This document provides an overview of the history and types of painting. It begins with a brief history starting from cave paintings and progresses through Egyptian, Medieval, Renaissance, Impressionist, and 20th century styles. It then describes the main types of paint including tempera, oil, watercolor, gouache, acrylic, encaustic, and casein. The next sections cover paint materials such as pigments, binders, and vehicles. Paint supplies like brushes, surfaces, primer/gesso, and varnishes are also summarized.
The document provides an overview of various drawing, painting, printmaking, and clay techniques. It discusses the purposes of drawing including preparation for larger works and completed drawings. It describes different shading techniques like hatching and stippling. It explains contour, blind contour, and gesture drawings. For painting, it outlines the components of paint and different painting mediums like tempera, oil, acrylic, and watercolor. It provides details on egg tempera, oil painting, acrylic, and watercolor techniques. It also discusses clay terms, clay figures, and different clay techniques including glazing, kilns, and firing. Finally, it summarizes basic printmaking methods like relief, intaglio, lithography, and
The document discusses different painting styles, techniques, and media. It describes painting as applying paint, pigment, or color to a surface using tools like brushes. Some key styles mentioned are fresco, tempera, oil painting, and mural painting. A variety of painting media are also outlined, including pencils, charcoal, pastels, pen and ink, brush and ink, encaustic, watercolor, acrylics, and more. The document provides examples and details about each technique and medium to inform readers about the variety of options available for painting.
This document provides information on various painting mediums and techniques including:
- Tempera, which uses pigments mixed with egg yolk or whole egg, was popular for centuries but fell out of favor with the introduction of oil painting.
- Oil painting consists of ground pigments combined with linseed oil and allows for blending of colors and reworking of areas.
- Acrylic paint is a mixture of pigment and plastic that can be used on more surfaces than oil paint.
- Watercolor, also called aquarelle, uses transparent films of paint on an absorbent surface and has advantages of being portable but corrections are not possible.
- Spray paint raises questions about its purpose and whether it
Drawing is the most basic of the visual arts. It can be done with dry media like pencil, charcoal, chalk or pastel on paper or wet media like pen and ink or brush and ink. Historically, drawing was done with materials like silverpoint or quill pens. Modern drawing explores new approaches and surfaces beyond traditional paper. It serves purposes from sketches to fully developed works of art.
ARTS - Mediums of the Visual Arts: Painting, Sculpture and ArchitectureJewel Jem
Mediums of the Visual Arts: Painting, Sculpture and Architecture.
A short presentation about Painting, Sculpture and Architecture, its meanings, types, examples and photos.. Art for High Schoolers.
Man Group was recognised as a partner who mirrored the quality, integrity and longevity of the Booker Prize. The prize underscores Man Group's charitable focus on literacy and education as well as the firm’s commitment to excellence and entrepreneurship.
This document provides information on mediums and techniques used in visual arts. It discusses 2D mediums like watercolor, fresco, pastels, oils, tempera, acrylics and stained glass. It also touches on 3D mediums like stone, metal and wood used mainly in sculpture. Printing techniques like relief, intaglio and planographic printing are explained. Photography is defined as drawing with light using an instant camera to capture images. The document ends with sample review questions to test comprehension.
The document discusses different mediums used in visual arts including painting, sculpture, and architecture. For painting, it describes the materials and techniques used for oil painting, tempera, watercolor, pastel, fresco, and acrylic painting. For sculpture, it discusses various materials like stone, bronze, wood, ivory, terra cotta and their properties. It also explains subtractive and additive sculpture processes. For architecture, it outlines common building materials and structural styles like post-and-lintel, arch, and cantilever constructions.
The document provides an overview of various drawing, painting, printmaking, and clay techniques. It discusses the purposes of drawing including preparation for larger works and completed drawings. It describes different shading techniques like hatching and stippling. It explains contour, blind contour, and gesture drawings. For painting, it outlines the components of paint and different painting mediums like tempera, oil, acrylic, and watercolor. It provides details on egg tempera, oil painting, acrylic, and watercolor techniques. It also discusses clay terms, clay figures, and different clay techniques including glazing, kilns, and firing. Finally, it summarizes basic printmaking methods like relief, intaglio, lithography, and
The document discusses different painting styles, techniques, and media. It describes painting as applying paint, pigment, or color to a surface using tools like brushes. Some key styles mentioned are fresco, tempera, oil painting, and mural painting. A variety of painting media are also outlined, including pencils, charcoal, pastels, pen and ink, brush and ink, encaustic, watercolor, acrylics, and more. The document provides examples and details about each technique and medium to inform readers about the variety of options available for painting.
