Terms related to colour
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These are terms relating to colour, that will help CSEC students to get a better understanding of #1 content area of Section 2 of the syllabus.
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Colour Theory
Newton discovered that white light is made up of the visible light spectrum when he passed sunlight through a prism. The colour wheel is used to demonstrate the relationships between primary, secondary, and tertiary colours. Primary colours are red, yellow and blue which can be mixed to create secondary colours of orange, green and purple. Tertiary colours result from mixing a primary and secondary colour adjacent on the wheel.
Colors
The document discusses color perception and different color schemes. It explains that color is based on the wavelength of light and how light hits a surface. It also discusses primary colors, secondary colors, tertiary colors, complementary colors, warm colors, cool colors, analogous colors, neutral colors, and monochromatic colors. Each color scheme is briefly defined.
Tonal Range
The document discusses the concept of tonal range in art. It defines tone as the gradations from light to dark observable on objects under lighting. Tonal range refers to the contrast between the darkest and lightest areas in an image. The document provides guidelines for establishing tonal values when drawing or painting, such as separating light and shadow areas, using a value scale, considering relative values, and avoiding common shading mistakes like making reflected lights too light. Key locations of value are also defined, including highlights, midtones, core shadows, and cast shadows.
Understanding Colors
Here are the points one should know while designing anything using colours. Terms like Hue, Saturation, Brightness, RGB, CMYK, Color Wheel are well explained here. One can also know about palletes and colour models. Please also read my presentation on Image file formats to know almost all basics related to designing on computers.
Mastering the Art of Colours Part 2
The document discusses important color theory terms that designers must understand, including CMYK and RGB color models, dots per inch (DPI) versus pixels per inch (PPI), typography concepts like kerning, ICC color profiles, local color, gamut, color context, complementary colors that are directly opposite each other on the color wheel, and supplementary colors that are between two primary colors. It provides brief definitions and explanations of each term to help designers properly work with and understand color.
Digital Camera & Editing Presentation
I did this project for a class I am taking at UVU. They are examples of what you can do with pictures by using different editing features.
Mise en-Scene
Mise-en-scene refers to everything visible within a shot or scene, including color, costume, props, sets/locations, blocking/performance, and lighting. It is a key part of film analysis along with semiotics, which refers to the use of signs and codes in all communication. When analyzing mise-en-scene, factors like color, costume, props, sets/locations, blocking/performance, and lighting are considered for what they reveal about characters, settings, and themes.
Space
The document discusses different types of visual space in cinematography including:
- Deep space, which gives the illusion of 3D through techniques like perspective and size differences.
- Flat space, which emphasizes the 2D screen through frontal walls and actors on the same plane.
- Limited space, which uses some depth cues like size change but no longitudinal planes.
- Ambiguous space, where the spatial relationships are unclear due to limited lighting or other factors obscuring depth cues.
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Colour Theory
Newton discovered that white light is made up of the visible light spectrum when he passed sunlight through a prism. The colour wheel is used to demonstrate the relationships between primary, secondary, and tertiary colours. Primary colours are red, yellow and blue which can be mixed to create secondary colours of orange, green and purple. Tertiary colours result from mixing a primary and secondary colour adjacent on the wheel.
Colors
The document discusses color perception and different color schemes. It explains that color is based on the wavelength of light and how light hits a surface. It also discusses primary colors, secondary colors, tertiary colors, complementary colors, warm colors, cool colors, analogous colors, neutral colors, and monochromatic colors. Each color scheme is briefly defined.
Tonal Range
The document discusses the concept of tonal range in art. It defines tone as the gradations from light to dark observable on objects under lighting. Tonal range refers to the contrast between the darkest and lightest areas in an image. The document provides guidelines for establishing tonal values when drawing or painting, such as separating light and shadow areas, using a value scale, considering relative values, and avoiding common shading mistakes like making reflected lights too light. Key locations of value are also defined, including highlights, midtones, core shadows, and cast shadows.
Understanding Colors
Here are the points one should know while designing anything using colours. Terms like Hue, Saturation, Brightness, RGB, CMYK, Color Wheel are well explained here. One can also know about palletes and colour models. Please also read my presentation on Image file formats to know almost all basics related to designing on computers.
Mastering the Art of Colours Part 2
The document discusses important color theory terms that designers must understand, including CMYK and RGB color models, dots per inch (DPI) versus pixels per inch (PPI), typography concepts like kerning, ICC color profiles, local color, gamut, color context, complementary colors that are directly opposite each other on the color wheel, and supplementary colors that are between two primary colors. It provides brief definitions and explanations of each term to help designers properly work with and understand color.
Digital Camera & Editing Presentation
I did this project for a class I am taking at UVU. They are examples of what you can do with pictures by using different editing features.
