A brief overview of the gestalt principle of figure and ground. This presentation delves into its importance with relationship to art and design - not only in black and white but also in color.
Figure Ground relationships involve the interaction between the figure (subject) and ground (surrounding area). The figure is seen as the positive space while the ground is the negative space, and they define each other. Edgar Rubin in 1915 described how one field will be perceived as the figure and the other as the ground. Gestalt psychology later studied similar principles of how humans perceive overall shapes before details. Specific gestalt concepts like reification and multistability relate to how figures can be ambiguously perceived. Several artists like Escher, Longo, and Kusama are known for using ambiguous figure ground relationships in their work.
This document discusses the symbolic meanings associated with different colors throughout history and across cultures. It provides examples of famous artworks that illustrate these symbolic associations, such as Van Gogh's Sunflowers representing the life-giving qualities of yellow. Red symbolizes danger and passion. Blue signifies calmness and spirituality. Purple denotes royalty and luxury while brown evokes earthiness and humility. Black and grey are tied to death and mourning. White represents peace, purity and spirituality. The symbolic meanings of colors have changed over time and vary between cultures.
Contrast is an important design principle that adds visual interest and drama through the arrangement of opposing elements. It is considered essential for creating successful interior spaces. There are many ways to achieve contrast, including using lines, colors, shapes, textures, forms, and space in contrasting ways such as curved vs straight lines, light vs dark colors, organic vs geometric shapes, rough vs smooth textures, and filled vs empty spaces. Examples show how contrasting these various design elements can enhance interior design.
This document discusses color theory and the classification and properties of colors. It describes color as a sensation that stimulates the eye and influences perceptions of space, mood, and character. Colors are classified based on their origin (primary, secondary from mixing primaries) and hue (position on the color wheel). The primary dimensions of color are described as hue (name and warmth/coolness), value (lightness/darkness), and intensity (distance from grey). Color schemes like monochromatic, analogous, complementary, and split-complementary are explained based on their use of colors on the color wheel.
The document discusses the key elements of three-dimensional design including form, line, plane, space, texture, color, and time. It provides definitions and examples of each element. Form can be volumes, masses, static or dynamic. Lines have qualities like orientation, direction, and continuity. Planes can be used to create volumes and masses. Space can be positive or negative. Texture provides visual or tactile qualities. Color has properties like hue, value, intensity, and temperature. Time can be actual, implied, or viewing time for analysis.
Colors have psychological effects on human behavior and mood. Red stimulates faster heart rate and is associated with passion, while blue is calming and the most popular color. Green symbolizes nature, peace, and growth. Marketers effectively use color to attract consumers and influence their perceptions and choices. Understanding color psychology can help achieve success in business, career, and personal life.
Basic design & visual arts (Elements of design)Ar.Shakti Nanda
Lecture and presentation on Elements of Design for students of architecture, fine art and photography. semester - I (2015), Sri Sri University, Odisha. 7+1 Elements of design explained (Point, Line, Shapes, Space, Form, Texture, Value, Colour) in details with examples for better understanding. Content compiled from books and internet.
Figure Ground relationships involve the interaction between the figure (subject) and ground (surrounding area). The figure is seen as the positive space while the ground is the negative space, and they define each other. Edgar Rubin in 1915 described how one field will be perceived as the figure and the other as the ground. Gestalt psychology later studied similar principles of how humans perceive overall shapes before details. Specific gestalt concepts like reification and multistability relate to how figures can be ambiguously perceived. Several artists like Escher, Longo, and Kusama are known for using ambiguous figure ground relationships in their work.
This document discusses the symbolic meanings associated with different colors throughout history and across cultures. It provides examples of famous artworks that illustrate these symbolic associations, such as Van Gogh's Sunflowers representing the life-giving qualities of yellow. Red symbolizes danger and passion. Blue signifies calmness and spirituality. Purple denotes royalty and luxury while brown evokes earthiness and humility. Black and grey are tied to death and mourning. White represents peace, purity and spirituality. The symbolic meanings of colors have changed over time and vary between cultures.
Contrast is an important design principle that adds visual interest and drama through the arrangement of opposing elements. It is considered essential for creating successful interior spaces. There are many ways to achieve contrast, including using lines, colors, shapes, textures, forms, and space in contrasting ways such as curved vs straight lines, light vs dark colors, organic vs geometric shapes, rough vs smooth textures, and filled vs empty spaces. Examples show how contrasting these various design elements can enhance interior design.