This document provides information on various painting mediums and techniques including:
- Tempera, which uses pigments mixed with egg yolk or whole egg, was popular for centuries but fell out of favor with the introduction of oil painting.
- Oil painting consists of ground pigments combined with linseed oil and allows for blending of colors and reworking of areas.
- Acrylic paint is a mixture of pigment and plastic that can be used on more surfaces than oil paint.
- Watercolor, also called aquarelle, uses transparent films of paint on an absorbent surface and has advantages of being portable but corrections are not possible.
- Spray paint raises questions about its purpose and whether it
Drawing is the most basic of the visual arts. It can be done with dry media like pencil, charcoal, chalk or pastel on paper or wet media like pen and ink or brush and ink. Historically, drawing was done with materials like silverpoint or quill pens. Modern drawing explores new approaches and surfaces beyond traditional paper. It serves purposes from sketches to fully developed works of art.
ARTS - Mediums of the Visual Arts: Painting, Sculpture and ArchitectureJewel Jem
Mediums of the Visual Arts: Painting, Sculpture and Architecture.
A short presentation about Painting, Sculpture and Architecture, its meanings, types, examples and photos.. Art for High Schoolers.
Man Group was recognised as a partner who mirrored the quality, integrity and longevity of the Booker Prize. The prize underscores Man Group's charitable focus on literacy and education as well as the firm’s commitment to excellence and entrepreneurship.
This document provides information on mediums and techniques used in visual arts. It discusses 2D mediums like watercolor, fresco, pastels, oils, tempera, acrylics and stained glass. It also touches on 3D mediums like stone, metal and wood used mainly in sculpture. Printing techniques like relief, intaglio and planographic printing are explained. Photography is defined as drawing with light using an instant camera to capture images. The document ends with sample review questions to test comprehension.
The document discusses different mediums used in visual arts including painting, sculpture, and architecture. For painting, it describes the materials and techniques used for oil painting, tempera, watercolor, pastel, fresco, and acrylic painting. For sculpture, it discusses various materials like stone, bronze, wood, ivory, terra cotta and their properties. It also explains subtractive and additive sculpture processes. For architecture, it outlines common building materials and structural styles like post-and-lintel, arch, and cantilever constructions.
Drawing is a familiar artistic medium that uses basic materials like pencils, pens, and chalk. It can be used for preliminary studies, illustrations, self-expression, or as a final work of art. A wide variety of drawing techniques exist using both dry media like graphite, charcoal, chalk, and wet media like ink. Artists experiment with new approaches and purposes for drawing.
The document provides an overview of various painting terms, materials, and techniques including pigments, binders, supports, fresco, tempera, oil painting, watercolor, gouache, acrylics, and collage. It also discusses important artists who worked in these mediums like Van Eyck, Michelangelo, Wyeth, Homer, and Picasso. The chapter concludes with details on 5 watercolor techniques students are asked to demonstrate in an in-class project.
This document provides an overview of watercolor painting techniques. It discusses the basics of watercolor paints, including different types of paints and how pigment interacts with water. It also covers tools for watercolor painting like brushes, palettes, and paper. Specific paper types are described along with their properties. Brush types are defined and brush care is discussed. The document serves as a beginner's guide to understanding watercolor materials and techniques.
This document summarizes the history and characteristics of colored pencils. It explains that colored pencils have a pigmented core encased in wood, unlike graphite or charcoal pencils. Their cores contain pigments, additives, and binding agents. While the exact history is unclear, wax-based drawing mediums date back to ancient Greece. In the early 20th century, colored pencils for artists were first widely produced. The Colored Pencil Society of America was founded in 1990 to promote colored pencil art. Artist-grade colored pencils have higher pigment ratios and better lightfastness than student grades. Techniques like layering, gradating, and scumbling can be used in
This document discusses colored pencils as an art medium. It describes that colored pencils have a pigmented core encased in wood, unlike graphite or charcoal pencils. The history of colored pencils can be traced back to wax-based mediums used in ancient Greece and Rome. In the early 20th century, artist-quality colored pencils were first produced by manufacturers like Faber-Castell and Caran d'Ache. The Colored Pencil Society of America was founded in 1990 to promote colored pencil art and set standards for lightfastness. The document also describes techniques for using colored pencils and different types like verithins and watercolor pencils.
This document provides information about pastels and chalk pastels as an art medium. It discusses the history and origins of pastels in Northern Italy in the 16th century. It explains that pastels are made by combining dry pigments with binders like kaolin clay. The document notes that chalk pastels are suitable for beginners while soft pastels require more skill. It provides details on various pastel techniques like blending, layering colors, and using textured paper grounds.
