
The Dark Knight - Genre, Narrative and Representation (Student Project) The Dark Knight - Genre, Narrative and Representation (Student Project)
The Dark Knight - Genre, Narrative and Representation (Student Project)
 
Mise en scene in horror
Mise en scene in horrorMise en scene in horror
Mise en scene in horror
 
Student analysiscog
Student analysiscogStudent analysiscog
Student analysiscog
 
Media – thriller genre
Media – thriller genreMedia – thriller genre
Media – thriller genre
 
Sinister film poster analysis
Sinister film poster analysisSinister film poster analysis
Sinister film poster analysis
 
Batman the-dark-knight-opening-scene-analysis
Batman the-dark-knight-opening-scene-analysisBatman the-dark-knight-opening-scene-analysis
Batman the-dark-knight-opening-scene-analysis
 
Film Language: Editing explanation examples and worksheets.
Film Language: Editing explanation examples and worksheets. Film Language: Editing explanation examples and worksheets.
Film Language: Editing explanation examples and worksheets.
 
Codes and conventions of horror movies
Codes and conventions of horror moviesCodes and conventions of horror movies
Codes and conventions of horror movies
 
9 shot analysis - The Sixth Sense
9 shot analysis - The Sixth Sense9 shot analysis - The Sixth Sense
9 shot analysis - The Sixth Sense
 
Sub-Genre Crime (Camerawork/Cinematography,Editing&Sound)
Sub-Genre Crime (Camerawork/Cinematography,Editing&Sound)Sub-Genre Crime (Camerawork/Cinematography,Editing&Sound)
Sub-Genre Crime (Camerawork/Cinematography,Editing&Sound)
 
Codes and Conventions - Psychological Thriller
Codes and Conventions - Psychological Thriller Codes and Conventions - Psychological Thriller
Codes and Conventions - Psychological Thriller
 
Film Language: Camera Movements in Cinema and Film Studies.
Film Language: Camera Movements in Cinema and Film Studies. Film Language: Camera Movements in Cinema and Film Studies.
Film Language: Camera Movements in Cinema and Film Studies.
 

Viewers also liked

V for vendetta marxist medai theory analysis
V for vendetta marxist medai theory analysisV for vendetta marxist medai theory analysis
V for vendetta marxist medai theory analysis
Mehtap Malumbo
 
V for vendetta
V for vendettaV for vendetta
V for vendetta
Gato Espinoza
 
V de vendetta
V de vendettaV de vendetta
V de vendetta
lmsfcifuentes
 
V for Vendetta
V for VendettaV for Vendetta
V for Vendetta
Daiana Castillo
 
V for Vendetta
V for VendettaV for Vendetta
V for Vendetta
Kerensa Robertson
 
V for vendetta
V for vendetta V for vendetta
V for vendetta
Linda Rubens
 
V for vendetta analysis
V for vendetta analysisV for vendetta analysis
V for vendetta analysis
iain bruce
 
V de Venganza - Filosofía
V de Venganza - FilosofíaV de Venganza - Filosofía
V de Venganza - Filosofía
Ana
 
V for vendetta questions
V for vendetta questionsV for vendetta questions
V for vendetta questions
JuJumaddie
 
V for Vendetta - Justice and revenge essay
V for Vendetta - Justice and revenge essayV for Vendetta - Justice and revenge essay
V for Vendetta - Justice and revenge essay
Nikky Bain
 
Remember the titans film techniques
Remember the titans   film techniquesRemember the titans   film techniques
Remember the titans film techniquesLiteracy01
 

Viewers also liked (13)

V for vendetta marxist medai theory analysis
V for vendetta marxist medai theory analysisV for vendetta marxist medai theory analysis
V for vendetta marxist medai theory analysis
 
V for vendetta
V for vendettaV for vendetta
V for vendetta
 
V de vendetta
V de vendettaV de vendetta
V de vendetta
 
V for Vendetta
V for VendettaV for Vendetta
V for Vendetta
 
V for Vendetta
V for VendettaV for Vendetta
V for Vendetta
 
V for Vendetta
V for VendettaV for Vendetta
V for Vendetta
 
V for vendetta
V for vendetta V for vendetta
V for vendetta
 
V for vendetta analysis
V for vendetta analysisV for vendetta analysis
V for vendetta analysis
 