This document discusses color theory and the classification and properties of colors. It describes color as a sensation that stimulates the eye and influences perceptions of space, mood, and character. Colors are classified based on their origin (primary, secondary from mixing primaries) and hue (position on the color wheel). The primary dimensions of color are described as hue (name and warmth/coolness), value (lightness/darkness), and intensity (distance from grey). Color schemes like monochromatic, analogous, complementary, and split-complementary are explained based on their use of colors on the color wheel.
The document discusses the key elements of three-dimensional design including form, line, plane, space, texture, color, and time. It provides definitions and examples of each element. Form can be volumes, masses, static or dynamic. Lines have qualities like orientation, direction, and continuity. Planes can be used to create volumes and masses. Space can be positive or negative. Texture provides visual or tactile qualities. Color has properties like hue, value, intensity, and temperature. Time can be actual, implied, or viewing time for analysis.
Colors have psychological effects on human behavior and mood. Red stimulates faster heart rate and is associated with passion, while blue is calming and the most popular color. Green symbolizes nature, peace, and growth. Marketers effectively use color to attract consumers and influence their perceptions and choices. Understanding color psychology can help achieve success in business, career, and personal life.
Basic design & visual arts (Elements of design)Ar.Shakti Nanda
Lecture and presentation on Elements of Design for students of architecture, fine art and photography. semester - I (2015), Sri Sri University, Odisha. 7+1 Elements of design explained (Point, Line, Shapes, Space, Form, Texture, Value, Colour) in details with examples for better understanding. Content compiled from books and internet.
This document discusses color theory and psychology and their applications in architecture and interior design. It begins with definitions of color and the importance of color. It then covers basic color terminology, color theory, and applications of color in architecture. Specific considerations for using color in architectural spaces include wall, floor and ceiling colors, room proportions, and balance of light and dark. The document also discusses color psychology, including the psychological associations and effects of different colors based on factors like gender, age, culture and mood. It provides examples of using color psychology principles for interior design.
This document provides an overview of visual perception as it relates to art. It defines key terms like visual, perception, and the visual system. The visual system includes physiological components involved in sight. Gestalt psychology views perception as the mind forming meaningful wholes from the environment. There are several visual perceptual skills discussed, like visual discrimination, figure-ground, closure, and memory. The document also outlines gestalt principles and assigns the reader to create drawings demonstrating these principles and discuss the importance of visual perception in design.
Design Theory - Lecture 01: What is design?Bas Leurs
Design can be summarized as the process of imagining and planning changes to existing situations or systems to create preferred future states. This involves envisioning possibilities, making decisions with uncertainty, and predicting effects while accounting for human needs and environmental impacts. Design aims to satisfy people through innovative and purposeful solutions.
Interior design is the process of shaping the experience of interior space, through the manipulation of spatial volume as well as surface treatment for the betterment of human functionality.
Color psychology explores how colors impact human emotion and behavior. Each color has common associations, such as red with energy and danger. Color schemes like complementary, analogous, and triadic use color theory principles to create visual harmony. Proper use of color can influence decisions, enhance performance, and create desired emotional responses.
The document discusses scale and proportion in design. Scale refers to the size of an object relative to another, often compared to the human body. Proportion is the relative size of parts within an object. In design, scale and proportion are important for layout, composition, and conveying depth and movement. The task is to create a poster for an event using principles of scale and proportion to communicate the key details of the event title, location, date, and time through visual elements and composition.
The document discusses color theory and different aspects of color including:
- The color wheel which shows the primary, secondary, and tertiary colors. Primary colors are red, yellow, and blue.
- Color values which are the lights and darks of colors created by mixing colors with black or white. Tints are lightened colors mixed with white, and shades are darkened colors mixed with black.
- Warm colors are found on the right side of the color wheel like reds, oranges, and yellows. Cool colors are on the left side like greens, blues, and purples.
- Different color schemes including monochromatic using one color, complementary using opposite colors, analogous using adjacent colors, and
Color is what our eyes see that is reflected or absorbed by light. There are three primary colors - red, yellow, and blue - that can be combined to create all other colors. Secondary colors like orange, green, and purple are created by mixing two primary colors. Color schemes use different types of colors arranged together, such as complementary, analogous, warm, cool, and monochromatic colors. Effective use of color considers both harmony, which creates a pleasing balance, and context, or how color relates to other elements and makes people feel.