This document provides information about frescoes and fantasy frescoes. It begins with definitions of frescoes and a brief history. It describes the materials used to create frescoes and the surfaces they can be applied to, including floors, walls and ceilings. The document provides step-by-step instructions for creating a fresco and discusses common subject matters like religion, plants, animals and fantasy themes from stories, myths and legends. It includes photos of fantasy frescoes depicting children's tales, myths and legends, as well as frescoes invented by artists and those painted on floors. In the end, it notes that the document was created as part of a Comenius project funded by the EU to teach students about mural painting techniques
This document provides a review of key concepts from chapters in an Art Appreciation course, covering topics like drawing, painting, prints, photography, graphic design, sculpture, and crafts. It defines important terms for different media and techniques. The most common drawing materials are listed as pencil and charcoal. In painting, the primary media discussed are encaustic, fresco, tempera, oil, watercolor, gouache and acrylic. The four basic printmaking methods are relief, intaglio, lithography and screenprinting. Photography, film, and video are grouped as camera arts. Graphic design focuses on communication through layout and typography. Sculpture techniques include modeling, carving, casting and
The different media of the visual arts.pptxAkiCreus2
This document discusses different media used in visual arts. It describes graphic or two-dimensional arts such as drawing, which can be done using pencils, ink, pastels, charcoal, and paper. Specific shading and blending techniques for each medium are outlined. Painting media like watercolors, gouache, oils, tempera, fresco, and acrylics are also discussed. Additional visual art forms summarized include mosaic, collage, printmaking techniques like relief, intaglio, and surface printing.
Ackland Art Museum - Japanese Painting Conservation Iacklandartmuseum
This document summarizes the conservation treatment and remounting of the 1860 Japanese painting "One Hundred Birds Admiring the Peacock" at the Nishio Conservation Studio in Washington, D.C. The painting had been damaged by a crude cardboard backing and the silk was brittle and dark. Conservators removed the backing layer by layer, cleaned the silk, lined the silk with Japanese paper, filled losses in the silk with replacement silk, and remounted it on a new support. The treatment addressed damage and prepared the painting to be enjoyed for generations to come.
This document provides an overview of painting materials and techniques. It discusses the three components of paint - pigment, binder, and solvent. It describes different types of paints like tempera, watercolor, acrylic, oil, gouache, encaustic, and casein. It also outlines various painting techniques such as brushstroke, glaze, wash, and layering. Finally, it provides instructions for creating a monochromatic value scale using tempera paint.
The document provides information on oil painting techniques for beginners, including how to prepare an oil painting canvas. It discusses stretching the canvas, applying gesso or primer, and determining the focal point of a painting through composition techniques. The key steps for canvas preparation involve stretching it tightly on a frame before priming, and applying gesso in multiple thin coats for an even surface. To establish a focal point, an artist can use techniques like the rule of thirds, lighting and contrast, leading lines, and de-emphasizing surrounding areas.
an, develop and implement art and art history curriculum to meet learning goals. Purchase art materials and maintain the inventory of art materials. Prepare and arrange art materials and art equipment in the classroom for students to use. Deliver lectures to students on art, art techniques, art history, and aesthetics
Paper mache is an art form that uses paper pieces or pulp molded and bonded together with glue or paste to form 3D objects. It has been used to create decorative boxes, masks, dolls, sculptures, furniture, architectural features, boats, and observatory domes. Common terms for paper mache include papier mache and papier maché, originating from French. Many countries have developed paper mache traditions, like Russian lacquered boxes, Korean hanji sculptures, and Mexican skull designs. It is a versatile material that can be used for both decorative and functional creations.
The document provides instructions for a painting lesson that teaches students about color schemes and the elements of design. It outlines class objectives such as a tutorial on brush care and painting techniques. Students will complete a painted color wheel and design a coat of arms with symbols representing their team members and incorporating their selected color scheme. The lesson teaches vocabulary like primary colors and parts of the brush, while emphasizing principles of using color in art.
The document discusses the technique of rendering, which uses illusionistic drawing methods and references from the real world to create illusions of form, space, texture, and composition. It provides steps for rendering an imaginary shell design, including drawing the shapes, adding patterns and details, experimenting with colors, and using pencils and pastels to create form and add patterns. The document also includes examples of student rendering works on proposed jewelry designs with healing properties.