Mise en-Scene
Mise-en-scene refers to everything visible within a shot or scene, including color, costume, props, sets/locations, blocking/performance, and lighting. It is a key part of film analysis along with semiotics, which refers to the use of signs and codes in all communication. When analyzing mise-en-scene, factors like color, costume, props, sets/locations, blocking/performance, and lighting are considered for what they reveal about characters, settings, and themes.
Space
The document discusses different types of visual space in cinematography including:
- Deep space, which gives the illusion of 3D through techniques like perspective and size differences.
- Flat space, which emphasizes the 2D screen through frontal walls and actors on the same plane.
- Limited space, which uses some depth cues like size change but no longitudinal planes.
- Ambiguous space, where the spatial relationships are unclear due to limited lighting or other factors obscuring depth cues.
Mise en-scene 1
Mise-en-scene refers to everything within the frame of a shot that can be used to tell the story or provide context. This includes elements like color, costumes, props, location, blocking/performance, and lighting. The document provides examples of how each of these elements can be symbolic and help establish mood, character, and cultural context. Lighting specifically is discussed as either high-key for an even look or low-key for dramatic shadows and contrast.
Mise en-scene 1
Mise-en-scene refers to everything within the frame of a shot that can be used to tell the story or provide context. This includes elements like color, costumes, props, location, blocking/performance, and lighting. The document provides examples of how each of these elements can be symbolic and help establish mood, character, and cultural context. Lighting specifically is discussed as either high-key, which provides even lighting, or low-key, which creates more dramatic shadows and contrast through targeted lighting.
Elements of art in photography1
The document discusses various techniques used in visual art including linear perspective, atmospheric perspective, lighting, and texture. Linear perspective involves lines receding to a single vanishing point to create the illusion of depth. Atmospheric perspective uses cooler colors and haze for distant objects. Lighting uses highlights and shadows to emphasize focal points and create a sense of objects coming forward or receding. Texture defines surfaces and can be shiny, dull, smooth, or raised. Examples are provided of each technique.
Elements of art in photography
The document discusses various techniques used in visual art including linear perspective, atmospheric perspective, lighting, and texture. Linear perspective involves lines receding to a single vanishing point to create the illusion of depth. Atmospheric perspective uses cooler colors and haze for distant objects. Lighting uses highlights and shadows to emphasize focal points and create a sense of objects coming forward or receding. Texture defines surfaces and can be shiny, dull, smooth, or raised. Examples are provided of each technique.
02. mise en scene notes sheet y12
This document defines mise-en-scene and discusses its key areas including colour, costume, props, set/location, blocking/performance, and lighting. Mise-en-scene refers to everything visible within a shot and how it has been arranged by the director. It analyses elements like colour, costume, and lighting to understand their intended meanings and how they contribute to the overall scene. The six key areas of mise-en-scene are then each briefly explained with examples to illustrate how they create meaning and influence the audience's interpretation.
Lighting plan
The document discusses lighting techniques used in films. It explains that there are two main types of lighting: high key and low key. High key lighting has little dramatic effect and is used in upbeat scenes, while low key lighting comprises both bright and dark areas and is used in more tense scenes to create drama or negative emotions. The document provides the example of the film Raincoat (2004), which effectively uses both high key and low key lighting to manipulate the viewer's attitudes and portray different emotions. It also describes how the author of the document similarly used both lighting techniques in their own short film to positively portray outdoor scenes but create a sense of anger and sorrow in indoor scenes through low key lighting.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot including color, costume, props, location, blocking/performance, and lighting. These elements are used purposefully to convey meaning and influence the audience's interpretation. For example, color can portray danger, innocence, or jealousy. Costumes can indicate social class through style and quality of clothing. Location can be purpose-built sets or real places. Blocking determines actor placement and movement. Lighting establishes mood through high key, even lighting or low key lighting with shadows for drama. Together, these elements of mise-en-scene provide visual storytelling cues beyond just the lines of dialogue.
Comparison of final footage with original footage
1) Filters were applied to the entire footage to give it a depressing feel and improve lighting, including converting it to black and white and increasing brightness and contrast.
2) Zooms and fades were added to link shots and blend transitions more seamlessly.
3) The consistent application of filters throughout created atmosphere and contrast that enhanced emotions like depression, lack of light, confusion, and sympathy to match the meaning and tone of the song.
Cinematography lighting
The document discusses three key aspects of cinematography lighting: quality, placement, and contrast. Lighting quality can be either hard or soft, placement refers to where the lights are positioned, and contrast deals with either high key or low key lighting setups. The document also provides an overview of three elements to analyze in cinematography: framing, lighting, and focal depth.
Steps to work_on_photoshop[1]
1. Apply a Gaussian blur to a duplicated layer set to Overlay blending mode to softly boost contrast. A Vivid Light blend gives a more dramatic effect.
2. Use selection tools to isolate a subject on its own layer, then apply filters like Dark Strokes to the background layer to add effects behind the subject.