The document discusses the key elements of interior design: line, space, shape, form, texture, and color. It provides examples and definitions for each element. Line can be used to create movement, harmony, and set form and shape. Space can be positive (filled) or negative (empty). Shape is defined by its dimensions while form includes depth. Texture can be tactile or visual. Color is influenced by hue, value, and intensity and can be organized by primary, secondary, tertiary, complementary, or monochromatic schemes.
The document discusses scale and proportion in art. It defines scale as the size of an object relative to another, often compared to human scale. Proportion refers to the relative size of parts within a whole. It uses Michelangelo's David as an example of ideal proportions in sculpture and life-size scale. The sculpture towers over viewers at over 13 feet tall on a pedestal, giving it a sense of grandeur. It also discusses uses of scale in miniatures and monumental architecture.
Visual perception refers to how the brain makes sense of what the eyes see. Gestalt laws of perception help explain how the human eye perceives objects or visual elements as coherent wholes rather than individual parts. Some key Gestalt principles include figure-ground, which determines what is the focus versus the background; similarity, which groups like elements; proximity, which groups close elements; and closure, where the eye sees completed shapes and patterns. These principles are useful for interface design to help users quickly understand relationships and organization.
Gestalt theory originated in Germany in the late 19th century and focuses on how the mind perceives whole forms and patterns. Some key principles of Gestalt theory are that the mind perceives whole pictures or environments rather than separate parts, and perceives certain elements as figures that stand out against a background or ground. When viewing images, people perceive structures according to principles of proximity, similarity, closure, and simplicity - tending to group elements close together or that are similar, complete incomplete shapes or patterns, and perceive simple and symmetrical forms.
Color and texture in interior design ciualicankayar
Pure white light separates into visible colors when passed through a prism. Each color has a single wavelength, and colors can be mixed to form other colors. Red and yellow mix to make orange. Warm colors like red, orange, and yellow evoke emotions ranging from warmth to anger, while cool colors like blue, purple, and green are described as calm but can suggest sadness. Color is the most important and versatile design element and can set moods and impact perceived space. There are different color schemes including neutral, monochromatic, analogous, complementary, split-complementary, and triad.
The document discusses Gestalt principles of design which describe how the human brain naturally organizes visual elements. It outlines six key principles: focal point, figure/ground relationship, similarity, continuity, closure, and proximity/alignment. These principles can be leveraged in visual design to guide a viewer's attention and perception by exploiting the brain's innate tendencies towards pattern recognition and completion.
Color is one of the most expressive elements because
its quality affects our emotions directly and immediately.
This presentation has all about the colors & it's theory includes about the colors, history, Physiological Principles of Color etc.
This document discusses color theory and the basics of working with pigments and dyes. It explains that primary colors are those that cannot be created by mixing other colors, and they can be used to make all other colors. Secondary colors are created by mixing equal parts of two primary colors, and tertiary colors are made by mixing a primary and a secondary color. The color wheel is used to visualize the relationships between colors, including complementary colors that are directly across from each other and contrasting versus harmonic color pairs. Other concepts covered include warm and cold colors, color saturation, value, and applying color theory principles to landscapes.
1) Figure-ground relationships refer to how shapes are perceived as either figures that stand out or the surrounding ground.
2) Traditionally, the figure is seen as the identifiable positive shape and the ground is the negative space around it, though they can be interchangeable depending on focus.
3) Negative space can reveal relationships between figures and be used in composition.
This document discusses key design concepts used in creating compositions including framing, balance, touching, overlapping, illusory space, contrast, and positive/negative space. It provides definitions and examples of each concept. Framing refers to how objects are positioned within the boundaries of an image. Balance means arranging elements so they appear stable. Touching and overlapping involve placing distinct elements in contact or overlaying one another. Combining size and position creates an illusion of 3D space. Contrast uses differences in size, direction, space and position to suggest meanings. Positive space is the recognizable foreground object while negative space is everything around it.
This document discusses color theory and psychology and their applications in architecture and interior design. It begins with definitions of color and the importance of color. It then covers basic color terminology, color theory, and applications of color in architecture. Specific considerations for using color in architectural spaces include wall, floor and ceiling colors, room proportions, and balance of light and dark. The document also discusses color psychology, including the psychological associations and effects of different colors based on factors like gender, age, culture and mood. It provides examples of using color psychology principles for interior design.