Two-dimensional art uses length and width but no depth. It includes drawing, painting, printmaking, mixed media, and camera arts. Drawing is the most basic art form and can use dry media like graphite, charcoal, pastels or liquid media like pen and ink. Painting classifications include fresco, tempera, oil, acrylic, and watercolor which use different pigments, binders, and techniques. Two-dimensional art provides a variety of options for artists to creatively express themselves.
Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. A roller or squeegee is used to force ink through the mesh onto the substrate, creating a sharp-edged image. It is also known as silkscreen printing. Etching is an intaglio printing process where an image is incised into a surface like copper or zinc. The incised lines are then filled with ink to create the print. Woodcut is a relief print where the artist cuts away sections of a block of wood to leave the image in raised areas. The raised areas are then inked before the print is taken.
Understand print-based media production techniques and technologyKerry
Intaglio, lithography, woodcut, linocut, and screen printing are printmaking techniques. Intaglio involves incising an image into a plate then rubbing ink into the incisions to transfer the image to paper under pressure. Lithography uses a grease-based image on stone or aluminum that repels water but not oil-based ink. Woodcut and linocut involve cutting away sections of a wood or linoleum block to leave a raised surface for printing. Screen printing uses a woven mesh screen with an ink-blocking stencil to transfer ink through the mesh onto paper or fabric.
A presentation that outlines two assignments on paint handling and how to handle paint. Students are offered a choice between the two styles and are allowed to explore them in a painting. They must follow the individual objectives and criteria for each assignment.
Drawing is a familiar artistic medium that uses basic materials like pencils, pens, and chalk. It can be used for preliminary studies, illustrations, self-expression, or as a final work of art. A wide variety of drawing techniques exist using both dry media like graphite, charcoal, chalk, and wet media like ink. Artists experiment with new approaches and purposes for drawing.
The document provides an overview of various painting terms, materials, and techniques including pigments, binders, supports, fresco, tempera, oil painting, watercolor, gouache, acrylics, and collage. It also discusses important artists who worked in these mediums like Van Eyck, Michelangelo, Wyeth, Homer, and Picasso. The chapter concludes with details on 5 watercolor techniques students are asked to demonstrate in an in-class project.
This document provides an overview of watercolor painting techniques. It discusses the basics of watercolor paints, including different types of paints and how pigment interacts with water. It also covers tools for watercolor painting like brushes, palettes, and paper. Specific paper types are described along with their properties. Brush types are defined and brush care is discussed. The document serves as a beginner's guide to understanding watercolor materials and techniques.
This document summarizes the history and characteristics of colored pencils. It explains that colored pencils have a pigmented core encased in wood, unlike graphite or charcoal pencils. Their cores contain pigments, additives, and binding agents. While the exact history is unclear, wax-based drawing mediums date back to ancient Greece. In the early 20th century, colored pencils for artists were first widely produced. The Colored Pencil Society of America was founded in 1990 to promote colored pencil art. Artist-grade colored pencils have higher pigment ratios and better lightfastness than student grades. Techniques like layering, gradating, and scumbling can be used in
This document discusses colored pencils as an art medium. It describes that colored pencils have a pigmented core encased in wood, unlike graphite or charcoal pencils. The history of colored pencils can be traced back to wax-based mediums used in ancient Greece and Rome. In the early 20th century, artist-quality colored pencils were first produced by manufacturers like Faber-Castell and Caran d'Ache. The Colored Pencil Society of America was founded in 1990 to promote colored pencil art and set standards for lightfastness. The document also describes techniques for using colored pencils and different types like verithins and watercolor pencils.
This document provides information about pastels and chalk pastels as an art medium. It discusses the history and origins of pastels in Northern Italy in the 16th century. It explains that pastels are made by combining dry pigments with binders like kaolin clay. The document notes that chalk pastels are suitable for beginners while soft pastels require more skill. It provides details on various pastel techniques like blending, layering colors, and using textured paper grounds.
