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Julie Stebbins University of North Texas School of Merchandising & Hospitality Management
Julie O. Stebbins 2500 N Interstate 35 Apt. 74 ¬ Denton, TX  76201 ¬ 817-903-3776 j.steb@yahoo.com Objective: To obtain a management position in retail Summary of Qualifications ,[object Object]
Strong communication and time management skills
Effective with greeting customers
Able to delegate well under pressureEducation Bachelors of Science                                            December 2011 University of North Texas                                  Denton, TX High School Diploma                                        May 2004 Recommended Plan                                          Arlington, TX Arlington High School     Professional Skills Management ,[object Object]
Well organized, manages time well, always arrive early for work and assignmentsComputer Skills ,[object Object]
Willing and able to learn different computer programs and can easily adapt to themAdministration ,[object Object]
Mediated problems between employeesEmployment History Library Assistant 1                                           January 2008 – Present University of North Texas Libraries                Denton, TX Student Assistant                                            August 2004 – December 2007 University of North Texas Libraries                Denton, TX Quiznos Subs                                                     May 2002 – July 2004 Shift Supervisor                                                Arlington, TX
SMHM2360 Aesthetics & Environment Design Element 1 Color Analysis Objectives ,[object Object]
  To develop a color palette based on a specific inspirational piece.
  To understand the various color relationships.
  To understand the emotions tied to various colors.
  To identify examples of color relationships in fashion that elicit the feelings and emotions discussed for each color.Learning Outcomes ,[object Object]
 The inspiration picture by Jackson Pollock represents the relationship between multiple hues and tints of many different colors.

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Stebbins.portfolio. 12.2010

  • 1. Julie Stebbins University of North Texas School of Merchandising & Hospitality Management
  • 2.
  • 3.
  • 4. Strong communication and time management skills
  • 6.
  • 7.
  • 8.
  • 9. Mediated problems between employeesEmployment History Library Assistant 1 January 2008 – Present University of North Texas Libraries Denton, TX Student Assistant August 2004 – December 2007 University of North Texas Libraries Denton, TX Quiznos Subs May 2002 – July 2004 Shift Supervisor Arlington, TX
  • 10.
  • 11. To develop a color palette based on a specific inspirational piece.
  • 12. To understand the various color relationships.
  • 13. To understand the emotions tied to various colors.
  • 14.
  • 15. The inspiration picture by Jackson Pollock represents the relationship between multiple hues and tints of many different colors.
  • 16. Realized the connection between art and fashion.
  • 17. Coral jewelry helps represent the color inspiration for not only fashion but also accessories.
  • 18.
  • 19.
  • 20. To understand how space affects a work of art.
  • 21. To appreciate how line expresses feelings and emotions
  • 22. To recognize how line and space can communicate symbolic meanings.
  • 23.
  • 24. The various line qualities include curved lines which help express femininity and vertical lines that are strong and add more length to the pieces.
  • 25. The diagonal lines also add a sense of energy, movement, and strength.
  • 26. The intended space includes unfilled, pictorial and illusionistic space.
  • 27.
  • 28.
  • 29. To value how products convey the intended shape and form
  • 30.
  • 31. The use of geometric shapes like, triangles and rectangles, express the silhouette of each piece.
  • 32. One silhouette has a bell shape for the skirt, while the opposite silhouette has a tubular shape to the jacket.
  • 33. The form of each garment helps to visualize the use of pyramids and cylinders that influence the silhouette in many fashion garments.
  • 34.
  • 35.
  • 36. To discover new and upcoming texture trends in the fashion industry
  • 37. To comprehend how textures convey expressive and symbolic qualities.
  • 38.
  • 39. This trend will be successful for the target market because of the sheer fabric and dark colors that have been used on the runways for this coming fall season.
  • 40. Many textures have been used including the roughness of the chiffon blouses, the shine of the leather in the boots, along with the shine of the cotton fabric used for the nude dress.
  • 41. The leather boots show much tactile texture, with the added buckles and laces, while the shine of the finish on the leather, the use of lace and fur, the shiny surface of the nude dress along with some of the lace, and the trend board background add a visual texture to the pieces.
  • 42.
  • 43.
  • 44. To Understand the variety ofBalance, for example, symmetrical, asymmetrical, horizontal, vertical and radial balance.
  • 45. To understand the types of Rhythm, for example, metric, flowing, swirling, and climatic rhythm.
  • 46.
  • 47. Both images represent how different types of balancecan be used to make design aesthetically pleasing to the viewer.
  • 48. Flowing rhythm is shown in the impressions of the tire tracks, while metric rhythm is represented by the art piece.
  • 49. Rhythm can not only be created through art and music but can occur naturally in everything that surrounds us.
  • 50. Emphasis is created by the contrast of size, shape, color, and/or value of units in a form.
  • 51. The eye is drawn to the chair because of the use of brighter colors, this is a representation of emphasis on placement along with the use of color.
  • 52. The emphasis of light is used again in the second image and helps the eye to not only focus on the night time traffic but also the flowing rhythm of it.
  • 53. Aesthetically Pleasing Design Principles Radial Balance Asymmetrical Balance 1 1 1 1 1 1 1 Flowing Rhythm Metric Rhythm Emphasis using light Emphasis on Placement
  • 54.
  • 55. To recognize that scale is the size relationship to an outside unit of measurement
  • 56. To comprehend how proportion and scale are displayed in apparel.
  • 57.
  • 58. By playing with the scale of the pictures each part of the body is emphasized differently.
  • 59. The use of cutting and sewing techniques, textures, and patterns reveal the effects of scale and proportion in each garment.
  • 60. For an ideal body shape, more emphasis is placed on the waist, or the shoulders to help the waist look smaller.
  • 61.