This document provides an overview of visual perception as it relates to art. It defines key terms like visual, perception, and the visual system. The visual system includes physiological components involved in sight. Gestalt psychology views perception as the mind forming meaningful wholes from the environment. There are several visual perceptual skills discussed, like visual discrimination, figure-ground, closure, and memory. The document also outlines gestalt principles and assigns the reader to create drawings demonstrating these principles and discuss the importance of visual perception in design.
Design Theory - Lecture 01: What is design?Bas Leurs
Design can be summarized as the process of imagining and planning changes to existing situations or systems to create preferred future states. This involves envisioning possibilities, making decisions with uncertainty, and predicting effects while accounting for human needs and environmental impacts. Design aims to satisfy people through innovative and purposeful solutions.
Interior design is the process of shaping the experience of interior space, through the manipulation of spatial volume as well as surface treatment for the betterment of human functionality.
Color psychology explores how colors impact human emotion and behavior. Each color has common associations, such as red with energy and danger. Color schemes like complementary, analogous, and triadic use color theory principles to create visual harmony. Proper use of color can influence decisions, enhance performance, and create desired emotional responses.
The document discusses scale and proportion in design. Scale refers to the size of an object relative to another, often compared to the human body. Proportion is the relative size of parts within an object. In design, scale and proportion are important for layout, composition, and conveying depth and movement. The task is to create a poster for an event using principles of scale and proportion to communicate the key details of the event title, location, date, and time through visual elements and composition.
The document discusses color theory and different aspects of color including:
- The color wheel which shows the primary, secondary, and tertiary colors. Primary colors are red, yellow, and blue.
- Color values which are the lights and darks of colors created by mixing colors with black or white. Tints are lightened colors mixed with white, and shades are darkened colors mixed with black.
- Warm colors are found on the right side of the color wheel like reds, oranges, and yellows. Cool colors are on the left side like greens, blues, and purples.
- Different color schemes including monochromatic using one color, complementary using opposite colors, analogous using adjacent colors, and
Color is what our eyes see that is reflected or absorbed by light. There are three primary colors - red, yellow, and blue - that can be combined to create all other colors. Secondary colors like orange, green, and purple are created by mixing two primary colors. Color schemes use different types of colors arranged together, such as complementary, analogous, warm, cool, and monochromatic colors. Effective use of color considers both harmony, which creates a pleasing balance, and context, or how color relates to other elements and makes people feel.
The document discusses the key elements of interior design: line, space, shape, form, texture, and color. It provides examples and definitions for each element. Line can be used to create movement, harmony, and set form and shape. Space can be positive (filled) or negative (empty). Shape is defined by its dimensions while form includes depth. Texture can be tactile or visual. Color is influenced by hue, value, and intensity and can be organized by primary, secondary, tertiary, complementary, or monochromatic schemes.
The document discusses scale and proportion in art. It defines scale as the size of an object relative to another, often compared to human scale. Proportion refers to the relative size of parts within a whole. It uses Michelangelo's David as an example of ideal proportions in sculpture and life-size scale. The sculpture towers over viewers at over 13 feet tall on a pedestal, giving it a sense of grandeur. It also discusses uses of scale in miniatures and monumental architecture.
Visual perception refers to how the brain makes sense of what the eyes see. Gestalt laws of perception help explain how the human eye perceives objects or visual elements as coherent wholes rather than individual parts. Some key Gestalt principles include figure-ground, which determines what is the focus versus the background; similarity, which groups like elements; proximity, which groups close elements; and closure, where the eye sees completed shapes and patterns. These principles are useful for interface design to help users quickly understand relationships and organization.
Gestalt theory originated in Germany in the late 19th century and focuses on how the mind perceives whole forms and patterns. Some key principles of Gestalt theory are that the mind perceives whole pictures or environments rather than separate parts, and perceives certain elements as figures that stand out against a background or ground. When viewing images, people perceive structures according to principles of proximity, similarity, closure, and simplicity - tending to group elements close together or that are similar, complete incomplete shapes or patterns, and perceive simple and symmetrical forms.