This document provides information about frescoes and fantasy frescoes. It begins with definitions of frescoes and a brief history. It describes the materials used to create frescoes and the surfaces they can be applied to, including floors, walls and ceilings. The document provides step-by-step instructions for creating a fresco and discusses common subject matters like religion, plants, animals and fantasy themes from stories, myths and legends. It includes photos of fantasy frescoes depicting children's tales, myths and legends, as well as frescoes invented by artists and those painted on floors. In the end, it notes that the document was created as part of a Comenius project funded by the EU to teach students about mural painting techniques
This document provides a review of key concepts from chapters in an Art Appreciation course, covering topics like drawing, painting, prints, photography, graphic design, sculpture, and crafts. It defines important terms for different media and techniques. The most common drawing materials are listed as pencil and charcoal. In painting, the primary media discussed are encaustic, fresco, tempera, oil, watercolor, gouache and acrylic. The four basic printmaking methods are relief, intaglio, lithography and screenprinting. Photography, film, and video are grouped as camera arts. Graphic design focuses on communication through layout and typography. Sculpture techniques include modeling, carving, casting and
The different media of the visual arts.pptxAkiCreus2
This document discusses different media used in visual arts. It describes graphic or two-dimensional arts such as drawing, which can be done using pencils, ink, pastels, charcoal, and paper. Specific shading and blending techniques for each medium are outlined. Painting media like watercolors, gouache, oils, tempera, fresco, and acrylics are also discussed. Additional visual art forms summarized include mosaic, collage, printmaking techniques like relief, intaglio, and surface printing.
Ackland Art Museum - Japanese Painting Conservation Iacklandartmuseum
This document summarizes the conservation treatment and remounting of the 1860 Japanese painting "One Hundred Birds Admiring the Peacock" at the Nishio Conservation Studio in Washington, D.C. The painting had been damaged by a crude cardboard backing and the silk was brittle and dark. Conservators removed the backing layer by layer, cleaned the silk, lined the silk with Japanese paper, filled losses in the silk with replacement silk, and remounted it on a new support. The treatment addressed damage and prepared the painting to be enjoyed for generations to come.
This document provides an overview of painting materials and techniques. It discusses the three components of paint - pigment, binder, and solvent. It describes different types of paints like tempera, watercolor, acrylic, oil, gouache, encaustic, and casein. It also outlines various painting techniques such as brushstroke, glaze, wash, and layering. Finally, it provides instructions for creating a monochromatic value scale using tempera paint.
The document provides information on oil painting techniques for beginners, including how to prepare an oil painting canvas. It discusses stretching the canvas, applying gesso or primer, and determining the focal point of a painting through composition techniques. The key steps for canvas preparation involve stretching it tightly on a frame before priming, and applying gesso in multiple thin coats for an even surface. To establish a focal point, an artist can use techniques like the rule of thirds, lighting and contrast, leading lines, and de-emphasizing surrounding areas.
an, develop and implement art and art history curriculum to meet learning goals. Purchase art materials and maintain the inventory of art materials. Prepare and arrange art materials and art equipment in the classroom for students to use. Deliver lectures to students on art, art techniques, art history, and aesthetics
Paper mache is an art form that uses paper pieces or pulp molded and bonded together with glue or paste to form 3D objects. It has been used to create decorative boxes, masks, dolls, sculptures, furniture, architectural features, boats, and observatory domes. Common terms for paper mache include papier mache and papier maché, originating from French. Many countries have developed paper mache traditions, like Russian lacquered boxes, Korean hanji sculptures, and Mexican skull designs. It is a versatile material that can be used for both decorative and functional creations.
The document provides instructions for a painting lesson that teaches students about color schemes and the elements of design. It outlines class objectives such as a tutorial on brush care and painting techniques. Students will complete a painted color wheel and design a coat of arms with symbols representing their team members and incorporating their selected color scheme. The lesson teaches vocabulary like primary colors and parts of the brush, while emphasizing principles of using color in art.
The document discusses the technique of rendering, which uses illusionistic drawing methods and references from the real world to create illusions of form, space, texture, and composition. It provides steps for rendering an imaginary shell design, including drawing the shapes, adding patterns and details, experimenting with colors, and using pencils and pastels to create form and add patterns. The document also includes examples of student rendering works on proposed jewelry designs with healing properties.
Two-dimensional art uses length and width but no depth. It includes drawing, painting, printmaking, mixed media, and camera arts. Drawing is the most basic art form and can use dry media like graphite, charcoal, pastels or liquid media like pen and ink. Painting classifications include fresco, tempera, oil, acrylic, and watercolor which use different pigments, binders, and techniques. Two-dimensional art provides a variety of options for artists to creatively express themselves.
Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. A roller or squeegee is used to force ink through the mesh onto the substrate, creating a sharp-edged image. It is also known as silkscreen printing. Etching is an intaglio printing process where an image is incised into a surface like copper or zinc. The incised lines are then filled with ink to create the print. Woodcut is a relief print where the artist cuts away sections of a block of wood to leave the image in raised areas. The raised areas are then inked before the print is taken.