3. Add color and drama by duplicating the layer and applying a Neon Glow filter in a complementary color at a low glow size and brightness. Set the blend mode to Overlay or Vivid Light.
4. Easily soften portraits by duplicating the layer and applying a low-opacity Gaussian blur. Adjust opacity until it looks dreamy.
Cinematography lighting and depth
Lighting in cinematography is determined by three factors: the light source (whether natural or artificial), the quality of light (ranging from high to low contrast, and soft to hard), and the direction of the light. Proper lighting is crucial for analyzing other cinematography elements such as framing, focal depth, and how the subject is presented in the shot.
Editing picture
The document describes editing a picture by first using levels to lighten the dark picture and bring out more vibrant colors. Then the author created a new layer and used the quick selection tool to highlight the body and paint the background and skin black, changing the layer to color to tint the skin and background to black, creating a greyscale picture with color splash effect.
Lighting plan
High-key lighting aims to reduce lighting ratios and shadows, creating an overall lighting design with low contrast between bright and dark areas. It is often used for comedies and action scenes. Low-key lighting creates a chiaroscuro effect using predominantly shadowy areas, and is commonly used for drama, horror and suspense genres. Lighting also helps set the mood and intensity of a scene. In the movie "The Third Man", the director used both high-key and low-key lighting - low-key in the bar scenes to create mystery, and natural lighting to depict an idealistic background as sunlight hits the character's eyes.
Lighting plan
This lighting plan for a horror movie uses low lighting and darkness to create tension, suspense, and a horror effect by controlling what is revealed about the surroundings and characters. Bright lighting and shooting in bright colors would not achieve the intended horror effect, so the plan keeps the background dull and uses low lighting to set the dark, tense tone and mood for the film.
The different forms of lighting
I explored the different uses of lighting in a film noir film to explore what techniqu we aqre most likely to use after the feedback we recieve on our last production.
Lesson 2 interactive media
Interactive media design requires an understanding of key composition principles to effectively engage users. Designers must consider proximity by grouping related interface elements close together while separating unrelated elements. Balance is also crucial, with symmetrical or asymmetrical visual weight distribution creating a sense of equilibrium. Placement of subjects and points of interest should follow the rule of thirds by aligning them along the thirds lines or intersections to produce a natural look. The golden ratio provides a mathematical framework for aesthetically-pleasing layouts. Finally, knowledge of color theory is essential for creating harmonious designs. Analagous, monochromatic, triadic, complementary, and split-complementary color schemes
Creating Fire - Creando Fuego
Este documento te enseña la manera avanzada de crear un efecto visual de un texto en flamas de fuego.
Originalmente es un tutorial realizado en el conocido programa Photoshop por Mr. Greg Vander Houwen y lo he convertido a CorelPhotopaint X4 para que se pueda observar el proceso a seguir en otro programa tan bueno y que a veces por desconocimiento no lo aplicamos al máximo.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot that can create meaning, including color, costume, props, location, lighting, and actor positioning and performance. The six key elements of mise-en-scene are color, costume, props, set/location, blocking and performance, and lighting. Mise-en-scene is used to convey symbolic meanings and create authentic environments on screen that influence the audience's interpretation of events.
Test shots pp
The key light is one of the most important lights used in a 3 point lighting setup and is used to highlight the main subject. The fill light is also part of this setup and helps reduce shadows created by the key light. The back light is placed behind the subject to create separation and depth. Additional lights and tools mentioned include color gel filters to change the color of lights, Lastolites to diffuse shadows, and barn doors to focus the light. Examples are given of using different colored gels and lighting positions to manipulate the mood and perception of shots.
Media poster work
The document shows a poster for a film about the end of the world, with a large hazard symbol of the earth in the center surrounded by bold, dark text and contrasting light and dark imagery from the film including a spiral stain glass window, water, desert shots and a famous Hollywood actor to draw attention.
Colour 1 theory 2014
The document discusses colour theory, including the nature of colour, how humans perceive it, and how it can be described. It explains that colour is the property of reflecting or emitting light of different wavelengths. It then covers primary and secondary colours, colour wheels, warm and cool colours, tints and shades, the Munsell system of colour notation, and different colour schemes. The effects of colour are outlined, noting how colour can impact emotions. The document emphasizes that interior designers use colour intentionally to create certain atmospheres for different spaces and functions.
A Brief Introduction to Color Theory
Susan Newberry introduces the reader to color theory. She discusses how color perception is affected by different light sources and surroundings. The document explains primary, secondary, and tertiary colors and how they relate on the color wheel. It also covers how hue, value, warmth, and coolness impact color and how altering these properties creates tints, tones and shades. The key aspects of color theory covered are the color wheel, primary/secondary/tertiary colors, tints, tones and shades, and how warm and cool colors influence perception.