V de Venganza - Filosofía
V de Venganza - FilosofíaV de Venganza - Filosofía
V de Venganza - Filosofía
 
V for vendetta questions
V for vendetta questionsV for vendetta questions
V for vendetta questions
 
Lactodensimetro
LactodensimetroLactodensimetro
Lactodensimetro
 
V for Vendetta - Justice and revenge essay
V for Vendetta - Justice and revenge essayV for Vendetta - Justice and revenge essay
V for Vendetta - Justice and revenge essay
 
Remember the titans film techniques
Remember the titans   film techniquesRemember the titans   film techniques
Remember the titans film techniques
 

Similar to Film opening sequence analysis report sheet v for vendetta

Task 1
Task 1Task 1
Task 1sa6302
 
Film opening sequence analysis report sheet
Film opening sequence analysis report sheetFilm opening sequence analysis report sheet
Film opening sequence analysis report sheetAdam Grundy
 
Evaluation part 1
Evaluation part 1Evaluation part 1
Evaluation part 1
wojstarrr123
 
Evaulation 1
Evaulation 1Evaulation 1
Evaulation 1
Mo7rahm4n
 
Evaluation activity 1
Evaluation activity 1Evaluation activity 1
Evaluation activity 1milo197
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
Wbrooks10
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
LiamJohnson
 
Opening sequence analysis 2
Opening sequence analysis 2Opening sequence analysis 2
Opening sequence analysis 2
Jason Nguyen
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
Jack Francois
 
Research for three examples of chosen task
Research for three examples of chosen taskResearch for three examples of chosen task
Research for three examples of chosen taskolliedwyer
 
Evaluation of final production 1
Evaluation of final production 1Evaluation of final production 1
Evaluation of final production 1hbhogal
 
Opening sequence analysis
Opening sequence analysisOpening sequence analysis
Opening sequence analysisJack Cooper
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
joshmacqueen2
 
Evaluation 5
Evaluation 5Evaluation 5
Evaluation 5
blogjinda
 
A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluation
Graham Forward
 
A2 Media Evaluation
A2 Media EvaluationA2 Media Evaluation
A2 Media Evaluation
Graham Forward
 
Preliminary eEvaluation
Preliminary eEvaluationPreliminary eEvaluation
Preliminary eEvaluation
meggarrattmedia
 

Similar to Film opening sequence analysis report sheet v for vendetta (20)

Task 1
Task 1Task 1
Task 1
 
Film opening sequence analysis report sheet
Film opening sequence analysis report sheetFilm opening sequence analysis report sheet
Film opening sequence analysis report sheet
 
Evaluation part 1
Evaluation part 1Evaluation part 1
Evaluation part 1
 
Evaulation 1
Evaulation 1Evaulation 1
Evaulation 1
 
Evaluation activity 1
Evaluation activity 1Evaluation activity 1
Evaluation activity 1
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
 
Opening sequence analysis 2
Opening sequence analysis 2Opening sequence analysis 2
Opening sequence analysis 2
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Research for three examples of chosen task
Research for three examples of chosen taskResearch for three examples of chosen task
Research for three examples of chosen task
 
Evaluation of final production 1
Evaluation of final production 1Evaluation of final production 1
Evaluation of final production 1
 
Evaluation
EvaluationEvaluation
Evaluation
 
The conjuring
The conjuringThe conjuring
The conjuring
 
Opening sequence analysis
Opening sequence analysisOpening sequence analysis
Opening sequence analysis
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Memento
MementoMemento
Memento
 
Evaluation 5
Evaluation 5Evaluation 5
Evaluation 5
 
A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluation
 
A2 Media Evaluation
A2 Media EvaluationA2 Media Evaluation
A2 Media Evaluation
 
Preliminary eEvaluation
Preliminary eEvaluationPreliminary eEvaluation
Preliminary eEvaluation
 

More from Adam Grundy

Pr9 sourcing images
Pr9 sourcing imagesPr9 sourcing images
Pr9 sourcing images
Adam Grundy
 
Pr24
Pr24Pr24
Editing process
Editing processEditing process
Editing process
Adam Grundy
 