Understand print-based media production techniques and technologyKerry
Intaglio, lithography, woodcut, linocut, and screen printing are printmaking techniques. Intaglio involves incising an image into a plate then rubbing ink into the incisions to transfer the image to paper under pressure. Lithography uses a grease-based image on stone or aluminum that repels water but not oil-based ink. Woodcut and linocut involve cutting away sections of a wood or linoleum block to leave a raised surface for printing. Screen printing uses a woven mesh screen with an ink-blocking stencil to transfer ink through the mesh onto paper or fabric.
A presentation that outlines two assignments on paint handling and how to handle paint. Students are offered a choice between the two styles and are allowed to explore them in a painting. They must follow the individual objectives and criteria for each assignment.
The document traces the history of football from its origins over 2000 years ago in China and other parts of Asia to its modern form that developed in England in the 1860s. It discusses early versions of the game that were played in China, Japan, Greece, and Rome. Football grew more popular in Europe during the Middle Ages and variations of the game were being played widely in England by the 14th century. However, the sport lacked unified rules until the Football Association was formed in 1863 in England, establishing the first modern set of rules. This helped football spread around the world and led to the formation of FIFA in the early 20th century to govern international competition.
The document summarizes regulations from the Indiana Department of Environmental Management (IDEM) regarding volatile organic compounds (VOCs) and hazardous air pollutants (HAPs) for automobile refinishing under 326 IAC 8-10 and 40 CFR 63 Subpart HHHHHH. It provides definitions of key terms, exemptions, coating category limitations, training requirements, recordkeeping, and resources for helping refinishing shops comply with the regulations to reduce VOC and HAP emissions. IDEM's Compliance & Technical Assistance Program (CTAP) aims to help refinishing shops understand and meet the regulatory requirements through free and confidential assistance.
The document discusses nanocoatings and coatings in general. It defines coatings as coverings applied to surfaces to improve properties like appearance, corrosion resistance, and wear resistance. Coatings are often multi-layer systems with different layers providing specific functions. Nanocoatings add nano-materials to coatings to improve properties and add multi-functionality due to the small particle size. The document discusses types of coatings including inorganic, organic, and self-assembled nanophase coatings. It also outlines various coating techniques and applications of functional coatings and nanoparticles in coatings.
This document provides an overview of coatings and surface engineering capabilities at TWI Ltd. It describes their staff and sites focusing on coatings and materials. It highlights sectors of interest like aerospace, oil/gas, and technologies like anti-corrosion coatings, hydrophobic coatings, and surface modification. Examples of projects involving functional coatings, composite tool coatings, and anti-icing coatings are summarized. Testing capabilities and facilities for thermal spray coatings and plasma electrolytic oxidation are also mentioned.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
3. BEGINNINGS
Cave Paintings: Outlines of everyday
made from the Earth.
Egyptian Artists: New colors invented
(greens & blues) on Papyrus.
Medieval times: Illuminated manuscripts
were developed on parchment & vellum.
Brushes were made of natural hair.
Tempera Paint was used.
Renaissance: Fresco was used heavily before the invention
of oil & varnishes. Canvas also began being used heavily.
4. BEGINNINGS
Impressionism / 19th century
– saw the introduction of
collapsible tube paints and
newer colors. Allowed artists to
move out of the studio. “en
plein air”
20th century – Smooth flat
colors. Collage was added.
7. Tempera
Water based, egg binder,
used prior to 1400’s, colors
cannot be mixed, narrow
range, fast-drying
http://www.artlex.com/ArtLex/t/tempera.html
8. Oil Paint
Easily mixed, more
permanent, used after 1400,
slow-drying, can be used in
thin layers called glazes or in
thick lumps to make an
impasto surface.
9. Watercolor
(Aquarelle)
Most common water-based
paint, transparent. White paint is
seldom used to lighten paint
(water is used ) Light colors are
applied first, then dark, working
from background to foreground.
http://www.artlex.
com/ArtLex/wxyz/
watercolor.html
10. Gouache
Water-based opaque paint, it
has more body and dries more
slowly than watercolor.
Similar to tempera.
http://www.artlex.com/ArtLex/g/gouache.html
11. Acrylic Paint
Synthetic paint with plastic
binder
Recent (20th century), versatile,
similar to oil but dries faster, not
as shiny
http://www.artlex.com/ArtLex/a/acrylicpaints.html
12. Encaustic
Ancient process of mixing
pigments with wax, and then
ironing the mixture to a surface.
http://www.artlex.com/ArtLex/e/encaustic.html
13. Casein Painting
Uses milk protein as a binder,
glue-like consistency
Too brittle to be used on
canvas.
http://www.sinopia.com/casein.html
14. Fresco
Mixing pigments with plaster
(walls, ceilings)
Buon “true” Fresco: paint is
bound in the wet plaster
Fresco secco: paint is applied
to dry plaster.
http://www.artlex.com/ArtLex/f/fresco.html
24. BRUSH
SHAPE
Angular – For precise strokes and
for lines & curves. Reach small
areas with the toe & fill corners.