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Mise en-scene 1
Mise-en-scene refers to everything within the frame of a shot that can be used to tell the story or provide context. This includes elements like color, costumes, props, location, blocking/performance, and lighting. The document provides examples of how each of these elements can be symbolic and help establish mood, character, and cultural context. Lighting specifically is discussed as either high-key for an even look or low-key for dramatic shadows and contrast.
Mise en-scene 1
Mise-en-scene refers to everything within the frame of a shot that can be used to tell the story or provide context. This includes elements like color, costumes, props, location, blocking/performance, and lighting. The document provides examples of how each of these elements can be symbolic and help establish mood, character, and cultural context. Lighting specifically is discussed as either high-key, which provides even lighting, or low-key, which creates more dramatic shadows and contrast through targeted lighting.
Elements of art in photography1
The document discusses various techniques used in visual art including linear perspective, atmospheric perspective, lighting, and texture. Linear perspective involves lines receding to a single vanishing point to create the illusion of depth. Atmospheric perspective uses cooler colors and haze for distant objects. Lighting uses highlights and shadows to emphasize focal points and create a sense of objects coming forward or receding. Texture defines surfaces and can be shiny, dull, smooth, or raised. Examples are provided of each technique.
Elements of art in photography
The document discusses various techniques used in visual art including linear perspective, atmospheric perspective, lighting, and texture. Linear perspective involves lines receding to a single vanishing point to create the illusion of depth. Atmospheric perspective uses cooler colors and haze for distant objects. Lighting uses highlights and shadows to emphasize focal points and create a sense of objects coming forward or receding. Texture defines surfaces and can be shiny, dull, smooth, or raised. Examples are provided of each technique.
02. mise en scene notes sheet y12
This document defines mise-en-scene and discusses its key areas including colour, costume, props, set/location, blocking/performance, and lighting. Mise-en-scene refers to everything visible within a shot and how it has been arranged by the director. It analyses elements like colour, costume, and lighting to understand their intended meanings and how they contribute to the overall scene. The six key areas of mise-en-scene are then each briefly explained with examples to illustrate how they create meaning and influence the audience's interpretation.
Lighting plan
The document discusses lighting techniques used in films. It explains that there are two main types of lighting: high key and low key. High key lighting has little dramatic effect and is used in upbeat scenes, while low key lighting comprises both bright and dark areas and is used in more tense scenes to create drama or negative emotions. The document provides the example of the film Raincoat (2004), which effectively uses both high key and low key lighting to manipulate the viewer's attitudes and portray different emotions. It also describes how the author of the document similarly used both lighting techniques in their own short film to positively portray outdoor scenes but create a sense of anger and sorrow in indoor scenes through low key lighting.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot including color, costume, props, location, blocking/performance, and lighting. These elements are used purposefully to convey meaning and influence the audience's interpretation. For example, color can portray danger, innocence, or jealousy. Costumes can indicate social class through style and quality of clothing. Location can be purpose-built sets or real places. Blocking determines actor placement and movement. Lighting establishes mood through high key, even lighting or low key lighting with shadows for drama. Together, these elements of mise-en-scene provide visual storytelling cues beyond just the lines of dialogue.
Comparison of final footage with original footage
1) Filters were applied to the entire footage to give it a depressing feel and improve lighting, including converting it to black and white and increasing brightness and contrast.
2) Zooms and fades were added to link shots and blend transitions more seamlessly.
3) The consistent application of filters throughout created atmosphere and contrast that enhanced emotions like depression, lack of light, confusion, and sympathy to match the meaning and tone of the song.
Cinematography lighting
The document discusses three key aspects of cinematography lighting: quality, placement, and contrast. Lighting quality can be either hard or soft, placement refers to where the lights are positioned, and contrast deals with either high key or low key lighting setups. The document also provides an overview of three elements to analyze in cinematography: framing, lighting, and focal depth.
Steps to work_on_photoshop[1]
1. Apply a Gaussian blur to a duplicated layer set to Overlay blending mode to softly boost contrast. A Vivid Light blend gives a more dramatic effect.
2. Use selection tools to isolate a subject on its own layer, then apply filters like Dark Strokes to the background layer to add effects behind the subject.
3. Add color and drama by duplicating the layer and applying a Neon Glow filter in a complementary color at a low glow size and brightness. Set the blend mode to Overlay or Vivid Light.
4. Easily soften portraits by duplicating the layer and applying a low-opacity Gaussian blur. Adjust opacity until it looks dreamy.
Cinematography lighting and depth
Lighting in cinematography is determined by three factors: the light source (whether natural or artificial), the quality of light (ranging from high to low contrast, and soft to hard), and the direction of the light. Proper lighting is crucial for analyzing other cinematography elements such as framing, focal depth, and how the subject is presented in the shot.
Editing picture
The document describes editing a picture by first using levels to lighten the dark picture and bring out more vibrant colors. Then the author created a new layer and used the quick selection tool to highlight the body and paint the background and skin black, changing the layer to color to tint the skin and background to black, creating a greyscale picture with color splash effect.