Evaluation
EvaluationEvaluation
Evaluation
Adam Grundy
 
Fonts
FontsFonts
Reference sheet
Reference sheetReference sheet
Reference sheet
Adam Grundy
 
Sar script final
Sar script finalSar script final
Sar script final
Adam Grundy
 
Sar script final
Sar script finalSar script final
Sar script final
Adam Grundy
 
Sar script rough
Sar script roughSar script rough
Sar script rough
Adam Grundy
 
Guidelines for Final Major Project Pitch
Guidelines for Final Major Project PitchGuidelines for Final Major Project Pitch
Guidelines for Final Major Project Pitch
Adam Grundy
 
Task one
Task oneTask one
Task one
Adam Grundy
 
Task one
Task oneTask one
Task one
Adam Grundy
 
Gwl5 m
Gwl5 mGwl5 m
Gwl5 m
Adam Grundy
 
Magazine anaylsis's
Magazine anaylsis'sMagazine anaylsis's
Magazine anaylsis's
Adam Grundy
 
Production diary
Production diaryProduction diary
Production diary
Adam Grundy
 
Script for pitch
Script for pitchScript for pitch
Script for pitch
Adam Grundy
 
Final major projecgt risk assessment form
Final major projecgt risk assessment formFinal major projecgt risk assessment form
Final major projecgt risk assessment form
Adam Grundy
 
call sheet
call sheetcall sheet
call sheet
Adam Grundy
 
Short film analysis 3
Short film analysis 3Short film analysis 3
Short film analysis 3
Adam Grundy
 
Final major projecgt risk assessment form
Final major projecgt risk assessment formFinal major projecgt risk assessment form
Final major projecgt risk assessment form
Adam Grundy
 

More from Adam Grundy (20)

Pr9 sourcing images
Pr9 sourcing imagesPr9 sourcing images
Pr9 sourcing images
 
Pr24
Pr24Pr24
Pr24
 
Editing process
Editing processEditing process
Editing process
 
Evaluation
EvaluationEvaluation
Evaluation
 
Fonts
FontsFonts
Fonts
 
Reference sheet
Reference sheetReference sheet
Reference sheet
 
Sar script final
Sar script finalSar script final
Sar script final
 
Sar script final
Sar script finalSar script final
Sar script final
 
Sar script rough
Sar script roughSar script rough
Sar script rough
 
Guidelines for Final Major Project Pitch
Guidelines for Final Major Project PitchGuidelines for Final Major Project Pitch
Guidelines for Final Major Project Pitch
 
Task one
Task oneTask one
Task one
 
Task one
Task oneTask one
Task one
 
Gwl5 m
Gwl5 mGwl5 m
Gwl5 m
 
Magazine anaylsis's
Magazine anaylsis'sMagazine anaylsis's
Magazine anaylsis's
 
Production diary
Production diaryProduction diary
Production diary
 
Script for pitch
Script for pitchScript for pitch
Script for pitch
 
Final major projecgt risk assessment form
Final major projecgt risk assessment formFinal major projecgt risk assessment form
Final major projecgt risk assessment form
 
call sheet
call sheetcall sheet
call sheet
 
Short film analysis 3
Short film analysis 3Short film analysis 3
Short film analysis 3
 
Final major projecgt risk assessment form
Final major projecgt risk assessment formFinal major projecgt risk assessment form
Final major projecgt risk assessment form
 

