Sound style and onomatopoeia

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Sound,Sound,
Style andStyle and
OnomatopeiOnomatopei
aa

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OnomatopeiaOnomatopeia

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OnomatopoeiaOnomatopoeia isis
defined as a word, whichdefined as a word, which
imitates the naturalimitates the natural
sounds of things.sounds of things.

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Lexical OnomatopoeiaLexical Onomatopoeia
Lexical onomatopoeiaLexical onomatopoeia draws upondraws upon
recognized words in the languagerecognized words in the language
system whose pronunciation enactssystem whose pronunciation enacts
symbolically their referents outsidesymbolically their referents outside
language.language.
thudthud
crackcrack
slurpslurp
buzzbuzz

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Nonlexical onomatopoeiaNonlexical onomatopoeia, by, by
contrast, refers to clusters of soundscontrast, refers to clusters of sounds
which echo the world in a morewhich echo the world in a more
unmediated way, without theunmediated way, without the
intercession of linguistic structure.intercession of linguistic structure.
vrrrmmmvrrrmmm
shhhhshhhhshhhhshhhh
pshhhshpshhhsh
zzzzzzzzzzzz

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StyleStyle
VariationVariation
InIn
NarrativeNarrative

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Points of ViewPoints of View
First-person narratorFirst-person narrator
The character-narrator tells the story fromThe character-narrator tells the story from
his/her point of view. It is a limited point ofhis/her point of view. It is a limited point of
view as the reader will only know what theview as the reader will only know what the
character knows.character knows.
Third-person narratorThird-person narrator
The narrator is not part of the plot andThe narrator is not part of the plot and
tells the story in the third person.tells the story in the third person.
Usually the narrator is all-knowing.Usually the narrator is all-knowing.

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The ways in which the story isThe ways in which the story is
focused :focused : physical perceptionphysical perception
(close, distant, panoramic);(close, distant, panoramic); cognitivecognitive
orientationorientation (knowledge of the world(knowledge of the world
described);described); emotive orientationemotive orientation
(subjective/objective). Often the(subjective/objective). Often the
narrator is the focaliser.narrator is the focaliser.
FocaliserFocaliser

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A marked limiting of narrativeA marked limiting of narrative
perspective to that of an individualperspective to that of an individual
character within the story. We see thecharacter within the story. We see the
story in the gradual and accumulativestory in the gradual and accumulative
unfolding of the focal points that areunfolding of the focal points that are
reflected in his visualization.reflected in his visualization.
ReflectReflect
oror

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Graphological DeviationGraphological Deviation
andand
Style VariationStyle Variation

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GraphologyGraphology
GraphologyGraphology is the encodingis the encoding
of meaning in visual symbols.of meaning in visual symbols.

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 Related to type of print, grammetrics,Related to type of print, grammetrics,
punctuation, indentation, etc.punctuation, indentation, etc.
 The deviation in which poetsThe deviation in which poets
disregard the rules of writing. They writedisregard the rules of writing. They write
the words in such a way without anythe words in such a way without any
boundaries in lines, space, or rhymes.boundaries in lines, space, or rhymes.
Graphological DeviationGraphological Deviation

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Visually Symbolic EffectsVisually Symbolic Effects
Shape of TextShape of Text
Design of the shape of a text inDesign of the shape of a text in
an unconventional way:an unconventional way:
suggestive of a certain literarysuggestive of a certain literary
theme.theme.

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Rebus PuzzlesRebus Puzzles
side showside show crossbreedcrossbreed
split personalitysplit personality too little too latetoo little too late

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A Feminist-A Feminist-
StylisticStylistic
ApplicationApplication

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 Feminist stylisticsFeminist stylistics has its roots in thehas its roots in the
theories and practices of feministtheories and practices of feminist
criticism which began in the Unitedcriticism which began in the United
States and France.States and France.
 Feminist criticismFeminist criticism itself derives itsitself derives its
theoretical basis from the larger feministtheoretical basis from the larger feminist
movement which advocates the social,movement which advocates the social,
political and economic equality betweenpolitical and economic equality between
the sexes.the sexes.

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The purpose of this approach to stylisticsThe purpose of this approach to stylistics
is to explore the ways in which literatureis to explore the ways in which literature
expresses (or otherwise) a decidedlyexpresses (or otherwise) a decidedly
female consciousness. It seeks tofemale consciousness. It seeks to
formulate an authentic counter-image offormulate an authentic counter-image of
women through their writings.women through their writings.
Feminist stylisticiansFeminist stylisticians seek toseek to
write the woman into relevance.write the woman into relevance.

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--END----END--
Prepared by:Prepared by:
Gladys Anna P. GuañezGladys Anna P. Guañez

Sound style and onomatopoeia

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