Lighting plan
High-key lighting aims to reduce lighting ratios and shadows, creating an overall lighting design with low contrast between bright and dark areas. It is often used for comedies and action scenes. Low-key lighting creates a chiaroscuro effect using predominantly shadowy areas, and is commonly used for drama, horror and suspense genres. Lighting also helps set the mood and intensity of a scene. In the movie "The Third Man", the director used both high-key and low-key lighting - low-key in the bar scenes to create mystery, and natural lighting to depict an idealistic background as sunlight hits the character's eyes.
Lighting plan
This lighting plan for a horror movie uses low lighting and darkness to create tension, suspense, and a horror effect by controlling what is revealed about the surroundings and characters. Bright lighting and shooting in bright colors would not achieve the intended horror effect, so the plan keeps the background dull and uses low lighting to set the dark, tense tone and mood for the film.
The different forms of lighting
I explored the different uses of lighting in a film noir film to explore what techniqu we aqre most likely to use after the feedback we recieve on our last production.
Lesson 2 interactive media
Interactive media design requires an understanding of key composition principles to effectively engage users. Designers must consider proximity by grouping related interface elements close together while separating unrelated elements. Balance is also crucial, with symmetrical or asymmetrical visual weight distribution creating a sense of equilibrium. Placement of subjects and points of interest should follow the rule of thirds by aligning them along the thirds lines or intersections to produce a natural look. The golden ratio provides a mathematical framework for aesthetically-pleasing layouts. Finally, knowledge of color theory is essential for creating harmonious designs. Analagous, monochromatic, triadic, complementary, and split-complementary color schemes
Creating Fire - Creando Fuego
Este documento te enseña la manera avanzada de crear un efecto visual de un texto en flamas de fuego.
Originalmente es un tutorial realizado en el conocido programa Photoshop por Mr. Greg Vander Houwen y lo he convertido a CorelPhotopaint X4 para que se pueda observar el proceso a seguir en otro programa tan bueno y que a veces por desconocimiento no lo aplicamos al máximo.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot that can create meaning, including color, costume, props, location, lighting, and actor positioning and performance. The six key elements of mise-en-scene are color, costume, props, set/location, blocking and performance, and lighting. Mise-en-scene is used to convey symbolic meanings and create authentic environments on screen that influence the audience's interpretation of events.
Test shots pp
The key light is one of the most important lights used in a 3 point lighting setup and is used to highlight the main subject. The fill light is also part of this setup and helps reduce shadows created by the key light. The back light is placed behind the subject to create separation and depth. Additional lights and tools mentioned include color gel filters to change the color of lights, Lastolites to diffuse shadows, and barn doors to focus the light. Examples are given of using different colored gels and lighting positions to manipulate the mood and perception of shots.
Media poster work
The document shows a poster for a film about the end of the world, with a large hazard symbol of the earth in the center surrounded by bold, dark text and contrasting light and dark imagery from the film including a spiral stain glass window, water, desert shots and a famous Hollywood actor to draw attention.
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A Brief Introduction to Color Theory
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color psychology in Films, Importance of Color in movies
color psychology in Films, Importance of Color in movies
More from Renee Williams-Campbell
Cheese Cookery (1).pptx
This document provides information about cheese including its definition, nutrients, types, care, uses, cooking guidelines, experiments, and recipes. It defines cheese as a solid dairy product made by coagulating milk protein. It lists common types of cheese such as cheddar, parmesan, and mozzarella. The document recommends storing cheese wrapped in the refrigerator and provides guidelines for cooking with cheese at low temperatures. It suggests experiments with cooking cheese at different temperatures and forms. Finally, it includes recipes for cheese shortbread and pudding for students to try.
Eggs.ppt
This document provides information on the nutritional composition, structure, grading, storage, and uses of eggs. It discusses that eggs are a nutritious and versatile food containing protein, fat, vitamins, and minerals. They are easily digested and can be prepared in many ways by utilizing the properties of coagulation, aeration, and emulsification of egg proteins and lecithin when heated. Proper handling and storage of eggs helps maintain quality and safety.
Support Fabrics.pptx
Support fabrics are hidden construction elements that maintain a garment's shape and comfort. They include interfacing/interlining, underlining, and lining. Interfacing/interlining is used to strengthen areas with fasteners. Underlining gives support and opacity. Lining finishes the inside, improves comfort and durability. Fabric choices depend on the fashion fabric's weight/care and the garment type/style. Lining and underlining should be lighter weight and softer than the fashion fabric. Support fabrics are essential hidden elements for maintaining garment structure and performance.