Bright – For short, controlled
strokes. Better for working up close
rather than further away from your
ground.
25. BRUSH
SHAPE
Fan – Useful for smoothing,
blending, & feathering; special
effects and textures.
Filbert (Oval) – Blending;
combination of rounds (details) &
flats (over more space).
26. BRUSH
SHAPE
Flat – Use for bold, sweeping strokes
or on edge for fine lines. Provides
lots of coverage and easy
maneuverability. Ideal for Impasto &
Varnishing. All media.
Round – Sketching, outlining,
detailed work, controlled washes,
filling in small areas. All media.
27. BRUSH
SHAPE
Pointed Round – Fine detailing
& lines, delicate areas, spotting
and retouching. All media.
Detail Round – Details & short
strokes.
31. Painting Surfaces
• Canvas
• Hardwood Panels
• Hardboard Panels
• Metals
• Plastics
• Impermanent Materials
• Paper
– Acrylic Paper
– Watercolor Paper
– Other Papers
32. Hardwood Panels
• Hardwood Panels
– Oak
– Birch
– Mahogany
– Walnut
PROS: Long lasting
CONS: Very heavy &
expensive.
33. Hardboard Panels
• As referred to as
Masonite.
• Made from a
mixture of wood
fibers through a
heat/pressure
process.
PROS: Cheap & Durable.
CONS: Can bend & warp
over time.
34. Hardboard Panels
• MDF board is a
more recent
hardboard.
• Stands for
Medium-Density
Fiberboard (MDF).
PROS: Cheap, Durable &
Long-lasting.
CONS: Toxic due to the
resin used to make it.
35. Metal & Plastics
PROS: New look;
Experimentation.
CONS: Needs to be sanded
first to give tooth and remove
“shiny.”
*Must have something to grip
to.
37. Paper
• Acrylic Paper
• Watercolor Paper
– Artists’ grade
– Students’ grade
• Bark papers
(Homemade)
PROS: Durable & Strong.
CONS: If not preserved
properly then it will not last.
38. Canvas
• Either linen or cotton.
• Fibers glued to a panel
or stretched over a
frame.
• Each fiber contains
different textures or
weights.
PROS: Versatility.
CONS: Expensive
39. Canvas
• Texture = the weave.
– Finely woven = smooth
– Loosely woven = rough
• Weight = thread density.
– Higher the weight, the
better quality.
Linen is the best and
most expensive, but
will last the longest.
42. Primer / Gesso
Primer is a type of “ground.”
Primer allows paint to adhere to a surface by making
it more absorbent and providing tooth for the paint to
grip.
Acrylic primer is often called “gesso.”
Traditional gesso is made from animal glue & chalk.
44. Varnishes
Applied as a
finish protective
coating to a
painting.
Protects from
dust, UV rays,
humidity, scuffing
and yellowing.
Three Main Types:
Gloss, Matte, & Satin.
Two Different Formulations:
Resin & Polymer
Editor's Notes
Sable: The ultimate soft brush is made from the hairs on the tail of a sable marten; these taper naturally, so when they're put into a brush they form a point. Sable brushes are expensive, but are renowned for their softness, flexibility, and fine point.
Squirrel: Cheaper than sable, squirrel is a soft hair with little spring. Larger squirrel brushes work better than smaller ones because the mass of hairs together gives them support.
Hog/bristle: The ultimate hard brush is made from the hairs on the back of a pig (hog), which are strong yet springy. The bristles have natural split-ends, which increases the amount of paint they hold. Used for oils and acrylics.
Camel: Brushes labeled 'camel' hair are really made from other types of soft hair. Camel hair is unsuitable for brushes because it's too woolly.
Ox: Long, strong and springy hair.
Pony: Coarse hair that doesn't form a good point. Often used in cheaper brushes
Goat: Lacks spring, but forms a good point. Used in calligraphy and Chinese Brush painting.
Nylon is a synthetic fiber specially treated to taper toward the tip. The fibers form flat brushes which are very suitable for acrylic painting. However, they are not capable of forming the point required for traditional watercolor painting or for round oil color brushes. Additionally, they don't hold oils in the same manner as bristles. White Synthetic Sable is the industry's answer to quality at an economical price. Synthetic sable brushes are made of high-quality, long-lasting artificial hair. The important difference between these brushes and common straight-line synthetics is that each hair is tapered to come to a point. They are as soft and resilient as natural sable, but at a fraction of the cost.