Color and texture in interior design ciualicankayar
Pure white light separates into visible colors when passed through a prism. Each color has a single wavelength, and colors can be mixed to form other colors. Red and yellow mix to make orange. Warm colors like red, orange, and yellow evoke emotions ranging from warmth to anger, while cool colors like blue, purple, and green are described as calm but can suggest sadness. Color is the most important and versatile design element and can set moods and impact perceived space. There are different color schemes including neutral, monochromatic, analogous, complementary, split-complementary, and triad.
The document discusses Gestalt principles of design which describe how the human brain naturally organizes visual elements. It outlines six key principles: focal point, figure/ground relationship, similarity, continuity, closure, and proximity/alignment. These principles can be leveraged in visual design to guide a viewer's attention and perception by exploiting the brain's innate tendencies towards pattern recognition and completion.
Color is one of the most expressive elements because
its quality affects our emotions directly and immediately.
This presentation has all about the colors & it's theory includes about the colors, history, Physiological Principles of Color etc.
This document discusses color theory and the basics of working with pigments and dyes. It explains that primary colors are those that cannot be created by mixing other colors, and they can be used to make all other colors. Secondary colors are created by mixing equal parts of two primary colors, and tertiary colors are made by mixing a primary and a secondary color. The color wheel is used to visualize the relationships between colors, including complementary colors that are directly across from each other and contrasting versus harmonic color pairs. Other concepts covered include warm and cold colors, color saturation, value, and applying color theory principles to landscapes.
1) Figure-ground relationships refer to how shapes are perceived as either figures that stand out or the surrounding ground.
2) Traditionally, the figure is seen as the identifiable positive shape and the ground is the negative space around it, though they can be interchangeable depending on focus.
3) Negative space can reveal relationships between figures and be used in composition.
This document discusses key design concepts used in creating compositions including framing, balance, touching, overlapping, illusory space, contrast, and positive/negative space. It provides definitions and examples of each concept. Framing refers to how objects are positioned within the boundaries of an image. Balance means arranging elements so they appear stable. Touching and overlapping involve placing distinct elements in contact or overlaying one another. Combining size and position creates an illusion of 3D space. Contrast uses differences in size, direction, space and position to suggest meanings. Positive space is the recognizable foreground object while negative space is everything around it.
The picture plane refers to both the actual surface of the drawing and the imaginary transparent plane through which the artist views the subject. When drawing, the artist looks through the imaginary plane to observe the subject, then transfers this information to the actual drawing surface. Different uses of the picture plane can change the perceived spatial relationship between elements in the drawing.
The document defines key terms related to design including elements of design, principles of design, and the design process. It provides definitions for design, noting it links creativity and innovation to shape ideas for users. Elements of design include point, line, shape, form, space, texture, and color. Principles of design guide the organization of a work and include balance, proportion, rhythm, emphasis, and unity. The design process involves research, conceptualizing, modeling, interactive adjustment, and redesign.
This document discusses the principles and elements of design, including line, shape, direction, size, texture, color, value, and how they relate to shape. It defines shape as a self-contained area with edges created by lines or color/value changes. Shapes can be positive or negative, and are considered a 2D element while volume is 3D. Examples are given of how shapes can organize, connect, separate, symbolize ideas, create movement, provide texture/depth, or convey mood. Shapes in web design can add interest, sustain attention, organize elements, and direct the eye. Geometric, natural, and abstract shapes are also mentioned.
This document discusses space as a design element, including positive and negative space. Positive space is where design elements are placed, while negative space is the inverse - areas without elements that allow white space to become part of the design. Good use of space balances positive and negative areas. Gestalt principles like proximity, continuity, closure, and figure-ground help define relationships between elements and negative space to influence perception and create unity in design.
The document discusses principles of design including balance, contrast, unity, variety, proportion, and emphasis. It provides examples and definitions for each principle. Balance can be symmetrical, with mirrored elements on both sides, or asymmetrical, with different sized or weighted elements. Contrast uses differences in visual properties to distinguish objects. Unity gives a sense of oneness through organization. Variety introduces changes to avoid dullness. Proportion relates to the sizes of elements. Emphasis creates focal points through contrast or other techniques to draw attention.
1. Chaet contends that drawing consists of marks on a two-dimensional plane and that the purpose of a drawing is decided by the individual artist. A drawing can serve many unique ends or concepts through the use of techniques like line, texture, form, and space.