Creating different illusions using silhouettes, lines and colours
Fashion uses illusions through silhouettes, lines, and colors to alter the perceived shape of the body. Silhouettes refer to the overall outline or shape seen against a lit background. Shoulder pads and straight dresses without defined waists create boxier, more tabular silhouettes. A "V" neckline elongates the silhouette. Lines such as vertical, horizontal, diagonal, and curved are used in designs to direct the eye and create movement, with vertical lines slimming and horizontal lines relaxing. Dark colors absorb light and appear smaller, while bright colors draw attention, so strategic color placement can accentuate or minimize certain areas. Combining colors skillfully can manipulate the perceived shape of the entire body.
Fashion drawing
This document provides instructions for drawing a basic fashion figure in 8 steps:
1. Draw a vertical center line and divide it into 8.5 equal sections.
2. Draw the head, shoulders, waist, hips according to the section units.
3. Add details like joint circles and basic limb shapes.
4. Develop the figure by indicating muscles between landmarks like the neck, armpit and hips.
5. Draw curves for the bust and torso between the bust, waist and hip lines.
6. Add a panty line and shape the legs inward at the knees and ankles.
7. Indicate shoe shapes on the feet.
8. Draw arm shapes near the skeletal
Finishing raw edges of hems 2
Finishing raw edges involves techniques like piping, binding, and casing to neatly finish hems and make garments look more polished. Piping inserts a folded fabric strip into seams or hems to define edges. Binding uses a bias strip to encase raw edges. Casing forms a fabric tunnel that can hold elastic or drawstrings, depending on location. The choice of finishing technique considers the fabric texture, garment design, hem placement, and fashion trends.
Types of Facings in sewing
Facings are separate pieces used to finish raw edges of a garment. They can be used to complete openings, finish scalloped edges, or neaten necklines. Common locations for facings include necklines, armholes, fronts and backs of garments, sleeve edges, and sometimes waistlines. There are three main types of facings: shaped, extended, and bias. Guidelines are provided for attaching facings properly in garments. Tips include cutting facings slightly smaller than the garment, altering patterns as needed, interfacing areas with buttonholes, and finishing edges without adding bulk or puckering.
Openings in garments-CSEC Section 7
This document discusses different types of openings used in garment construction. It defines an opening as an accessible space that allows a garment to be worn and removed easily. There are several factors to consider when choosing an opening, including the garment style, fabric, position, and intended wearer. The main types of openings covered are continuous wrap, faced, bound, and fly-front openings. Each type is described and examples are given of where they may be used and common fasteners to close them. Finishing techniques for faced openings are also outlined.
Surface techniques
This slide shows the surface techniques and methods of adding colour to the fabric.
Natural and synthetic dyes
Dyes are used to color textiles and come in two varieties - natural and synthetic. Natural dyes are obtained from plants, insects, and other natural sources while synthetic dyes are manufactured chemically. Both types of dyes can effectively color fabrics but synthetic dyes are often more colorfast and available in a wider range of shades.
Elements and principles of design
This document discusses elements and principles of design as they relate to textiles, clothing, and different body types. It covers line, shape and form, color, texture, rhythm, proportion, emphasis, balance, and harmony. For each element or principle, it describes how they can affect perception of size and shape. For example, it notes that warm colors can make someone appear fuller while dull textures will make them seem smaller. The document instructs students to independently research and share how rhythm and emphasis impact different figures. It aims to teach readers how design fundamentals influence silhouette and perception of the body.
Colour schemes
There are 6 major color schemes according to the CSEC Clothing and Textiles text: monochromatic uses one color and its tints and tones; analogous uses adjacent colors on the color wheel; complementary uses opposite colors on the wheel; split-complementary uses a color and the colors on either side of its complement; triad uses three colors equally spaced on the wheel; and accented neutral includes neutral colors like black or white with small amounts of other colors.
More from Renee Williams-Campbell (12)
Creating different illusions using silhouettes, lines and colours
Creating different illusions using silhouettes, lines and colours
Recently uploaded
International Upcycling Research Network advisory board meeting 4
Slides used for the International Upcycling Research Network advisory board 4 (last one). The project is based at De Montfort University in Leicester, UK, and funded by the Arts and Humanities Research Council.
Top Interior Designers in Bangalore.pdf1
Decormart Studio is widely recognized as one of the best interior designers in Bangalore, known for their exceptional design expertise and ability to create stunning, functional spaces. With a strong focus on client preferences and timely project delivery, Decormart Studio has built a solid reputation for their innovative and personalized approach to interior design.
一比一原版(LSBU毕业证书)伦敦南岸大学毕业证如何办理
学校原件一模一样【微信：6496090 】【(LSBU毕业证书)伦敦南岸大学毕业证成绩单】【微信：6496090 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微6496090
【主营项目】
一.毕业证【q微6496090】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微6496090】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
Actions and Commands:
Tap, Swipe, and Pinch
Rotate and Shake -Buttons -Menu Bars – Menus
Toolbars - Links- Action Panels
Hover Tools - Keyboard Actions- Drag-and-Drop
Typed Commands-Affordance-Direct Manipulation.