Film opening sequence analysis report sheet v for vendetta

  • 1. Film Opening Sequence Analysis *Comment on the following aspects in relation to your film opening title sequence choice V for vendetta Name: Adam Grundy My Analysis Supporting Images Cinematography & Camera Techniques First we start on an establishing shot from the speakerphone on a wet night. This sets up the beginning scene perfectly for the film. It shows the viewer that the scene is going to be sinister. This is a clever idea by the director because it shows the viewer what is going to happen before it happens; you could also say that dramatic irony could apply here due to knowing something before the character does. Next up with have a close up, there are multiple close ups in the particular scene, but all to do with the same theme. Every character in this scene has a close up, so all the thingermen (Antagonists) are about to sexually abuse the protagonist because she had broken the law. This is good use of close-ups because it lets the viewer see the reactions of the characters, to see how they are feeling at the current moment; The males are all in a positive mood whereas the female protagonist is terrified so as you can see facial expressions are an important aspect. There is also a close up on the male protagonist, even though we cannot see his reaction due to him wearing a mask, we could see that from the angle of his head tilt that he was not impressed by what was on the mind of the antagonists. Now this scene had multiple uses of tracks, first was a track of only her and the male protagonist, this may have been to keep the audience wondering who the male was since there was only one female in the scene, it is unsure to know who it was since there a few characters who were wearing long coats. It may have been the masked protagonist to symbolise that there are two protagonists without telling the viewer directly. The use of the two shot was to show both the protagonist and antagonist in the same shot, you see both sides in the same shot. Two shots are good for establishing
  • 2. Film Opening Sequence Analysis *Comment on the following aspects in relation to your film opening title sequence choice relationships between characters, here it shows the male protagonist do a cease fire and the antagonist continue to fight back but fail. This is cleaver use of a two shot because you get too see both sides of this, in two different reasons; First as protagonist and antagonist and secondly as someone who wanted to stop the fighting and someone who did not, so it was a clever decision by the director. Lastly is the use of the a high angle shot as the protagonist throws the gun, this could be interpreted as a Point a View shot because it would be at the height of the protagonist but I decided to class it as a High angle shot because that’s what it was, the use of a high angle shot was used to make the throw of the gun look longer than it is, which us believe the protagonist is strong and fierce. . Visual Effects & Colour Scheme The visual scheme for this scene is dark; this is used to show us something that you wouldn’t see in the afternoon. It also sets up the antagonists in this scene too and shows us a much darker and corrupt England. Though we only find this out from the characters the establishing shot as their version of England has a “Curfew” in which our version of England we have a nothing like this. Throughout the scene it continues to be gloomy with very little light from the dim lamps along the street providing some light to this alleyway, As it is night we can guess that it’s chilly as all the characters are wearing thick and heavy coats. This adds to the scene to make it more it energetic and powerful. The tone helps portray the setting, time and sometimes just to create a feeling. Genre Conventions The start of the film is with the speakerphone announcing that the town/city is now in a curfew which shows that this version is Britain is much different to our version. It also shows us that this setting is much more stricter as the speaker on the television is speaking about justice as if they are keen on their
  • 3. Film Opening Sequence Analysis *Comment on the following aspects in relation to your film opening title sequence choice word but as we find out later on that they don’t live in an equally fair Britain, and during the speaking he is speaking propaganda which shows us that this is a fascist Britain which also backs up the point of the “Justice” he was on about and how he is lying to the population to get their beliefs up. Since it’s set in a Fascist Britain it gives us the feeling that there is or will be an uprising against the current dictator and that shows us that the film is an action film, this is proved later on in the Scene when the male protagonist starts to fight with the male antagonists after they were about to abuse the female protagonist. With that it shows us that the film will continue to bring dark imagery throughout the film as they did at the beginning. The film also comes across as science fiction as it is set in a futuristic fascist version of Britain so though it is a made up story, this can be classed as an alternate reality. I searched something up and the book/film is based around the theory of if is based around if the Nazi’s had won the war, so they created their own political party called Norsefire and their own secret police called the thingermen. Narrative Throughout the scene, the narrative is all based around governmental and anti-governmental topics. With the exception of about the antagonists speaking of rape, the narrative of the antagonists shows us that they are not that well educated unlike the protagonists. The speech with V, most of the words begin with the letter V which gives the viewer the idea of what his name is going to be. Though the main theme of the scene is governmental so it sets up the theme of the film and what is going to happen throughout Editing Techniques The scene consists of multiple editing techniques, first of all during the interrogation scene. It doesn’t break the 180 degree rule, while always staying on the left side and never on the right. Though it does go on level with 180 degrees but that’s the most it does in this scene. Also it looks like one straight cut, no
  • 4. Film Opening Sequence Analysis *Comment on the following aspects in relation to your film opening title sequence choice roughness and no stops. Just one continues cut, which also known as continuity editing. Directors use this to make sure it’s a smooth scene and that it keeps it looking professional. You can see it was filmed with multiple cameras as it shows us a single shot from multiple angles. It jumps around also cross cutting where it jumps between cuts. Title Credit Design No credits in this scene.