2. Chaet discusses negative space, or interspace, as the empty space between forms in a drawing. Negative space can play an important role in expressing the concept of a drawing, such as in Van Gough's drawing Landscape: The Harvest which uses negative space to depict motion from wind.
3. An artist achieves composition in a drawing through various strategies like figure-ground relationships, interspace/negative space, rhythm,
This document provides instructions for a digital illustration and design project where students are asked to create their own landscape. It discusses key landscape composition elements like foreground, midground, and background. It also covers principles of balance, the rule of thirds, focal points, and perspective. Students are given examples of tree forms to study and asked to concept an original landscape showing mood, character and feel.
The document discusses the elements and principles of design that are used to create works of art. It outlines the seven elements - line, shape, direction, proportions, value, size, and texture. It then explains the principles of composition including balance, contrast, white space, rhythm/repetition, harmony, and unity. Symmetrical, asymmetrical, and radial balance are described. The importance of contrast, white space, rhythm created through repetition, and achieving harmony and unity are also summarized.
This document defines and explains the key elements and principles of design that are used to form visual language and communication. It discusses the traditional elements of line, shape, form, space, value, color, and texture. It also covers the principles of contrast, unity, dominance, balance, pattern, movement, and rhythm. For each element and principle, examples and techniques are provided to help understand how to apply them and control them to achieve desired visual effects.
Similar to The Figure-Ground Relationship in Art (11)
This presentation describes the four kinds of texture and their uses in art of all mediums. It introduces this element of art to introductory art students, and outlines a related project.
This presentation introduces introductory art and design students to the 5th element of art - color. The color wheel is shown and the color families are defined, as well as important color schemes. A project is outlined to get students practicing with the use of color.
The document discusses value in art and provides guidance on a project to create a monochromatic self-portrait using value blocking. It defines value as the lightness or darkness of a color and lists five techniques for creating value: hatching, cross-hatching, stippling, scumbling, and blending. The project objectives are to emphasize tints and shades in a pop art style self-portrait using at least 5-6 blocked values ranging from pure black to pure white. Examples demonstrate the ideal complexity is a portrait utilizing 5-6 values without additional background elements.
This document provides guidance on creating a self portrait by considering artists such as Pablo Picasso, Vincent Van Gogh, and Frida Kahlo. It prompts the reader to think about what their self portrait can say about their interests, hobbies, thoughts, goals, enjoyments and dislikes. Things to consider when making a self portrait include lighting, color palette, emotion, positioning, composition, background, and additional objects.
This project requires students to create an 18x24" still life painting from life using at least 4-6 objects. The painting should have an initial monochromatic under-painting layer followed by 2-3 layers of full color paint applied using techniques learned in previous projects. The still life composition should demonstrate an understanding of depth, perspective, value, and form. Examples from previous students are provided and the finished painting is due on April 10, 2018.
This presentation discusses shape, it's definition and its different forms. We put shape into an artistic context by discussing multiple artists who use shape as an integral part of their work.
This document discusses different types of lines that can be used in artwork, including vertical, horizontal, diagonal, curved, zig-zag, and implied lines. It provides examples of each type of line and how they can convey different feelings or meanings. The document also outlines a project assignment asking students to create a non-objective composition exploring various line and shape types, utilizing both negative and positive space. Students are instructed to complete preliminary sketches and studies before using markers to develop their final composition on watercolor paper.
Connect Conference 2022: Passive House - Economic and Environmental Solution...TE Studio
Passive House: The Economic and Environmental Solution for Sustainable Real Estate. Lecture by Tim Eian of TE Studio Passive House Design in November 2022 in Minneapolis.
- The Built Environment
- Let's imagine the perfect building
- The Passive House standard
- Why Passive House targets
- Clean Energy Plans?!
- How does Passive House compare and fit in?
- The business case for Passive House real estate
- Tools to quantify the value of Passive House
- What can I do?
- Resources
Visual Style and Aesthetics: Basics of Visual Design
Visual Design for Enterprise Applications
Range of Visual Styles.