Forms and Controls:
Basics of Form Design
Patterns.
AHMED TALAAT ARCHITECTURE PORTFOLIO .pdf
Architectural and constructions management experience since 2003 including 18 years located in UAE.
Coordinate and oversee all technical activities relating to architectural and construction projects,
including directing the design team, reviewing drafts and computer models, and approving design
changes.
Organize and typically develop, and review building plans, ensuring that a project meets all safety and
environmental standards.
Prepare feasibility studies, construction contracts, and tender documents with specifications and
tender analyses.
Consulting with clients, work on formulating equipment and labor cost estimates, ensuring a project
meets environmental, safety, structural, zoning, and aesthetic standards.
Monitoring the progress of a project to assess whether or not it is in compliance with building plans
and project deadlines.
Attention to detail, exceptional time management, and strong problem-solving and communication
skills are required for this role.
定制美国西雅图城市大学毕业证学历证书原版一模一样
原版一模一样【微信：741003700 】【美国西雅图城市大学毕业证学历证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Game Concept Presentation for Ukrainian Mythology Based Game With Designs
The Game Concept created as a Final Project piece for college. Creative Media year 2 student
Practical eLearning Makeovers for Everyone
Welcome to Practical eLearning Makeovers for Everyone. In this presentation, we’ll take a look at a bunch of easy-to-use visual design tips and tricks. And we’ll do this by using them to spruce up some eLearning screens that are in dire need of a new look.
Heuristics Evaluation - How to Guide.pdf
This guide helps identify potential issues related to navigation, clarity, consistency, and other factors that can affect user experience.
Graphic Design Tools and Software .pptx
Explore the essential graphic design tools and software that can elevate your creative projects. Discover industry favorites and innovative solutions for stunning design results.
一比一原版(UW毕业证)西雅图华盛顿大学毕业证如何办理
UW毕业证学历书【微信95270640】做UW文凭、办UW文凭、买UW文凭Q微信95270640买办国外文凭UW毕业证买学历咨询/代办美国毕业证成绩单文凭、办澳洲文凭毕业证、办加拿大大学毕业证文凭英国毕业证学历认证-毕业证文凭成绩单、假文凭假毕业证假学历书制作仿制、改成绩、教育部学历学位认证、毕业证、成绩单、文 凭、UW学历文凭、UW假学位证书、毕业证文凭、、文凭毕业证、毕业证认证、留服认证、使馆认证、使馆证明 、使馆留学回国人员证明、留学生认证、学历认证、文凭认证、学位认证
(诚招代理)办理国外高校毕业证成绩单文凭学位证,真实使馆公证（留学回国人员证明）真实留信网认证国外学历学位认证雅思代考国外学校代申请名校保录开请假条改GPA改成绩ID卡
1.高仿业务:【本科硕士】毕业证,成绩单（GPA修改）,学历认证（教育部认证）,大学Offer,,ID,留信认证,使馆认证,雅思,语言证书等高仿类证书；
2.认证服务: 学历认证（教育部认证）,大使馆认证（回国人员证明）,留信认证（可查有编号证书）,大学保录取,雅思保分成绩单。
3.技术服务：钢印水印烫金激光防伪凹凸版设计印刷激凸温感光标底纹镭射速度快。
办理西雅图华盛顿大学西雅图华盛顿大学毕业证假文凭流程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）
-办理真实使馆公证（即留学回国人员证明）
-办理各国各大学文凭（世界名校一对一专业服务,可全程监控跟踪进度）
-全套服务：毕业证成绩单真实使馆公证真实教育部认证。让您回国发展信心十足！
（详情请加一下 文凭顾问+微信:95270640）欢迎咨询！实伙伴平时山娃上学阿黑也摇头晃脑地跟去暑假用不着上学阿黑更是天天围着山娃转山娃上山除了察看埋下的野兽铁夹子看护早上逐上山的大黄牛外也觅着采草药摘红菇积攒起来拿到镇上卖山娃知道母亲身体不好家里盖新房也欠了不少钱总想趁假期赚点钱在校寄宿时用不着老向爷爷奶奶要盛夏的乡村仍旧清凉清清爽爽的山娃也过得自由自在不知为啥山娃总情不自禁地思念起城里的父亲每年暑假瞅见远乡近邻的小伙伴都争先恐后地往城里跑山娃就更思片
Storytelling For The Web: Integrate Storytelling in your Design Process
In this slides I explain how I have used storytelling techniques to elevate websites and brands and create memorable user experiences. You can discover practical tips as I showcase the elements of good storytelling and its applied to some examples of diverse brands/projects..