Angular – For precise strokes and for lines and curves with thick or heavy color. Watercolor or acrylic
Bright – For short, controlled strokes, and with thick or heavy color. Oil or acrylic.
Fan – Useful for smoothing and blending, special effects and textures. All media.
Filbert (Oval) – Soft rounded edges, the filbert is suitable for blending and figurative work. Oil and acrylic.
Egbert – Soft, rounded edges, blending, figurative work. Oil and acrylic.
Flat – Use for bold, sweeping strokes or on edge for fine lines. Provides lots of coverage and easy maneuverability. All media.
Round – Useful for detail, wash, fills and thin to thick lines. All media.
Pointed Round – Fine detailing, fine lines, spotting and retouching. All media.
Detail Round – Details & short strokes. Holds more than you might think.
Angular – For precise strokes and for lines and curves with thick or heavy color. Watercolor or acrylic
Bright – For short, controlled strokes, and with thick or heavy color. Oil or acrylic.
Fan – Useful for smoothing and blending, special effects and textures. All media.
Filbert (Oval) – Soft rounded edges, the filbert is suitable for blending and figurative work. Oil and acrylic.
Egbert – Soft, rounded edges, blending, figurative work. Oil and acrylic.
Flat – Use for bold, sweeping strokes or on edge for fine lines. Provides lots of coverage and easy maneuverability. All media.
Round – Useful for detail, wash, fills and thin to thick lines. All media.
Pointed Round – Fine detailing, fine lines, spotting and retouching. All media.
Detail Round – Details & short strokes. Holds more than you might think.
Angular – For precise strokes and for lines and curves with thick or heavy color. Watercolor or acrylic
Bright – For short, controlled strokes, and with thick or heavy color. Oil or acrylic.
Fan – Useful for smoothing and blending, special effects and textures. All media.
Filbert (Oval) – Soft rounded edges, the filbert is suitable for blending and figurative work. Oil and acrylic.
Egbert – Soft, rounded edges, blending, figurative work. Oil and acrylic.
Flat – Use for bold, sweeping strokes or on edge for fine lines. Provides lots of coverage and easy maneuverability. All media.
Round – Useful for detail, wash, fills and thin to thick lines. All media.
Pointed Round – Fine detailing, fine lines, spotting and retouching. All media.
Detail Round – Details & short strokes. Holds more than you might think.
Angular – For precise strokes and for lines and curves with thick or heavy color. Watercolor or acrylic
Bright – For short, controlled strokes, and with thick or heavy color. Oil or acrylic.
Fan – Useful for smoothing and blending, special effects and textures. All media.
Filbert (Oval) – Soft rounded edges, the filbert is suitable for blending and figurative work. Oil and acrylic.
Egbert – Soft, rounded edges, blending, figurative work. Oil and acrylic.
Flat – Use for bold, sweeping strokes or on edge for fine lines. Provides lots of coverage and easy maneuverability. All media.
Round – Useful for detail, wash, fills and thin to thick lines. All media.
Pointed Round – Fine detailing, fine lines, spotting and retouching. All media.
Detail Round – Details & short strokes. Holds more than you might think.
Angular – For precise strokes and for lines and curves with thick or heavy color. Watercolor or acrylic
Bright – For short, controlled strokes, and with thick or heavy color. Oil or acrylic.
Fan – Useful for smoothing and blending, special effects and textures. All media.
Filbert (Oval) – Soft rounded edges, the filbert is suitable for blending and figurative work. Oil and acrylic.
Egbert – Soft, rounded edges, blending, figurative work. Oil and acrylic.
Flat – Use for bold, sweeping strokes or on edge for fine lines. Provides lots of coverage and easy maneuverability. All media.
Round – Useful for detail, wash, fills and thin to thick lines. All media.
Pointed Round – Fine detailing, fine lines, spotting and retouching. All media.
Stretched Canvas – Canvas wrapped over stretcher bars.
Canvas Roll – Save money, used to stretch unusual shapes or very very large. Whole rolls can be expensive .
Canvas Panels – Good for beginners. Cheap, compact & lightweight. Not permanent and will degrade over tiem.
Canvas Pads – Great for beginners. Might last years, but not remembered. Inexpensive alternative.
Gloss – Glossy/Shiny
Matte – Flat / Not shiny
Satin – Semi-gloss.
Resin – Better high gloss finish.
Polymer – Non-Toxic & can be diluted with water. Easy to cleanup.