Mobile Interfaces:
Challenges and Opportunities of Mobile Design
Approach to Mobile Design
Patterns
PDF SubmissionDigital Marketing Institute in NoidaPoojaSaini954651
https://www.safalta.com/online-digital-marketing/advance-digital-marketing-training-in-noidaTop Digital Marketing Institute in Noida: Boost Your Career Fast
[3:29 am, 30/05/2024] +91 83818 43552: Safalta Digital Marketing Institute in Noida also provides advanced classes for individuals seeking to develop their expertise and skills in this field. These classes, led by industry experts with vast experience, focus on specific aspects of digital marketing such as advanced SEO strategies, sophisticated content creation techniques, and data-driven analytics.
Practical eLearning Makeovers for EveryoneBianca Woods
Welcome to Practical eLearning Makeovers for Everyone. In this presentation, we’ll take a look at a bunch of easy-to-use visual design tips and tricks. And we’ll do this by using them to spruce up some eLearning screens that are in dire need of a new look.
Technoblade The Legacy of a Minecraft Legend.Techno Merch
Technoblade, born Alex on June 1, 1999, was a legendary Minecraft YouTuber known for his sharp wit and exceptional PvP skills. Starting his channel in 2013, he gained nearly 11 million subscribers. His private battle with metastatic sarcoma ended in June 2022, but his enduring legacy continues to inspire millions.
Fonts play a crucial role in both User Interface (UI) and User Experience (UX) design. They affect readability, accessibility, aesthetics, and overall user perception.
Revolutionizing the Digital Landscape: Web Development Companies in Indiaamrsoftec1
Discover unparalleled creativity and technical prowess with India's leading web development companies. From custom solutions to e-commerce platforms, harness the expertise of skilled developers at competitive prices. Transform your digital presence, enhance the user experience, and propel your business to new heights with innovative solutions tailored to your needs, all from the heart of India's tech industry.
Decormart Studio is widely recognized as one of the best interior designers in Bangalore, known for their exceptional design expertise and ability to create stunning, functional spaces. With a strong focus on client preferences and timely project delivery, Decormart Studio has built a solid reputation for their innovative and personalized approach to interior design.
Architectural and constructions management experience since 2003 including 18 years located in UAE.
Coordinate and oversee all technical activities relating to architectural and construction projects,
including directing the design team, reviewing drafts and computer models, and approving design
changes.
Organize and typically develop, and review building plans, ensuring that a project meets all safety and
environmental standards.
Prepare feasibility studies, construction contracts, and tender documents with specifications and
tender analyses.
Consulting with clients, work on formulating equipment and labor cost estimates, ensuring a project
meets environmental, safety, structural, zoning, and aesthetic standards.
Monitoring the progress of a project to assess whether or not it is in compliance with building plans
and project deadlines.
Attention to detail, exceptional time management, and strong problem-solving and communication
skills are required for this role.
International Upcycling Research Network advisory board meeting 4Kyungeun Sung
Slides used for the International Upcycling Research Network advisory board 4 (last one). The project is based at De Montfort University in Leicester, UK, and funded by the Arts and Humanities Research Council.
2. Figure = the focal point
Ground = background
(we’re NOT talking about the literal ground/sky)
3. • Figure-ground refers to a gestalt principle
about the way we visually perceive images
• Basically, it illustrates our own cognitive ability
to separate elements based upon contrast:
dark vs. light, black vs. white, red vs. green,
there vs. not there.
6. • Empty spaces have as much significance as the
areas that are filled.
• Silhouettes: negative space defines the
positive
7. When the figure-ground relationship is
emphasized, both negative AND positive space
(and their resulting forms) are important
compositional elements that lead your eye
around the design. The define each other.
8.
9. Project 1
Objectives:
• To create a composition demonstrating a
balanced figure/ground relationship
• To create a design where negative/positive
space have equal importance
10. Preliminary (Sketchbook) Work:
Six thumbnail sketches for possible designs
Two compositional studies of your favorite
ideas
Materials:
1 sheet of scratchboard paper, min. 7.5x11”
1 scratchboard tool
11. Process:
Develop a design using black and white shapes (circles,
squares, triangles, letters, etc) only. Though your
impulse will be to create an image with one positive
shape and the resulting negative space, you must find a
way to balance the importance of the two spaces.
Keeping things abstract is often helpful, since
figure/ground often leads to a complex optical illusion
when made representational. But the student can
choose to tackle this challenge if they prefer. I
recommend doing 1-2 thumbnails using only your
initials. This simplifies the idea, and sometimes helps
get the ball rolling for other ideas to follow.
DUE: Feb 5