一比一原版(BU毕业证)波士顿大学毕业证如何办理
BU毕业证学位证【微信95270640】办理BU毕业证【Q微信95270640】波士顿大学毕业证书原版↑制作波士顿大学学历认证文凭办理波士顿大学留信网认证,留学回国办理毕业证成绩单文凭学历认证【Q微信95270640】专业为海外学子办理毕业证成绩单、文凭制作，学历仿制，回国人员证明、做文凭，研究生、本科、硕士学历认证、留信认证、结业证、学位证书样本、美国教育部认证百分百真实存档可查】
【实体公司】办波士顿大学波士顿大学本科毕业证成绩单学历认证学位证文凭认证办留信网认证办留服认证办教育部认证（网上可查实体公司专业可靠）
— — — 留学归国服务中心 — — -
【主营项目】
一.波士顿大学毕业证成绩单使馆认证教育部认证成绩单等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
国外毕业证学位证成绩单办理流程：
1客户提供波士顿大学波士顿大学本科毕业证成绩单办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。
专业服务请勿犹豫联系我！本公司是留学创业和海归创业者们的桥梁。一次办理终生受用一步到位高效服务。详情请在线咨询办理,欢迎有诚意办理的客户咨询!洽谈。
招聘代理：本公司诚聘英国加拿大澳洲新西兰美国法国德国新加坡各地代理人员如果你有业余时间有兴趣就请联系我们咨询顾问：+微信:95270640知道母亲身体不好家里盖新房也欠了不少钱总想趁假期赚点钱在校寄宿时用不着老向爷爷奶奶要盛夏的乡村仍旧清凉清清爽爽的山娃也过得自由自在不知为啥山娃总情不自禁地思念起城里的父亲每年暑假瞅见远乡近邻的小伙伴都争先恐后地往城里跑山娃就更思念父亲了老想着进父亲的城看看每次从城里洋里洋气地回来小伙伴们总争论着各自到过的城比试比试谁父亲的城最大最美他们大谈城里的新鲜事大谈父亲携他们逛城的快乐事在孩子们幼小的心中地
SECURING BUILDING PERMIT CITY OF CALOOCAN.pdf
How to apply for building permit in the city of Caloocan?
What is a building permit?
Who applies for building permit?
Connect Conference 2022: Passive House - Economic and Environmental Solution...
Passive House: The Economic and Environmental Solution for Sustainable Real Estate. Lecture by Tim Eian of TE Studio Passive House Design in November 2022 in Minneapolis.
- The Built Environment
- Let's imagine the perfect building
- The Passive House standard
- Why Passive House targets
- Clean Energy Plans?!
- How does Passive House compare and fit in?
- The business case for Passive House real estate
- Tools to quantify the value of Passive House
- What can I do?
- Resources
Timeless Principles of Good Design
Timeless Principles of Good Design from my 2015 Presentation at TYPO SF
Impact of Fonts: in Web and Apps Design
Fonts play a crucial role in both User Interface (UI) and User Experience (UX) design. They affect readability, accessibility, aesthetics, and overall user perception.
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Recently uploaded (20)
International Upcycling Research Network advisory board meeting 4
International Upcycling Research Network advisory board meeting 4
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
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Terms related to colour
- 1. TERMS RELATED TO COLOUR Renee Williams-Campbell
- 2. Colour Terms ◦ Introduction: There are many unusual words associated with colour but they are all important, as they will help you gain a solid understanding of how colour works. ◦ The terms relating to colour are 1. Colourimeter, 2. Prism, 3. Value, 4. Intensity, 5. Hue, 6. Saturation, 7. Neutrals, 8. Tints, 9. Shades and 10.Pastels.
- 3. Colorimeter ◦A colorimeter is a device used in colorimetry that measures the absorbance of particular wavelengths of light by a specific solution.
- 4. Prism ◦A prism is a transparent solid body(glass), often having triangular bases, used for dispersing light into a spectrum or for reflecting rays of light. ◦The white light goes in and out comes rainbow colours.
- 5. Value ◦A value in relation to colour is the lightness or darkness or brightness of a colour.
- 6. Intensity Intensity refers to the brightness or dullness of a colour or hue. Brightness: refers to the intensity of a color. How bright or dull is that color?
- 7. Hue Hue is the name given to a colour such as red or blue. It is the purest or brightest form of a colour.
- 8. Saturation Saturation is the amount of white light mixed with a colour. High-saturation colors, such as the circle on the left, contain little or no white light. Brightness refers to intensity, distinguished by the amount of shading mixed with the hue.
- 9. Neutrals Neutral colours can be defined as those colours to which you can't give a definite colour name. Neutrals, in this instance, means lacking or being without colour. White, Black and Grey are classed as neutrals and are the opposite of a pure hue.
- 10. Tints, Tones, Shades The addition of white to a colour or hue is called a tint. The addition of black to a colour is called a shade. The addition of grey to a colour is called a tone.
- 11. Pastels A pastel is a soft, pale colour. They are also apart of the tints family, as they are very light colours.